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Wishing a very happy birthday to Michael Gielen, celebrating his ninetieth on July 20, 2017!

Between 1973 and 2002, Maestro Gielen led the Chicago Symphony Orchestra in a broad range of repertoire. A complete list of his appearances (all concerts at Orchestra Hall unless otherwise noted) is below:

December 6 and 7, 1973
December 10, 1973 (Uihlein Hall, Milwaukee)
HAYDN Symphony No. 95 in C Minor
SZYMANOWSKI Violin Concerto No. 2, Op. 61
Wanda Wilkomirska, violin
PENDERECKI Capriccio for Violin and Orchestra
Wanda Wilkomirska, violin
SCRIABIN Symphony No. 3, Op. 43 (The Divine Poem)

March 21, 22, 23, and 26, 1996
MAHLER Symphony No. 6 in A Minor

March 28, 29, and 30, 1996
J. STRAUSS, Jr. Overture to Die Fledermaus
STUCKY Pinturas de Tamayo (Paintings of Tamayo) (world premiere)
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)

October 29, 30, 31, and November 1, 1997
BEETHOVEN Leonore Overture No. 2, Op. 72
CARTER Piano Concerto
Ursula Oppens, piano
Richard Graef, flute
Grover Schiltz, oboe and english horn
J. Lawrie Bloom, clarinet
David Taylor, violin
Charles Pikler, viola
Stephen Balderston, cello
Joseph Guastafeste, bass
SCHUBERT Incidental Music from Rosamunde, D. 797
BEETHOVEN Leonore Overture No. 3, Op. 72

January 11, 12, 13, and 16, 2001
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN/Liszt Andante cantabile from the Piano Trio in G-flat Major, Op. 97 (Archduke)
BEETHOVEN/Gielen Grosse Fuge in B-flat Major, Op. 133
SCHOENBERG Pelleas and Melisande, Op. 5

January 18, 20, and 23, 2001
MAHLER Adagio from Symphony No. 10
LISZT Piano Concerto No. 1 in E-flat Major
Zoltán Kocsis, piano
KURTÁG . . . quasi una fantasia . . .
Zoltán Kocsis, piano
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)

January 17, 18, 29, and 22, 2002
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Elena Bashkirova, piano
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

January 24, 25, 26, and 29, 2002
RAVEL Valses nobles et sentimentales
DUTILLEUX Symphony No. 2 (Le double)
Alex Klein, oboe
Larry Combs, clarinet
David McGill, bassoon
Craig Morris, trumpet
Jay Friedman, trombone
Mary Sauer, piano
Melody Lord-Lundberg, celesta
Donald Koss, timpani
Samuel Magad, violin
Joseph Golan, violin
Charles Pikler, viola
John Sharp, cello
POULENC Concerto for Organ, Strings, and Timpani in G Minor
David Schrader, organ
Donald Koss, timpani
RAVEL La valse

Happy, happy birthday!

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Muenzer, Edgar1

The Chicago Symphony Orchestra family notes with sorrow the passing of Edgar Muenzer, a member of the violin section from 1956 until 2003. He died on July 22, 2016, at the age of 88, following a long illness.

Music was long the lifeblood of the Muenzer family. Edgar’s father, Hans, was concertmaster of the Chicago Theater Orchestra, the WGN Symphonietta, and head of the string department at the University of Iowa; his mother, Esther Payne, was a concert pianist and teacher. His brother Albert was professor of violin at the University of Houston and served as concertmaster of the Houston Grand Opera until his retirement; and his sister, Louise Bruyn, pursued modern dance and taught in Boston.

An alumnus of Lane Technical High School in Chicago and the Peabody Conservatory in Baltimore, Muenzer was a musician in the U.S. Air Force for nearly a decade. Following his military service, he was appointed by Fritz Reiner to the Chicago Symphony Orchestra’s second violin section in March 1956, moving to the first violin section in October of that year. In addition to previous solo work with orchestras and in recital, Muenzer was an active chamber musician as a member of the Chadamin Trio and the Chicago Symphony String Quartet. He was professor of violin at Northwestern University from 1970 until 1988 and concertmaster of the Northbrook Symphony Orchestra from 1988 until 1994.

Serving under four music directors—Reiner, Jean Martinon, Sir Georg Solti, and Daniel Barenboim—Muenzer retired from the Chicago Symphony Orchestra in 2003 after forty-seven years. In his retirement, he was a longtime member of the Chicago Symphony Orchestra Alumni Association, serving for many years on the board of directors.

Muenzer, Edgar2

In 1994, Muenzer and his wife Nancy founded the Park Ridge Civic Orchestra. For nearly twenty years, he was music director, growing the ensemble into one of Illinois’s finest professional orchestras and featuring soloists that included CSO concertmasters Samuel Magad and Robert Chen, violinist Rachel Barton Pine, CSO principal cello John Sharp, CSO principal trumpet Adolph Herseth, and baritone William Warfield, among many others. Under Muenzer’s leadership, the ensemble received numerous awards, including Orchestra of the Year from the Illinois Council of Orchestras in 2000 and the Governor’s Hometown Award in 1998. In 2002, Muenzer won the Illinois Council of Orchestras’ Conductor of the Year Award, and in 2004, he and Nancy received a Studs Terkel Humanities Service Award. Following his retirement in March 2013, he passed the baton to his son Victor and became music director emeritus.

Edgar Muenzer is survived by his beloved wife, Nancy; three sons Victor, Peter, and James; and grandchildren Gregory and Gabriel. Services have been held.

Upon his retirement, Muenzer recalled one of his early experiences in the Orchestra: “One of my most memorable performances was shortly after I joined the Orchestra. We did a staged version of Richard Strauss’s Elektra, with Fritz Reiner conducting. It was as if I hit the ceiling, it was such a wonderful experience—not only to be able to play that music, but to hear it, right in the orchestra. That was the first of many high points, experiences that I will never forget.”

An obituary was posted by the Chicago Tribune on July 25, 2016.

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Daniel Barenboim and John Corigliano review the score to Symphony no. 1 (Terry's photo)

Daniel Barenboim and John Corigliano review the score to Symphony no. 1 (Terry’s photo)

At the invitation of music director Sir Georg Solti, John Corigliano became the Chicago Symphony Orchestra’s first composer-in-residence in 1987, and his Symphony no. 1 was jointly commissioned for the Orchestra’s centennial by the Chicago Symphony and the Meet-the-Composer Orchestra Residencies Program.

“During the past decade I have lost many friends and colleagues to the AIDS epidemic, and the cumulative effect of those losses has, naturally, deeply affected me. My First Symphony was generated by feelings of loss, anger, and frustration,” wrote Corigliano in the program note for the premiere. “A few years ago, I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and, most importantly, each designed and constructed by his or her loved ones. This made me want to memorialize in music those I have lost, and reflect on those I am losing.”

Corigliano album cover

Music director designate Daniel Barenboim conducted the world premiere of the symphony on March 15, 1990, with soloists principal cello John Sharp and, offstage, pianist Stephen Hough. The live recording—Barenboim and the Orchestra’s first on the Erato label—won two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition.

Corigliano served the Orchestra as composer-in-residence until 1990, and he was succeeded by Shulamit Ran (1990–1997), Augusta Read Thomas (1997–2006), Osvaldo Golijov and Mark-Anthony Turnage (2006–2010), Mason Bates and Anna Clyne (2010–2015), and Samuel Adams and Elizabeth Ogonek beginning in 2015. In January 2002, CSO trustee Cynthia Sargent and her sister, governing member Sally Hands, endowed the position, and Augusta Read Thomas became the Orchestra’s first Mead Composer-in-Residence.

This article also appears here.

19 Boulez

Since 1991, Helen Regenstein Conductor Emeritus Pierre Boulez has amassed and extraordinary discography with the Chicago Symphony Orchestra, including landmark twentieth-century masterpieces by Béla Bartók, Igor Stravinsky, and Edgard Varèse, as well as Gustav Mahler and Richard Strauss. And in 2005 as part of the CSO’s From the Archives series, a two-disc tribute of radio broadcast performances was released. A complete list of those recordings is below:

BACH/Schoenberg Prelude and Fugue in E flat Major, BWV 552 (Saint Anne)
Recorded in Orchestra Hall, December 1991
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Bluebeard

BARTÓK Bluebeard’s Castle
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
1998 Grammy Award for Best Opera

BARTÓK Cantata profana
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Awards for Best Classical Album, Best Engineered Recording–Classical, Best Performance of a Choral Work

Boulez Bartok Concerto

BARTÓK Concerto for Orchestra
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Concerto for Piano No. 1
Krystian Zimerman, piano
Recorded in Orchestra Hall, November 2001
Deutsche Grammophon

Boulez Shaham

BARTÓK Concerto for Violin No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Dance Suite
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Two Pictures for Orchestra, Op. 10
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Divertimento for String Orchestra
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

BARTÓK Four Pieces for Orchestra, Op. 12
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Hungarian Sketches
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

Boulez Mandarin

BARTÓK The Miraculous Mandarin, Op. 19
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Music for Strings, Percussion, and Celesta
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 1
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

Boulez Prince

BARTÓK The Wooden Prince
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Award for Best Classical Album, Best Engineered Recording–Classical, and Best Orchestral Performance

BERG Lulu Suite
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

BOULEZ Fanfare for the 80th Birthday of Sir Georg Solti
Recorded in Orchestra Hall, November 1992
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

BOULEZ Livre pour cordes
Recorded in Orchestra Hall, December 1999
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY First Rhapsody for Clarinet and Orchestra
Larry Combs, clarinet
Recorded in Orchestra Hall, November 1994
CSO (From the Archives, vol. 15: Soloists of the Orchestra II)

Boulez EuroArts

DEBUSSY Le jet d’eau
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

DEBUSSY Symphonic Fragments from Le martyre de Saint Sébastien
Recorded in Orchestra Hall, December 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY Three Ballads by François Villon
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

JANÁČEK Glagolitic Mass
Elzbieta Szmytka, soprano
Nancy Maultsby, mezzo-soprano
Stuart Neill, tenor
Nathan Berg, bass-baritone
David Schrader, organ
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Three Rückert-Lieder (Liebst du um Schönheit, Ich atmet’ einen linden Duft, and Ich bin der Welt abhanden gekommen)
José van Dam, bass-baritone
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Symphony No. 1 in D Major
Recorded in Orchestra Hall, May 1998
Deutsche Grammophon

Boulez Mahler 9

MAHLER Symphony No. 9 in D Major
Recorded in Medinah Temple, December 1995
Deutsche Grammophon
1998 Grammy Award for Best Orchestral Performance

MAHLER Totenfeier
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

MESSIAEN L’ascension
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Pelleas

SCHOENBERG Pelleas und Melisande
Recorded in Orchestra Hall, December 1991
Erato

SCHOENBERG Variations for Orchestra, Op. 31
Recorded in Orchestra Hall, December 1991
Erato

SCRIABIN Piano Concerto in F-sharp Minor, Op. 20
Anatol Ugorski, piano
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

Boulez Prometheus

SCRIABIN Prometheus, Op. 60
Anatol Ugorski, piano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

SCRIABIN Symphony No. 4, Op. 54 (The Poem of Ecstasy)
Recorded in Medinah Temple, November 1995
Deutsche Grammophon

Boulez Zarathustra

STRAUSS Also sprach Zarathustra, Op. 30
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Recorded in Orchestra Hall, November 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

STRAVINSKY The Firebird
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

STRAVINSKY The Firebird
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

Boulez Firebird

STRAVINSKY Fireworks, Op. 4
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, February and March 2009
CSO Resound

Boulez Pulcinella

STRAVINSKY Pulcinella
Roxana Constantinescu, mezzo-soprano
Nicholas Phan, tenor
Kyle Ketelsen, bass-baritone
Recorded in Orchestra Hall, March 2009
CSO Resound

STRAVINSKY Symphony in Three Movements
Recorded in Orchestra Hall, February and March 2009
CSO Resound

STRAVINSKY Symphony of Psalms
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

Boulez Thomas

THOMAS . . . words of the sea . . .
Recorded in Orchestra Hall, December 1996
ARTCD

VARÈSE Amériques
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Arcana
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

Boulez Varèse

VARÈSE Déserts
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Ionisation
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

The Orchestra also has recorded compositions by Boulez, released both commercially and as part of the From the Archives series:

BOULEZ Messagesquisse for Seven Cellos
Daniel Barenboim, conductor
John Sharp, Stephen Balderston, Philip Blum, Loren Brown, Richard Hirschl, Jonathan Pegis, and Gary Stucka, cellos
Recorded in Orchestra Hall, September 1994
CSO (From the Archives, vol. 21: Soloists of the Orchestra III)

Boulez Notations Barenboim

BOULEZ Notations for Orchestra I-IV
Recorded in Kölner Philharmonie, Cologne, Germany, April 2001
Daniel Barenboim, conductor
EuroArts

BOULEZ Notations for Orchestra VII
Daniel Barenboim, conductor
Recorded in Orchestra Hall, January 2000
Teldec

Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.

Lorin Maazel (Ben Spiegel photo)

Lorin Maazel (Ben Spiegel photo)

The Chicago Symphony Orchestra family joins the music world in mourning the loss of Lorin Maazel, a frequent and beloved guest conductor for forty years, from 1973 until 2013. Maazel died on July 13, 2014, at his Castleton Farms estate in Virginia. He was 84.

Maazel made his debut with the Chicago Symphony Orchestra in February and March 1973, leading two weeks of subscription concerts at Orchestra Hall as well as a run-out to Milwaukee:

February 22, 23 & 24, 1973
February 26, 1973 (Pabst Theater in Milwaukee, Wisconsin)
SIBELIUS Symphony No. 2 in D Major, Op. 43
BARTÓK Two Images, Op. 10
SCRIABIN The Poem of Ecstasy, Op. 54

March 1, 2 & 3, 1973
MARTIRANO Contrasts for Orchestra
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Vladimir Ashkenazy, piano
SCHUMANN Symphony No. 2 in C Major, Op. 61

Mstislav Rostropovich and Lorin Maazel, following their performance of the first movement of Dvořák's Cello Concerto at the Centennial Gala on October 6, 1990

Mstislav Rostropovich and Lorin Maazel, following their performance of the first movement of Dvořák’s Cello Concerto at the Centennial Gala on October 6, 1990

During his forty-year collaboration with the Orchestra, Maazel’s repertoire covered a wide range of composers, including Beethoven, Brahms, Hindemith, Holst, Kernis, Mahler, Mendelssohn, Mozart, Penderecki, Prokofiev, Respighi, Strauss, Stravinsky, Tchaikovsky, Verdi, and Wagner. He was one of several conductors invited to share the podium for the CSO’s Centennial Gala on October 6, 1990, and a few weeks later he led the Orchestra in the world premiere of Shchedrin’s Old Russian Circus Music (commissioned to celebrate the CSO’s centennial season) on October 25, 1990. A noted composer, Maazel also led the Orchestra in the U.S. premiere of his own Farewells on December 14, 2000.

Maazel last led the Chicago Symphony Orchestra at Orchestra Hall for two weeks of subscription concerts—including a run-out to the Krannert Center at the University of Illinois—in February 2005:

February 10 & 12, 2005
February 11, 2005 (Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign, Urbana, Illinois)
BRAHMS Serenade No. 2 in A Major, Op. 16
BARTÓK Two Images, Op. 10
PROKOFIEV Symphony No. 5 in B-flat Major, Op. 100

February 17, 18, 19 & 20, 2005
THOMAS Gathering Paradise
Heidi Grant Murphy, soprano
SHOSTAKOVICH Cello Concerto No. 1
John Sharp, cello
SIBELIUS Symphony No. 1 in E Minor, Op. 39

His most recent appearance in Orchestra Hall was in March 2009 with the New York Philharmonic, during his final season as that ensemble’s music director:

March 9, 2009
BERLIOZ Roman Carnival Overture, Op. 9
TCHAIKOVSKY Suite No. 3 in G Major, Op. 55
STRAVINSKY The Rite of Spring

Maazel’s last appearances with the Chicago Symphony Orchestra were tour concerts in January and February 2013, including stops in Hong Kong, Shanghai, Beijing, Tianjin, and Seoul.

A statement from the Chicago Symphony Orchestra on Lorin Maazel’s passing can be found here.

A February 2005 performance of Maazel leading the Chicago Symphony Orchestra in Brahms’s Serenade no. 2 in A major, op. 16—including the maestro speaking on Brahms—may be listened to here.

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During January and February 1987, Sir Georg Solti and the Chicago Symphony Orchestra embarked on a domestic tour with concerts in Minneapolis, Minnesota; Omaha, Nebraska; Bartlesville, Oklahoma; San Francisco, Costa Mesa, San Diego, Santa Barbara, and Los Angeles, California; Tempe, Arizona; and Austin, Houston, and Dallas, Texas.

Following the Wednesday evening (January 28) concert in Bartlesville, there were two free days before the next concert—an afternoon matinee—on Saturday at Davies Symphony Hall in San Francisco. On Thursday afternoon, the Orchestra flew safely from Tulsa to San Francisco.

However, the majority of the cargo (including instruments, music, and clothing), traveling by trucks, did not arrive as planned. One truck was delayed due to a snowstorm as well as a flat tire, and a second truck was stopped by “agricultural inspectors at the Arizona-California border . . . for a routine check only to discover that the drivers didn’t have their paperwork in order.”

Clockwise from left: Samuel Magad, Solti, John Sharp, and Charles Pikler perform onstage at San Francisco’s Davies Symphony Hall on January 31, 1987

On Saturday afternoon (January 31) in hopes that the cargo would eventually arrive, an impromptu concert was arranged, with members of the Orchestra (who had traveled with their instruments) and Maestro Solti—making his U.S. concert debut as a pianist—performing chamber music. The concert began at about 3:15 p.m. and continued for nearly three hours. The program was as follows:

MOZART Clarinet Quartet in E-flat Major (after K. 380)
John Bruce Yeh, clarinet
Nisanne Graff, violin
Richard Ferrin, viola
John Sharp, cello

SCHUBERT Allegro moderato (first movement) from Sonata for Arpeggione and Piano in A Minor, D. 821
Charles Pikler, viola
Mary Sauer, piano

MOZART Allegretto (third movement) from Quintet for Piano and Winds in E-flat Major, K. 452
Michael Henoch, oboe
Larry Combs, clarinet
Bruce Grainger, bassoon
Gail Williams, horn
Paul Hersh, piano

MOZART Rondo allegro (third movement) from Piano Quartet No. 1 in G Minor, K. 478
Samuel Magad, violin
Charles Pikler, viola
John Sharp, cello
Sir Georg Solti, piano

By 6:00 p.m. the trucks still had not arrived. Borrowing instruments from the San Francisco Symphony, a local youth orchestra, and a violin shop, the Chicago Symphony Orchestra took the stage in their street clothes, using music borrowed from the SFS’s music library. The original program was to include John Corigliano’s recently composed Clarinet Concerto (with Larry Combs as soloist). But since the only copies of the music for the concerto were still stranded on one of the cargo trucks, Mozart’s Haffner Symphony (no. 35) was performed instead.

The trucks finally arrived around 9:00 p.m. on Saturday night. Solti and the Orchestra were able to rehearse as scheduled on Sunday afternoon and for the evening concert, Haydn’s Symphony no. 103 was replaced by the Corigliano concerto.

Several newspaper accounts documenting the incident are here and here.

Originally scheduled program for January 31, 1987

Originally scheduled program for February 1, 1987

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With the Chicago Symphony Orchestra and Chorus, Sir Georg Solti conducted Bach’s monumental Saint Matthew Passion on four different occasions at Orchestra Hall:

April 9 and 10, 1971
Jesus: Tom Krause
Evangelist: Richard Lewis
Aria soloists: Heather Harper, Helen Watts, Richard Lewis, Donald Gramm
Other vocal soloists: Alfred Reichel, Stephen Swanson, Nancy Clevenger, Ellen Rico, Linda Mabbs, Jack Abraham, Eugene Johnson, Frederic Chrislip, Karen Zajac
Obbligati: Donald Peck, Richard Graef, Ray Still, Richard Kanter, Grover Schiltz, DeVere Moore, Victor Aitay, Sidney Weiss, Eva Heinitz
Continuo: Eloise Niwa, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus; Barbara Born, director
These performances were dedicated to the memory of Igor Stravinsky, who had died on April 6, 1971.

April 12 and 13, 1974
Jesus: Gwynne Howell
Evangelist: Mallory Walker
Aria soloists: Heather Harper, Helen Watts, Jerry Jennings, Philip Booth
Other vocal soloists: Alfred Reichel, Curtis Dickson, Gershon Silins, Stephen Swanson, Donna Gullstrand, Alexis Darden, Sarah Beatty, Richard Livingston, Philip Creech, Isola Jones
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, John Hsu
Continuo: Eloise Niwa, Mary Sauer, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director

April 4 and 6, 1985
Jesus: Wolfgang Schoene
Evangelist: Anthony Rolfe Johnson
Aria soloists: Pamela Coburn, Brigitte Fassbaender, Thomas Moser, Siegmund Nimsgern
Other vocal soloists: Bruce Cain, Richard Cohn, Jane Green, Joan Welles, Doris Kirschner, Karen Zajac, Tim O’Connor
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, Catharina Meints
Continuo: Mary Sauer, David Schrader, Richard Webster, Leonard Chausow, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director

Saint Matthew Passion recording session in Orchestra Hall

March 19 and 21, 1987
Jesus: Olaf Bär
Evangelist: Hans Peter Blochwitz
Aria soloists: Kiri Te Kanawa, Anne Sofie von Otter, Thomas Moser, Tom Krause
Other vocal soloists: Richard Cohn, Patrice Michaels, Debra Austin, William Watson
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Judith Kulb, Grover Schiltz, Michael Henoch, Samuel Magad, Rubén González, Catharina Meints, Mary Sauer
Continuo: David Schrader, John Sharp, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Lucy Ding, acting director

Following the performances in March 1987, the work was recorded for London Records. Andrew Cornall was the producer, and Simon Eadon and John Pellowe were the engineers.

Solti, members of the Orchestra, and soloists listen to playbacks

I inadvertently neglected to include the 1971 performances in the first version of this post. —FV

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During Sir Georg Solti’s tenure as music director, more than seventy musicians—several of whom are still members—joined the roster of the Chicago Symphony Orchestra:

David Babcock, horn 1969–1971
Edwin Barker, bass 1976–1977
John Bartholomew, viola 1980–
J. Lawrie Bloom, clarinet and bass clarinet 1980–
Ella Braker, violin 1976–2003
Loren Brown, cello 1985–
Catherine Brubaker, viola 1989–
Li-Kuo Chang, viola 1988–
David Chickering, cello 1978–1986
Roger Cline, bass 1973–
Timothy Cobb, bass 1985–1986
Larry Combs, clarinet and E-flat clarinet 1974–2008
Alison Dalton, violin 1987–
Franklyn D’Antonio, violin 1981–1986
Patricia Dash, percussion 1986–
Joseph DiBello, bass 1976–
Louise Dixon, flute 1973–
Fox Fehling, violin 1979–
Jorja Fleezanis, violin 1975–1976
Barbara Fraser, violin 1975–1996
Daniel Gingrich, horn 1976–
Rachel Goldstein, violin 1989–
Rubén González, violin 1986–1996
Bruce Grainger, bassoon 1986–1996
Jerry Grossman, cello 1984–1986
Tom Hall, violin 1970–2006
Laura Hamilton, violin 1985–1986
Erik Harris, bass 1989–1993
Michael Henoch, oboe 1972–
Marilyn Herring, librarian 1982–1997
Russell Hershow, violin 1989–
Richard Hirschl, cello 1989–
Michael Hovnanian, bass 1989–
Thomas Howell, horn 1971–1991
Nisanne Howell, violin 1976–
Albert Igolnikov, violin 1979–
Mihaela Ionescu, violin 1987–
Jacques Israelievitch, violin 1972–1978
Timothy Kent, trumpet 1979–1996
Mark Kraemer, bass 1974–
Melanie Kupchynsky, violin 1989–
Lee Lane, viola 1971–2009–
Stephen Lester, bass 1978–
Kathryn Lukas, flute 1985–1986
Elizabeth Matesky, violin 1972–1973
Blair Milton, violin 1975–
Diane Mues, viola 1987–
Michael Mulcahy, trombone 1990–
Joyce Noh, violin 1979–
Bradley Opland, bass 1984–
Daniel Orbach, viola 1988–
Nancy Park, violin 1984–
Jonathan Pegis, cello 1986–
Paul Phillips, violin 1980–
Charles Pikler, violin and viola 1978–
Gene Pokorny, tuba 1989–
Max Raimi, viola 1984–
James Ross, percussion 1979–
David Sanders, cello 1974–
Ronald Satkiewicz, violin 1979–
Florence Schwartz, violin 1989–
Norman Schweikert, horn 1971–1997
John Sharp, cello 1986–
Sando Shia, violin 1989–
Philip Smith, trumpet 1975–1978
Gregory Smith, clarinet 1983–
Gary Stucka, cello 1986–
Robert Swan, viola 1972–2008
Susan Synnestvedt, violin 1986–
David Taylor, violin 1979–
Charles Vernon, trombone and bass trombone 1986–
George Vosburgh, trumpet 1979–1993
Jennie Wagner, volin 1974–
Gail Williams, horn 1978–1998
Thomas Wright, viola 1981–
John Bruce Yeh, clarinet and E-flat clarinet 1977–

CSO roster - September 1969

CSO roster - June 1991

the vault

Theodore Thomas

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Maestro Riccardo Muti and the CSO last night at Palm Desert’s McCallum Theatre. The program included works Schubert, Schumann, and Mozart’s Clarinet Concerto in A Major performed by CSO Principal Clarinet Stephen Williamson. The link to the CSO's tour schedule is in our bio. Photos by @toddrphoto. #CSOonTour

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visitors

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