During the Chicago Orchestra’s thirteenth season, Theodore Thomas programmed Bruckner’s Ninth Symphony for its first performances in the United States. This was the fourth of Bruckner’s symphonies to be performed by the Orchestra in Chicago, as Thomas had already led the Fourth in January 1897, the Third in March 1901, and the Second in February 1903.
On February 19, 1904, the capacity crowd at the Auditorium Theatre had gathered mainly to hear contralto Ernestine Schumann-Heink, one of the most famous singers of the day. Thomas had strategically programmed the Bruckner on the first half of the concert between Schumann-Heink’s two selections—“Non più di fiori” from Mozart’s La clemenza di Tito and an orchestration of Schubert’s song “Die Allmacht”—to obviously assure that the premiere would be heard by all in attendance.
“The name of Bruckner caused these 3,700 persons [over 700 had been turned away] to listen in patient, long suffering to a piece of tedious music which endured for fifty-five wearisome minutes, and to applaud when the trial was at an end,” wrote William Lines Hubbard in the Chicago Tribune. “There may have been those in the audience yesterday who did not find the three movements of Bruckner’s Ninth Symphony tedious almost beyond endurance, but certainly their number was small. . . . We have endured four of his symphonies in the last six years—please, Mr. Thomas, is there not somebody else it would be ‘good for us’ to hear? Anybody will be preferable to more Bruckner!”
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