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Wishing a very happy seventieth birthday to the remarkable soprano Kathleen Battle! She has appeared with the Chicago Symphony Orchestra on a number of occasions, in Orchestra Hall, at the Ravinia Festival, and in Carnegie Hall, as follows:

June 27, 1974, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
James Levine, conductor
Edda Moser, soprano
Clarice Carson, soprano
Kathleen Battle, soprano
Beverly Wolff, contralto
Gwendolyn Killebrew, contralto
Kenneth Riegel, tenor
Lawrence Shadur, baritone
Justino Díaz, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

June 26, 1975, Ravinia Festival
MOZART Mass in C Minor, K. 427
James Levine, conductor
Kathleen Battle
Maria Ewing, soprano
Kenneth Riegel, tenor
Ara Berberian, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 17, 1976, Ravinia Festival
MOZART Bella mia fiamma . . . Resta, o cara, K. 528
James Levine, conductor
Kathleen Battle, soprano

July 2, 1977, Ravinia Festival
MAHLER Symphony No. 2 in C Minor (Resurrection)
James Levine, conductor
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

July 23, 1977, Ravinia Festival
MOZART Vorrei spiegarvi, oh Dio, K. 418
James Levine, conductor
Kathleen Battle, soprano

July 24, 1977, Ravinia Festival
HADYN The Creation
James Levine, conductor
Kathleen Battle, soprano
Benita Valente, soprano
Seth McCoy, tenor
Donald Gramm, bass-baritione
Arnold Voketaitis, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

June 24 1978, Ravinia Festival
MENDELSSOHN Selections from A Midsummer Night’s Dream, Op. 61
James Levine, conductor
Kathleen Battle, soprano
Claudine Carlson, mezzo-soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director

June 30, 1978, Ravinia Festial
BERLIOZ Les Troyens, part 1
James Levine, conductor
A Trojan Soldier, Pantheus John Cheek, bass
Cassandra Nadine Denize, soprano
Chorebus Lenus Carlson, baritone
Aeneas Guy Chauvet, tenor
Helenus David Kuebler, tenor
Ascanius Kathleen Battle, soprano
Hecuba Patricia O’Neill, soprano
Priam, The Ghost of Hector Ara Berberian, bass
A Greek Captain Philip Kraus, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 1, 1978, Ravinia Festival
BERLIOZ Les Troyens, part 2
James Levine, conductor
Dido Shirley Verrett, soprano
Anna, Ghost of Cassandra Claudine Carlson, mezzo-soprano
Iopas David Kuebler, tenor
Ascanius Kathleen Battle, soprano
Pantheus, Mercury, Ghost of Priam John Cheek, bass
Narbal, Ghost of Hector Ara Berberian, bass
Aeneas Guy Chauvet, tenor
Hylas Philip Creech, tenor
First Sentry, Ghost of Chorebus James Kalkbrenner, bass
Second Sentry Philip Kraus, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 9, 1978, Ravinia Festival
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Sherrill Milnes, baritone
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, tenor
John Cheek, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 16, 1978, Ravinia Festival
BACH Saint Matthew Passion, BWV 244
James Levine, conductor
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Philip Creech, tenor
David Kuebler, tenor
John Cheek, bass-baritone
Arthur Thompson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

July 3, 1980, Ravinia Festival
SCHUBERT Mass No. 6 in E-flat Major, D. 950
James Levine, conductor
Kathleen Battle, soprano
Florence Quivar, mezzo-soprano
Vinson Cole, tenor
Philip Creech, tenor
John Cheek, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 13, 1980, Ravinia Festival
BACH Saint Matthew Passion, BWV 244
James Levine, conductor
Kathleen Battle, soprano
Florence Quivar, mezzo-soprano
Vinson Cole, tenor
Philip Creech, tenor
John Cheek, bass-baritone
Arthur Thompson, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 30, 1983, Ravinia Festival
BRAHMS A German Requiem, Op. 45
James Levine, conductor
Kathleen Battle, soprano
Håkan Hagegård, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Brahms’s Requiem was recorded in Orchestra Hall on July 5 and 6, 1983, for RCAThomas Z. Shepard was the producer, Paul Goodman the recording engineer, and John Newton and Thomas MacCluskey were engineers. The recording won the 1984 Grammy Award for Best Choral Performance from the  National Academy of Recording Arts and Sciences.

July 3, 1983, Ravinia Festival
HANDEL L’Allegro ed il Penseroso from L’Allegro, il Penseroso ed il Moderato
James Levine, conductor
Kathleen Battle, soprano
Philip Creech, tenor
John Cheek, bass-baritone
Mary Sauer, harpsichord
Chicago Symphony Chorus
James Winfield, associate director

April 25, 26, and 27, 1985, Orchestra Hall
April 29, 1985, Carnegie Hall
VERDI Falstaff
Sir Georg Solti, conductor
Sir John Falstaff Guillermo Sarabia, baritone
Ford Wolfgang Brendel, baritone
Fenton Yordi Ramiro, tenor
Dr. Caius Heinz Zednik, tenor
Bardolph Francis Egerton, tenor
Pistol Aage Haugland, bass
Mistress Alice Ford Katia Ricciarelli, soprano
Nannetta Kathleen Battle, soprano
Mistress Quickly Christa Ludwig, mezzo-soprano
Mistress Meg Page Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

June 29, 1986, Ravinia Festival
BACH Jauchzet Gott in allen Landen, BWV 51
VILLA-LOBOS Bachiana Brasileira No. 5
MAHLER Symphony No. 4
James Levine, conductor
Kathleen Battle, soprano
Adolph Herseth, trumpet
Lynn Harrell, cello

July 3, 1987, Ravinia Festival
STRAUSS Ariadne auf Naxos, Op. 60
James Levine, conductor
A Music Master Hermann Prey, baritone
The Major-Domo Nico Castel, tenor
The Composer Susanne Mentzer, mezzo-soprano
The Tenor, Bacchus Gary Lakes, tenor
An Officer Edward Ozaki, tenor
A Dancing Master Andrea Velis, tenor
A Wig Maker David Huneryager, bass
A Lackey Richard Cohn, baritone
Zerbinetta Kathleen Battle, soprano
Prima Donna, Ariadne Margaret Price, soprano
Harlequin Christopher Trakas, baritone
Scaramuccio Allan Glassman, tenor
Truffaldino James Courtney, bass
Brighella Philip Creech, tenor
Naiad Gail Dobish, soprano
Dryad Hillary Johnsson, mezzo-soprano
Echo Dawn Upshaw, soprano

February 4, 5, and 6, 1988, Orchestra Hall
BRAHMS A German Requiem, Op. 45
Sir Georg Solti, conductor
Kathleen Battle, soprano
Alfred Muff, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director

July 8, 1988, Ravinia Festival
MOZART Don Giovanni, K. 527
James Levine, conductor
Leporello Renato Capecchi, baritone
Donna Anna Karen Huffstodt, soprano
Don Giovanni Thomas Hampson, baritone
Commendatore Jeffrey Wells, bass-baritone
Don Ottavio Vinson Cole, tenor
Donna Elvira Patricia Schuman, soprano
Zerlina Kathleen Battle, soprano
Masetto Julien Robbins, baritone
Chicago Symphony Chorus
Margaret Hillis, director

June 21, 1991, Ravinia Festival
DONIZETTI The Elixir of Love
James Levine, conductor
Giannetta Dawn Upshaw, soprano
Nemorino Luciano Pavarotti, tenor
Adina Kathleen Battle, soprano
Belcore Mark Oswald, baritone
Dulcamara Paul Plishka, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 24, 1993, Ravinia Festival
PREVIN Honey and Rue
DONIZETTI C’en est donc fait . . . Par le rang et par l’opulence from The Daughter of the Regiment
John Nelson, conductor
Kathleen Battle, soprano

July 29, 1994, Ravinia Festival
GOUNOD Je veux vivre from Romeo and Juliet
BERLIOZ Je vais le voir from Beatrice and Benedict
VILLA-LOBOS Bachiana Brasileira No. 5
Hugh Wolff, conductor
Kathleen Battle, soprano

September 16, 1994

September 16, 1994, Orchestra Hall
MOZART Exsultate, jubilate, K. 165
STRAUSS Ständchen, Op. 17, No. 2
STRAUSS Morgen!, Op. 27, No. 4
STRAUSS Ich schwebe, Op. 48, No. 2
GERSHWIN Summertime from Porgy and Bess
BERNSTEIN Somewhere from West Side Story
PREVIN Take My Mother Home from Honey and Rue
ELLINGTON/Sadin Come Sunday
Daniel Barenboim, harpsichord, piano, and conductor
Kathleen Battle, soprano

August 5, 1995, Ravinia Festival
MOZART Deh vieni non tardar from The Marriage of Figaro, K. 492
MOZART Misera! dove son . . . Ah! non son io che parlo, K. 369
MOZART Un moto di gioia mi sento, K. 579
STRAVINSKY No word from Tom from The Rake’s Progress
Christoph Eschenbach, conductor
Kathleen Battle, soprano

July 11, 1998, Ravinia Festival

July 11, 1998, Ravinia Festival
VERDI Sul fil d’un soffio estesio from Falstaff
ROSSINI Una voce poco fa from The Barber of Seville
ROSSINI Dunque io son from The Barber of Seville
MOZART Crudel! perchè finora from The Marriage of Figaro, K. 492
GOUNOD Je veux vivre from Romeo and Juliet
KORNGOLD Glück, das mir verblieb from Die tote Stadt
Christoph Eschenbach, conductor
Kathleen Battle, soprano
Dmitri Hvorostovsky, baritone

July 12, 2003, Ravinia Festival
MOZART Deh vieni non tardar from The Marriage of Figaro, K. 492
GOUNOD Amour ranime mon courage from Romeo and Juliet
GABRIEL/Sadin His Eye is on the Sparrow
TRADITIONAL/Smith Witness
TRADITIONAL/Bonds He’s Got the Whole World in His Hands
Bobby McFerrin, conductor
Kathleen Battle, soprano
Denyce Graves, mezzo-soprano
Chicago Children’s Choir
Josephine Lee, director

Between 1993 and 1996, James Levine led the Chicago Symphony Orchestra in recording sessions at Medinah Temple for Fantasia 2000, the long-awaited sequel to Disney’s classic 1940 Fantasia. One of the works recorded was excerpts from Elgar’s Pomp and Circumstance marches featuring Battle and the Chicago Symphony Chorus.

Under the auspices of Allied Arts, CSO Presents, and Symphony Center Presents, Battle also gave recitals in Orchestra Hall on the following dates:

  • April 20, 1986
  • December 13, 1991
  • April 24, 1996
  • April 18, 1999
  • April 11, 2001

Happy, happy birthday!

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Under the leadership of chorus directors Margaret Hillis and Duain Wolfe, the Chicago Symphony Chorus has won ten Grammy awards from the National Academy of Recording Arts and Sciences in the category of Best Choral Performance.*

Recordings have been led by music directors Sir Georg Solti and Riccardo Muti, principal guest conductor Pierre Boulez, and Ravinia Festival music director James Levine on RCA, London, Deutsche Grammophon, and CSO Resound.

1977 – Best Choral Performance–Classical
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on June 1 and 2, 1977, for RCA
Thomas Z. Shepard, producer
Paul Goodman, recording engineer

1978 – Best Choral Performance–Classical
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Victor Aitay, violin
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 16, 17, and 18, 1977, for London
Ray Minshull, producer
Kenneth Wilkinson, John Dunkerley, and Michael Mailes, balance engineers

1979 – Best Choral Performance–Classical
BRAHMS A German Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 15 and 16, 1978, for London
James Mallinson, recording producer
Kenneth Wilkinson and Colin Moorfoot, balance engineers

1982 – Best Choral Performance–Classical
BERLIOZ The Damnation of Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, mezzo-soprano
Kenneth Riegel, tenor
José van Dam, bass-baritone
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on May 4, 5, 6, and 7, 1981, for London
James Mallinson, recording producer
James Lock and Simon Eadon, balance engineers

1983 – Best Choral Performance
HAYDN The Creation
Sir Georg Solti, conductor
Sylvia Greenberg, soprano
Norma Burrowes, soprano
Rudiger Wohlers, tenor
James Morris, bass-baritone
Siegmund Nimsgern, bass
David Schrader, harpsichord
Frank Miller, cello
Joseph Guastafeste, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on November 9, 10, and 11, 1981, for London
Paul Myers, recording producer
James Lock and John Dunkerley, balance engineers

1984 – Best Choral Performance
BRAHMS A German Requiem, Op. 45
James Levine, conductor
Kathleen Battle, soprano
Håkan Hagegård, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on July 5 and 6, 1983, for RCA
Thomas Z. Shepard, producer
Paul Goodman, recording engineer
John Newton and Thomas MacCluskey, engineers

1986 – Best Choral Performance
ORFF Carmina burana
James Levine, conductor
June Anderson, soprano
Philip Creech, tenor
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on July 9 and 10, 1984, for Deutsche Grammophon
Steven Paul, producer
Cord Garben, recording supervisor
Klaus Scheibe, recording engineer
Jürgen Bulgrin, editing

1991 – Best Performance of a Choral Work
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, soprano
Anne Sofie von Otter, mezzo-soprano
Hans Peter Blochwitz, tenor
William Shimmell, baritone
Gwynne Howell, bass
Richard Webster, organ
John Sharp, cello
Willard Elliot, bassoon
Joseph Guastafeste, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on January 25, 26, and 28, 1990, for London
Michael Haas, recording producer
Stanley Goodall and Simon Eadon, balance engineers

1993 – Best Performance of a Choral Work
BARTÓK Cantata profana
Pierre Boulez, conductor
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on December 16, 1991, for Deutsche Grammophon
Alison Ames, executive producer
Karl-August Naegler, recording producer
Rainer Maillard, balance engineer
Oliver Rosalla, editing

2010 – Best Choral Performance
VERDI Messa da Requiem
Riccardo Muti, conductor
Barbara Frittoli, soprano
Olga Borodina, mezzo-soprano
Mario Zeffiri, tenor
Ildar Abdrazakov, bass
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall on January 15, 16, and 17, 2009, for CSO Resound
Christopher Alder, producer
Christopher Willis, recording engineer
David Frost and Tom Lazarus, mixing
Silas Brown and David Frost, stereo mastering

*The name of the category has changed slightly over the years; see here for details.

Wishing a very happy ninetieth birthday to the wonderful mezzo-soprano Christa Ludwig!

Christa Ludwig in 1967 as Fricka in Wagner’s Die Walküre (Metropolitan Opera photo)

Ludwig has appeared with the Chicago Symphony Orchestra on numerous occasions, at Orchestra Hall, the Ravinia Festival, and Carnegie Hall, as follows (concerts at Orchestra Hall, unless otherwise noted):

February 20, 21, and 25, 1958
MAHLER Das Lied von der Erde
Fritz Reiner, conductor
Christa Ludwig, mezzo-soprano
Richard Lewis, tenor

October 26 and 27, 1967
MAHLER Songs from Des knaben Wunderhorn
Alfred Wallenstein, conductor
Christa Ludwig, mezzo-soprano

July 7, 1970 (Ravinia Festival)
MAHLER Kindertotenlieder
István Kertész, conductor
Christa Ludwig, mezzo-soprano

April 24, 25, and 26, 1980
May 2 and 3, 1980 (Carnegie Hall)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, soprano
Christa Ludwig, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

Christa Ludwig in 2014 (Ernst Kainerstorfer photo)

April 25, 26, and 27, 1985
April 29, 1985 (Carnegie Hall)
VERDI Falstaff
Sir Georg Solti, conductor
Guillermo Sarabia, baritone
Wolfgang Brendel, baritone
Yordi Ramiro, tenor
Heinz Zednik, tenor
Francis Egerton, tenor
Aage Haugland, bass
Katia Ricciarelli, soprano
Kathleen Battle, soprano
Christa Ludwig, mezzo-soprano
Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

July 5, 1991 (Ravinia Festival)
MAHLER Das Lied von der Erde
James Levine, conductor
Christa Ludwig, mezzo-soprano
Gary Lakes, tenor

Happy, happy birthday!

The Chicago Symphony Orchestra joins the classical music world in mourning the tragic loss of the remarkable Siberian baritone Dmitri Hvorostovsky at the age of fifty-five. His passing was announced on his website on Wednesday, November 22.

Hvorostovsky appeared with the Chicago Symphony Orchestra on three occasions—all at the Ravinia Festival—as follows:

July 11, 1998
ROSSINI Overture to La scala di seta
VERDI Sul fil d’un soffio estesio from Falstaff
VERDI Tutto e deserto . . . Il balen del suo sorriso from Il trovatore
ROSSINI Overture to The Barber of Seville
ROSSINI Una voce poco fa from The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
ROSSINI Dunque io son from The Barber of Seville
MOZART Overture to The Marriage of Figaro, K. 492
MOZART Crudel! perchè finora from The Marriage of Figaro, K. 492
TCHAIKOVSKY Polonaise from Eugene Onegin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
GOUNOD Je veux vivre from Romeo and Juliet
GOUNOD Avant de quitter ces lieux from Faust
LEHÁR Gold and Silver Waltz, Op. 79
KORNGOLD Glück, das mir verblieb from Die tote Stadt
J. STRAUSS, Jr. On the Beautiful Blue Danube, Op. 314
Kathleen Battle, soprano
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor

July 11, 1998, Ravinia Festival

August 3, 2002
TCHAIKOVSKY Waltz and Polonaise from Eugene Onegin
TCHAIKOVSKY Kogda bi zhizn domashnim krugom from Eugene Onegin
TCHAIKOVSKY/Glazunov Melodie from Souvenir d’un lieu cher, Op. 42, No. 3
Samuel Magad, violin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
ROSSINI Overture to The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
VERDI Overture to La forza del destino
VERDI Pietà, rispetto, amore from Macbeth
VERDI Ballet Music from Macbeth
VERDI Son io, mio Carlo . . . Per me giunto . . . O Carlo, ascolta from Don Carlo
VERDI Cortigiani, vil razza dannata from Rigoletto
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor
Soprano Karita Mattila also was scheduled to appear but canceled due to illness.

August 15, 2009
VERDI Rigoletto
Gilda Eglise Gutiérrez, soprano
Countess Ceprano Valerie Vinzant, soprano
Giovanna/Page Katherine Lerner, mezzo-soprano
Maddalena Natascha Petrinsky, mezzo-soprano
Matteo Borsa Hak Soo Kim, tenor
Duke of Mantua Stefano Secco, tenor
Count Ceprano/Court Usher Jonathan Beyer, baritone
Marullo Paul Corona, bass-baritone
Rigoletto Dmitri Hvorostovsky, baritone
Monterone Jason Stearns, baritone
Sparafucile Morris Robinson, bass
Apollo Chorus of Chicago
Stephen Alltop, director
James Conlon, conductor

At Orchestra Hall, Hvorostovsky appeared in recital on four occasions, as follows:

November 17, 1996
with the Saint Petersburg Chamber Choir
Nikolai Korniev, conductor

May 2, 1999
Mikhail Arkadiev, piano

October 22, 2000
Mikhail Arkadiev, piano

February 16, 2011
Ilja Ivari, piano

Countless tributes have been posted online, including websites of the Chicago Tribune, Chicago Sun-Times, The New York Times, and Opera News, among many others. A collection of his best performances on video can be found here.

Orchestra Hall, January 19, 1958

On January 19, 1958, fifteen-year-old Daniel Barenboim made his piano recital debut at Orchestra Hall, with the following program:

BACH/Liszt Prelude and Fugue in A Minor, BWV 543
BEETHOVEN Sonata No. 23 in F Minor, Op. 57 (Appassionata)
BRAHMS Sonata No. 1 in C Major, Op. 1
BEN-HAIM Intermezzo and Toccata, Op. 34

The next day in the American, Roger Dettmer wrote, “Only very occasionally some youngster will happen along who seems to have been born adult . . . The prodigy turned out yesterday afternoon to be Daniel Barenboim, born fifteen years ago in Argentina. The talent is huge, the technique already formidable and he applied both to a virtuoso program [with] secure musical training and uncommon sensitivity of touch.”

He returned in November of that year and again every couple of years after that for more solo piano recitals, including—over the course of a month between February 26 and March 27, 1986—a series of eight concerts, traversing Beethoven’s complete cycle of piano sonatas.

After becoming the Chicago Symphony Orchestra’s ninth music director in September 1991, Barenboim made regular appearances as piano recitalist and chamber musician, collaborating with an extraordinary roster of instrumentalists and singers. He performed a dizzying array of repertoire, including Albéniz’s Iberia; Bach’s Goldberg Variations; Bartók’s Sonata for Two Pianos and Percussion; Beethoven’s Diabelli Variations; Berg’s Chamber Concerto for Piano, Violin, and Thirteen Wind Instruments (with Pierre Boulez conducting); Brahms’s cello sonatas; Mahler’s Des Knaben Wunderhorn, Songs of a Wayfarer, and Rückert Lieder; Messiaen’s Quartet for the End of Time; Mozart’s complete violin sonatas; Schubert’s Winterreise; Schumann’s Frauenliebe und -leben; Wagner’s Siegfried Idyll and Wesendonk Lieder; and Wolf’s Italian Songbook; along with other piano works by Chopin, Debussy, Liszt, Schoenberg, and Schubert, among others.

Barenboim’s collaborators included instrumentalists Héctor Console, Lang Lang, Radu Lupu, Yo-Yo Ma, Rodolfo Mederos, Itzhak Perlman, András Schiff, Deborah Sobol, Maxim Vengerov, and Pinchas Zukerman, along with singers Kathleen BattleCecilia Bartoli, Angela Denoke, Plácido Domingo, Thomas Hampson, Robert Holl, Waltraud Meier, Thomas Quasthoff, Peter Schreier, and Bo Skovhus. He also invited countless members of the Orchestra to join him, including Stephen Balderston, Li-Kuo Chang, Robert Chen, Dale Clevenger, Larry Combs, Louise Dixon, Edward Druzinsky, Jay Friedman, Rubén González, Richard Graef, Joseph Guastafeste, John Hagstrom, Adolph Herseth, Richard Hirschl, Alex Klein, Donald Koss, Burl Lane, Samuel Magad, David McGill, Michael Mulcahy, Lawrence Neuman, Bradley Opland, Nancy Park, Donald Peck, Gene Pokorny, Mark Ridenour, James Ross, Norman Schweikert, John Sharp, Gregory Smith, Charles Vernon, Gail Williams, and members of the Chicago Symphony Chorus (prepared by Duain Wolfe), among many others.

June 4 and 11, 2006

During the final residency of his tenure as music director, Barenboim presented Bach’s The Well-Tempered Clavier in two piano recitals: the first book on June 4, 2006; and the second book a week later, on June 11.

Reviewing the June 4 concert, John von Rhein in the Chicago Tribune wrote that Barenboim, “brought the full color resources of a modern concert grand to bear on Bach’s pristinely ordered sound-world . . . Bach never intended for musicians to perform all the preludes and fugues in one gulp, but when they are executed at so exalted a level of thought, feeling, and spirituality, who’s to say they shouldn’t?”

Following the second installment, Wynne Delacoma in the Chicago Sun-Times added, “One of Barenboim’s gifts as a pianist is his ability to etch clear, long-lined, richly colored phrases with seemingly no effort [and in Bach’s music] we heard the foundation on which the rest of his music-making has been built. . . . The applause that brought Barenboim back for extra bows was fervent and heartfelt. Barenboim’s annual piano recitals have been high points of Chicago’s musical life for the past fifteen years. They are appreciated and will be deeply missed.”

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Fantasia 2000

Between 1993 and 1996, James Levine conducted the Chicago Symphony Orchestra and Chorus in recording sessions at Medinah Temple for Fantasia 2000, the long-awaited sequel to Disney’s classic Fantasia from 1940. Levine led extended excerpts from Beethoven’s Symphony no. 5, Respighi’s Pines of Rome, Shostakovich’s Piano Concerto no. 2 with Yefim Bronfman, Saint-Saëns’s Carnival of the Animals with pianists Gail Niwa and Philip Sabransky (both children of CSO members), Elgar’s Pomp and Circumstance marches with soprano Kathleen Battle and the Chicago Symphony Chorus, and Stravinsky’s The Firebird.

The movie was released on New Year’s Day 2000, and Chicago Sun-Times film critic Roger Ebert described the IMAX version “not just as a film, but as an event.” He continued, “Movies like this renew my faith that the future of the cinema lies not in the compromises of digital projection, but by leaping over the limitations of digital into the next generation of film technology.”

This article also appears here.

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James Levine in the early 1970s (Metropolitan Opera photo)

James Levine in the early 1970s (Metropolitan Opera photo)

As a last-minute replacement conductor for the opening concert of the Ravinia Festival’s thirty-sixth season on June 24, 1971, James Levine led the Orchestra, Chorus, and soloists in Mahler’s Second Symphony. Having just made his debut at the Metropolitan Opera leading Puccini’s Tosca on June 5, he conducted both the rehearsals and the performance of the Mahler without a score.

In the Chicago Daily News, Bernard Jacobson reported that the reverberations of Mahler’s symphony “were matched at the end of the performance by the ovation that greeted conductor James Levine. And indeed, this gifted twenty-eight-year-old musician earned every last resounding cheer. He had taken the concert over at a week’s notice from István Kertész (who was himself a replacement for the originally scheduled Eugene Ormandy), and everything he did was proof of thorough preparation, fine artistic judgment, and the ability to communicate ideas to an orchestra and, through it, to the audience.”

By February 1972, the Metropolitan announced that Levine would become its first principal conductor, and that October, Ravinia announced that he would be the festival’s second music director, succeeding Kertész, who had served as principal conductor from 1970 through the 1972 season.

Levine launched the first of his twenty years at the Ravinia Festival on June 27, 1973, leading the Orchestra, Chorus, and soloists in Beethoven’s Missa solemnis. His tenure was marked with an astonishing range of repertoire: cycles of symphonies by Brahms and Mahler; Bach’s Brandenburg Concertos and Beethoven’s piano concertos; choral masterworks by Berlioz, Haydn, Mendelssohn, Orff, Schoenberg, and Stravinsky; and concert performances of operas by Bellini, Donizetti, Mozart, Puccini, Saint-Saëns, Strauss, Tchaikovsky, Verdi, and Wagner, all with the leading singers of the day.

Carmina burana

Levine amassed an extensive discography with the Orchestra and Chorus (including several Grammy winners) on Deutsche Grammophon, Philips, and RCA, recorded at Orchestra Hall and in Medinah Temple, including Beethoven’s five piano concertos with Alfred Brendel; Berg’s Violin Concerto and Rihm’s Time Chant with Anne-Sophie Mutter; Brahms’s four symphonies and A German Requiem with Kathleen Battle and Håkan Hagegård; Gershwin’s Rhapsody in Blue (conducting from the keyboard); Holst’s The Planets; Mahler’s symphonies no. 3 with Marilyn Horne, no. 4 with Judith Blegen, and no. 7; and Schubert’s Ninth Symphony.

Twenty years to the day of his first concert as music director, Levine capped his tenure on June 27, 1993, leading the Orchestra and Chorus in Stravinsky’s Symphony of Psalms, Strauss’s Death and Transfiguration, and Beethoven’s Seventh Symphony.

This article also appears here.

Wishing a very happy seventieth birthday to Jessye Norman!

A frequent visitor to Chicago—on concert, recital, and opera stages—Norman has appeared with the Chicago Symphony Orchestra as vocal soloist and narrator on many occasions, both at Orchestra Hall and the Ravinia Festival. A complete list of her performances with the Orchestra is below (all concerts at Orchestra Hall unless otherwise noted):

Jessye Norman 1970s

March 21, 22, and 23, 1974
SCHUMANN Das Paradies und die Peri, Op. 50
Carlo Maria Giulini, conductor
Jessye Norman, soprano
Birgit Finnilä, contralto
Ernst Haefliger, tenor
Raffaele Arié, bass
Sarah Beatty, soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Chicago Symphony Chorus
Margaret Hillis, director

May 29, 30, and 31, 1975
LA MONTAINE Songs of the Rose of Sharon, Op. 6
Daniel Barenboim, conductor
Jessye Norman, soprano

August 9, 1975 (Ravinia Festival)
BERLIOZ Les nuits d’été, Op. 7
Edo de Waart, conductor
Jessye Norman, soprano

July 7, 1978 (Ravinia Festival)
MOZART Ch’io mi scordi di te?, K. 505
Edward Gordon, piano
RAVEL Sheherazade
BERLIOZ La mort de Cléopatre
WAGNER Wesendonk-Lieder
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

July 9, 1978 (Ravinia Festival)
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Sherrill Milnes, baritone
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, piano
John Cheek, bass
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 8, 1979 (Ravinia Festival)
MAHLER Das Lied von der Erde
James Levine, conductor
Jessye Norman, soprano
Seth McCoy, tenor

March 26, 27, and 28, 1981
BRUCKNER Te Deum
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director

December 1, 2, and 3, 1983
MAHLER Das Lied von der Erde
Erich Leinsdorf, conductor
Jessye Norman, soprano
David Rendall, tenor

Receiving bows following Beethoven's Ninth Symphony at Orchestra Hall on September 24, 1986

Receiving bows following Beethoven’s Ninth Symphony at Orchestra Hall on September 24, 1986 (Jim Steere photo)

September 24, 25, 26, and 27, 1986
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 1, 1988 (Ravinia Festival)
WAGNER Die Walküre, Act 1
James Levine, conductor
Jessye Norman, soprano
Gary Lakes, tenor
Aage Haugland, bass

July 5, 1992 (Ravinia Festival)
STRAUSS  Ruhe, meine Seele, Op. 27, No. 1
STRAUSS Waldseligkeit, Op. 49, No. 1
STRAUSS Wiegenlied, Op. 41, No. 1
STRAUSS Die heiligen drei Konige aus Morgenland, Op. 56, No. 6
STRAUSS Cäcilie, Op. 27, No. 2
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

December 2, 4, and 7, 1993
BARTÓK Bluebeard’s Castle
Pierre Boulez, conductor
Jessye Norman, soprano
László Polgár, bass
Larry Russo, narrator

June 22, 1996 (Ravinia Festival)
BERLIOZ “Villanelle,” “Le spectre de la rose,” “Sur les lagunes,” and “L’ile inconnue” from Les nuits d’été, Op. 7
RAVEL Sheherazade
Christoph Eschenbach, conductor
Jessye Norman, soprano

June 21, 1997 (Ravinia Festival)
MOZART Vado, ma dove?, K. 583
MOZART “Porgi amor” from The Marriage of Figaro, K. 492
BIZET Habanera from Carmen
SAINT-SAËNS “Mon coeur s’ouvre à ta voix” from Samson and Delilah
STRAUSS Final Scene from Capriccio
Christoph Eschenbach, conductor
Jessye Norman, soprano

July 18, 2009 (Ravinia Festival)
COPLAND Lincoln Portrait
James Conlon, conductor
Jessye Norman, narrator

Norman also has recorded with the Chicago Symphony Orchestra on three occasions:

BEETHOVEN Symphony No. 9 (Solti 2)

BRUCKNER Te Deum
Recorded in Orchestra Hall, March 1981
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Deutsche Grammophon

BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Recorded in Medinah Temple, September and October 1986
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director
London
1987 Grammy Award for Best Orchestral Recording

Boulez Bluebeard

BARTÓK Bluebeard’s Castle
Recorded in Orchestra Hall, December 1993
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Deutsche Grammophon
1998 Grammy Award for Best Opera Recording

Happy, happy birthday!

Ray Still - 1950s

Orchestral and chamber musician, soloist with countless ensembles, and lifelong teacher and coach Ray Still—a member of the Chicago Symphony Orchestra’s oboe section for forty years, serving as principal for thirty-nine years—died peacefully on March 12, 2014, surrounded by family in Woodstock, Vermont. He was 94.

Born on March 12, 1920, in Elwood, Indiana, Still began playing clarinet as a teenager. During the Great Depression, his family moved to California, where he was able to regularly hear performances of the Los Angeles Philharmonic as a volunteer usher. After hearing the masterful technique and elegant phrasing of Henri de Busscher—principal oboe in Los Angeles from 1920 until 1948—Still switched to the oboe.

Still graduated from Los Angeles High School and at the age of nineteen joined the Kansas City Philharmonic as second oboe in 1939, where he was a member until 1941 (and also where he met and married Mary Powell Brock in 1940). For the next two years, he studied electrical engineering, served in the reserve US Army Signal Corps, and worked nights at the Douglas Aircraft factory. During the height of World War II, Still joined the US Army in September 1943 and served until June of 1946.

Immediately following his honorable discharge from the Army, Still enrolled at the Juilliard School where he studied with Robert Bloom. The following year in 1947, he began a two-year tenure as principal oboe with the Buffalo Philharmonic Orchestra under the baton of William Steinberg. Beginning in 1949, Still was principal oboe of the Baltimore Symphony Orchestra for four years.

Fritz Reiner and the newest members of the Orchestra in the fall of 1953. From left to right: Nathan Snader, violin; Juan Cuneo, violin; Joseph Golan, violin; Alan Fuchs, horn; Sheppard Lehnhoff, viola; Ray Still, oboe; Sheppard Lehnhoff, viola; and János Starker, cello.

Fritz Reiner and the newest members of the Orchestra in the fall of 1953. From left to right: Nathan Snader, violin; Juan Cuneo, violin; Joseph Golan, violin; Alan Fuchs, horn; Ray Still, oboe; Sheppard Lehnhoff, viola; and János Starker, cello.

In the fall of 1953, Still auditioned for Fritz Reiner, the Chicago Symphony Orchestra’s recently named music director. Reiner invited him to be the Orchestra’s second-chair oboe and the following year promoted him to the principal position. Still would serve the Orchestra in that capacity—under music directors Reiner, Jean Martinon, Sir Georg Solti, and Daniel Barenboim—until his retirement in 1993.

Still appeared with the Chicago Symphony Orchestra as soloist on countless occasions, including the Orchestra’s first performances of works for solo oboe by Albinoni, Bach, Barber, Mozart, Richard Strauss, and Telemann. His extensive discography includes Bach’s Wedding Cantata on RCA with Kathleen Battle as soloist and James Levine conducting, and Mozart’s Oboe Concerto in C minor on Deutsche Grammophon with Claudio Abbado conducting.

Still performed with numerous other ensembles including the Juilliard, Vermeer, and Fine Arts string quartets; he recorded with Itzhak Perlman, Pinchas Zukerman, and Lynn Harrell; and regularly appeared at many music festivals, including those at Aspen, Stratford, and Marlboro, among others.

A tireless educator, Still taught at the Peabody Institute from 1949 until 1953, Roosevelt University from 1954 until 1957, and at Northwestern University for forty-three years until 2003. Throughout his tenure with the Chicago Symphony Orchestra, he coached members of the Civic Orchestra of Chicago. At the invitation of Seiji Ozawa, he spent the summers of 1968 and 1970 as a visiting member of the Japan Philharmonic Orchestra in Tokyo, where he held coaching sessions for the wind section, conducted chamber music classes, and lectured at Toho University.

Ray Still - 1970s

Following his retirement from Northwestern, he moved to Annapolis, Maryland—where he continued to give master classes and lessons—with his beloved wife Mary and son James to live near his daughter Susan. In 2013, he moved to Saxtons River and later Woodstock, Vermont, where he lived near Susan, his granddaughter Madeline, and her two daughters.

Still is survived by his daughter and son-in-law, Mimi and Kent Dixon of Springfield, Ohio; his son and daughter-in-law, Tom and Sally Still of Big Timber, Montana; his daughter and son-in-law, Susan Still and Peter Bergstrom of Saxtons River, Vermont; six grandchildren, and three great-grandchildren. He was preceded in death in 2012 by his wife of almost 72 years, Mary Brock Still, and his son James Still.

Services will be private and details for a memorial in Chicago are pending. In lieu of flowers, the family asks for donations to the Institute for Learning, Access, and Training at the Chicago Symphony Orchestra.

When interviewed for an article in the Chicago Tribune in 1988, Still was asked why he thought the Chicago Symphony Orchestra was the world’s greatest. His reply: “It’s like a great baseball team. We have a blend of youth and experience, and they work very well together. A lot of orchestras have this. The thing that makes the Chicago Symphony Orchestra very unusual is the tremendous—I hate to use the word—discipline. There is a certain pride, and I think it goes back to the days of Theodore Thomas, the founder. There is something about the tradition of this Orchestra and the level the main body of musicians has come to expect of itself. There’s just a longer line of tradition.”

More information can be found at www.raystill.com.

____________________________________________________

During his tenure as music director, Solti and the Chicago Symphony Orchestra traveled to Carnegie Hall nearly every season. A complete list of those concerts are below:

January 8, 1970
HAYDN Symphony No. 102 in B-flat Major
BARTÓK Dance Suite
BRAHMS Symphony No. 1 in C Minor, Op. 68

January 9, 1970
MAHLER Kindertotenlieder
Helen Watts, contralto
MAHLER Symphony No. 5

December 7, 1970
LEVY Concerto for Piano No. 1
Earl Wild, piano
BRUCKNER Symphony No. 8 in C Minor

December 8, 1970
MAHLER Symphony No. 7 in E Minor

April 27, 1971
WAGNER Das Rheingold
Woglinde Karen Altman, soprano
Wellgunde Huguette Tourangeau, mezzo-soprano
Flosshilde Helen Watts, contralto
Alberich Rolf Kuhne, bass
Wotan David Ward, bass
Fricka Mignon Dunn, mezzo-soprano
Freia Karen Altman, soprano
Fasolt Martti Talvela, bass
Fafner Hans Sotin, bass
Donner Thomas Paul, bass
Froh Kenneth Riegel, tenor
Loge Gerhard Stolze, tenor
Mime John Lanigan, tenor
Erda Helen Watts, contralto

November 17, 1971
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97 (Rhenish)
BARTÓK Concerto for Orchestra
WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg

November 20, 1971
SCHOENBERG Moses and Aron
Moses Hans Hotter, speaker
Aron Richard Lewis, tenor
A Young Girl Karen Altman, soprano
A Young Man Kenneth Riegel, tenor
Another Man Benjamin Matthews, baritone
Priest Donald Gramm, bass-baritone
An Invalid Woman Emilie Miller, mezzo-contralto
Ephraimite Stephen Swanson, baritone
A Naked Youth Kenneth Riegel, tenor
Four Naked Virgins Barbara Pearson and Nancy Clevenger, sopranos; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto
Three Elders Alfred Reichel and Jack Abraham, baritones; Eugene Johnson, bass
Six Solo Voices in the Orchestra Barbara Pearson, soprano; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto; William Wahman, tenor; Stephen Swanson and Arthur Berg, baritones
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Barbara Born, director

April 19, 1972
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
MAHLER Das Lied von der Erde
Shirley Verrett, mezzo-soprano
Stuart Burrows, tenor

April 22, 1972
CARTER Variations for Orchestra
STRAUSS Don Juan, Op. 20
BERLIOZ Symphonie fantastique, Op. 14A

December 6, 1972
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Josephine Veasey, contralto
Faust Stuart Burrows, tenor
Mephistopheles Robert Savoie, baritone
Brander Roger Soyer, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

December 9, 1972
MENDELSSOHN Overture to Fingal’s Cave, Op. 26
BARTÓK Concert for Violin, No. 2
Isaac Stern, violin
STRAUSS Ein Heldenleben, Op. 40

May 2, 1973
WAGNER Act 3 of Götterdämmerung
Gutrune Karen Altman, soprano
Brunnhilde Helga Dernesch, soprano
Woglinde Barbara Pearson, soprano
Wellgunde Gwendolyn Jones, mezzo-soprano
Flosshilde Sandra Walker, mezzo-soprano
Siegfried Jess Thomas, tenor
Gunther Donald Gramm, bass
Hagen Martti Talvela, bass
Men of the Chicago Symphony Chorus
Richard Boldrey, assistant director

May 4, 1973
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRUCKNER Symphony No. 7 in E Major

November 14, 1973
WEBER Overture to Oberon
HENZE Heliogabalus Imperator
BEETHOVEN Symphony No.3 in E-flat Major, Op. 55 (Eroica)

November 17, 1973
BACH Suite No. 3 in D Major, BWV 1068
MAHLER Symphony No. 6 in A Minor

May 1, 1974
SCHUMANN Symphony No. 4 in D Minor, Op. 120
BARTÓK Bluebeard’s Castle
Judith Tatiana Troyanos, mezzo-soprano
Bluebeard Zoltán Kelemen, baritone

May 4, 1974
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
ELGAR Variations on an Original Theme, Op. 36 (Enigma)
STRAVINSKY The Rite of Spring

December 17, 1974
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Samuel Magad, violin
Ralph Zeitlin, recorder
Ray Still, oboe
Adolph Herseth, trumpet
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

December 18, 1974
STRAUSS Salome
Salome Birgit Nilsson, soprano
Herodias Ruth Hesse, mezzo-soprano
Herod Antipas Ragnar Ulfung, tenor
Jokanaan Norman Bailey, baritone
Slave Sarah Beatty, soprano
The Page of Herodias Sandra Walker, mezzo-soprano
Narraboth George Shirley, tenor
Cappadocian Gershon Silins, bass
Two Nazarenes Cory Winter, tenor; Franz Mazura, bass-baritone
Four Jews Philip Creech, Jerry Jennings, John Lanigan, and William Wahman, tenors; Eugene Johnson, bass
Two Soldiers Curtis Dickson and Thomas Paul, basses

December 20, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
ELGAR Symphony No. 2 in E-flat Major, Op. 63

December 21, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

April 29, 1975
STRAVINSKY Symphony in C
BRUCKNER Symphony No. 5 in B-flat Major

April 30, 1975
VERDI Requiem
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 2, 1975
HAYDN Symphony No. 101 in D Major (The Clock)
LISZT Piano Concerto No. 2 in A Major
Tamás Vásáry, piano
STRAUSS Also sprach Zarathustra, Op. 30

May 10, 1976
BARTÓK Music for Strings, Percussion, and Celesta
BEETHOVEN Symphony No. 2 in D Major, Op. 36
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

May 12, 1976
MENDELSSOHN Selections from A Midsummer Night’s Dream
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Alicia de Larrocha, piano
DEBUSSY La mer

May 14, 1976
WAGNER Der fliegende Höllander
The Dutchman Norman Bailey, bass-baritone
Senta Janis Martin, soprano
Daland Martti Talvelabass
Erik René Kollo, tenor
The Steersman Werner Krenntenor
Mary Isola Jonesmezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

November 8, 1976
MOZART Adagio and Fugue in C Minor, K. 546
VERDI Four Sacred Pieces
Jo Ann Pickens, soprano
Chicago Symphony Chorus
Margaret Hillis, director
WALTON Belshazzar’s Feast
David Ward, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 10, 1976
SHOSTAKOVICH Symphony No. 9 in E-flat Major, Op. 70
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

November 12, 1976
RAVEL Le tombeau de Couperin
DEBUSSY Prelude to The Afternoon of a Faun
RAVEL La valse
BEETHOVEN Symphony No. 7 in A Major, Op. 92

May 9, 1977
HAYDN Symphony No. 103 in E-flat Major
WAGNER Prelude and Liebestod from Tristan and Isolde
BRAHMS Symphony No. 2 in D Major, Op. 73

May 11, 1977
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
MAHLER Symphony No. 5

May 13, 1977
BEETHOVEN Missa solemnis, Op. 123
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Solti was scheduled to conduct four concerts at Carnegie Hall in October and November 1977; however after suffering a fall in Chicago, he was forced to cancel the first two appearances. The October 31 performance of Mahler’s Eighth Symphony was conducted by Chorus Director Margaret Hillis, and the November 1 program (identical to the November 2 concert) was led by Associate Conductor Henry Mazer.

November 2, 1977
ROSSINI Overture to The Barber of Seville
STRAVINSKY Jeu de cartes
STRAUSS Four Last Songs
Lucia Popp, soprano
STRAUSS Don Juan, Op. 20

November 4, 1977
TIPPETT Symphony No. 4
BRUCKNER Symphony No. 7 in E Major

May 8, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

May 9, 1978
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 10, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 12, 1978
BRAHMS Tragic Overture, Op. 81
BRAHMS A German Requiem, Op. 45
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director

May 14 & 15, 1979
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BRUCKNER Symphony No. 6 in A Major

May 16 & 18, 1979
MUSSORGSKY/Rimsky-Korsakov Prelude to Khovanshchina
SHOSTAKOVICH Symphony No. 1, Op. 10
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 19, 1979
BEETHOVEN Fidelio, Op. 72
Leonore Hildegard Behrens, soprano
Marzelline Sona Ghazarian, soprano
Florestan Peter Hofmann, tenor
Jaquino David Kübler, tenor
Don Pizarro Theo Adam, baritone
Rocco Hans Sotin, bass
Don Fernando Gwynne Howell, bass
Two Prisoners Robert Johnson, tenor and Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director

April 28 & 30, 1980
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastorale)
STRAVINSKY The Rite of Spring

April 29, 1980
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
WAGNER “Dich, teure Halle” from Tannhäuser
Leontyne Price, soprano
WAGNER Prelude and Liebestod from Tristan and Isolde
Leontyne Price, soprano
MUSSORGSKY/Ravel Pictures at an Exhibition

May 2 & 3, 1980
MAHLER Symphony No. 2 in C Minor (Resurrection)
Isobel Buchanan, soprano
Christa Ludwig, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 27 & 29, 1981
MAHLER Symphony No. 9 in D Major

April 28, 1981
BRUCKNER Symphony No.4 in E-flat Major (Romantic)
BARTÓK Concerto for Orchestra

May 1 & 2, 1981
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Frederica von Stade, mezzo-soprano
Faust Kenneth Riegel, tenor (May 1); Peyo Garazzi, tenor (May 2)
Mephistopheles José van Dam, baritone
Brander Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

April 18, 1983
WAGNER Das Rheingold
Wotan Siegmund Nimsgern, bass-baritone
Alberich Hermann Becht, baritone
Fricka Gabriele Schnaut, mezzo-soprano
Loge Siegfried Jerusalem, tenor
Mime Robert Tear, tenor
Erda Jan DeGaetani, mezzo-soprano
Fafner Malcolm Smith, bass
Fasolt Gwynne Howell, bass
Freia Mary Jane Johnson, soprano
Donner John Cheek, bass-baritone
Froh Dennis Bailey, tenor
Woglinde Michelle Harman-Gulick, soprano
Wellgunde Elizabeth Hynes, soprano
Flosshilde Emily Golden, mezzo-soprano

April 19, 1983
MOZART Overture to The Magic Flute, K. 620
BARTÓK Music for Strings, Percussion, and Celesta
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

April 29, 1985
VERDI Falstaff
Sir John Falstaff Guillermo Sarabia, baritone
Ford Wolfgang Brendel, baritone
Fenton Yordi Ramiro, tenor
Dr. Caius Heinz Zednik, tenor
Bardolph Francis Egerton, tenor
Pistol Aage Haugland, bass
Mistress Alice Ford Katia Ricciarelli, soprano
Nannetta Kathleen Battle, soprano
Mistress Quickly Christa Ludwig, mezzo-soprano
Mistress Meg Page Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 30, 1985
SHOSTAKOVICH Symphony No. 9, Op. 70
BRUCKNER Symphony No. 9 in D Minor (Unfinished)

May 1, 1985
BRAHMS Variations on a Theme by Haydn, Op 56a
LUTOSŁAWSKI Symphony No. 3
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

May 3, 1985
MAHLER Symphony No. 7 in E Minor

May 4, 1985
BERG Three Pieces for Orchestra, Op. 6
BERG Concerto for Violin
Salvatore Accardo, violin
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

May 18, 1987
MAHLER Symphony No. 9

May 19, 1987
STRAUSS Ein Heldenleben, Op. 40
STRAVINSKY The Rite of Spring

May 20, 1987
HAYDN Symphony No. 103 in E-flat Major (Drumroll)
BRUCKNER Symphony No. 7 in E Major

February 10, 1989
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
SCHOSTAKOVICH Symphony No. 8 in C Minor, Op. 65

February 11, 1989
BARTÓK Music for Strings, Percussion, and Celesta
BARTÓK Suite from The Miraculous Mandarin
BRAHMS Symphony No. 4 in E Minor, Op. 98

April 15 & 18, 1991
TIPPETT Byzantium
Faye Robinson, soprano
MAHLER Symphony No. 5


April 16 & 19, 1991

VERDI Otello
Otello Luciano Pavarotti, tenor
Desdemona Kiri Te Kanawa, soprano
Iago Leo Nucci, baritone
Emilia Elzbieta Ardam, mezzo-soprano
Cassio Anthony Rolfe Johnson, tenor
Roderigo John Keyes, tenor
Montano Alan Opie, baritone
Lodovico Dimitri Kavrakos, bass
A Herald Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Metropolitan Opera Children’s Chorus
Elena Doria, director

the vault

Theodore Thomas

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Marin Alsop conducts the CSO in the world premiere of Threnos by Bruno Mantovani, Prokofiev’s haunting Third Piano Concerto - performed by pianist Daniil Trifonov - and Copland’s Third Symphony. Photos by @toddrphoto. As part of a series of events honoring the 100th anniversary of the World War I Armistice, this concert features works that encourage reflection and inspire hope. Chamber music performances of works from the World War I era by musicians of the Civic Orchestra of Chicago as well as a free lecture featuring Mark Clague, foremost scholar on the Star Spangled Banner preceded the concert.
In a program that reflects on the patriotism and adversity of World War I, tenor Mario Rojas and baritone Christopher Kenney—both from the Ryan Opera Center—and pianist Shannon McGinnis showcase works by Ives, Butterworth, Gurney and more at the Pritzker Military Museum & Library. Dr. William Brooks is the guest speaker. Photos by @toddrphoto. This performance is part of a series of public programs to commemorate the 100th anniversary of the Armistice that ended World War I, and is presented with leadership support from @tawanienterprises and @pritzkermilitary. And if you missed it, you can see this program on 10/23 at the @maynestage. #Armistice100
Tonight, the CSO performed Mahler’s monumental Third Symphony conducted by Andrés Orozco-Estrada. Over 600 students attended our College Night event, and Maestro Orozco-Estrada participated in a Q&A with the CSO Latino Alliance at their pre-concert networking event. Photos by @toddrphoto.

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