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Johan Botha, Tenor

The Chicago Symphony Orchestra family joins the music world in mourning the death of tenor Johan Botha, who died earlier today in Vienna at the age of 51 following a long illness.

A remarkably versatile singer, Botha was known for a vast number of roles in works by Beethoven, Puccini, Strauss, Verdi, and Wagner, among others. During his nearly thirty-year career, he appeared regularly on many of the world’s opera stages, including La Scala; the Royal Opera House Covent Garden; the Metropolitan Opera; the Vienna Staatsoper, where he made his home; and Lyric Opera of Chicago, where he most recently appeared in Wagner’s Tannhäuser in 2015.

Born on August 19, 1965, in the northern South African city of Rustenburg, Botha studied at the Technical College Pretoria. He made his debut as Max in Weber’s Der Freischütz at the Staatstheater Roodepoort in 1989, and the following year traveled to Germany, where he sang with the Bayreuth Festival Chorus before making his debut as Gustavus in Verdi’s Un ballo in maschera in Kaiserslautern. Botha made his United States debut in 1994, as Florestan in Beethoven’s Fidelio at the Spoleto Festival in Charleston, South Carolina; and he first appeared with Lyric Opera of Chicago in 1998, as Enzo in Ponchielli’s La gioconda.

He is survived by his wife and two sons.

Botha appeared with the Chicago Symphony Orchestra on two occasions, as follows:

September 13, 1996 (Royal Albert Hall, London)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Deborah Voigt, soprano
Anne Sofie von Otter, mezzo-soprano
Johan Botha, tenor
René Pape, bass
BBC Singers
London Voices
Terry Edwards, director

April 24, 26, and 28, 2001 (Orchestra Hall)
VERDI Requiem
Daniel Barenboim, conductor
Margaret Jane Wray, soprano (April 24)
Deborah Voigt, soprano (April 26 and 28)
Violeta Urmana, mezzo-soprano
Johan Botha, tenor
René Pape, bass
Chicago Symphony Chorus
Duain Wolfe, director

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Theodore Thomas

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The CSO and Maestro Muti perform a program featuring Prokofiev’s Suite from Romeo and Juliet and Dvořák’s Symphony No. 9 (From the New World) at the historic Teatro di San Carlo for a capacity audience. Taking the podium to announce the evening’s encore—Giordano’s Intermezzo from Fedora—Muti noted “although, I’m 100% Italian, I’m 200% Southern Italian.” After the concert, Maestro Muti and his wife hosted the musicians of the Orchestra and distinguished guests for a post-concert dinner featuring traditional Neapolitan cuisine. On Sunday morning before the concert, Maestro Muti and three CSO musicians—Jennifer Gunn, piccolo; Charles Vernon, trombone; and Gene Pokorny, tuba—share an informal performance with young men and women at a juvenile justice center in nearby Nisida. The program was presented by the Negaunee Music Institute with assistance from the administrative staff of the Teatro di San Carlo. #CSOonTour 📸@toddrphoto
Musicians and staff travel from Paris to Naples. Called Napoli in Italian, its name is derived from the Greek word Neapolis meaning "new city.” The city is the birthplace of Riccardo Muti, as well as the birthplace of pizza! This tour stop includes the CSO’s first return to the world renowned Teatro di San Carlo with Maestro Muti since 2012. That appearance marked its first European tour appearance in Naples. 📸@toddrphoto
Riccardo Muti and the CSO spend less than 24 hours in Paris for a concert at the Philharmonie de Paris with a program featuring works by Wagner, Hindemith and Dvořák. The last time they performed in this hall was during their most recent tour to Europe in January 2017. #CSOonTour 📸@toddrphoto

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