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Emanuel Ax in 1980 (Nick Sangiamo photo)
Wishing a very happy seventieth birthday to the remarkable American pianist Emanuel Ax! A longtime Chicago favorite—in recital, as a chamber musician, and as soloist with orchestra—he has appeared in Orchestra Hall and at the Ravinia Festival on near-countless occasions.
Following first place triumphs at the Michaels Award of Young Concert Artists and the Artur Rubinstein International Piano Master Competition, Ax made his local debut at Ravinia on July 23, 1975, substituting for an indisposed Alexis Weissenberg. Performing an all-Chopin program, “the young Polish-American master took the evening by storm,” according to Thomas Willis in the Chicago Tribune. “Still in his middle twenties . . . there is nothing of the poseur in him, no excess mannerism, no youthful sentimentality, no histrionic display. He walks onstage, settles solidly onto the bench, shakes a hand to limber up, and begins to play. At that moment, or within a few seconds, a transformation of near miraculous proportions takes place. . . . This is quite possibly the outstanding poet-performer of his generation.”
Ax made two debuts with the Chicago Symphony Orchestra the following year in 1976, on May 20 and 21 in Orchestra Hall, performing Liszt’s Second Piano Concerto under the baton of Henry Mazer, and on July 29 at the Ravinia Festival, as soloist in Mozart’s Piano Concerto no. 20 with Andrew Davis on the podium. According to Alan Artner in the Chicago Tribune, media reports following Ax’s competition wins had compared the young pianist to Vladimir Horowitz and Sviatoslav Richter. “But to have actually heard him in Liszt’s Second Concerto was to discover that Ax in n a class virtually by himself. . . . His performance was intelligent, wholly refreshing . . .”
Emanuel Ax in 2016 (Lisa Marie Mazzucco photo)
Since then, Ax has been one of the most frequent guest artists in Orchestra Hall and at the Ravinia Festival, performing with the Chicago Symphony Orchestra as well as with visiting orchestras, and as a chamber musician and recitalist with an astounding array of collaborators. He has worked with conductors David Afkham, Daniel Barenboim, James Conlon, James DePreist, Sir Mark Elder, Christoph Eschenbach, Lawrence Foster, Bernard Haitink, Daniel Harding, Mariss Jansons, Bernhard Klee, James Levine, Zubin Mehta, Itzhak Perlman, David Robertson, Gennady Rozhdestvensky, Leonard Slatkin, Sir Georg Solti, Michael Tilson Thomas, and Christoph von Dohnányi. Ax also has collaborated with Yefim Bronfman, Robert Chen, Evelyn Glennie,
Benjamin Hochman, Aleksey Igudesman, Richard Hyung-ki Joo, Jaime Laredo, Yo-Yo Ma, Anthony McGill, Orli Shaham, Raimi Solomonow, Isaac Stern, Anne Sofie von Otter, and Orion Weiss. With visiting orchestras, he also has performed in Orchestra Hall with the Cleveland Orchestra, Deutsche Kammerphilharmonie, Juilliard Orchestra, National Symphony Orchestra, and the Orpheus Chamber Orchestra.
Ax returns to the Ravinia Festival this summer, as soloist with the Chicago Symphony Orchestra on August 2, 2019, in Brahms’s Second Piano Concerto with Rafael Payare on the podium. He will be back in Orchestra Hall next season on March 2, 2020, for an all-Beethoven chamber music concert, collaborating with violinist Leonidas Kavakos and cellist Yo-Yo Ma.
Happy, happy birthday!
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Dame Kiri Te Kanawa (IMG Artists photo)
Wishing a very happy seventy-fifth birthday to the celebrated New Zealand soprano Dame Kiri Te Kanawa!
With the Chicago Symphony Orchestra and Chorus, Te Kanawa has appeared in concert—in Orchestra Hall, at the Ravinia Festival, and in Carnegie Hall—and on recording on a number of notable occasions. The complete list is below.
May 4, 5, and 6, 1978, Orchestra Hall
May 12, 1978, Carnegie Hall
BRAHMS A German Requiem, Op. 45
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
Recorded at Medinah Temple on May 15 and 16, 1978. For London Records, James Mallinson was the recording producer, and Kenneth Wilkinson and Colin Moorfoot were the balance engineers.
March 23, 24, 25, and 26, 1983, Orchestra Hall
DUPARC Melodies françaises
MAHLER Symphony No. 4 in G Major
Sir Georg Solti, conductor
Mahler’s Fourth Symphony was recorded in Orchestra Hall on April 28 and 29, 1983. For London Records, James Mallinson was the recording producer, and James Lock and John Dunkerley were the balance engineers.
October 1, 2, and 9, 1984, Orchestra Hall (recording sessions only)
HANDEL Messiah
Anne Gjevang, contralto
Keith Lewis, tenor
Gwynne Howell, bass-baritone
Chicago Symphony Chorus
Margaret Hillis director
For London Records, Ray Minshull was the recording producer, and James Lock and Simon Eadon were the balance engineers.
Handel’s Messiah also was performed on subscription concerts on September 27, 28, and 29, 1984. In addition to the cast above, Elizabeth Hynes was the soprano soloist.
June 29, 1985, Ravinia Festival
HANDEL Let the Bright Seraphim from Samson
MOZART Bella mia fiamma, K. 528
STRAUSS Four Last Songs
James Levine, conductor
March 19 and 21, 1987
BACH Saint Matthew Passion, BWV 244
Anne Sofie von Otter, mezzo-soprano
Thomas Moser, tenor
Tom Krause, bass
Hans Peter Blochwitz, tenor
Olaf Bär, baritone
Richard Cohn, baritone
Patrice Michaels, soprano
Debra Austin, mezzo-soprano
William Watson, tenor
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor
Recorded in Orchestra Hall on March 23, 24, 28, 30, and 31, 1987. For London Records, Andrew Cornall was the recording producer, and Simon Eadon and John Pellowe were the balance engineers.
Sir Georg Solti leads the Orchestra along with Plácido Domingo and Kiri Te Kanawa in the final scene from act 1 of Verdi’s Otello on October 9, 1987 (Jim Steere photo)
June 28, 1987, Ravinia Festival
MOZART Così fan tutte, K. 588
Dawn Upshaw, soprano
Tatiana Troyanos, mezzo-soprano
Jerry Hadley, tenor
Håkan Hagegård, baritone
John Cheek, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Richard Garrin, director
James Levine, conductor
October 9, 1987, Orchestra Hall (A Concert in Honor of the 75th Birthday of Sir Georg Solti)
VERDI Excerpts from Act 1 of Otello
Plácido Domingo, tenor
Joseph Wolverton, tenor
Kurt R. Hansen, tenor
Richard Cohn, baritone
David Huneryager, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
The concert was recorded for radio broadcast, and for WFMT, Norman Pellegrini was the producer and Mitchell G. Heller was the engineer. The duet “Già nella notte densa” was released on Solti: The Legacy in 2012, and for London Records, Matthew Sohn was the restoration engineer.
April 8 and 12, 1991, Orchestra Hall
April 16 and 19, 1991, Carnegie Hall
VERDI Otello
Luciano Pavarotti, tenor
Leo Nucci, baritone
Elzbieta Ardam, mezzo-soprano
Anthony Rolfe Johnson, tenor
John Keyes, tenor
Dimitri Kavrakos, bass
Alan Opie, baritone
Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Chicago Children’s Choir (April 8 and 12)
Leslie Britton, director
Metropolitan Opera Children’s Chorus (April 16 and 19)
Elena Doria, director
Recorded live in Orchestra Hall on April 8 and 12 and in Carnegie Hall on April 16 and 19, 1991. For London Records, Michael Haas was the recording producer, Christopher Pope was the assistant recording producer, and James Lock and John Pellowe were the balance engineers.
July 28, 2001, Ravinia Festival
STRAUSS Four Last Songs
LÉHAR “Lippen Schweigen” from Die lustige Witwe
LÉHAR “Vilja” from Die lustige Witwe
LÉHAR “Meine Lippen, sie küssen so heiss” from Giuditta
Christoph Eschenbach, conductor
July 19, 2008, Ravinia Festival
STRAUSS Morgen!, Op. 27, No. 4
STRAUSS Ständchen, Op. 17, No.2
STRAUSS Cäcilie, Op. 27, No. 2
CANTELOUBE Baïlèro, La delaïssádo, and Lo fiolairé from Chants d’Auvergne
PUCCINI Mi chiamano Mimì and Donde lieta uscì from La bohème
CILEA Io son l’umile ancella from Adriana Lecouvreur
James Conlon, conductor
Happy, happy birthday!
Kiri Te Kanawa and Luciano Pavarotti onstage at Orchestra Hall in April 1991 (Jim Steere photo)
Wishing a very happy eightieth birthday to the wonderful Welsh bass, Gwynne Howell!
Gwynne Howell (Guy Gravett photo)
Howell has appeared with the Chicago Symphony Orchestra on a number of notable occasions and on several award-winning recordings between 1974 and 1990. A complete list is below (concerts at Orchestra Hall, unless otherwise noted).
April 12 and 13, 1974
BACH Saint Matthew Passion, BWV 232
Sir Georg Solti, conductor
Heather Harper, soprano
Helen Watts, contralto
Jerry Jennings, tenor
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
April 24 and 26, 1975
April 30, 1975 (Carnegie Hall)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
January 29, 30, and 31, 1976
STRAVINSKY Oedipus Rex
Sir Georg Solti, conductor
Peter Pears, tenor
Josephine Veasey, mezzo-soprano
Donald Gramm, bass-baritone
Gwynne Howell, bass
Mallory Walker, tenor
Dominic Cossa, baritone
Werner Klemperer, narrator
Men of the Chicago Symphony Chorus
Margaret Hillis, chorus director
May 5, 6, and 7, 1977
May 13, 1977 (Carnegie Hall)
BEETHOVEN Missa solemnis, Op. 123
Sir Georg Solti, conductor
Victor Aitay, violin
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded in Chicago’s Medinah Temple on May 16, 17, and 18, 1977. For London Records, Ray Minshull was the producer and Kenneth Wilkinson, John Dunkerley, and Michael Mailes were the engineers. The recording won the 1978 Grammy Award for Best Choral Performance, Classical (other than opera) from the National Academy of Recording Arts and Sciences.
May 10 and 12, 1979
May 19, 1979 (Carnegie Hall)
BEETHOVEN Fidelio, Op. 72
Hildegard Behrens, soprano
Sona Ghazarian, soprano
Peter Hofmann, tenor
David Kübler, tenor
Theo Adam, baritone
Hans Sotin, bass
Gwynne Howell, bass
Robert Johnson, tenor
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director
The opera was recorded at Medinah Temple on May 21, 22, 23, and 24, 1979. For London Records, Ray Minshull was the producer, Michael Haas was the assistant producer, and James Lock, David Frost, and Tony Griffiths were the engineers.
April 7, 9, and 12, 1983
April 18, 1983 (Carnegie Hall)
WAGNER Das Rheingold
Siegmund Nimsgern, bass-baritone
Hermann Becht, baritone
Gabriele Schnaut, mezzo-soprano
Siegfried Jerusalem, tenor
Robert Tear, tenor
Jan DeGaetani, mezzo-soprano
Malcolm Smith, bass
Gwynne Howell, bass
Mary Jane Johnson, soprano
John Cheek, bass-baritone
Dennis Bailey, tenor
Michelle Harman-Gulick, soprano
Elizabeth Hynes, soprano
Emily Golden, mezzo-soprano
September 27, 28, and 29, 1984
HANDEL Messiah
Elizabeth Hynes, soprano
Anne Gjevang, contralto
Keith Lewis, tenor
Gwynne Howell, bass
David Schrader, harpsichord
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded in Orchestra Hall on October 1, 2, and 9, 1984. For London Records, Ray Minshull was the producer, and James Lock and Simon Eadon were balance engineers.
January 25, 26, and 28, 1990
BACH Mass in B Minor, BWV 232
Felicity Lott, soprano
Anne Sofie von Otter, mezzo-soprano
Hans Peter Blochwitz, tenor
William Shimell, baritone
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded on January 25, 26, and 28, 1990, in Orchestra Hall. For London Records, Michael Haas was the recording producer, and Stanley Goodall and Simon Eadon were the balance engineers. The recording won the 1991 Grammy Award for Best Performance of a Choral Work from the National Academy of Recording Arts and Sciences.
Check out the video below, produced by Wild Plum Arts, in which Howell talks about working with Solti and many others.
Happy, happy birthday!
Under the leadership of chorus directors Margaret Hillis and Duain Wolfe, the Chicago Symphony Chorus has won ten Grammy awards from the National Academy of Recording Arts and Sciences in the category of Best Choral Performance.*
Recordings have been led by music directors Sir Georg Solti and Riccardo Muti, principal guest conductor Pierre Boulez, and Ravinia Festival music director James Levine on RCA, London, Deutsche Grammophon, and CSO Resound.
1977 – Best Choral Performance–Classical
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on June 1 and 2, 1977, for RCA
Thomas Z. Shepard, producer
Paul Goodman, recording engineer
1978 – Best Choral Performance–Classical
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Victor Aitay, violin
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 16, 17, and 18, 1977, for London
Ray Minshull, producer
Kenneth Wilkinson, John Dunkerley, and Michael Mailes, balance engineers
1979 – Best Choral Performance–Classical
BRAHMS A German Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 15 and 16, 1978, for London
James Mallinson, recording producer
Kenneth Wilkinson and Colin Moorfoot, balance engineers
1982 – Best Choral Performance–Classical
BERLIOZ The Damnation of Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, mezzo-soprano
Kenneth Riegel, tenor
José van Dam, bass-baritone
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 4, 5, 6, and 7, 1981, for London
James Mallinson, recording producer
James Lock and Simon Eadon, balance engineers
1983 – Best Choral Performance
HAYDN The Creation
Sir Georg Solti, conductor
Sylvia Greenberg, soprano
Norma Burrowes, soprano
Rudiger Wohlers, tenor
James Morris, bass-baritone
Siegmund Nimsgern, bass
David Schrader, harpsichord
Frank Miller, cello
Joseph Guastafeste, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on November 9, 10, and 11, 1981, for London
Paul Myers, recording producer
James Lock and John Dunkerley, balance engineers
1984 – Best Choral Performance
BRAHMS A German Requiem, Op. 45
James Levine, conductor
Kathleen Battle, soprano
Håkan Hagegård, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on July 5 and 6, 1983, for RCA
Thomas Z. Shepard, producer
Paul Goodman, recording engineer
John Newton and Thomas MacCluskey, engineers
1986 – Best Choral Performance
ORFF Carmina burana
James Levine, conductor
June Anderson, soprano
Philip Creech, tenor
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on July 9 and 10, 1984, for Deutsche Grammophon
Steven Paul, producer
Cord Garben, recording supervisor
Klaus Scheibe, recording engineer
Jürgen Bulgrin, editing
1991 – Best Performance of a Choral Work
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, soprano
Anne Sofie von Otter, mezzo-soprano
Hans Peter Blochwitz, tenor
William Shimmell, baritone
Gwynne Howell, bass
Richard Webster, organ
John Sharp, cello
Willard Elliot, bassoon
Joseph Guastafeste, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on January 25, 26, and 28, 1990, for London
Michael Haas, recording producer
Stanley Goodall and Simon Eadon, balance engineers
1993 – Best Performance of a Choral Work
BARTÓK Cantata profana
Pierre Boulez, conductor
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on December 16, 1991, for Deutsche Grammophon
Alison Ames, executive producer
Karl-August Naegler, recording producer
Rainer Maillard, balance engineer
Oliver Rosalla, editing
2010 – Best Choral Performance
VERDI Messa da Requiem
Riccardo Muti, conductor
Barbara Frittoli, soprano
Olga Borodina, mezzo-soprano
Mario Zeffiri, tenor
Ildar Abdrazakov, bass
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall on January 15, 16, and 17, 2009, for CSO Resound
Christopher Alder, producer
Christopher Willis, recording engineer
David Frost and Tom Lazarus, mixing
Silas Brown and David Frost, stereo mastering
*The name of the category has changed slightly over the years; see here for details.
The Chicago Symphony Orchestra family joins the music world in mourning the death of tenor Johan Botha, who died earlier today in Vienna at the age of 51 following a long illness.
A remarkably versatile singer, Botha was known for a vast number of roles in works by Beethoven, Puccini, Strauss, Verdi, and Wagner, among others. During his nearly thirty-year career, he appeared regularly on many of the world’s opera stages, including La Scala; the Royal Opera House Covent Garden; the Metropolitan Opera; the Vienna Staatsoper, where he made his home; and Lyric Opera of Chicago, where he most recently appeared in Wagner’s Tannhäuser in 2015.
Born on August 19, 1965, in the northern South African city of Rustenburg, Botha studied at the Technical College Pretoria. He made his debut as Max in Weber’s Der Freischütz at the Staatstheater Roodepoort in 1989, and the following year traveled to Germany, where he sang with the Bayreuth Festival Chorus before making his debut as Gustavus in Verdi’s Un ballo in maschera in Kaiserslautern. Botha made his United States debut in 1994, as Florestan in Beethoven’s Fidelio at the Spoleto Festival in Charleston, South Carolina; and he first appeared with Lyric Opera of Chicago in 1998, as Enzo in Ponchielli’s La gioconda.
He is survived by his wife and two sons.
Botha appeared with the Chicago Symphony Orchestra on two occasions, as follows:
September 13, 1996 (Royal Albert Hall, London)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Deborah Voigt, soprano
Anne Sofie von Otter, mezzo-soprano
Johan Botha, tenor
René Pape, bass
BBC Singers
London Voices
Terry Edwards, director
April 24, 26, and 28, 2001 (Orchestra Hall)
VERDI Requiem
Daniel Barenboim, conductor
Margaret Jane Wray, soprano (April 24)
Deborah Voigt, soprano (April 26 and 28)
Violeta Urmana, mezzo-soprano
Johan Botha, tenor
René Pape, bass
Chicago Symphony Chorus
Duain Wolfe, director
____________________________________________________
Royal Albert Hall, August 28, 1989 (Jim Steere photo)
On August 28, 1989, in London’s Royal Albert Hall, Sir Georg Solti led the Orchestra and the Chicago Symphony Chorus—in its European debut—in Berlioz’s The Damnation of Faust. Soloists included mezzo-soprano Anne Sofie von Otter, tenor Keith Lewis, bass-baritone José van Dam, and bass Peter Rose.
“I doubt that there will be a better Prom this year,” wrote Tom Sutcliffe in The Independent. “The sheer accuracy of the playing is astounding. . . . The crispness of the rhythms, the ability to switch mood in a phrase, ran throughout the ensemble— and of course when excitement or shock was needed, it sprang out instantly at Solti’s slightest indication, providing marvelous evidence of a long and deep relationship between instruments and conductor in which little needed to be said or shown for everything meant to be instantly understood. . . . And what a chorus the Chicago Symphony has, to comply with Solti’s needs, youthful, beautiful in tone and robust in attack, every word totally clear, understood and stylishly enunciated. Well, Solti’s chorus master is Margaret Hillis—simply the best.”
The Orchestra and Chorus also performed Berlioz’s Faust on August 30 in Salzburg’s Grosses Festspielhaus, and Solti and the Orchestra continued on through Switzerland, Germany, Denmark, Sweden, France, and the Netherlands before returning to London’s Royal Albert Hall* for the final concert of the tour on September 18.
The August 28 concert was recorded for television broadcast and later released by London Records on video.
Also for London, Solti conducted the Orchestra, Chorus, and soloists (including mezzo-soprano Frederica von Stade, tenor Kenneth Riegel, bass-baritone José van Dam, and bass Malcolm King) in recording sessions of The Damnation of Faust in May 1981 at Medinah Temple. The recording was awarded the 1982 Grammy Award for Best Classical Performance–Choral.
*The September 18 concert originally had been scheduled for London’s Royal Festival Hall. As a result of a pay dispute earlier that month, there was the prospect of a strike between the unions representing the technicians and box office staff and management at South Bank Centre. The concert was moved to Royal Albert Hall to avoid the possibility of Orchestra musicians crossing picket lines.
This article also appears here.
Did you know that Helen Regenstein Conductor Emeritus Pierre Boulez is the third all-time Grammy Awards champ? He received his first two Grammy Awards in February 1968, the same evening The Beatles won Album of the Year for Sgt. Pepper’s Lonely Hearts Club Band!
Sir Georg Solti, the Chicago Symphony Orchestra’s eighth music director, won thirty-one Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other recording artist. Alison Krauss and Quincy Jones tie for the number two slot with twenty-seven awards each, and Boulez is number three, with twenty-six Grammy Awards, including eight with the Chicago Symphony Orchestra and Chorus.
Following is a complete list of Pierre Boulez’s Grammy Awards† to date:
1967
Album of the Year—Classical (1)
Best Opera Recording (2)
BERG Wozzeck
Pierre Boulez, conductor
Walter Berry, Ingeborg Lasser, Isabel Strauss, Fritz Uhl, Carl Doench
Paris National Opera Orchestra and Chorus
Thomas Z. Shepard, producer
CBS
(For Album of the Year—Classical, there was a tie that year. Boulez’s recording of Berg’s Wozzeck tied with Leonard Bernstein‘s recording of Mahler’s Symphony no. 8 with the London Symphony Orchestra, also for CBS. Soloists included Erna Spoorenberg, Gwyneth Jones, Gwenyth Annear, Anna Reynolds, Norma Procter, John Mitchinson, Vladimir Ruzdiak, and Donald McIntyre; and the choruses were the Leeds Festival Chorus, London Symphony Orchestra Chorus, Orpington Junior Singers, Highgate School Boys’ Choir, and the Finchley Children’s Music Group. John McClure was the producer.)
1968
Best Classical Performance—Orchestra (3)
DEBUSSY Jeux, La mer, Prelude to The Afternoon of a Faun
Pierre Boulez, conductor
New Philharmonia Orchestra
CBS
1969
Best Classical Performance—Orchestra (4)
DEBUSSY Images for Orchestra
Pierre Boulez, conductor
The Cleveland Orchestra
CBS
1970
Best Classical Performance—Orchestra (5)
STRAVINSKY The Rite of Spring
Pierre Boulez, conductor
The Cleveland Orchestra
CBS
1973
Album of the Year—Classical (6)
Best Classical Performance—Orchestra (7)
BARTÓK Concerto for Orchestra
Pierre Boulez, conductor
New York Philharmonic
Thomas Z. Shepard, producer
CBS
1975
Best Classical Performance—Orchestra (8)
RAVEL Daphnis et Chloé
Pierre Boulez, conductor
New York Philharmonic
Camerata Singers
Abraham Kaplan, director
CBS
1980
Best Classical Album (9)
Best Opera Recording (10)
BERG Lulu
Pierre Boulez, conductor
Teresa Stratas, Yvonne Minton, Hanna Schwarz, Franz Mazura, Kenneth Riegel, Toni Blankenheim, Robert Tear, Helmut Pampuch
Paris Opera Orchestra
Gunther Breest and Michael Horwath, producers
Deutsche Grammophon
1982
Best Opera Recording (11)
WAGNER Der Ring des Nibelungen
Pierre Boulez, conductor
Donald McIntyre, Gwyneth Jones, Heinz Zednik, Hermann Becht, Jeannine Altmeyer, Manfred Jung, Matti Salminen, Ortrun Wenkel, Peter Hofmann, and Siegfried Jerusalem
Bayreuth Festival Orchestra and Chorus
Andrew Kazdin, producer
Philips
1993
Best Classical Album (12)
Best Orchestral Performance* (13)
Best Performance of a Choral Work** (14)
BARTÓK The Wooden Prince* and Cantata profana**
Pierre Boulez, conductor
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Symphony Orchestra
Karl-August Naegler, producer
Deutsche Grammophon
1994
Best Classical Album (15)
Best Orchestral Performance (16)
BARTÓK Concerto for Orchestra and Four Orchestral Pieces
Pierre Boulez, conductor
Chicago Symphony Orchestra
Karl-August Naegler, producer
Deutsche Grammophon
1995
Best Classical Album (17)
Best Orchestral Performance* (18)
DEBUSSY La mer*, Nocturnes, Jeux, and First Rhapsody for Clarinet
Pierre Boulez, conductor
Franklin Cohen, clarinet
Women of The Cleveland Orchestra Chorus
Gareth Morell, director
Karl-August Naegler, producer
Deutsche Grammophon
1996
Best Small Ensemble Performance (with or without a conductor) (19)
BOULEZ . . . explosante-fixe . . .
Pierre Boulez, conductor
Ensemble InterContemporain
Deutsche Grammophon
1997
Best Orchestral Performance (20)
BERLIOZ Symphonie fantastique and Tristia
Pierre Boulez, conductor
The Cleveland Orchestra Chorus
Gareth Morell, director
The Cleveland Orchestra
Deutsche Grammophon
1998
Best Orchestral Performance* (21)
Best Opera Recording** (22)
MAHLER Symphony No. 9*
BARTÓK Bluebeard’s Castle**
Jessye Norman, soprano
László Polgár, bass
Pierre Boulez, conductor
Chicago Symphony Orchestra
Deutsche Grammophon
1999
Best Classical Contemporary Composition (23)
BOULEZ Répons
Pierre Boulez, composer
Deutsche Grammophon
2001
Best Orchestral Performance (24)
VARÈSE Amériques, Arcana, Déserts, and Ionisation
Pierre Boulez, composer
Chicago Symphony Orchestra
Deutsche Grammophon
2003
Best Orchestral Performance (25)
MAHLER Symphony No. 3
Pierre Boulez, conductor
Anne Sofie von Otter, mezzo-soprano
Women’s Chorus of the Wiener Singverein
Johannes Prinz, director
Vienna Boys’ Choir
Gerald Wirth, director
Vienna Philharmonic
Deutsche Grammophon
2005
Best Small Ensemble Performance (with our without a conductor) (26)
BOULEZ Le marteau sans maître, Dérive 1, Dérive 2
Pierre Boulez, conductor
Hilary Summers, contralto
Ensemble InterContemporain
Deutsche Grammophon
†A database of former Grammy Award winners can be found here; category titles have changed over the years. For opera recordings, only principal soloists are listed.
Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.
____________________________________________________
Royal Albert Hall, London, England – August 28, 1989
Sir Georg Solti led the Chicago Symphony Orchestra’s sixth trip to Europe in August and September 1989, including stops in Austria, Denmark, England, France, Germany, The Netherlands, Sweden, and Switzerland. And for the first two concerts of the tour, the Chicago Symphony Chorus joined the Orchestra for the first time on an overseas tour.
August 28, 1989 – Royal Albert Hall, London, England
August 30, 1989 – Grosses Festspielhaus, Salzburg, Austria
BERLIOZ The Damnation of Faust
Anne Sofie von Otter, mezzo-soprano
Keith Lewis, tenor
José van Dam, bass-baritone
Peter Rose, bass
Chicago Symphony Chorus
Margaret Hillis, chorus director
Westminster Cathedral Choir
James O’Donnell, chorus director
August 31, 1989 – Grosses Festspielhaus, Salzburg, Austria
September 3, 1989 – Kunsthaus, Lucerne, Switzerland
September 8, 1989 – Grosse Musikhalle, Hamburg, Germany
September 15, 1989 – Salle Pleyel, Paris, France
September 16, 1989 – Concertgebouw, Amsterdam, The Netherlands
September 18, 1989 – Royal Albert Hall, London, England
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
SHOSTAKOVICH Symphony No. 8 in C Minor, Op. 65
Stockholm
September 4, 1989 – Kunsthaus, Lucerne, Switzerland
September 5, 1989 – Philharmonie am Gasteig, Munich, Germany
September 7, 1989 – Tonhalle, Düsseldorf, Germany
September 9, 1989 – Tivoli, Copenhagen, Denmark
September 11, 1989 – Göteborgs Konserthus, Göteborg, Sweden
September 12, 1989 – Konserthuset, Stockholm, Sweden
ROSSINI Overture to The Barber of Seville
BARTÓK Suite from The Miraculous Mandarin
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
The August 28 performance of Berlioz’s The Damnation of Faust was recorded for television broadcast and later released on VHS and DVD. Kenneth Corden was the executive producer and the film was directed by Rodney Greenberg. A couple of clips from the program are below.
The attached YouTube videos are not the property of the Chicago Symphony Orchestra Association. We just thought they were interesting.
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Solti and Margaret Hillis show off their 1986 Grammy Awards for Liszt’s Faust Symphony and Orff’s Carmina burana.
Sir Georg Solti won thirty-one Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other recording artist. Twenty-four of those awards were with the Chicago Symphony Orchestra and Chorus. In addition, Solti and producer John Culshaw received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Sir Georg also received the Academy’s 1995 Lifetime Achievement Award.
Alison Krauss and Quincy Jones tie for the number two slot with twenty-seven awards each, and Pierre Boulez—CSO conductor emeritus and former principal guest conductor—is number three, with twenty-six Grammy Awards, including eight with the Chicago Symphony Orchestra and Chorus.
Following is a complete list of Sir Georg Solti’s Grammy Awards.*
1962
Best Opera Recording (1)
VERDI Aida
Georg Solti, conductor
Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi
Rome Opera House Orchestra and Chorus
RCA
1966
Best Opera Recording (2)
WAGNER Die Walküre
Georg Solti, conductor
Birgit Nilsson, Régine Crespin, Christa Ludwig, James King, Hans Hotter, Gottlob Frick
Vienna Philharmonic
London
1972
Album of the Year—Classical (3)
Best Choral Performance—Classical (other than opera) (4)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, Lucia Popp, Arleen Augér, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela
Chicago Symphony Orchestra
Chorus of the Vienna State Opera
Singverein Chorus
Vienna Boys’ Choir
Norbert Balatsch and Helmut Froschauer, chorus masters
David Harvey, producer
London
1972
Best Classical Performance—Orchestra (5)
MAHLER Symphony No. 7 in E Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London
1974
Album of the Year—Classical (6)
Best Classical Performance—Orchestra (7)
BERLIOZ Symphonie fantastique, Op. 14
Sir Georg Solti, conductor
Chicago Symphony Orchestra
David Harvey, producer
London
1974
Best Opera Recording (8)
PUCCINI La bohème
Sir Georg Solti, conductor
Montserrat Caballé, Judith Blegen, Plácido Domingo, Sherrill Milnes, Vicente Sardinero, Ruggero Raimondi
London Philharmonic Orchestra
John Alldis Choir
Wandsworth School Boys’ Choir
RCA
1975
Album of the Year—Classical (9)
Beethoven’s Complete Symphonies
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E flat Major, Op. 55 (Eroica)
BEETHOVEN Symphony No. 4 in B flat Major, Op. 60
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Overture to Coriolan, Op. 62
BEETHOVEN Leonore Overture No. 3, Op. 72b
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Chorus
Margaret Hillis, director
Ray Minshull and David Harvey, producers
London
1976
Best Classical Orchestral Performance (10)
STRAUSS Also sprach Zarathustra
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London
1977
Best Choral Performance (other than opera) (11)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, Janet Baker, Veriano Luchetti, José van Dam
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
RCA
1978
Best Choral Performance, Classical (other than opera) (12)
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London
1979
Best Classical Album (13)
Best Classical Orchestral Recording (14)
Brahms’s Complete Symphonies
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 4 in E Minor, Op. 98
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Tragic Overture, Op. 81
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London
1979
Best Choral Performance, Classical (other than opera) (15)
BRAHMS Ein deutsches Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, Bernd Weikl
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London
1980
Best Classical Orchestral Recording (16)
BRUCKNER Symphony No. 6 in A Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London
1981
Best Classical Album (17)
Best Classical Orchestral Recording (18)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, Mira Zakai
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London
1982
Best Choral Performance (other than opera) (19)
BERLIOZ La Damnation de Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, Kenneth Riegel, José van Dam, Malcolm King
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
London
1983
Best Classical Album (20)
Best Classical Orchestral Recording (21)
MAHLER Symphony No. 9 in D Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London
1983
Best Opera Recording (22)
MOZART Le nozze di Figaro, K. 492
Sir Georg Solti, conductor
Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll
London Philharmonic Orchestra
London Opera Chorus
Christopher Raeburn, producer
London
This recording actually tied with the soundtrack for Verdi’s La traviata with James Levine conducting the Metropolitan Opera Orchestra; principal soloists Teresa Stratas, Plácido Domingo, and Cornell MacNeil.
1983
Best Choral Performance (other than opera) (23)
HAYDN The Creation
Sir Georg Solti, conductor
Norma Burrowes, Sylvia Greenberg, Rüdiger Wohlers, James Morris, Siegmund Nimsgern
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London
1985
Best Opera Recording (24)
SCHOENBERG Moses und Aron
Sir Georg Solti, conductor
Franz Mazura, Philip Langridge
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London
1986
Best Classical Orchestral Recording (25)
LISZT A Faust Symphony
Sir Georg Solti, conductor
Siegfried Jerusalem
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London
1987
Best Orchestral Recording (26)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London
1988
Best Opera Recording (27)
WAGNER Lohengrin
Sir Georg Solti, conductor
Jessye Norman, Eva Randová, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Dietrich Fischer-Dieskau
Vienna Philharmonic
Vienna State Opera Chorus
Christopher Raeburn, producer
London
1988
Best Chamber Music Performance (28)
BARTÓK Sonata for Two Pianos and Percussion
Sir Georg Solti and Murray Perahia, pianos
Evelyn Glennie and David Corkhill, percussion
CBS
1991
Best Performance of a Choral Work (29)
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, Anne Sofie von Otter, Hans Peter Blochwitz, William Shimell, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London
1992
Best Opera Recording (30)
STRAUSS Die Frau ohne Schatten
Sir Georg Solti, conductor
Hildegard Behrens, Júlia Várady, Sumi Jo, Reinhild Runkel, Plácido Domingo, José van Dam
Vienna Philharmonic
Vienna State Opera Chorus
Vienna Boys’ Choir
Christopher Raeburn, Morten Winding, and Stephen Trainor, producers
1997
Best Opera Recording (31)
WAGNER Die Meistersinger von Nürnberg
Sir Georg Solti, conductor
Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, René Pape
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe, director
Michael Woolcock, producer
*A database of former Grammy Award winners can be found here; category titles have changed over the years. For opera recordings, only principal soloists are listed.
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With the Chicago Symphony Orchestra and Chorus, Sir Georg Solti conducted Bach’s monumental Saint Matthew Passion on four different occasions at Orchestra Hall:
April 9 and 10, 1971
Jesus: Tom Krause
Evangelist: Richard Lewis
Aria soloists: Heather Harper, Helen Watts, Richard Lewis, Donald Gramm
Other vocal soloists: Alfred Reichel, Stephen Swanson, Nancy Clevenger, Ellen Rico, Linda Mabbs, Jack Abraham, Eugene Johnson, Frederic Chrislip, Karen Zajac
Obbligati: Donald Peck, Richard Graef, Ray Still, Richard Kanter, Grover Schiltz, DeVere Moore, Victor Aitay, Sidney Weiss, Eva Heinitz
Continuo: Eloise Niwa, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus; Barbara Born, director
These performances were dedicated to the memory of Igor Stravinsky, who had died on April 6, 1971.
April 12 and 13, 1974
Jesus: Gwynne Howell
Evangelist: Mallory Walker
Aria soloists: Heather Harper, Helen Watts, Jerry Jennings, Philip Booth
Other vocal soloists: Alfred Reichel, Curtis Dickson, Gershon Silins, Stephen Swanson, Donna Gullstrand, Alexis Darden, Sarah Beatty, Richard Livingston, Philip Creech, Isola Jones
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, John Hsu
Continuo: Eloise Niwa, Mary Sauer, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director
April 4 and 6, 1985
Jesus: Wolfgang Schoene
Evangelist: Anthony Rolfe Johnson
Aria soloists: Pamela Coburn, Brigitte Fassbaender, Thomas Moser, Siegmund Nimsgern
Other vocal soloists: Bruce Cain, Richard Cohn, Jane Green, Joan Welles, Doris Kirschner, Karen Zajac, Tim O’Connor
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, Catharina Meints
Continuo: Mary Sauer, David Schrader, Richard Webster, Leonard Chausow, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director
Saint Matthew Passion recording session in Orchestra Hall
March 19 and 21, 1987
Jesus: Olaf Bär
Evangelist: Hans Peter Blochwitz
Aria soloists: Kiri Te Kanawa, Anne Sofie von Otter, Thomas Moser, Tom Krause
Other vocal soloists: Richard Cohn, Patrice Michaels, Debra Austin, William Watson
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Judith Kulb, Grover Schiltz, Michael Henoch, Samuel Magad, Rubén González, Catharina Meints, Mary Sauer
Continuo: David Schrader, John Sharp, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Lucy Ding, acting director
Following the performances in March 1987, the work was recorded for London Records. Andrew Cornall was the producer, and Simon Eadon and John Pellowe were the engineers.
Solti, members of the Orchestra, and soloists listen to playbacks
I inadvertently neglected to include the 1971 performances in the first version of this post. —FV
