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The Chicago Symphony Orchestra family joins the music world in mourning the loss of British conductor Raymond Leppard, who died yesterday in Indianapolis. He was 92.

Raymond Leppard (Frank Espich photo for the IndyStar)

Leppard appeared with the Orchestra on several occasions, both in Orchestra Hall and at the Ravinia Festival, and a complete list of his appearances is below.

May 15, 16, and 17, 1980, Orchestra Hall
BACH Air from Suite No. 3 in D Major, BWV 1068
Performed in memory of Guido Rizzo, a member of the CSO’s viola section since 1947
VAUGHAN WILLIAMS Serenade to Music
Chicago Symphony Chorus
Margaret Hillis, director
VAUGHAN WILLIAMS A Sea Symphony
Isobel Buchanan, soprano
John Shirley-Quirk, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

December 17, 18, and 20, 1981, Orchestra Hall
MOZART Serenade No. 13 G Major, K. 525 (Eine kleine Nachtmusik)
DEBUSSY Nocturnes
Chicago Symphony Chorus
James Winfield, director
SCHUMAN Three Colloquies for French Horn and Orchestra
Dale Clevenger, horn
STRAUSS Suite from Der Rosenkavalier

April 28, 29, and May 1, 1983, Orchestra Hall
BRITTEN Occasional Overture
DAVIES Stone Litany: Runes from a House of the Dead
Jan DeGaetani, mezzo-soprano
BAX Tintagel
ELGAR Symphony No. 1 in A-flat Major, Op. 55

January 9, 10, and 11, 1986, Orchestra Hall
CHABRIER Suite pastorale
BARTÓK Concerto for Two Pianos, Percussion, and Orchestra
Anthony and Joseph Paratore, pianos
BIZET Symphony No. 1 in C Major

July 18, 1986, Ravinia Festival
BEETHOVEN Symphony No. 1 in C Major, Op. 21
HAYDN Piano Concerto in D Major, H. XVIII:2
Alfred Brendel, piano
LISZT Piano Concerto No. 2 in A Major
Alfred Brendel, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

July 19, 1986, Ravinia Festival
DVORÁK Symphonic Variations, Op. 78
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Cho-Liang Lin, violin
RIMSKY-KORSAKOV Sheherazade, Op. 35
Samuel Magad, violin

Numerous tributes have been posted in The New York Times, NPR, and The Indianapolis Star, among several others.

The Chicago Symphony Orchestra family joins the music world in mourning the loss of legendary soprano Jessye Norman, who died earlier today in New York. She was 74.

Jessye Norman (Royal Philharmonic Society photo)

A frequent visitor to Chicago—on concert, recital, and opera stages—Norman appeared with the Chicago Symphony Orchestra as vocal soloist and narrator on many occasions, both at Orchestra Hall and the Ravinia Festival. A complete list of her performances and recordings with the Orchestra is below.

March 21, 22, and 23, 1974, Orchestra Hall
SCHUMANN Das Paradies und die Peri, Op. 50
Carlo Maria Giulini, conductor
Jessye Norman, soprano
Birgit Finnilä, contralto
Ernst Haefliger, tenor
Raffaele Arié, bass
Sarah Beatty, soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Chicago Symphony Chorus
Margaret Hillis, director

May 29, 30, and 31, 1975, Orchestra Hall
LA MONTAINE Songs of the Rose of Sharon, Op. 6
Daniel Barenboim, conductor
Jessye Norman, soprano

August 9, 1975, Ravinia Festival
BERLIOZ Les nuits d’été, Op. 7
Edo de Waart, conductor
Jessye Norman, soprano

Receiving bows following Beethoven's Ninth Symphony at Orchestra Hall on September 24, 1986

Receiving bows following Beethoven’s Ninth Symphony at Orchestra Hall on September 24, 1986 (Jim Steere photo)

July 7, 1978, Ravinia Festival
MOZART Ch’io mi scordi di te?, K. 505
Edward Gordon, piano
RAVEL Sheherazade
BERLIOZ The Death of Cleopatra
WAGNER Wesendonk-Lieder
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

July 9, 1978, Ravinia Festival
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Sherrill Milnes, baritone
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, tenor
John Cheek, bass
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 8, 1979, Ravinia Festival
MAHLER Das Lied von der Erde
James Levine, conductor
Jessye Norman, soprano
Seth McCoy, tenor

March 26, 27, and 28, 1981, Orchestra Hall
BRUCKNER Te Deum
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on March 28, 1981. For Deutsche Grammophon, Steven Paul was the executive producer, Werner Mayer was the recording producer, and Günther Breest was the balance engineer.

December 1, 2, and 3, 1983, Orchestra Hall
MAHLER Das Lied von der Erde
Erich Leinsdorf, conductor
Jessye Norman, soprano
David Rendall, tenor

BEETHOVEN Symphony No. 9 (Solti 2)

September 24, 25, 26, and 27, 1986, Orchestra Hall
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on September 29 and 30, 1986. For London Records, Michael Haas was the producer, John Pellowe was the engineer, and Neil Hutchinson was tape editor. The recording won the 1987 Grammy Award for Best Orchestral Performance from the National Academy of Recording Arts and Sciences.

July 1, 1988, Ravinia Festival
WAGNER Act 1 of Die Walküre
James Levine, conductor
Jessye Norman, soprano
Gary Lakes, tenor
Aage Haugland, bass

July 5, 1992, Ravinia Festival
STRAUSS  Ruhe, meine Seele, Op. 27, No. 1
STRAUSS Waldseligkeit, Op. 49, No. 1
STRAUSS Wiegenlied, Op. 41, No. 1
STRAUSS Die heiligen drei Konige aus Morgenland, Op. 56, No. 6
STRAUSS Cäcilie, Op. 27, No. 2
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

Boulez Bluebeard

December 2, 4, and 7, 1993, Orchestra Hall
BARTÓK Bluebeard’s Castle
Pierre Boulez, conductor
Jessye Norman, soprano
László Polgár, bass
Larry Russo, narrator
Recorded in Orchestra Hall on December 6 and 13, 1993. For Deutsche Grammophon, Roger Wright was the executive producer, Pål Christian Moe was the associate producer, Karl-August Naegler was the recording producer, Helmut Burk was the balance engineer, Jobst Eberhardt and Stephan Flock were the recording engineers, and Hans-Ulrich Bastin was the editor. Nicholas Simon was the narrator for the commercial release. The recording won the 1998 Grammy Award for Best Opera Recording from the National Academy of Recording Arts and Sciences.

June 22, 1996, Ravinia Festival
BERLIOZ Villanelle, Le spectre de la rose Sur les lagunes, and L’ile inconnue from Les nuits d’été, Op. 7
RAVEL Sheherazade
Christoph Eschenbach, conductor
Jessye Norman, soprano

James Conlon acknowledges Norman following her narration of Copland’s Lincoln Portrait at the Ravinia Festival on July 18, 2009 (Russell Jenkins photo)

June 21, 1997, Ravinia Festival
MOZART Vado, ma dove?, K. 583
MOZART Porgi amor from The Marriage of Figaro, K. 492
BIZET Habanera from Carmen
SAINT-SAËNS Mon coeur s’ouvre à ta voix from Samson and Delilah
STRAUSS Final Scene from Capriccio
Christoph Eschenbach, conductor
Jessye Norman, soprano

July 18, 2009, Ravinia Festival
COPLAND Lincoln Portrait
James Conlon, conductor
Jessye Norman, narrator

Norman also also appeared in recital and as soloist in Orchestra Hall (under the auspices of Allied Arts and later Symphony Center Presents) on the following occasions:

Jessye Norman in Orchestra Hall on May 19, 2002 (Peter Thompson for the Chicago Tribune)

January 5, 1986
Phillip Moll, piano

October 20, 1986
STRAUSS Four Last Songs
Berlin Philharmonic
James Levine, conductor
Herbert von Karajan was originally scheduled to conduct Strauss’s Metamorphosen and Ein Heldenleben, but he canceled a week before the performance due to illness. The revised program was Wagner’s Siegfried Idyll, Strauss’s song cycle, and Beethoven’s Seventh Symphony.

October 23, 1988
James Levine, piano

March 20, 1992
Phillip Moll, piano

April 2, 1995
Ann Schein, piano

June 3, 1998
Ken Noda, piano

May 19, 2002
Mark Markham, piano

Numerous tributes have been posted on CNN, Chicago Tribune, Chicago Sun-Times, The New York Times, and NPR, among many others.

The Chicago Symphony Orchestra family joins the classical music world in mourning the loss of Christopher Rouse. He died on September 21, 2019, at the age of seventy at a hospice center in Towson, Maryland.

Christopher Rouse (Getty photo)

Music by the Pulitzer Prize–winning composer has been performed by the Orchestra on numerous occasions, and a complete list is below.

March 1, 2, and 3, 1984, Orchestra Hall
ROUSE The Infernal Machine
Leonard Slatkin, conductor

April 28, 29, and 30, 1994, Orchestra Hall
ROUSE Symphony No. 1
David Zinman, conductor

June 29, 1995, Ravinia Festival
ROUSE Phaethon
Christoph Eschenbach, conductor

July 18, 1996, Ravinia Festival
ROUSE Symphony No. 2
Christoph Eschenbach, conductor

August 12, 1999, Ravinia Festival
ROUSE Envoi
Christoph Eschenbach, conductor

May 17, 18, 19, and 22, 2001, Orchestra Hall
ROUSE Clarinet Concerto
Larry Combs, clarinet
Christoph Eschenbach, conductor
The Clarinet Concerto was commissioned by the Hanson Institute for American Music of the Eastman School of Music (University of Rochester) and for the Chicago Symphony Orchestra and its principal clarinet, Larry Combs. The concerto was dedicated to Augusta Read Thomas, the Orchestra’s composer-in-residence from 1997 until 2006.

April 20, 21, 22, 23, and 25, 2006, Orchestra Hall
ROUSE Rapture
David Zinman, conductor

December 20, 21, and 22, 2012, Orchestra Hall
ROUSE Heimdall’s Trumpet
Christopher Martin, trumpet
Jaap van Zweden, conductor
Heimdall’s Trumpet was commissioned for the Chicago Symphony Orchestra by the Edward F. Schmidt Family Commissioning Fund.

Numerous tributes have been posted on Chicago Classical Review, The Washington Post, Baltimore Sun, and Classic FM, among many others.

Christopher Rouse’s final work—his Symphony no. 6—will receive its world premiere on October 18, 2019, with the Cincinnati Symphony Orchestra. Louis Langrée will conduct.

Wishing a very happy ninetieth birthday on September 8, 2019, to legendary German conductor Christoph von Dohnányi! For nearly forty-five years, he has been a frequent guest conductor with the Chicago Symphony Orchestra, both in Orchestra Hall and at the Ravinia Festival, as follows:

Christoph von Dohnányi (Terry O’Neill photo for Decca)

January 31, February 1, and 2, 1974, Orchestra Hall
BARTÓK Suite from The Miraculous Mandarin, Op. 19
SIBELIUS Violin Concerto D Minor, Op. 47
György Pauk, violin
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

February 7, 8, and 9, 1974, Orchestra Hall
SCHUMANN Overture, Scherzo, and Finale, Op. 52
MOZART Concerto for Two Pianos in E-flat Major, K. 365
Anthony and Joseph Paratore, pianos
LIGETI Lontano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

April 5, 6, and 7, 1979, Orchestra Hall
MOZART Adagio and Fugue in C Minor, K. 546
SCHUMANN Piano Concerto in A Minor, Op. 54
Maurizio Pollini, piano
BEETHOVEN Symphony No. 8 in F Major, Op. 93

April 12, 13, and 14, 1979, Orchestra Hall
MENDELSSOHN Symphony No. 1 in C Minor, Op. 11
HENZE Symphony No. 5
SCHOENBERG Erwartung, Op. 17
Anja Silja, soprano

May 22, 23, and 24, 1980, Orchestra Hall
BARTÓK Suite from The Miraculous Mandarin, Op. 19
SCHOENBERG Six Songs with Orchestra, Op. 8
Anja Silja, soprano
SCHUMANN Symphony No. 4 in D Minor, Op. 120

March 4, 5, and 6, 1982, Orchestra Hall
RIHM Tutuguri II, Music after Artaud
HANDEL/Schoenberg Concerto for String Orchestra and Orchestra
Chicago Symphony String Quartet
Victor Aitay, violin
Edgar Muenzer, violin
Milton Preves, viola
Frank Miller, cello
SCHUMANN Symphony No. 2 in C Major, Op. 61

Christoph von Dohnányi (Andreas Garrels photo)

November 7, 8, and 9, 2002, Orchestra Hall
IVES The Unanswered Question
Craig Morris, trumpet
LUTOSŁAWSKI Concerto for Orchestra
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 6, 7, and 8, 2004, Orchestra Hall
PÄRT Fratres
Yuan-Qing Yu, violin
PROKOFIEV Symphony No. 1 in D Major, Op. 25 (Classical)
MAHLER Symphony No. 1 in D Major

July 2, 2004, Ravinia Festival
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Emanuel Ax, piano
IVES Three Places in New England
SCHUMANN Symphony No. 2 in C Major, Op. 61

May 11, 12, and 13, 2006, Orchestra Hall
MOZART Symphony No. 25 in G Minor, K. 183
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Emanuel Ax, piano

November 1, 2, 3, and 4, 2007, Orchestra Hall
SIBELIUS Violin Concerto in D Minor, Op. 47
Arabella Steinbacher, violin
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

November 19, 20, 21, and 22, 2009, Orchestra Hall
BARTÓK Divertimento for String Orchestra
MOZART Piano Concerto No. 12 in A Major, K. 414
Paul Lewis, piano
SCHUMANN Symphony No. 2 in C Major, Op. 61

July 14, 2011, Ravinia Festival
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Emanuel Ax, piano

July 15, 2011, Ravinia Festival
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Emanuel Ax, piano

July 11, 2013, Ravinia Festival
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
Emanuel Ax, piano

July 12, 2013, Ravinia Festival
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Emanuel Ax, piano

May 1, 2, and 3, 2014, Orchestra Hall
LUTOSŁAWSKI Funeral Music
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
Paul Lewis, piano
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

June 9, 10, and 11, 2016, Orchestra Hall
MOZART Symphony No. 25 in G Minor, K. 183
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Martin Helmchen, piano
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)

Happy, happy birthday!

Leonard Slatkin (Nico Rodamel photo)

The Chicago Symphony Orchestra family wishes American conductor Leonard Slatkin a very happy seventh-fifth birthday on September 1, 2019! A frequent and favorite guest conductor, he has appeared with the Orchestra on countless occasions—in Orchestra Hall and at the Ravinia Festival—over the last forty-eight years.

At the invitation of CSO general manager John Edwards, Slatkin—in his second season as assistant conductor of the Saint Louis Symphony—made his debut in Orchestra Hall with the Civic Orchestra of Chicago on March 6, 1970, leading the following program:

SCHUBERT Overture to Rosamunde, D. 644
WAGNER Siegfried Idyll
SCHUMAN New England Triptych
FAURÉ Pelleas and Melisande, Op. 80
RESPIGHI Pines of Rome

March 6, 1970

Slatkin’s program book biography for March 6, 1970

The following year, Slatkin first led the Chicago Symphony Orchestra, conducting two free, outdoor Symphony in the Streets concerts, one in the parking lot at Park Forest Shopping Plaza and the other at the Jubilee Celebration site in Westmont, as follows:

July 12, 1971, Park Forest, Illinois
July 21, 1971, Westmont, Illinois
BARBER Adagio for Strings
GRIEG Peer Gynt Suite No. 1, Op. 46
GRIEG Ingrid’s Lament from Peer Gynt Suite No. 2, Op. 55
ROSSINI Overture to William Tell
J. STRAUSS, Jr. On the Beautiful Blue Danube, Op. 314
J. STRAUSS, Jr. Overture to Die Fledermaus
J. STRAUSS, Jr. Perpetual Motion, Op. 257
SOUSA The Stars and Stripes Forever

Also during that residency, he led the Orchestra on a children’s concert at the Ravinia Festival on July 13, conducting the following program:

IVES/Schuman Variations on “America”
SATIE/Debussy Gymnopédie No. 3
SATIE/Debussy Gymnopédie No. 1
BERLIOZ Roman Carnival Overture, Op. 9
BACH/Cailliet Fugue in G Minor, BWV 578 (Little)
MUSSORGSKY/Ravel The Hut on Fowl’s Legs (Baba-Yagá), The Great Gate of Kiev, Bydło (Oxcart), and Ballet of the Unhatched Chicks from Pictures at an Exhibition
TCHAIKOVSKY Scherzo. Pizzicato ostinato: Allegro (third movement) from Symphony No. 4 in F Minor, Op. 36

And on April 4, 5, and 7, 1974, Slatkin made his debut with the Orchestra on subscription concerts, with this program:

April 4, 5, and 7, 1974

PURCELL Chacony in G Minor
VAUGHAN WILLIAMS Symphony no. 6 in E Minor
PISTON Symphony No. 2
RAVEL La valse

“Leonard Slatkin, an enormously talented young American musician who will be the principal conductor of the Grant Park Symphony Orchestra this summer, made his subscription concert debut with the Chicago Symphony Orchestra Thursday night at Orchestra Hall,” wrote Robert C. Marsh in the Chicago Sun-Times. “He has at 29 all the skills and all the qualities of leadership necessary to win the respect of a great orchestra and have them play for him with enthusiasm and the fullest measure of their talent. . . . What was impressive in the manner in which Slatkin could prepare three new works [Purcell, Vaughan Williams, and Piston] and have the orchestra playing them with security and bravura as if they were repertory standards. This, plus the clarity and precision of his beat, promises good things to come . . .”

“As a result of Daniel Barenboim’s cancellation—to be with his ailing wife [Jacqueline du Pré]—Slatkin, who is associate conductor of the Saint Louis Symphony, has this week’s subscription concerts,” added Thomas Willis in the Chicago Tribune. “He has a direct, music-oriented competence which shows the thoroughness of his training and his concentration on things that matter. Conductors with more experience than he have foundered on the tempo changes in Ravel’s La valse, but he piloted the ensemble through each tempo change with an easy skill, catching the upbeats, shifting into overdrive, and pacing the rising line of apotheosis precisely.”

Slatkin leads the Orchestra, Chorus, and soloists in the world premiere of Ned Rorem’s Goodbye My Fancy on November 8, 1990 (Jim Steere photo)

A staunch advocate for new music, Slatkin led the Orchestra in the world premieres of Donald Erb’s Concerto for Brass and Orchestra on April 16, 1987; Jacob Druckman’s Brangle on March 28, 1989; and Ned Rorem’s Goodbye My Fancy with mezzo-soprano Wendy White, bass-baritone John Cheek, and the Chicago Symphony Chorus (prepared by Margaret Hillis) on November 8, 1990. He also led the Orchestra in the U.S. premiere of Benjamin Britten’s Quatre chansons françaises with mezzo-soprano Claudine Carlson on May 19, 1983.

And most recently, he returned to the Ravinia Festival on August 7, 2019, leading the Orchestra in this program:

RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Denis Matsuev, piano
RIMSKY-KORSAKOV Sheherazade
Robert Chen, violin

Happy, happy birthday, Maestro Slatkin!

Slatkin, Margaret Hillis, Ned Rorem, John Cheek, and Wendy White acknowledge applause on November 8, 1990 (Jim Steere photo)

William and Shirlejean Babcock (Vincent Cichowicz collection)

The Chicago Symphony notes with the sorrow the passing of William Babcock—a former member of the Orchestra’s trumpet section from 1951 until 1958—on June 10, 2019, in Townshend, Vermont. He was 94.

Born in New London, Connecticut on May 7, 1925, Babcock began playing the piano at the age of four and trumpet at seven. He won many high school competitions as a trumpet player, was first solo cornet in the All New England High School Band for three years, and graduated from Bulkeley School for Boys in 1943.

After graduation, Babcock enlisted in the US Air Force and was called into duty on June 14, 1943, serving for nearly three years, active in combat flying in the European theatre.

Benefiting from the G.I. Bill, he enrolled in the New England Conservatory of Music in January 1946. While in line for admittance, Babcock met not only his future colleague Adolph “Bud” Herseth but also his future wife Shirlejean Wallace (whom he would marry on March 29, 1947). During his three years at the conservatory, he studied with Boston Symphony Orchestra trumpets Roger Voisin and Marcel LaFosse. Babcock performed at Tanglewood’s Berkshire Music Center (under the guidance of BSO principal trumpet Georges Mager), with the New England Opera Theater and at Boston’s Shubert Theatre, and also as a substitute with the Boston Symphony Orchestra under Serge Koussevitzky, Charles Munch, Leonard Bernstein, and Pierre Monteux.

William Babcock (Vincent Cichowicz collection)

Rafael Kubelík, during his first season as music director, hired Babcock into the Chicago Symphony Orchestra’s trumpet section, beginning with the 1951 Ravinia Festival season. He was a member of the section until 1958, when he became principal trumpet of Chicago’s NBC Orchestra, where he remained until 1965. Babcock continued to work as a freelance musician and private trumpet teacher into his retirement, and he and his wife were longtime members of the Chicago Symphony Orchestra Alumni Association.

William Babcock’s beloved wife Shirlejean—after sixty-seven years of marriage—preceded him in death in 2014. He is survived by his children Douglas, Richard, Barbara LaMontagne (Henry), Laura Casoli (Darrel), and granddaughter Melissa. Memorial gifts may be made to the Chicago Symphony Orchestra, and services have been held.

Emanuel Ax in 1980 (Nick Sangiamo photo)

Wishing a very happy seventieth birthday to the remarkable American pianist Emanuel Ax! A longtime Chicago favorite—in recital, as a chamber musician, and as soloist with orchestra—he has appeared in Orchestra Hall and at the Ravinia Festival on near-countless occasions.

Following first place triumphs at the Michaels Award of Young Concert Artists and the Artur Rubinstein International Piano Master Competition, Ax made his local debut at Ravinia on July 23, 1975, substituting for an indisposed Alexis Weissenberg. Performing an all-Chopin program, “the young Polish-American master took the evening by storm,” according to Thomas Willis in the Chicago Tribune. “Still in his middle twenties . . . there is nothing of the poseur in him, no excess mannerism, no youthful sentimentality, no histrionic display. He walks onstage, settles solidly onto the bench, shakes a hand to limber up, and begins to play. At that moment, or within a few seconds, a transformation of near miraculous proportions takes place. . . . This is quite possibly the outstanding poet-performer of his generation.”

Ax made two debuts with the Chicago Symphony Orchestra the following year in 1976, on May 20 and 21 in Orchestra Hall, performing Liszt’s Second Piano Concerto under the baton of Henry Mazer, and on July 29 at the Ravinia Festival, as soloist in Mozart’s Piano Concerto no. 20 with Andrew Davis on the podium. According to Alan Artner in the Chicago Tribune, media reports following Ax’s competition wins had compared the young pianist to Vladimir Horowitz and Sviatoslav Richter. “But to have actually heard him in Liszt’s Second Concerto was to discover that Ax in n a class virtually by himself. . . . His performance was intelligent, wholly refreshing . . .”

Emanuel Ax in 2016 (Lisa Marie Mazzucco photo)

Since then, Ax has been one of the most frequent guest artists in Orchestra Hall and at the Ravinia Festival, performing with the Chicago Symphony Orchestra as well as with visiting orchestras, and as a chamber musician and recitalist with an astounding array of collaborators. He has worked with conductors David Afkham, Daniel Barenboim, James Conlon, James DePreist, Sir Mark Elder, Christoph Eschenbach, Lawrence Foster, Bernard Haitink, Daniel Harding, Mariss Jansons, Bernhard Klee, James Levine, Zubin Mehta, Itzhak Perlman, David Robertson, Gennady Rozhdestvensky, Leonard Slatkin, Sir Georg Solti, Michael Tilson Thomas, and Christoph von Dohnányi. Ax also has collaborated with Yefim Bronfman, Robert Chen, Evelyn Glennie,
Benjamin Hochman, Aleksey Igudesman, Richard Hyung-ki Joo, Jaime Laredo, Yo-Yo Ma, Anthony McGill, Orli Shaham, Raimi Solomonow, Isaac Stern, Anne Sofie von Otter, and Orion Weiss. With visiting orchestras, he also has performed in Orchestra Hall with the Cleveland Orchestra, Deutsche Kammerphilharmonie, Juilliard Orchestra, National Symphony Orchestra, and the Orpheus Chamber Orchestra.

Ax returns to the Ravinia Festival this summer, as soloist with the Chicago Symphony Orchestra on August 2, 2019, in Brahms’s Second Piano Concerto with Rafael Payare on the podium. He will be back in Orchestra Hall next season on March 2, 2020, for an all-Beethoven chamber music concert, collaborating with violinist Leonidas Kavakos and cellist Yo-Yo Ma.

Happy, happy birthday!

Dame Kiri Te Kanawa (IMG Artists photo)

Wishing a very happy seventy-fifth birthday to the celebrated New Zealand soprano Dame Kiri Te Kanawa!

With the Chicago Symphony Orchestra and Chorus, Te Kanawa has appeared in concert—in Orchestra Hall, at the Ravinia Festival, and in Carnegie Hall—and on recording on a number of notable occasions. The complete list is below.

May 4, 5, and 6, 1978, Orchestra Hall
May 12, 1978, Carnegie Hall
BRAHMS A German Requiem, Op. 45
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
Recorded at Medinah Temple on May 15 and 16, 1978. For London Records, James Mallinson was the recording producer, and Kenneth Wilkinson and Colin Moorfoot were the balance engineers.

March 23, 24, 25, and 26, 1983, Orchestra Hall
DUPARC Melodies françaises
MAHLER Symphony No. 4 in G Major
Sir Georg Solti, conductor
Mahler’s Fourth Symphony was recorded in Orchestra Hall on April 28 and 29, 1983. For London Records, James Mallinson was the recording producer, and James Lock and John Dunkerley were the balance engineers.

October 1, 2, and 9, 1984, Orchestra Hall (recording sessions only)
HANDEL Messiah
Anne Gjevang, contralto
Keith Lewis, tenor
Gwynne Howell, bass-baritone
Chicago Symphony Chorus
Margaret Hillis director
For London Records, Ray Minshull was the recording producer, and James Lock and Simon Eadon were the balance engineers.
Handel’s
Messiah also was performed on subscription concerts on September 27, 28, and 29, 1984. In addition to the cast above, Elizabeth Hynes was the soprano soloist.

June 29, 1985, Ravinia Festival
HANDEL Let the Bright Seraphim from Samson
MOZART Bella mia fiamma, K. 528
STRAUSS Four Last Songs
James Levine, conductor

March 19 and 21, 1987
BACH Saint Matthew Passion, BWV 244
Anne Sofie von Otter, mezzo-soprano
Thomas Moser, tenor
Tom Krause, bass
Hans Peter Blochwitz, tenor
Olaf Bär, baritone
Richard Cohn, baritone
Patrice Michaels, soprano
Debra Austin, mezzo-soprano
William Watson, tenor
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor
Recorded in Orchestra Hall on March 23, 24, 28, 30, and 31, 1987. For London Records, Andrew Cornall was the recording producer, and Simon Eadon and John Pellowe were the balance engineers.

Sir Georg Solti leads the Orchestra along with Plácido Domingo and Kiri Te Kanawa in the final scene from act 1 of Verdi’s Otello on October 9, 1987 (Jim Steere photo)

June 28, 1987, Ravinia Festival
MOZART Così fan tutte, K. 588
Dawn Upshaw, soprano
Tatiana Troyanos, mezzo-soprano
Jerry Hadley, tenor
Håkan Hagegård, baritone
John Cheek, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Richard Garrin, director
James Levine, conductor

October 9, 1987, Orchestra Hall (A Concert in Honor of the 75th Birthday of Sir Georg Solti)
VERDI Excerpts from Act 1 of Otello
Plácido Domingo, tenor
Joseph Wolverton, tenor
Kurt R. Hansen, tenor
Richard Cohn, baritone
David Huneryager, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
The concert was recorded for radio broadcast, and for WFMT, Norman Pellegrini was the producer and Mitchell G. Heller was the engineer. The duet “Già nella notte densa” was released on Solti: The Legacy in 2012, and for London Records, Matthew Sohn was the restoration engineer.

April 8 and 12, 1991, Orchestra Hall
April 16 and 19, 1991, Carnegie Hall
VERDI Otello
Luciano Pavarotti, tenor
Leo Nucci, baritone
Elzbieta Ardam, mezzo-soprano
Anthony Rolfe Johnson, tenor
John Keyes, tenor
Dimitri Kavrakos, bass
Alan Opie, baritone
Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Chicago Children’s Choir (April 8 and 12)
Leslie Britton, director
Metropolitan Opera Children’s Chorus (April 16 and 19)
Elena Doria, director
Recorded live in Orchestra Hall on April 8 and 12 and in Carnegie Hall on April 16 and 19, 1991. For London Records, Michael Haas was the recording producer, Christopher Pope was the assistant recording producer, and James Lock and John Pellowe were the balance engineers.

July 28, 2001, Ravinia Festival
STRAUSS Four Last Songs
LÉHAR “Lippen Schweigen” from Die lustige Witwe
LÉHAR “Vilja” from Die lustige Witwe
LÉHAR “Meine Lippen, sie küssen so heiss” from Giuditta
Christoph Eschenbach, conductor

July 19, 2008, Ravinia Festival
STRAUSS Morgen!, Op. 27, No. 4
STRAUSS Ständchen, Op. 17, No.2
STRAUSS Cäcilie, Op. 27, No. 2
CANTELOUBE Baïlèro, La delaïssádo, and Lo fiolairé from Chants d’Auvergne
PUCCINI Mi chiamano Mimì and Donde lieta uscì from La bohème
CILEA Io son l’umile ancella from Adriana Lecouvreur
James Conlon, conductor

Happy, happy birthday!

Kiri Te Kanawa and Luciano Pavarotti onstage at Orchestra Hall in April 1991 (Jim Steere photo)

Bernard Haitink leads the Chicago Symphony Orchestra in Orchestra Hall on October 31, 2013 (Todd Rosenberg photo)

Wishing a very happy ninetieth birthday to the legendary Dutch conductor Bernard Haitink!

In addition to serving as the Chicago Symphony’s principal conductor from 2006 until 2010, Haitink also launched the Orchestra’s CSO Resound record label with the recording of Mahler’s Third Symphony in 2007. A complete list of his appearances and recordings is below.

March 4, 5, and 6, 1976, Orchestra Hall
BACH Air from Orchestral Suite No. 3 in D Major, BWV 1068*
RAVEL Alborada del gracioso
STRAVINSKY Symphony in Three Movements
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
*Performed in memory of Jean Martinon, the Chicago Symphony Orchestra’s seventh music director, who died in Paris on March 1, 1976

March 11, 12, and 14, 1976, Orchestra Hall
COWELL Hymn and Fuguing Tune No. 3
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Silvia Marcovici, violin
SHOSTAKOVICH Symphony No. 4 in C Minor, Op. 43

January 9, 10, 11, and 12, 1997, Orchestra Hall
BRAHMS Variations on a Theme by Haydn, Op. 56a
TURNAGE Some Days
Cynthia Clarey, mezzo-soprano
BRAHMS Symphony No. 2 in D Major, Op. 73
Mark-Anthony Turnage‘s Some Days was recorded live and released by Decca.

January 16, 17, 18, and 21, 1997, Orchestra Hall
BACH Air from Orchestral Suite No. 3 in D Major, BWV 1068*
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sylvia McNair, soprano
Markella Hatziano, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
*Performed on January 18 only in memory of Ardis Krainik, general manager of Lyric Opera of Chicago, who died on January 18, 1997

March 2, 3, and 4, 2006, Orchestra Hall
WEBER Overture to Der Freischütz
HINDEMITH Symphonic Metamorphosis on Themes by Carl Maria von Weber
BRAHMS Symphony No. 2 in D Major, Op. 73

March 9, 10, and 11, 2006, Orchestra Hall
WEBERN Passacaglia for Orchestra, Op. 1
DEBUSSY La mer
BEETHOVEN Symphony No. 7 in A Major, Op. 92

Thursday, October 19, 20, and 21, 2006, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Michelle DeYoung, mezzo-soprano
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Chicago Children’s Choir
Josephine Lee, chorus director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; editing engineering by Classic Sound Limited, UK.

May 10, 11, 12, and 15, 2007, Orchestra Hall
BEETHOVEN Coriolan Overture, Op. 62
LUTOSŁAWSKI Chain 2: Dialogue for Violin and Orchestra
Robert Chen, violin
BRUCKNER Symphony No. 7 in E Major
Bruckner’s Seventh Symphony was recorded live. For CSO Resound, James Mallinson was the producer, Christopher Willis was the engineer, and John Newton was the assistant engineer; editing and mixing by Classic Sound Limited, UK.

Haitink along with the Orchestra and Chorus acknowledge applause following a performance of Ravel’s Daphnis and Chloe on November 8, 2007 (Todd Rosenberg photo)

October 18, 19, 20, and 23, 2007, Orchestra Hall
WAGNER Siegfried Idyll
MAHLER Symphony No. 6 in A Minor
Mahler’s Sixth Symphony was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; editing and mixing by Classic Sound Limited, UK.

October 25, 26, and 27, 2007, Orchestra Hall
MOZART Symphony No. 25 in G Minor, K. 183
TURNAGE Chicago Remains
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Emanuel Ax, piano
Mark-Anthony Turnage’s Chicago Remains was a world premiere, composed in memory of Sir John Drummond. The work was co-commissioned for the Chicago Symphony Orchestra by the Edward F. Schmidt Family Commissioning Fund and the Koussevitzky Music Foundation.

November 8, 9, and 10, 2007, Orchestra Hall
POULENC Gloria
Jessica Rivera, soprano
RAVEL Daphnis and Chloe
Chicago Symphony Chorus
Duain Wolfe, director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 1, 2, and 3, 2008, Orchestra Hall
May 15, 2008, Carnegie Hall
RAVEL Menuet antique
LIEBERSON Neruda Songs
Kelley O’Connor, mezzo-soprano
MAHLER Symphony No. 1 in D Major
Mahler’s First Symphony was recorded live in Orchestra Hall. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 8, 9, 10, 11, and 13, 2008, Orchestra Hall
May 16, 2008, Carnegie Hall
HADYN Symphony No. 101 in D Major (The Clock)
SHOSTAKOVICH Symphony No. 4 in C Major, Op. 43
Shostakovich’s Fourth Symphony was recorded live in Orchestra Hall. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK. The recording won the 2008 Grammy Award for Best Orchestral Performance from the National Academy of Recording Arts and Sciences.

July 16, 2008, Ravinia Festival
MAHLER Symphony No. 6 in A Minor

September 5, 2008, Concertgebouw, Amsterdam, The Netherlands
MAHLER Symphony No. 6 in A Minor

September 6, 2008, Concertgebouw, Amsterdam, The Netherlands
September 9, 2008, Royal Albert Hall, London, England
September 13, 2008, Kultur- & Kongresszentrum, Lucerne, Switzerland
MOZART Piano Concerto No. 24 in C Minor, K. 491
Murray Perahia, piano
SHOSTAKOVICH Symphony No. 4 in C Minor, Op. 43

September 8, 2008, Royal Albert Hall, London, England
TURNAGE Chicago Remains
MAHLER Symphony No. 6 in A Minor

September 12, 2008, Kultur- & Kongresszentrum, Lucerne, Switzerland
WAGNER Siegfried Idyll
MAHLER Symphony No. 6 in A Minor

November 20, 21, 22, and 25, 2008, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Miah Persson, soprano
Christianne Stotijn, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

November 28, 29, and 30, 2008, Orchestra Hall
HAYDN Symphony No. 44 in E Minor (Mourning)
LUTOSŁAWSKI Symphony No. 4
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Murray Perahia, piano

December 4, 5, and 6, 2008, Orchestra Hall
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
STRAUSS Ein Heldenleben, Op. 40
Robert Chen, violin
Strauss’s Ein Heldenleben was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

December 9, 2008, Orchestra Hall
HAYDN Symphony No. 101 in D Minor (The Clock)
BRUCKNER Symphony No. 7 in E Major

January 31, 2009, Minato Mirai Hall, Yokohama, Japan
February 4, 2009, Suntory Hall, Tokyo, Japan
February 6, 2009, Hong Kong Cultural Centre, Hong Kong
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
STRAUSS Ein Heldenleben, Op. 40
Robert Chen, violin

February 1, 2009, Suntory Hall, Tokyo, Japan
February 7, 2009, Hong Kong Cultural Centre, Hong Kong
February 11, 2009, Shanghai Grand Theatre, Shanghai, China
February 13, 2009, National Centre for the Performing Arts, Beijing, China
MAHLER Symphony No. 6 in A Minor

February 3, 2009, Suntory Hall, Tokyo, Japan
February 10, 2009, Shanghai Grand Theatre, Shanghai, China
February 14, 2009, National Centre for the Performing Arts, Beijing, China
HAYDN Symphony No. 101 in D Major (The Clock)
BRUCKNER Symphony No. 7 in E Major

April 16, 17, 18, and 21, 2009, Orchestra Hall
BRUCKNER Symphony No. 8 in C Minor

April 23, 24, and 25, 2009, Orchestra Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)
Webern’s Im Sommerwind was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

April 28, 2009, Orchestra Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
BRAHMS Symphony No. 1 in C Minor, Op. 68
Webern’s Im Sommerwind was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 2, 2009, Carnegie Hall
BRUCKNER Symphony No. 8 in C Minor

May 3, 2009, Carnegie Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 7, 8, 9, and 10, 2009, Orchestra Hall
PURCELL/Stucky Funeral Music for Queen Mary
BRITTEN Les illuminations, Op. 18
Ian Bostridge, tenor
SHOSTAKOVICH Symphony No. 15 in A Major, Op. 141

September 11, 2009, Philharmonie, Berlin, Germany
September 13, 2009, Kultur- & Kongresszentrum, Lucerne, Switzerland
September 18, 2009, Grosser Musikvereinsaal, Vienna, Austria
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
SHOSTAKOVICH Symphony No. 15 in A Major, Op. 141

September 14, 2009, Kultur- & Kongresszentrum, Lucerne, Switzerland
September 16, 2009, Grosser Musikvereinsaal, Vienna, Austria
September 21, 2009, Salle Pleyel, Paris, France
September 24, 2009, Royal Festival Hall, London, England
HAYDN Symphony No. 101 in D Major (The Clock)
BRUCKNER Symphony No. 7 in E Major

September 20, 2009, Salle Pleyel, Paris, France
September 23, 2009, Royal Festival Hall, London, England
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRAHMS Symphony No. 1 in C Minor, Op. 68

November 5, 6, 7, and 10, 2009, Orchestra Hall
RAVEL Alborada del gracioso
RAVEL Piano Concerto for the Left Hand in D Major
Jean-Yves Thibaudet, piano
MENDELSSOHN Incidental Music to A Midsummer Night’s Dream, Opp. 21 and 61
Erin Morley, soprano
Sasha Cooke, mezzo-soprano
Sir Thomas Allen, narrator
Girls of Anima
Emily Ellsworth, chorus director

November 12, 13, and 14, 2009, Orchestra Hall
HAYDN Sinfonia concertante in B-flat Major, Hob. I:105
Eugene Izotov, oboe
David McGill, bassoon
Robert Chen, violin
John Sharp, cello
BRUCKNER Symphony No. 9 in D Minor

Wednesday, June 2 and 3, 2010, Orchestra Hall
BEETHOVEN Overture to Fidelio, Op. 72
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

Saturday, June 5 and 8, 2010, Orchestra Hall
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

June 10 and 11, 2010, Orchestra Hall
BEETHOVEN Leonore Overture No. 2, Op. 72a
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)

Tuesday, June 15 and 16, 2010, Orchestra Hall
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Leonore Overture No. 3, Op. 72b
BEETHOVEN Symphony No. 7 in A Major, Op. 92

June 18, 19, and 20, 2010, Orchestra Hall
BEETHOVEN Calm Sea and Prosperous Voyage, Op. 112
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Jessica Rivera, soprano
Kelley O’Connor, mezzo-soprano
Clifton Forbis, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

May 26, 27, 28, and 31, 2011, Orchestra Hall
SCHUMANN Overture to Manfred, Op. 115
MOZART Piano Concerto No. 17 in G Major, K. 453
Emanuel Ax, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

June 2, 3, 4, and 5, 2011, Orchestra Hall
MAHLER Symphony No. 9 in D Major

Haitink and the Orchestra onstage in Beijing on February 14, 2009 (Todd Rosenberg photo)

Haitink and the Orchestra onstage at the National Centre for the Performing Arts in Beijing on February 14, 2009 (Todd Rosenberg photo)

October 20, 21, and 22, 2011, Orchestra Hall
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
MAHLER Symphony No. 4 in G Major
Klara Ek, soprano

October 27, 28, and 29, 2011, Orchestra Hall
HAYDN The Creation
Klara Ek, soprano
Ian Bostridge, tenor
Hanno Müller-Brachmann, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

October 25, 26, and 27, 2012, Orchestra Hall
BEETHOVEN Missa solemnis in D Major, Op. 123
Erin Wall, soprano
Bernarda Fink, mezzo-soprano
Anthony Dean Griffey, tenor
Hanno Müller-Brachmann, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

October 31, November 1, 2, and 3, 2013, Orchestra Hall
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Emanuel Ax, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

April 9, 10, 11, and 14, 2015, Orchestra Hall
MAHLER Symphony No. 7

April 28, 29, and 30, 2016, Orchestra Hall
MOZART Piano Concerto No. 22 in E-flat Major, K. 482
Till Fellner, piano
STRAUSS An Alpine Symphony, Op. 64

October 25, 27, and 30, 2018, Orchestra Hall
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Paul Lewis, piano
BRUCKNER Symphony No. 6 in A Major

Happy, happy birthday!

Wishing a very happy seventy-fifth birthday to the wonderful American mezzo-soprano Florence Quivar!

A frequent guest in Orchestra Hall and at the Ravinia Festival, Quivar has appeared with the Chicago Symphony Orchestra and Chorus on numerous occasions, as follows:

Florence Quivar (Kenn Duncan photo)

June 21, 1980, Ravinia Festival
MAHLER Kindertotenlieder
James Levine, conductor

July 3, 1980, Ravinia Festival
SCHUBERT Mass No. 6 in E-flat Major, D. 950
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 13, 1980, Ravinia Festival
BACH Saint Matthew Passion, BWV 244
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
Arthur Thompson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

April 8, 9, and 10, 1982, Orchestra Hall
BACH Mass in B Minor, BWV 232
Yvonne Kenny, soprano
Anthony Rolfe Johnson, tenor
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor

June 24, 1983, Ravinia Festival
VERDI Requiem
Leona Mitchell, soprano
Ermanno Mauro, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 29, 1984, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Johanna Meier, soprano
Judith Blegen, soprano
Marvis Martin, soprano
Isola Jones, mezzo-soprano
Giuliano Ciannella, tenor
Ryan Edwards, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Wisconsin Conservatory Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
James Levine, conductor

July 1, 1984, Ravinia Festival
MENDELSSOHN Incidental Music to A Midsummer Night’s Dream, Op. 61
Judith Blegen, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Orchestra Hall on July 2 and 3, 1984. For Deutsche Grammophon, Cord Garben was the recording supervisor, and Klaus Scheibe was the recording engineer.

July 13, 1986, Ravinia Festival
MOZART Requiem in D Minor, K. 626
Benita Valente, soprano
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

Benita Valenta, Quivar, Philip Creech, and John Cheek onstage with James Levine and the Chicago Symphony Orchestra and Chorus perform Mozart’s Requiem at the Ravinia Festival on July 13, 1986 (Jim Steere photo)

July 10, 1987, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Kaaren Erickson, soprano
Marvis Martin, soprano
Karen Williams, soprano
Hillary Johnsson, mezzo-soprano
Timothy Jenkins, tenor
Thomas Hampson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Milwaukee Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Lucy Ding, director
James Levine, conductor

June 22, 1990, Ravinia Festival
MAHLER Symphony No. 2 in C Minor (Resurrection)
Dawn Upshaw, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 23, 1991, Ravinia Festival
MOZART Mass in C Minor, K. 427
MOZART Requiem in D Minor, K. 626
Dawn Upshaw, soprano
Peter Kazaras, tenor
Terry Cook, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 7, 1991, Ravinia Festival
STRAVINSKY Oedipus Rex
Philip Langridge, tenor
Donald Kaasch, tenor
James Morris, bass-baritone
Jan-Hendrik Rootering, bass
F. Murray Abraham, narrator
Men of the Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Medinah Temple on July 9 and 10, 1991. For Deutsche Grammophon, Christopher Adler was the producer, Gregor Zielinsky was the balance engineer, Klaus Behrens and Wolf-Dieter Karwatky were the recording engineers, and Reinhard Lagemann was the editor. 

February 26, 27, 28, and 29, 1992, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Richard Garrin, director
Chicago Children’s Choir
Lucy Ding, director
Zubin Mehta, conductor

November 17, 18, 19, and 22, 1994, Orchestra Hall
CHAUSSON Poem of Love and the Sea, Op. 19
Antonio Pappano, conductor

May 30, 31, and June 1, 1996, Medinah Temple
MAHLER Symphony No. 8 in E-flat Major
Sharon Sweet, soprano
Marvis Martin, soprano
Ying Huang, soprano
Janis Taylor, mezzo-soprano
Vinson Cole, tenor
Richard Zeller, baritone
Eric Halfvarson, bass
Chicago Symphony Chorus
Duain Wolfe, director
Waukegan Concert Chorus
Don Horisberger, director
Glen Ellyn Children’s Chorus
Sandra Prodan Murphy, director
Christoph Eschenbach, conductor

July 23, 1996, Ravinia Festival
VERDI Requiem
Shinobu Satoh, soprano
Richard Leech, tenor
Roberto Scandiuzzi, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

August 7, 1999, Ravinia Festival
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Glen Ellyn Children’s Chorus
Emily Ellsworth, director
Christoph Eschenbach, conductor

June 30, 2001, Ravinia Festival
VERDI Requiem
Adina Nitescu, soprano
Vinson Cole, tenor
John Relyea, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

Happy, happy birthday!

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Theodore Thomas

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