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The Chicago Symphony Orchestra joins the classical music world in mourning the tragic loss of the remarkable Siberian baritone Dmitri Hvorostovsky at the age of fifty-five. His passing was announced on his website on Wednesday, November 22.

Hvorostovsky appeared with the Chicago Symphony Orchestra on three occasions—all at the Ravinia Festival—as follows:

July 11, 1998
ROSSINI Overture to La scala di seta
VERDI Sul fil d’un soffio estesio from Falstaff
VERDI Tutto e deserto . . . Il balen del suo sorriso from Il trovatore
ROSSINI Overture to The Barber of Seville
ROSSINI Una voce poco fa from The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
ROSSINI Dunque io son from The Barber of Seville
MOZART Overture to The Marriage of Figaro, K. 492
MOZART Crudel! perchè finora from The Marriage of Figaro, K. 492
TCHAIKOVSKY Polonaise from Eugene Onegin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
GOUNOD Je veux vivre from Romeo and Juliet
GOUNOD Avant de quitter ces lieux from Faust
LEHÁR Gold and Silver Waltz, Op. 79
KORNGOLD Glück, das mir verblieb from Die tote Stadt
J. STRAUSS, Jr. On the Beautiful Blue Danube, Op. 314
Kathleen Battle, soprano
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor

July 11, 1998, Ravinia Festival

August 3, 2002
TCHAIKOVSKY Waltz and Polonaise from Eugene Onegin
TCHAIKOVSKY Kogda bi zhizn domashnim krugom from Eugene Onegin
TCHAIKOVSKY/Glazunov Melodie from Souvenir d’un lieu cher, Op. 42, No. 3
Samuel Magad, violin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
ROSSINI Overture to The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
VERDI Overture to La forza del destino
VERDI Pietà, rispetto, amore from Macbeth
VERDI Ballet Music from Macbeth
VERDI Son io, mio Carlo . . . Per me giunto . . . O Carlo, ascolta from Don Carlo
VERDI Cortigiani, vil razza dannata from Rigoletto
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor
Soprano Karita Mattila also was scheduled to appear but canceled due to illness.

August 15, 2009
VERDI Rigoletto
Gilda Eglise Gutiérrez, soprano
Countess Ceprano Valerie Vinzant, soprano
Giovanna/Page Katherine Lerner, mezzo-soprano
Maddalena Natascha Petrinsky, mezzo-soprano
Matteo Borsa Hak Soo Kim, tenor
Duke of Mantua Stefano Secco, tenor
Count Ceprano/Court Usher Jonathan Beyer, baritone
Marullo Paul Corona, bass-baritone
Rigoletto Dmitri Hvorostovsky, baritone
Monterone Jason Stearns, baritone
Sparafucile Morris Robinson, bass
Apollo Chorus of Chicago
Stephen Alltop, director
James Conlon, conductor

At Orchestra Hall, Hvorostovsky appeared in recital on four occasions, as follows:

November 17, 1996
with the Saint Petersburg Chamber Choir
Nikolai Korniev, conductor

May 2, 1999
Mikhail Arkadiev, piano

October 22, 2000
Mikhail Arkadiev, piano

February 16, 2011
Ilja Ivari, piano

Countless tributes have been posted online, including websites of the Chicago Tribune, Chicago Sun-Times, The New York Times, and Opera News, among many others. A collection of his best performances on video can be found here.

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Sir Georg Solti and soloists (standing) Herbert Lippert, Karita Mattila, Ben Heppner, and Alan Opie; (seated) José van Dam, Iris Vermillion, and René Pape (Jim Steere photo)

Sir Georg Solti and soloists (standing) Herbert Lippert, Karita Mattila, Ben Heppner, and Alan Opie; (seated) José van Dam, Iris Vermillion, and René Pape (Jim Steere photo)

In September 1995, Sir Georg Solti led three concert performances of Wagner’s Die Meistersinger von Nürnberg at Orchestra Hall. The performances were split: the first two acts on one concert and the third act on a separate concert over the course of two open dress rehearsals and four concerts. Principal soloists included Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, and René Pape, along with the Chicago Symphony Chorus prepared by Duain Wolfe.

“Last weekend you could call the Chicago Symphony Orchestra, without fear of contradiction, the best and most prestigious Wagnerian pit band in the world of opera,” wrote John von Rhein in the Chicago Tribune. “Even as Solti blockbusters go, [these concerts] were an extraordinary experience—painstakingly prepared and powerfully executed. . . . It would be no exaggeration to call this a milestone in Solti’s Wagnerian career to rank with his historic recording of the Ring.”

WAGNER Die Meistersinger

The subsequent London Records release won the 1997 Grammy Award for Best Opera Recording. The award marked Solti’s thirty-first Grammy, more than any other recording artist in any genre. He received seven awards in addition to his twenty-four awards with the Chicago Symphony Orchestra and Chorus. Solti and producer John Culshaw also received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Richard Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Solti also received the Academy’s 1995 Lifetime Achievement Award.

This article also appears here and portions previously appeared here.

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Solti and Margaret Hillis show off their 1986 Grammy Awards for Liszt’s Faust Symphony and Orff’s Carmina burana.

Sir Georg Solti won thirty-one Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other recording artist. Twenty-four of those awards were with the Chicago Symphony Orchestra and Chorus. In addition, Solti and producer John Culshaw received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Sir Georg also received the Academy’s 1995 Lifetime Achievement Award.

Alison Krauss and Quincy Jones tie for the number two slot with twenty-seven awards each, and Pierre Boulez—CSO conductor emeritus and former principal guest conductor—is number three, with twenty-six Grammy Awards, including eight with the Chicago Symphony Orchestra and Chorus.

Following is a complete list of Sir Georg Solti’s Grammy Awards.*

1962
Best Opera Recording (1)
VERDI Aida
Georg Solti, conductor
Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi
Rome Opera House Orchestra and Chorus
RCA

1966
Best Opera Recording (2)
WAGNER Die Walküre
Georg Solti, conductor
Birgit Nilsson, Régine Crespin, Christa Ludwig, James King, Hans Hotter, Gottlob Frick
Vienna Philharmonic
London

1972
Album of the Year—Classical (3)
Best Choral Performance—Classical (other than opera) (4)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, Lucia Popp, Arleen Augér, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela
Chicago Symphony Orchestra
Chorus of the Vienna State Opera
Singverein Chorus
Vienna Boys’ Choir
Norbert Balatsch and Helmut Froschauer, chorus masters
David Harvey, producer
London

1972
Best Classical Performance—Orchestra (5)
MAHLER Symphony No. 7 in E Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

1974
Album of the Year—Classical (6)
Best Classical Performance—Orchestra (7)
BERLIOZ Symphonie fantastique, Op. 14
Sir Georg Solti, conductor
Chicago Symphony Orchestra
David Harvey, producer
London

1974
Best Opera Recording (8)
PUCCINI La bohème
Sir Georg Solti, conductor
Montserrat Caballé, Judith Blegen, Plácido Domingo, Sherrill Milnes, Vicente Sardinero, Ruggero Raimondi
London Philharmonic Orchestra
John Alldis Choir
Wandsworth School Boys’ Choir
RCA

1975
Album of the Year—Classical (9)
Beethoven’s Complete Symphonies
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E flat Major, Op. 55 (Eroica)
BEETHOVEN Symphony No. 4 in B flat Major, Op. 60
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Overture to Coriolan, Op. 62
BEETHOVEN Leonore Overture No. 3, Op. 72b
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Chorus
Margaret Hillis, director
Ray Minshull and David Harvey, producers
London

1976
Best Classical Orchestral Performance (10)
STRAUSS Also sprach Zarathustra
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London

1977
Best Choral Performance (other than opera) (11)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, Janet Baker, Veriano Luchetti, José van Dam
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
RCA

1978
Best Choral Performance, Classical (other than opera) (12)
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1979
Best Classical Album (13)
Best Classical Orchestral Recording (14)
Brahms’s Complete Symphonies
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 4 in E Minor, Op. 98
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Tragic Overture, Op. 81
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London

1979
Best Choral Performance, Classical (other than opera) (15)
BRAHMS Ein deutsches Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, Bernd Weikl
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1980
Best Classical Orchestral Recording (16)
BRUCKNER Symphony No. 6 in A Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London

1981
Best Classical Album (17)
Best Classical Orchestral Recording (18)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, Mira Zakai
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London

1982
Best Choral Performance (other than opera) (19)
BERLIOZ La Damnation de Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, Kenneth Riegel, José van Dam, Malcolm King
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
London

1983
Best Classical Album (20)
Best Classical Orchestral Recording (21)
MAHLER Symphony No. 9 in D Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London

1983
Best Opera Recording (22)
MOZART Le nozze di Figaro, K. 492
Sir Georg Solti, conductor
Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll
London Philharmonic Orchestra
London Opera Chorus
Christopher Raeburn, producer
London
This recording actually tied with the soundtrack for Verdi’s La traviata with James Levine conducting the Metropolitan Opera Orchestra; principal soloists Teresa Stratas, Plácido Domingo, and Cornell MacNeil.

1983
Best Choral Performance (other than opera) (23)
HAYDN The Creation
Sir Georg Solti, conductor
Norma Burrowes, Sylvia Greenberg, Rüdiger Wohlers, James Morris, Siegmund Nimsgern
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1985
Best Opera Recording (24)
SCHOENBERG Moses und Aron
Sir Georg Solti, conductor
Franz Mazura, Philip Langridge
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London

1986
Best Classical Orchestral Recording (25)
LISZT A Faust Symphony
Sir Georg Solti, conductor
Siegfried Jerusalem
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London

1987
Best Orchestral Recording (26)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London

1988
Best Opera Recording (27)
WAGNER Lohengrin
Sir Georg Solti, conductor
Jessye Norman, Eva Randová, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Dietrich Fischer-Dieskau
Vienna Philharmonic
Vienna State Opera Chorus
Christopher Raeburn, producer
London

1988
Best Chamber Music Performance (28)
BARTÓK Sonata for Two Pianos and Percussion
Sir Georg Solti and Murray Perahia, pianos
Evelyn Glennie and David Corkhill, percussion
CBS

1991
Best Performance of a Choral Work (29)
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, Anne Sofie von Otter, Hans Peter Blochwitz, William Shimell, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1992
Best Opera Recording (30)
STRAUSS Die Frau ohne Schatten
Sir Georg Solti, conductor
Hildegard Behrens, Júlia Várady, Sumi Jo, Reinhild Runkel, Plácido Domingo, José van Dam
Vienna Philharmonic
Vienna State Opera Chorus
Vienna Boys’ Choir
Christopher Raeburn, Morten Winding, and Stephen Trainor, producers

1997
Best Opera Recording (31)
WAGNER Die Meistersinger von Nürnberg
Sir Georg Solti, conductor
Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, René Pape
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe, director
Michael Woolcock, producer

*A database of former Grammy Award winners can be found here; category titles have changed over the years. For opera recordings, only principal soloists are listed.

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In September 1995, Sir Georg Solti led three concert performances of Wagner’s Die Meistersinger von Nürnberg at Orchestra Hall. The performances were split: the first two acts on one concert and the third act on a separate concert over the course of two open dress rehearsals and four concerts.

Pictured here at a rehearsal, Solti discusses the score with Joseph Golan, a member of the Orchestra since 1953 and principal second violin since 1969. Tenor Herbert Lippert looks on.

The cast included Karita Mattila, Iris Vermillion, José van Dam, Alan Opie, René Pape, Ben Heppner, and Herbert Lippert, and the Chicago Symphony Chorus (prepared by Duain Wolfe).

For London Records, the recording was produced by Michael Woolcock; James Lock, John Pellowe, and Neil Hutchinson were the balance engineers; and Krzysztof Jarosz was the location engineer.

The recording won the 1997 Grammy Award for Best Opera Recording.

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Theodore Thomas

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