Wishing a very happy eighty-fifth birthday to the remarkable Estonian composer Arvo Pärt!

Arvo Pärt (Press Service photo)

Following the first Chicago Symphony Orchestra performances of the composer’s Third Symphony in 1989, John von Rhein wrote in the Chicago Tribune, “We must be grateful to Neeme Järvi [to whom the work was dedicated] for introducing us to this fascinating and utterly individual composer, and for doing so in a performance of such power, accuracy, and dedication. . . . [Pärt’s] spare ritualistic austerity (deeply rooted in medieval modes and harmonies) [is] strongly beholden to the cadences of Machaut and other fourteenth and fifteenth-century music [and] speaks with a communicative fervor.”

The Chicago Symphony Orchestra has performed several works by Pärt in Orchestra Hall, at the Ravinia Festival, and at Wheaton College. A complete list of performances is below.

November 22, 24, 25, and 28, 1989, Orchestra Hall
PÄRT Symphony No. 3
Neeme Järvi, conductor

July 18, 1992, Ravinia Festival
PÄRT Symphony No. 2
James Conlon, conductor

April 15, 16, 17, 18, and 21, 1998, Orchestra Hall
PÄRT Cantus in Memory of Benjamin Britten
Donald Runnicles, conductor

May 6, 7, and 8, 2004, Orchestra Hall
PÄRT Fratres
Christoph von Dohnányi, conductor
Yuan-Qing Yu, violin

January 22, 23, and 24, 2009, Orchestra Hall
PÄRT Symphony No. 4 (Los Angeles)
Esa-Pekka Salonen, conductor

February 11, 12, 13, and 16, 2016, Orchestra Hall
PÄRT Orient & Occident
Gennady Rozhdestvensky, conductor

April 20, 22, and 23, 2017, Orchestra Hall
April 21, 2017, Edman Memorial Chapel, Wheaton College
PÄRT Fratres
Neeme Järvi, conductor
Robert Chen, violin

Happy, happy birthday!

Wishing a very happy eighty-fifth birthday to the remarkable Japanese conductor Seiji Ozawa!

As a last-minute replacement for Georges Prêtre in July 1963, Ozawa was called upon to lead the Chicago Symphony Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut on July 16 in Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the Orchestra with transparency of gesture and human communication, then commands acceptance.”

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Between 1965 and 1970—at both Orchestra Hall and in Medinah Temple— Ozawa and the Orchestra recorded a number of works for Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony.

A complete list of his performances and recordings with the Chicago Symphony Orchestra is below:

July 16, 1963, Ravinia Festival
BEETHOVEN Leonore Overture No. 3, Op. 72a
GRIEG Concerto for Piano in A Minor, Op. 16
Byron Janis, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

June 16, 1964

July 18, 1963, Ravinia Festival
ROSSINI Overture to The Barber of Seville
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christian Ferras, violin
DEBUSSY Prelude to The Afternoon of a Faun
TAKEMITSU Requiem for String Orchestra (U.S. premiere)
PROKOFIEV Selections from Romeo and Juliet

June 16, 1964, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BARBER Piano Concerto, Op. 38
John Browning, piano
BERLIOZ Symphonie fantastique, Op. 14

June 18, 1964, Ravinia Festival
POULENC Gloria
Barbara Garrison, soprano
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director
FAURÉ Requiem in D Minor, Op. 48
Barbara Garrison, soprano
Howard Nelson, baritone
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director

June 30, 1964, Ravinia Festival
HINDEMITH Symphony, Mathis der Maler
SIBELIUS Piano Concerto in D Minor, Op. 47
Ruggiero Ricci, violin
MUSSORGSKY/Ravel Pictures at an Exhibition

Ozawa and Igor Stravinsky in Orchestra Hall on July 20, 1964, while the composer was in town to lead recording sessions of his Orpheus with the CSO (Arthur Siegel photo)

July 7, 1964, Ravinia Festival
MOZART Overture to The Abduction from the Seraglio, K. 384
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Neal O’Doan, piano
GLUCK Divinités du Styx from Alceste
Dolores Ann White, mezzo-soprano
THOMAS Elle est la pres de lui from Mignon
Dolores Ann White, mezzo-soprano
ROSSINI Non più mesta from La cenerentola
Dolores Ann White, mezzo-soprano
LISZT Piano Concerto No. 1 in E-flat Major
Michael Rogers, piano

July 21, 1964, Ravinia Festival
BIZET Symphony No. 1 in C Major
RAVEL Alborada del gracioso
MOZART Concerto for Oboe in C Major, K. 314
Ray Still, oboe
TCHAIKOVSKY Francesca da Rimini, Op. 32

July 25, 1964, Ravinia Festival
SCHUMAN American Festival Overture
IVES Central Park in the Dark
STRAVINSKY Violin Concerto in D
Paul Makanowitzky, violin
FRANCK Symphony in D Minor

July 28, 1964, Ravinia Festival
WEBER Overture to Euryanthe, Op. 81
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Paul Makanowitzky, violin
BRAHMS Symphony No. 1 in C Minor, Op. 68

Leon Fleisher and Ozawa backstage on August 1, 1964 (Arthur Siegel photo)

August 1, 1964, Ravinia Festival,
BERNSTEIN Overture to Candide
MOZART Piano Concerto No. 23 in A Major, K. 488
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

June 15, 1965, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
MOZART Serenade No. 10 for Winds in B-flat Major, K. 361
BRAHMS Symphony No. 2 in D Major, Op. 73

June 17, 1965, Ravinia Festival
WEBER Jubel Overture, Op. 59
RESPIGHI Ancient Airs and Dances Suite No. 1
DONIZETTI Una furtiva lagrima from L’elisir d’amore
Richard Tucker, tenor
VERDI Forse la soglia attinse from Un ballo in maschera
Richard Tucker, tenor
BIZET L’arlesienne Suite No. 2
BIZET La fleur que tu m’avais jetèe from Carmen
Richard Tucker, tenor
MASCAGNI Mamma, quel vino from Cavalleria rusticana
Richard Tucker, tenor

June 19, 1965, Ravinia Festival
HARRIS When Johnny Comes Marching Home
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
André Watts, piano
NIELSEN Symphony No. 5, Op. 50

June 20, 1965, Ravinia Festival
COPLAND Fanfare for the Common Man
BLACHER Concertante Musik, Op. 10
DEBUSSY First Rhapsody
Clark Brody, clarinet
KABELEVSKY The Comedians, Op. 26
HINDEMITH Concerto for Winds, Harp, and Orchestra
RAMSIER Divertimento on a Theme of Couperin
Gary Karr, bass

June 22, 1965, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Berl Senofsky, violin
BERLIOZ Funereal and Triumphal Symphony, Op. 15
BERLIOZ Selections from The Damnation of Faust, Op. 24

June 27, 1965, Ravinia Festival
ROUSSEL Symphony No. 3 in G Minor, Op. 42
BARTÓK Piano Concerto No. 3
Peter Serkin, piano
STRAVINSKY Four Etudes
ELLIOT Bassoon Concerto (world premiere)
Willard Elliot, bassoon
Bartók’s Third Piano Concerto was recorded on June 28, 1965, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 29, 1965, Ravinia Festival
HANDEL Concerto grosso in B Minor, Op. 6, No. 12
BEETHOVEN Concerto for Piano No. 3 in C Minor, Op. 37
Eugene Istomin, piano
SIBELIUS Violin Concerto in D Minor, Op. 47
Isaac Stern, violin

July 1, 1965, Ravinia Festival
MOZART Divertimento in D Major, K. 136
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Isaac Stern, violin
DVOŘÁK Cello Concerto in B Minor, Op. 104
Leonard Rose, cello

July 3, 1965, Ravinia Festival
MOZART Piano Concerto No. 24 in C Minor, K. 491
Eugene Istomin, piano
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Isaac Stern, violin
Leonard Rose, cello
BEETHOVEN Concerto for Violin, Cello, and Piano in C Major, Op. 56 (Triple)
Isaac Stern, violin
Leonard Rose, cello
Eugene Istomin, piano

July 4, 1965, Ravinia Festival
HOVHANESS Fantasy on Japanese Wood Prints, Op. 211 (world premiere)
Yoichi Hiraoka, xylophone
IVES The Fourth of July
GERSHWIN An American in Paris
GOTTLIEB Pieces of Seven Overture
BERNSTEIN Suite from Fancy Free

July 11, 1965, Ravinia Festival
GINASTERA Estancia Suite, Op. 8a
DEBUSSY/Caplet Children’s Corner
RIVIER Concerto brève
Kyoko Ozawa, piano
RIEGGER Dance Rhythms, Op. 58
RIEGGER Study in Sonority, Op. 7

July 15, 1965, Ravinia Festival
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Victor Aitay, violin
Milton Preves, viola
STRAUSS Four Songs (Morgen, Waldseligkeit, Muttertändelei, and Zueignung)
Elisabeth Schwarzkopf, soprano
HINDEMITH Konzertmusik for String Orchestra and Brass, Op. 50
TCHAIKOVSKY Letter Scene from Eugene Onegin
Elisabeth Schwarzkopf, soprano

July 18, 1965, Ravinia Festival
IBERT Divertissement
ORFF Carmina burana
Julia Diane Ragains, soprano
Pierre Duval, tenor
Sherrill Milnes, baritone
Alfred H. Reichel, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Children’s Choir
Christopher Moore, director

July 20, 1965, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Gabriel Chodos, piano
DVOŘÁK First movement (Allegro) from Cello Concerto in B Minor, Op. 104
Daniel Domb, cello
RAVEL Piano Concerto in G Major
John C. Owings, piano
LISZT Piano Concerto No. 1 in E-flat Major
Adrian Ruiz, piano

For the U.S. premiere of Jean Martinon’s Cello Concerto on July 31, 1965, former principal cello János Starker returned as soloist at the Ravinia Festival. Shown here during a rehearsal are the composer, soloist, and conductor.

July 31, 1965, Ravinia Festival
COPLAND An Outdoor Overture
MARTINON Cello Concerto, Op. 52 (U.S. premiere)
János Starker, cello
TCHAIKOVSKY Symphony No. 4, F Minor, Op. 36

March 26, 1966, Orchestra Hall
March 28, 1966, Pabst Theater, Milwaukee
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
WEBER Konzertstück for Piano in F Minor, Op. 79
Yuri Boukoff, piano
LISZT Piano Concerto No. 1 in E-flat Major
Yuri Boukoff, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

March 31, April 1, and 2, 1966, Orchestra Hall
MOZART Symphony No. 36 in C Major, K. 425 (Linz) 
IVES Symphony No. 4
DVOŘÁK Violin Concerto in A Minor, Op. 53
Isaac Stern, violin

June 28, 1966, Ravinia Festival
BUSONI Lustspiel Overture, Op. 38
TAKEMITSU Requiem for String Orchestra
MAHLER Symphony No. 1 in D Major

June 30, 1966, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
MUSSORGSKY Selections from Boris Godunov
George London, bass-baritone
BORODIN Symphony No. 2 in B Minor

July 7, 1966, Ravinia Festival
HAYDN Symphony No. 86 in D Major
MOZART Piano Concerto No. 21 in C Major, K. 467
Peter Serkin, piano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

July 10, 1966, Ravinia Festival
TOCH Pinocchio, A Merry Overture
IBERT Symphonic Suite, Impressions of Paris
IVES/Schuman Variations on America
BARTÓK Piano Concerto No. 1
Peter Serkin, piano
Bartók’s First Piano Concerto was recorded on July 11, 1966, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 24, 1966, Ravinia Festival
FREEDMAN Images
BERG Violin Concerto
Paul Makanowitzky, violin
MOREL L’etoile noire
THOMSON Louisiana Story, Suite for Orchestra

July 26, 1966, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
RACHMANINOV Concerto for Piano No. 1 in F-sharp Minor, Op. 1
Byron Janis, piano
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Byron Janis, piano

July 28, 1966, Ravinia Festival
HANDEL/Harty Suite from Music for the Royal Fireworks
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Byron Janis, piano
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Byron Janis, piano

July 31, 1966, Ravinia Festival
LUTOSŁAWSKI Funeral Music
SHULMAN Theme and Variations for Viola and Orchestra
Milton Preves, viola
BERIO Serenata I for Flute and Fourteen Instruments
Donald Peck, flute
XENAKIS Eonta
Yuji Takahashi, piano
VARÈSE Hyperprism

August 11, 1966, Ravinia Festival
HOMMANN Overture for Orchestra
BERNSTEIN Symphony No. 1 (Jeremiah)
Mary Simmons, mezzo-soprano
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Van Cliburn, piano

August 13, 1966, Ravinia Festival
BACH/Schoenberg Prelude and Fugue in E-flat Major, BWV 552 (Saint Anne)
BEETHOVEN Piano Concerto No. 5 in E-fat Major, Op. 73 (Emperor)
Van Cliburn, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

June 27, 1967, Ravinia Festival
GLUCK Overture to Iphigénie en Aulide
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Byron Janis, piano
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
GINASTERA Estancia Suite, Op. 8a

June 29, 1967, Ravinia Festival
GERSHWIN An American in Paris
GERSHWIN/Bennett Porgy and Bess, A Symphonic Picture
GERSHWIN Cuban Overture
GERSHWIN Concerto in F for Piano and Orchestra
Byron Janis, piano

July 1, 1967, Ravinia Festival
VERDI Overture to I vespri siciliani
MENOTTI The Death of the Bishop of Brindisi
Julie Idione, soprano
Simon Estes, bass
All-City Chicago High School Chorus
Emile Serposs, director
MOZART Piano Concerto No. 23 in A Major, K. 488
Lili Kraus, piano
RESPIGHI Pines of Rome

July 9, 1967, Ravinia Festival
BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051
BLOCH Concerto grosso No. 1
Mary Sauer, piano
SYMONDS Concerto grosso for Jazz Quintet and Orchestra
Kenny Soderblom Jazz Quintet
Kenny Soderblom, alto saxophone
John Avant, trombone
Bobby Roberts, guitar
Harold Jones, drums
Ernest Outlaw, bass
YASHIRO Cello Concerto
Tsuyoshi Tsutsumi, cello

July 13, 1967, Ravinia Festival
BRITTEN The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell)
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Peter Serkin, piano
MUSSORGSKY/Ravel Pictures at an Exhibition
Britten’s Young Person’s Guide and Mussorgsky’s Pictures at an Exhibition were recorded in Medinah Temple on July 18, 1967. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 16, 1967, Ravinia Festival
MERCURE Triptyque for Orchestra
JOACHIM Contrasts for Orchestra (world premiere)
SCHULLER Recitative and Rondo (world premiere)
Victor Aitay, violin
MOZART Horn Concerto in E-flat Major, K. 495
Dale Clevenger, horn
SCHOENBERG Piano Concerto, Op. 42
Peter Serkin, piano
Schoenberg’s Piano Concerto was recorded in Medinah Temple on July 17, 1967. For RCA Max Wilcox was the producer and Richard Gardner was the recording engineer.

July 30, 1967, Ravinia Festival
RUSSO Symphony No. 2 in C, Op. 32 (Titans)
VIEUXTEMPS Violin Concerto No. 4 in D Minor, Op. 31
Young Uck Kim, violin
FOSS Baroque Variations in Three Movements (world premiere)
SCHUMAN Symphony No. 3

August 8, 1967, Ravinia Festival
VERDI Overture to La forza del destino
CHOPIN Piano Concerto No. 2 in F Minor
Gabriel Chodos, piano
SAINT-SAЁNS Piano Concerto No. 2 in G Minor
Patricia Hanson, piano

August 10, 1967, Ravinia Festival
BERNSTEIN Overture to Candide
BERNSTEIN Serenade after Plato’s Symposium
James Oliver Buswell IV, violin
BERNSTEIN Symphony No. 2 (The Age of Anxiety)
Leonard Pennario, piano

Ozawa and the CSO recording Stravinsky’s The Rite of Spring in Orchestra Hal on July 1, 1968 (Terry’s photo)

August 12, 1967, Ravinia Festival
BERNSTEIN Symphonic Dances from West Side Story
BERNSTEIN Symphony No. 3 (Kaddish)
Betty Allen, mezzo-soprano
Vera Zorina, speaker
Chicago Symphony Chorus
Margaret Hillis, director
Ronald B. Schweitzer, assistant director
Chicago Children’s Choir
Christopher Moore, director

August 15, 1967, Civic Center Plaza (now Richard J. Daley Center)
Dedication of The Chicago Picasso
GERSHWIN An American in Paris
BERNSTEIN Overture to Candide
BERNSTEIN Selections from Symphonic Dances from West Side Story

April 29, 1968, Orchestra Hall
BERNSTEIN Overture to Candide
BRAHMS Excerpt from Fourth movement (Adagio) from Symphony No. 1 in C Minor, Op. 68
MASCAGNI Voi lo sapete from Cavalleria rusticana
Grace Bumbry, soprano
PONCHIELLI Suicidio! from La gioconda
Grace Bumbry, soprano

June 27, 1968, Ravinia Festival
WAGNER Prelude to Die Meistersinger von Nürnberg
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BERLIOZ Roman Carnival Overture
COPLAND Preamble for a Solemn Occasion
Marian Anderson, speaker
STRAVINSKY Suite from The Firebird

June 29, 1968, Ravinia Festival
BEETHOVEN Overture to The Creatures of Prometheus, Op. 43
BEETHOVEN Piano Concerto No. 3 C Minor, Op. 37
Byron Janis, piano
STRAVINSKY The Rite of Spring
Stravinsky’s The Rite of Spring was recorded in Orchestra Hall on July 1, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 30, 1968, Ravinia Festival
WEBER Overture to Oberon
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 26
Susan Starr, piano
TCHAIKOVSKY Suite from Swan Lake
BOCK Selections from Fiddler on the Roof
GARLAND In the Mood

July 2, 1968, Ravinia Festival
CHABRIER España
TURINA Rapsodia sinfonica
Joaquín Achúcarro, piano
FALLA Nights In The Gardens of Spain
Joaquín Achúcarro, piano
FALLA Three Dances from The Three-Cornered Hat
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34

July 6, 1968, Ravinia Festival
KRENEK Perspectives (world premiere)
RAVEL Piano Concerto for the Left Hand
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Tchaikovsky’s Fifth Symphony was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

July 7, 1968, Ravinia Festival
J. C. BACH Symphony No. 4 in D Major
SAINT-SAËNS Cello Concerto in A Minor, Op. 33
Lawrence Foster, cello
STRAVINSKY Fireworks
RUSSO Three Pieces for Blues Band and Orchestra (world premiere)
Stravinsky’s Fireworks was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

August 3, 1968, Ravinia Festival
SCHUBERT Symphony No. 8 in B Minor (Unfinished)
PUCCINI Sì, mi chiamano Mimì from La bohème
Anna Moffo, soprano
VERDI Scene from La traviata
Anna Moffo, soprano
DONIZETTI Mad Scene from Lucia di Lammermoor
Anna Moffo, soprano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
Beethoven’s Fifth Symphony and Schubert’s Eighth Symphony were recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 4, 1968, Ravinia Festival
STOUT Symphony No. 2 (world premiere)
SHOSTAKOVICH Cello Concerto in E-flat Major, Op. 107
Frank Miller, cello
GINASTERA Piano Concerto No. 1, Op. 28
Jerome Lowenthal, piano

August 6, 1968, Ravinia Festival
TOYAMA Rhapsody for Orchestra
TAKEMITSU November Steps
Kinshi Tsuruta, kinshi, biwa and voice
Katsuya Yokoyama, shakuhachi
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Young Uck Kim, violin

Seiji and Vera Ozawa at a Ravinia Festival picnic on August 4, 1968 (Nickerson Photo Company photo)

August 8, 1968, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
BRITTEN Scottish Ballad, Op. 26
Arthur Austin Whittemore, piano
Jack Lowe, piano
POULENC Concerto for Two Pianos in D Minor
Arthur Austin Whittemore, piano
Jack Lowe, piano
MENDELSSOHN Incidental Music from A Midsummer Night’s Dream, Op. 61
Mary Michel, speaker
Teresa Orantes, soprano
Diana Haskell, mezzo-soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Mussorgsky’s A Night on Bare Mountain was recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 10, 1968 (11:00 a.m.), Ravinia Festival
BERNSTEIN Prologue from West Side Story
DEBUSSY Clair de lune from Suite bergamasque
TOYAMA Rhapsody for Orchestra
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
VERDI Overture to I vespri siciliani

August 10, 1968 (8:30 p.m.), Ravinia Festival
RESPIGHI The Birds
MOZART Piano Concerto No. 23 in A Major, K. 488
John Browning, piano
STRAVINSKY Capriccio for Piano and Orchestra
John Browning, piano
HINDEMITH Symphonic Metamorphosis on Themes of Carl Maria von Weber

June 26, 1969, Ravinia Festival
BEETHOVEN Piano Concerto in D Major (arranged from the Violin Concerto, Op. 61)
Peter Serkin, piano
BARTÓK Concerto for Orchestra
Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

June 28, 1969, Ravinia Festival
BERLIOZ The Damnation of Faust, Op. 24
Lois Marshall, soprano
Nicholas di Virgilio, tenor
Ezio Flagello, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 29, 1969, Ravinia Festival
STRAUSS Horn Concerto No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
TAKEMITSU Asterism for Piano and Orchestra
Yuji Takahashi, piano
RIMSKY-KORSAKOFF Sheherazade, Op. 35
Victor Aitay, violin
Rimsky-Korsakov’s Sheherazade and the Polovtsian Dances from Borodin’s Prince Igor (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

July 3, 1969, Ravinia Festival
MOZART Overture to Così fan tutte, K. 588
MOZART Piano Concerto No. 18 in B-flat Major, K. 456
Peter Serkin, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

July 5, 1969, Ravinia Festival
HAYDN Symphony No. 75 in D Major
CHOPIN Piano Concerto No. 2 in F Minor, Op. 21
Maurizio Pollini, piano
TCHAIKOVSKY Symphony No. 1 in G Minor, Op. 13 (Winter Dreams)

July 6, 1969, Ravinia Festival
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Victor Aitay, violin
Donald Peck, flute
De Vere Moore, oboe
Adolph Herseth, trumpet
Mary Sauer, harpsichord
TIRCUIT Concerto for Solo Percussionist and Orchestra
Stomu Yamash’ta, percussion
SHOSTAKOVICH Concerto for Piano, Trumpet, and String Orchestra in C Minor, Op. 35
Sheldon Shkolnik, piano
Adolph Herseth, trumpet
BERNSTEIN Chichester Psalms
Howard Pfeifer, boy soprano
Chicago Symphony Chorus
Margaret Hillis, director

June 25, 1970, Ravinia Festival
WAGNER Prelude and Liebestod from Tristan and Isolde
Eileen Farrell, soprano
JANÁČEK Sinfonietta
WAGNER A Faust Overture
WAGNER Brünnhilde’s Immolation from Götterdämmerung
Eileen Farrell, soprano
Janáček’s Sinfonietta was recorded in Medinah Temple on June 26, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

June 27, 1970, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Maurizio Pollini, piano
BERLIOZ Symphonie fantastique, Op. 14

June 28, 1970, Ravinia Festival
GABRIELI Sonata pian’ e forte
LUTOSŁAWSKI Concerto for Orchestra
SCHICKELE The Fantastic Garden
WALDEN Circus
DENNIS Pennsylvania Station
Lutosławski’s Concerto for Orchestra was recorded in Medinah Temple on June 29, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

Donald Peck and Edward Druzinsky rehearse with Ozawa and the Orchestra on July 8, 1971 (Donald Peck collection)

July 8, 1971, Ravinia Festival
MOZART Concerto for Flute and Harp in C Major, K. 299
Donald Peck, flute
Edward Druzinsky, harp
HUMMEL Concerto for Trumpet in E-flat Major
Adolph Herseth, trumpet
GABRIELI Canzon duodecimi toni
TAKEMITSU Cassiopeia for Solo Percussionist and Orchestra (world premiere)
Stomu Yamash’ta, percussion

July 10, 1971, Ravinia Festival
PROKOFIEV Excerpts from Romeo and Juliet
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Pinchas Zukerman, violin
BARTÓK The Miraculous Mandarin, Op. 19

February 1, 2, and 3, 1973, Orchestra Hall
February 5, 1973, Pabst Theater, Milwaukee
HAYDN Symphony No. 60 in C Major (Il distratto)
LIGETI Melodien
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

February 8, 9, and 10, 1973, Orchestra Hall
BOONE First Landscape
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Gina Bachauer, piano
STRAVINSKY The Firebird

July 14, 1985, Ravinia Festival
MOZART Rondo in D Major, K. 382
Peter Serkin, piano
TAKEMITSU Riverrun
Peter Serkin, piano
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

On tour with visiting orchestras, Ozawa also appeared in Orchestra Hall under the auspices of Allied Arts and Symphony Center Presents, as follows:

April 8 1975, Orchestra Hall
MOZART Piano Concerto No. 21 in C Major, K. 467
James Levine, piano
RAVEL Daphnis and Chloe
Ann Arbor Festival Chorus
Donald Bryant, director
Boston Symphony Orchestra

March 6, 1981, Orchestra Hall
BEETHOVEN Symphony No. 7 in A Major, Op. 92
STRAVINSKY The Rite of Spring
Boston Symphony Orchestra

April 24, 1991, Orchestra Hall
BEETHOVEN Symphony No 8 in F Major, Op. 93
BERLIOZ Symphonie fantastique, Op. 14
Boston Symphony Orchestra

February 9, 1996, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Heidi Grant Murphy, soprano
Michelle DeYoung, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Boston Symphony Orchestra

January 10, 2001, Orchestra Hall
MAHLER Symphony No. 9 in D Major
Saito Kinen Orchestra

Wishing a very happy seventy-fifth birthday to legendary Israeli-American violinist, conductor, and teacher Itzhak Perlman!

Itzhak Perlman

A frequent and favorite guest artist in Chicago, Perlman has performed with the Chicago Symphony Orchestra as both violin soloist and conductor on numerous occasions.

Perlman made his Chicago debut as soloist with the Grant Park Symphony Orchestra on July 24 and 25, 1965, in Tchaikovsky’s Violin Concerto under the baton of Irwin Hoffman, and he first appeared locally in recital later that year on November 27 at KAM Isaiah Israel, performing Bloch, Brahms, Chausson, Mozart, Paganini, Sarasate, and Vivaldi with David Garvey at the piano.

He first appeared with the Chicago Symphony Orchestra at the Ravinia Festival on August 4, 1966 (a few weeks shy of his twenty-first birthday), in Tchaikovsky’s Violin Concerto with Thomas Schippers conducting. In Orchestra Hall, he first appeared under the auspices of Allied Arts with members of the CSO on an all-Stravinsky concert, in the Violin Concerto in D under the baton of Robert Craft.

As a conductor, Perlman first led the Chicago Symphony Orchestra at the Ravinia Festival on July 25, 1999, in Bach’s Second Violin Concerto and Beethoven’s First Romance for Violin (also performing as soloist), along with Schubert’s Overture to Rosamunde and Brahms’s Fourth Symphony. He has led the Orchestra at Orchestra Hall on one occasion, on November 17, 2008, in Bach’s First Violin Concerto (also performing as soloist), Mozart’s Symphony no. 35, and Tchaikovsky’s Fifth Symphony. Most recently, he conducted the Orchestra in an all-Tchaikovsky program at the Ravinia Festival on August 18, 2019, leading the Fourth Symphony, Variations on a Rococo Theme with Kian Soltani, and the 1812 Overture.

A complete list of Perlman’s appearances is below:

August 4, 1966, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Thomas Schippers, conductor

May 11 and 12, 1967, Orchestra Hall
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Jean Martinon, conductor

Itzhak Perlman (photo by Lisa Marie Mazzucco)

Itzhak Perlman (Lisa Marie Mazzucco photo)

July 6, 1967, Ravinia Festival
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Sir Malcolm Sargent, conductor

July 30, 1968, Ravinia Festival
PAGANINI Violin Concerto No. 1 in D Major, Op. 6
Moshe Atzmon, conductor

July 24, 1969, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
István Kertész, conductor

April 16, 17, and 18, 1970, Orchestra Hall
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Rafael Frühbeck de Burgos, conductor

July 30, 1970, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Lawrence Foster, conductor

July 27, 1971, Ravinia Festival
DVOŘÁK Violin Concerto in A Minor, Op. 53
István Kertész, conductor

July 25, 1972, Ravinia Festial
LALO Symphonie espagnole in D Minor, Op. 21
Lawrence Foster, conductor

July 13, 1973, Ravinia Festival
BERG Violin Concerto
SAINT-SAËNS Introduction and Rondo capriccioso in A Minor, Op. 28
James Levine, conductor

May 8, 9, and 10, 1975, Orchestra Hall
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Ray Still, oboe
BRAHMS Violin Concerto in D Major, Op. 77
Sir Georg Solti, conductor

November 24, 26, and 28, 1976, Orchestra Hall
MOZART Violin Concerto No. 4 in D Major, K. 218
Carlo Maria Giulini, conductor

Perlman Brahms

November 29, 1976, Mandel Hall, University of Chicago
BRAHMS Violin Concerto in D Major, Op. 77
Carlo Maria Giulini, conductor
Recorded in Medinah Temple on November 30 and December 1, 1976. For Angel, Christopher Bishop was the producer and and Christopher Parker was the balance engineer. The recording won the 1978 Grammy Award for Best Classical Album from the National Academy of Recording Arts and Sciences.

July 28, 1977, Ravinia Festival
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Lynn Harrell, cello
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

November 16, 17, and 18, 1978, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Edo de Waart, conductor

March 23, and 24, 1981, Orchestra Hall (recording sessions only)
ELGAR Violin Concerto in B Minor, Op. 61
Daniel Barenboim, conductor
For Deutsche Grammophon, Steven Paul was the producer, Werner Mayer was the recording supervisor, Klaus Scheibe was the recording engineer, and Christopher Adler and Joachim Niss were editors. The recording won the 1982 Grammy Award for Best Classical Performance–Instrumental Soloist or Soloists (with orchestra).

October 29, 30, and 31, 1981, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Sir Georg Solti, conductor

March 1, 2, and 3, 1984, Orchestra Hall
ELGAR Violin Concerto in B Minor, Op. 61
Leonard Slatkin, conductor

August 7, 1986, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
SARASATE Carmen Fantasy, Op. 25
David Zinman, conductor

August 9, 1986, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
David Zinman, conductor

January 15, 16, 17, and 20, 1987, Orchestra Hall
DVOŘÁK Violin Concerto in A Minor, Op. 53
Sir Georg Solti, conductor

August 8, 1987, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Edo de Waart, conductor

December 6, 1988, Orchestra Hall
MOZART Rondo in C Major, K. 373
MOZART Rondeau: Allegro from Duet No. 1 for Violin and Viola in G Major, K. 423
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Pinchas Zukerman, conductor and viola

July 15, 1989, Ravinia Festival
SIBELIUS Violin Concerto in D Minor, Op. 47
James Conlon, conductor

October 3, 5, and 6, and 7, 1989, Orchestra Hall
BRAHMS Violin Concerto in D Major, Op. 77
Daniel Barenboim, conductor

June 23, 1990, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

June 30, 1991, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BRAHMS Violin Concerto in D Major, Op. 77
James Levine, conductor

June 20, 1992, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
James Levine, conductor

May 13, 14, 15, and 18, 1993, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Daniel Barenboim, conductor
Recorded live by Erato. Victor Muenzer was the recording supervisor; Lawrence Rock and Konrad Strauss were sound engineers, assisted by Christopher Willis.

June 26, 1993, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
BRAHMS Violin Concerto in D Major, Op. 77
Mariss Jansons, conductor

July 30, 1994, Ravinia Festival
KHACHATURIAN Violin Concerto in D Minor
Hugh Wolff, conductor

September 22, 23, and 24, 1994, Orchestra Hall
STRAVINSKY Violin Concerto in D
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
John Sharp, cello
Daniel Barenboim, conductor and piano
Stravinsky’s Violin Concerto was recorded live by Teldec. Nikolaus Deckenbrock was the executive producer, Martin Fouqué was the recording producer and editor, Michael Brammann was the recording engineer, and Wolfram Nehls and Philipp Nedel were the assistant engineers.

November 14, 1994, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Lawrence Foster, conductor

July 15, 1995, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Semyon Bychkov, conductor

July 18, 1996, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Christoph Eschenbach, conductor

September 26, 27, and 28, 1996, Orchestra Hall
BRAHMS Concerto in A Minor for Violin and Cello, Op. 102 (Double)
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Recorded live by Teldec. Renate Kupfer was the executive producer, Martin Sauer was the recording producer, Michael Brammann was the recording engineer, Philipp Nedel and John Newton were assistant engineers, and Stefan Witzel was the digital editor.

November 11, 1996, Orchestra Hall
MASSENET Meditation from Thaïs
KREISLER Schön Rosmarin
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

June 22, 1997, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Christoph Eschenbach, conductor

January 22, 23, and 24, 1998, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
William Eddins, conductor

July 19, 1998, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

July 24, 1999, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesleid
KREISLER Liebesfreud
KREISLER Tambourin chinois
Eiji Oue, conductor

July 25, 1999, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BEETHOVEN Romance No. 1 in G major, Op. 40
SCHUBERT Overture to Rosamunde, D. 797
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor and violin

June 1, 2, and 3, 2000, Orchestra Hall
BARBER Violin Concerto, Op. 14
Charles Dutoit, conductor

July 22, 2000, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bernhard Klee, conductor

recording session

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

July 23, 2000, Ravinia Festival
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Alex Klein, oboe
MOZART Symphony No. 29 in A Major, K. 201
VIVALDI Violin Concerto in G Minor, Op. 8, No. 2 (Summer)
BIZET Symphony in C Major
Itzhak Perlman, conductor and violin

November 8, 2000, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Markus Stenz, conductor

December 6, 7, and 8, 2001, Orchestra Hall
BACH Brandenburg Concerto No. 5 in D Major, BWV 1050
Mathieu Dufour, flute
Daniel Barenboim, piano
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Daniel Barenboim, conductor

June 21, 2002, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
William Eddins, conductor

June 22, 2002, Ravinia Festival
GLINKA Overture to Ruslan and Ludmilla
BACH Violin Concerto No. 1 in A Minor, BWV 1041
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Itzhak Perlman, conductor and violin

June 23, 2002, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
Kurt Nikkanen, violin
Zuill Bailey, cello
Navah Perlman, piano
BEETHOVEN Symphony No. 7 in A Major, Op. 92
Itzhak Perlman, conductor

June 28, 2003, Ravinia Festival
MOZART Violin Concerto No. 3 in G Major, K. 216
Robert Spano, conductor

June 29, 2003, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Giora Schmidt, violin
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)
Itzhak Perlman, conductor

June 27, 2004, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Peter Oundjian, conductor

July 9, 2005, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesfreud
SAINT-SÄENS Introduction and Rondo capriccioso in A Minor, Op. 28
Marin Alsop, conductor

July 10, 2005, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Lang Lang, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor

October 1, 2005, Orchestra Hall
MOZART Violin Concerto No. 3 in G Major, K. 216 (Strassburg)
Daniel Barenboim, conductor

July 12, 2006, Ravinia Festival
MOZART Violin Concerto No. 5 in A Major, K. 219 (Turkish)
Yoel Levi, conductor

July 13, 2006, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Emanuel Ax, piano
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
Itzhak Perlman, conductor

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

November 17, 2008, Orchestra Hall
BACH Violin Concerto No. 1 in A Minor, BWV 1041
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor and violin

March 7, 2011, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
KREISLER/McAlister Liebesfreud
James DePreist, conductor

August 4, 2011, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
James Conlon, conductor

August 6, 2011, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
MOZART Piano Concerto No. 12 in A Major, K. 414
Gabriela Martinez, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)
Itzhak Perlman, conductor

August 7, 2013, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Carlos Miguel Prieto, conductor

August 8, 2013, Ravinia Festival
BRAHMS Academic Festival Overture, Op. 80
HAYDN Cello Concerto No.2 in D Major
Alisa Weilerstein, cello
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor

August 20, 2016, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bramwell Tovey, conductor

August 21, 2016, Ravinia Festival
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Lynn Harrell, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

July 29, 2017, Ravinia Festival
HUPFELD/Williams As Time Goes By from Casablanca
MORRICONE/Williams Love Theme from Cinema Paradiso
WILLIAMS Theme from Far and Away
BARRY/Williams Main Title Theme from Out of Africa
KORNGOLD/Williams Marian and Robin Love Theme from The Adventures of Robin Hood
WILLIAMS Theme from Sabrina
WILLIAMS Theme from Schindler’s List
GARDEL/Williams Tango from Scent of a Woman
James Conlon, conductor

August 17, 2019, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Krzysztof Urbański, conductor

August 18, 2019, Ravinia Festival
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Kian Soltani, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

Under the auspices of Allied Arts and Symphony Center Presents, Perlman also has appeared in Orchestra Hall on numerous times in recital, as follows:

Chicago Tribune, December 29, 1966

December 28, 1966, and January 1, 1967, Orchestra Hall
STRAVINSKY Violin Concerto in D
Members of the Chicago Symphony Orchestra
Robert Craft, conductor

April 2, 1967, Orchestra Hall
BEETHOVEN Sonata No. 8 in G Major, Op 30, No. 3
FRANCK Sonata in A Major
STRAVINSKY Suite italienne
BLOCH Nigun from Baal shem
WIENIAWSKI Scherzo tarantelle, Op. 16
Samuel Sanders, piano

January 12, 1969, Orchestra Hall
VIVALDI Sonata in A Major, RV 31
BACH Sonata No. 1 in G Minor, BWV 1001
BRAHMS Sonata No. 1 in G Minor, Op. 108
STRAVINSKY Duo concertant
PAGANINI Three Caprices
SARASATE/Zimbalist Carmen Fantasy
Samuel Sanders, piano

April 27, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 301
MOZART Sonata in E-flat Major, K. 302
MOZART Sonata in C Major, K. 303
MOZART Sonata in E Minor, K. 304
MOZART Sonata in A Major, K. 305
MOZART Sonata in D Major, K. 306
Daniel Barenboim, piano

May 6, 1991, Orchestra Hall
MOZART Sonata in F Major, K. 376
MOZART Sonata in B-flat Major, K. 378
MOZART Sonata in F Major, K. 377
MOZART Sonata in C Major, K. 296
Daniel Barenboim, piano

October 7, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 379
MOZART Sonata in E-flat Major, K. 481
MOZART Sonata in E-flat Major, K. 380
MOZART Sonata in B-flat Major, K. 454
Daniel Barenboim, piano

October 16, 1991, Orchestra Hall
MOZART Twelve Variations in G Major on the French Song La bergère Cèlimène, K. 359
MOZART Sonata in F Major, K. 547
MOZART Six Variations in G Minor on the French Song Hélas! j’ai perdu mon amant, K. 360
MOZART Sonata for Violin and Piano in A Major, K. 526
Daniel Barenboim, piano

May 10, 1993, Orchestra Hall
BEETHOVEN Sonata No. 1 in D Major, Op. 12, No. 1
BEETHOVEN Sonata No. 3 in E-flat Major, Op. 12, No. 3
BEETHOVEN Sonata No. 4 in A Minor, Op. 23
BEETHOVEN Sonata No. 5 in F Major, Op. 24 (Spring)
Daniel Barenboim, piano

May 16, 1993, Orchestra Hall
BEETHOVEN Sonata No. 2 in A Major, Op. 12, No. 2
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
BEETHOVEN Sonata No. 10 in G Major, Op. 96
Daniel Barenboim, piano

May 17, 1993, Orchestra Hall
BEETHOVEN Sonata No. 6 in A Major, Op. 30, No. 1
BEETHOVEN Sonata No. 8 in G Major, Op. 30, No. 3
BEETHOVEN Sonata No. 9 in A Major, Op. 47
Daniel Barenboim, piano

September 26, 1994, Orchestra Hall
BACH Sonata in G Major, BWV 1019
ELGAR Sonata in E Minor, Op. 82
STRAUSS Sonata in E-flat Major, Op. 18
Daniel Barenboim, piano

February 2, 1997, Orchestra Hall
SCHUBERT Sonata in G Minor, D. 408
SCHUBERT Sonata in A Major, D. 574 (Grand Duo)
SCHUBERT Fantasy in C Major, D. 934
Daniel Barenboim, piano

Perlman, Samuel Magad, Daniel Barenboim, John Sharp, and Pinchas Zukerman performing Brhams’s F minor quintet on October 9, 1997 (Jim Steere photo)

October 9, 1997, Orchestra Hall
WAGNER Siegfried Idyll
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Joseph Guastafeste, bass
Donald Peck, flute
Alex Klein, oboe
Larry Combs, clarinet
Gregory Smith, clarinet
David McGill, bassoon
Dale Clevenger, horn
Norman Schweikert, horn
Adolph Herseth, trumpet
Daniel Barenboim conductor
MOZART Duo No. 1 for Violin and Viola in G Major, K. 423
Itzhak Perlman, violin
Pinchas Zukerman, viola
HALVORSEN Passacaglia on a Theme of Handel for Violin and Viola
Itzhak Perlman, violin
Pinchas Zukerman, viola
BRAHMS Quintet for Piano and Strings in F Minor, Op. 34
Itzhak Perlman, violin
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Daniel Barenboim, piano

December 1, 1997, Medinah Temple
Brave Old World
The Klezmatics
The Andy Statman Klezmer Orchestra
The Klezmer Conservatory Band

October 17, 1999, Orchestra Hall
MOZART Sonata in F Major, K. 377
MOZART Sonata in A Major, K. 526
BEETHOVEN Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Daniel Barenboim, piano

November 19, 2000, Orchestra Hall
SCHUMANN Piano Quintet in E-flat Major, Op. 44
BRAHMS Piano Quintet in F Minor, Op. 34
Robert Chen, violin
Pinchas Zukerman, viola
Yo-Yo Ma, cello
Daniel Barenboim, piano

December 9, 2001, Orchestra Hall
MOZART Sonata in G Major, K. 379
BRAHMS Sonata No. 2 in A Major, Op. 100
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
Daniel Barenboim, piano

May 3, 2006, Orchestra Hall
BACH/Goldberg Sonata for Two Violins and Keyboard in C Major, BWV 1037
MOZART Duo for Violin and Viola in G Major, K. 423
LECLAIR Sonata for Two Violins in F Major, Op. 3, No. 4
MOSZKOWSKI Suite for Two Violins and Piano in G Minor, Op. 71
Pinchas Zukerman, violin and viola
Rohan De Silva, piano

April 19, 2009, Orchestra Hall
MOZART Piano Quartet No. 2 in E-flat Major, K. 493
Itzhak Perlman, violin
Molly Carr, viola
Yves Dharamraj, cello
Kwan Yi, piano
MENDELSSOHN Octet for Strings in E-flat Major, Op. 20
Itzhak Perlman, violin
Erno Kallai, violin
Francesca Anderegg, violin
Wanzhen Li, violin
Kyle Armbrust, viola
Molly Carr, viola
Jia Kim, cello
Yves Dharamraj, cello

May 1, 2019, Orchestra Hall
MOZART Violin Sonata in D Major, K. 306
BRAHMS Violin Sonata No. 2 in A Major, Op. 100
BEETHOVEN Violin Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Evgeny Kissin, piano

Happy, happy birthday!

The Chicago Symphony Orchestra family joins the music world in mourning the loss of legendary American pianist, conductor, and pedagogue Leon Fleisher, who died yesterday in Baltimore. He was 92.

Leon Fleisher (Eli Turner photo)

Fleisher began playing the piano at the age of four, and five years later he became a student of Artur Schnabel. At sixteen in 1944, he made his debut performing Brahms’s First Piano Concerto with the San Francisco Symphony and then with the New York Philharmonic at Carnegie Hall, both under Pierre Monteux. The following year, he made his debut with the Chicago Symphony Orchestra with Leonard Bernstein conducting at the Ravinia Festival.

In 1964, Fleisher lost the use of his right hand due to focal dystonia, forcing him to concentrate on repertoire written for the left hand. By the late 1990s, he had regained use of his right hand. A tireless pedagogue, he was (according to his son Julian) still teaching and conducting master classes online as recently as last week.

Fleisher appeared with the Chicago Symphony Orchestra on numerous occasions, both in Orchestra Hall and at the Ravinia Festival. A complete list is below.

July 31, 1945, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Leonard Bernstein, conductor

August 4, 1945, Ravinia Festival
FRANCK Symphonic Variations
LISZT Piano Concerto No. 2 in A Major
Leonard Bernstein, conductor

July 4, 1946, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
George Szell, conductor

July 7, 1946, Ravinia Festival
SCHUMANN Piano Concerto in A Minor, Op. 54
George Szell, conductor

July 11, 1946, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
William Steinberg, conductor

July 14, 1946, Ravinia Festival
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
William Steinberg, conductor

Leon Fleisher in 1963 (Bender photo)

March 25, 1947, Orchestra Hall
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Désiré Defauw, conductor

March 27 and 28, 1947, Orchestra Hall
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Désiré Defauw, conductor

February 18, 19, and 23, 1954, Orchestra Hall
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Fritz Reiner, conductor

July 1, 1954, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
William Steinberg, conductor

July 4, 1954, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
William Steinberg, conductor

July 13, 1956, Ravinia Festival
MOZART Piano Concerto No. 25 in C Major, K. 503
Igor Markevitch, conductor

July 14, 1956, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Igor Markevitch, conductor

February 1, 1958, Orchestra Hall
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Carlo Maria Giulini, conductor

July 26, 1958, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Igor Markevitch, conductor

July 29, 1958, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Georg Solti, conductor

July 30, 1959, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73
André Cluytens, conductor

August 1, 1959, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
André Cluytens, conductor

June 27, 1961, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Walter Hendl, conductor

June 29, 1961, Ravinia Festival
MOZART Piano Concerto No. 25 in C Major, K. 503
Walter Hendl, conductor

April 25 and 26, 1963, Orchestra Hall
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Walter Hendl, conductor

July 25, 1963, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Hans Schmidt-Isserstedt, conductor

July 27, 1963, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Hans Schmidt-Isserstedt, conductor

July 30, 1964, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Stanisław Skrowaczewski, conductor

August 1, 1964, Ravinia Festival
MOZART Piano Concerto No. 23 in A Major, K. 488
Seiji Ozawa, conductor

July 6, 1968, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Seiji Ozawa, conductor

June 30, 1984, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
James Levine, conductor

July 27, 1985, Ravinia Festival
BRITTEN Diversions for Piano Left Hand and Orchestra, Op. 21
James Conlon, conductor

August 14, 1986, Ravinia Festival
PROKOFIEV Piano Concerto No. 4 in B-flat Major for the Left Hand, Op. 53
James Conlon, conductor

July 28, 1988, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Yuri Temirkanov, conductor

July 28, 1989, Ravinia Festival
SCHMIDT Piano Concerto for the Left Hand in E-flat Major
Edo de Waart, conductor
Chicago Symphony Orchestra

July 26, 1990, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Gianluigi Gelmetti, conductor

December 3, 4, 5, and 8, 1992
RAVEL Piano Concerto for the Left Hand in D Major
Pierre Boulez, conductor

July 29, 1995, Ravinia Festival
FOSS Piano Concerto for the Left Hand
Manfred Honeck, conductor

December 14, 15, and 16, 1995, Orchestra Hall
RAVEL Piano Concerto for the Left Hand in D Major
Pierre Boulez, conductor

July 10, 1998, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Christoph Eschenbach, conductor

July 1, 1999, Ravinia Festival
MOZART Piano Concerto No. 12 in A Major, K. 414
Christoph Eschenbach, conductor

August 14, 1999, Ravinia Festival
BRAHMS Adagio from Piano Concerto No. 1 in D Minor, Op. 15
Christoph Eschenbach, conductor

July 15, 2000, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Iván Fischer, conductor

July 15, 2001, Ravinia Festival
MOZART Piano Concerto No. 12 in A Major, K. 414
Sir Andrew Davis, conductor

July 13, 2002, Ravinia Festival
MOZART Concerto for Three Pianos in F Major, K. 242 (Lodron)
Leon Fleisher, piano
Claude Frank, piano
Menahem Pressler, piano
Peter Oundjian, conductor

August 1, 2003, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
John Axelrod, conductor

July 30, 2008, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-Flat Major, Op. 73 (Emperor)
Sir Andrew Davis, conductor

July 28, 2013, Ravinia Festival
MOZART Concerto for Three Pianos in F Major, K. 242 (Lodron)
Leon Fleisher, piano
Katherine Jacobson Fleisher, piano
Alon Goldstein, piano

Numerous tributes have been posted online, including The Baltimore Sun, The New York Times, and NPR, among many others.

Isaac Stern in 1945 (Hulton Archive, Getty Images photo)

On July 21, 2020, we commemorate the centennial of legendary Russian-born American violinist Isaac Stern.

Stern first appeared with the Chicago Symphony Orchestra on January 11 and 12, 1940, in Orchestra Hall. Second music director Frederick Stock conducted an all-Sibelius program, and nineteen-year-old Stern was soloist in the Violin Concerto.

According to the Chicago Daily News, “Dr. Frederick Stock had been invited to conduct the Sibelius concert with the Helsingfors Orchestra [arranged when Stock visited Sibelius in Finland the previous summer] as a special feature of the Olympic Games.* But Finland has had to abandon peacetime pursuits and now Isaac [Stern] can thank the Russian regime for both his American citizenship and the chance to play the Sibelius D minor concerto with one of the world’s great orchestras.”

“True to the topsy-turvy condition of the world we live in, while the Finns are playing havoc with the Russians, at home a Russian-born violinist, young Isaac Stern, was the sensation of Mr. Stock’s memorable Sibelius concert at Orchestra Hall last night,” wrote Claudia Cassidy in the Journal of Commerce. “[Stern] has a commanding and comprehensive technique, a bold and beautiful tone never blatant and he has an urgent intensity of projection that seems to start in his firmly planted heels and flow like fire into the hands that make his music. . . . Stock’s accompaniment was brilliant in the perceptive richness that makes so many soloists prefer him to any other conductor.”

Over the course of nearly sixty years, Stern was one of the most frequent guests with the Chicago Symphony Orchestra—in Orchestra Hall, the Ravinia Festival, the Pabst Theater in Milwaukee, and in Carnegie Hall, performing under six music directors (Stock, Rafael Kubelík, Fritz Reiner, Jean Martinon, Sir Georg Solti, and Daniel Barenboim) and numerous guest conductors—and in recital at Orchestra Hall.

A complete list of his performances with the Orchestra is below:

January 11 and 12, 1940, Orchestra Hall
SIBELIUS Violin Concerto in D Minor, Op. 47
Frederick Stock, conductor

January 11 and 12, 1940

November 27 and 28, 1941, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Hans Lange, conductor

November 9, 1943, Orchestra Hall
PAGANINI Allegro maestoso from Violin Concerto No. 1 in D Major, Op. 6
Hans Lange, conductor

November 11 and 12, 1943, Orchestra Hall
SZYMANOWSKI Concerto in One Movement, Op. 61
RAVEL Tzigane
Hans Lange, conductor

July 15, 1948, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Fritz Busch, conductor

July 18, 1948, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Fritz Busch, conductor

December 14, 1948, Orchestra Hall
MOZART Violin Concerto No. 3 in G Major, K. 216
PROKOFIEV Violin Concerto No. 1 in D Major, Op. 19
Tauno Hannikainen, conductor

March 31 and April 1, 1955, Orchestra Hall

December 16 and 17, 1948, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Eugene Ormandy, conductor

December 12, 1950, Orchestra Hall
LALO Symphonie espagnole in D Minor, Op. 21
Rafael Kubelík, conductor

December 14 and 15, 1950, Orchestra Hall
December 18, 1950, Pabst Theater, Milwaukee
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Rafael Kubelík, conductor

July 26, 1952, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Otto Klemperer, conductor

July 31, 1952, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Otto Klemperer, conductor

March 19 and 20, 1953, Orchestra Hall
BRAHMS Violin Concerto in D Major, Op. 77
Rafael Kubelík, conductor

March 24, 1953, Orchestra Hall
VIEUXTEMPS Violin Concerto No. 4 in D Minor, Op. 31
Rafael Kubelík, conductor

March 31 and April 1, 1955, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Fritz Reiner, conductor

April 12, 1955, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Fritz Reiner, conductor

August 5, 1955, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Enrique Jordá, conductor

July 2, 1959, Ravinia Festival

August 6, 1955, Ravinia Festival
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Leonard Rose, cello
Enrique Jordá, conductor

November 22 and 23, 1956, Orchestra Hall
PROKOFIEV Violin Concerto No. 1 in D Major, Op. 19
Fritz Reiner, conductor

November 27, 1956, Orchestra Hall
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Fritz Reiner, conductor

July 13, 1957, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Pierre Monteux, conductor

July 14, 1957, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Pierre Monteux, conductor

October 28, 1958, Orchestra Hall
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Fritz Reiner, conductor

October 30 and 31, 1958, Orchestra Hall
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Fritz Reiner, conductor

June 30, 1959, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Pierre Monteux, conductor

July 2, 1959, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Pierre Monteux, conductor

Isaac Stern (William T. Haroutounian photo)

March 31 and April 1, 1960, Orchestra Hall
BEETHOVEN Romance for Violin in F Major, Op. 50
MOZART Violin Concerto No. 3 in G Major, K. 216
Fritz Reiner, conductor

April 13 and 14, 1961, Orchestra Hall
BARTÓK Violin Concerto No. 2
Fritz Reiner, conductor

August 1, 1961, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Izler Solomon, conductor

August 3, 1961, Ravinia Festival
BARTÓK Violin Concerto No. 1
VIOTTI Violin Concerto No. 22 in A Minor
Izler Solomon, conductor

March 1, 2 and 3, 1962, Orchestra Hall
MOZART Violin Concerto No. 1 in B-flat Major, K. 207
BARTÓK Rhapsody No. 1
Jean Martinon, conductor

January 24, 25 and 26, 1963, Orchestra Hall
BRAHMS Violin Concerto in D Major, Op. 77
Josef Krips, conductor

June 29, 1965, Ravinia Festival
SIBELIUS Violin Concerto in D Minor, Op. 47
Seiji Ozawa, conductor

Claudio Abbado, Martha Gilmer, Yo-Yo Ma, and Isaac Stern onstage at Orchestra Hall during recording sessions for Brahms’s Double Concerto in November 1986 (Jim Steere photo)

July 1, 1965, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Seiji Ozawa, conductor

July 3, 1965, Ravinia Festival
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
BEETHOVEN Concerto for Violin, Cello, and Piano in C Major, Op. 56 (Triple)
Leonard Rose, cello
Seiji Ozawa, piano and conductor

March 31, April 1, and 2, 1966, Orchestra Hall
DVOŘÁK Violin Concerto in A Minor, Op. 53
Seiji Ozawa, conductor

January 19, 20 and 21, 1967, Orchestra Hall
HINDEMITH Violin Concerto
Jean Martinon, conductor

February 13 and 14, 1969, Orchestra Hall
MOZART Rondo in C Major, K. 373
PROKOFIEV Violin Concerto No. 1 in D Major, Op. 19
Irwin Hoffman, conductor

October 2 and 3, 1969, Orchestra Hall
October 6, 1969, Pabst Theater, Milwaukee
BEETHOVEN Violin Concerto in D Major, Op. 61
Carlo Maria Giulini, conductor

April 15, 16, and 17, 1971, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Georg Solti, conductor

November 22, 24, and 25, 1972, Orchestra Hall
December 9, 1972, Carnegie Hall
BARTÓK Violin Concerto No. 2
Sir Georg Solti, conductor

April 10, 11, and 12, 1975, Orchestra Hall
ROCHBERG Violin Concerto and Orchestra
Sir Georg Solti, conductor

July 31, 1976, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Andrew Davis, conductor

March 2, 3, and 4, 1978, Orchestra Hall
March 6, 1978, Pabst Theater, Milwaukee
BRAHMS Violin Concerto in D Major, Op. 77
Carlo Maria Giulini, conductor

March 28, 29, and 30, 1985, Orchestra Hall
BARTÓK Violin Concerto No. 2
Sir Georg Solti, conductor

November 5 and 7, 1986, Orchestra Hall
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364 (performed by violin and cello)
Yo-Yo Ma, cello
Claudio Abbado, conductor

Isaac Stern and music director designate Daniel Barenboim following the Centennial Gala concert on October 6, 1990 (Jim Steere photo)

November 6 and 8, 1986, Orchestra Hall
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Yo-Yo Ma, cello
Claudio Abbado, conductor
Recorded in Orchestra Hall on November 7 and 8, 1986. For CBS Masterworks, Bud Graham was the control engineer, Tom MacCluskey was the editing engineer, and Tim Geelan was the post-production engineer.

October 6, 1990, Orchestra Hall (Centennial Gala)
MOZART Rondo in C Major, K. 373
Leonard Slatkin, conductor

May 23, 24, 25, and 28, 1991, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Daniel Barenboim, conductor

September 16, 1992, Orchestra Hall
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Daniel Barenboim, conductor

October 1, 2, and 3, 1992, Orchestra Hall
BARTÓK Violin Concerto No. 1
Daniel Barenboim, conductor

Under the auspices of Allied Arts and Symphony Center Presents, Stern also appeared in recital and with ensembles on several occasions in Orchestra Hall, as follows:

Program book advertisement for the November 19, 1969, Allied Arts concert in Orchestra Hall

November 14, 1948
Alexander Zakin, piano

October 8, 1950
Alexander Zakin, piano

March 2, 1958
BEETHOVEN Violin Concerto in D Major, Op. 61
National Symphony Orchestra
Howard Mitchell, conductor

June 1, 1963
Alexander Zakin, piano

April 5, 1964
Alexander Zakin, piano

November 27, 1966
Leonard Rose, cello
Eugene Istomin, piano

May 5, 1968
Leonard Rose, cello
Eugene Istomin, piano

April 27, 1969
Leonard Rose, cello
Eugene Istomin, piano

November 18, 1969
Members of the Chicago Symphony Orchestra
Alexander Zakin, piano

May 17, 1970
Leonard Rose, cello
Eugene Istomin, piano

February 14, 1971
Alexander Zakin, piano

Program book advertisement for the November 19, 1969, Allied Arts concert in Orchestra Hall

November 4, 1979
David Golub, piano

March 26, 1990
DUTILLEUX L’arbre de songes
Baltimore Symphony Orchestra
David Zinman, conductor

December 9, 1990
Jaime Laredo, viola
Yo-Yo Ma, cello
Emanuel Ax, piano

April 18, 1993
Cho-Liang Lin, violin
Jaime Laredo, viola
Michael Tree, viola
Yo-Yo Ma, cello
Sharon Robinson, cello

December 8, 1996
Philip Setzer, violin
Lawrence Dutton, viola
Lynn Harrell, cello
Yefim Bronfman, piano

February 25, 1998
Jaime Laredo, viola
Yo-Yo Ma, cello
Emanuel Ax, piano

*On July 16, 1938, a year after the outbreak of the Second Sino-Japanese War, it was announced that the 1940 Summer Olympics would not be held in Tokyo, as originally scheduled. The International Olympic Committee then awarded the games to Helsinki, the runner-up city in the original bidding process. However, following the outbreak of World War II on September 1, 1939, the Olympic Games were indefinitely suspended and did not resume until 1948.

The Chicago Symphony Orchestra family joins the music world in mourning the loss of legendary Italian composer Ennio Morricone, who died earlier today, July 6, 2020, in Rome following complications from a fall last week. He was ninety-one.

Ennio Morricone (Tammie Arroyo photo)

Riccardo Muti, writing from Paestum, expressed that Morricone was “a maestro for whom I had friendship and admiration. I conducted his Voices from the Silence which received a very emotional response from the audience. An extraordinary musician not only for film music but also for classical compositions. Ennio Morricone will be missed as a man and as an artist.” (Last evening, Maestro Muti led a Roads of Friendship concert—dedicated to the city of Palmyra in Syria—at the Archaeological Park of Paestum, in the province of Salerno in Campania, Italy.)

Riccardo Muti led the Chicago Symphony Orchestra and Chorus in Morricone’s Voices from the Silence on February 6, 7, and 8, 2014. Ora Jones was the narrator and Duain Wolfe prepared the Chorus.

“It was Riccardo Muti who suggested Morricone compose a work that paid tribute to 9/11 which Muti would premiere at the Ravenna Festival,” wrote Phillip Huscher, the CSO’s program annotator. “The Ravenna Festival began its series, Roads of Friendship, in 1997, by taking concerts to crisis points around Europe and beyond, including Sarajevo, Beirut, Jerusalem, and Istanbul. Voci dal silencio (Voices from the silence) now added another city, New York—one that had only recently been thought of as a crisis point—to the list. Four years after the Ravenna premiere, Voices from the Silence was performed at the United Nations, with Morricone on the podium.

Riccardo Muti and Ennio Morricone acknowledge applause following the CSO’s first performance of Voices from the Silence on February 6, 2014 (Todd Rosenberg Photography)

Voices from the Silence is a cantata for chorus, narrator, prerecorded sounds, and orchestra. Morricone said he composed the score in response to ‘the terrorist attacks of September 11 and all the massacres of humanity all over the world.’ At the head of the score, Morricone writes: ‘Against terrorism, against racism, and all forms of ethnic persecution. For equality among all people.’ For his text, Morricone turned to a poem by the South African writer Richard Rive, who was born and raised in Cape Town’s District Six, a lively multiracial community that was condemned as a slum in 1966, bulldozed, and rezoned exclusively for whites. ‘I always feel when I am here in District Six that I am standing over a vast cemetery of people who have been moved away against their will,’ he said in 1988. ‘The legacy of District Six is to show what avarice and political bigotry can do.’ The following year, Rive was found murdered in his house near Cape Town. He had been stabbed several times and beaten in the face. A solitary man without family, Rive lives on in his highly charged writings about oppression.” (The program book is available here.)

Morricone’s music has been performed by the Chicago Symphony Orchestra on several other occasions, as follows:

July 15, 1990, Ravinia Festival
MORRICONE Main Theme from The Untouchables
Erich Kunzel, conductor

February 25, 2005, Orchestra Hall
MORRICONE Main Theme from The Untouchables
Richard Kaufman, conductor

February 25, 2011, Orchestra Hall
MORRICONE/Mancini Gabriel’s Oboe from The Mission
Richard Kaufman, conductor

June 26, 2014, Morton Arboretum
MORRICONE Main Theme from The Untouchables
Richard Kaufman, conductor

July 29, 2017, Ravinia Festival
MORRICONE/Williams Love Theme from Cinema Paradiso
James Conlon, conductor
Itzhak Perlman, violin

Tributes have been posted at the Chicago Tribune, Chicago Sun-Times, and The New York Times, along with the composer’s website and countless other news outlets.

 

Frederica von Stade (Robert Millard photo)

Wishing a very happy seventy-fifth birthday to the wonderful American mezzo-soprano, Frederica von Stade!

Von Stade has appeared with the Chicago Symphony Orchestra on several occasions, at the Ravinia Festival and in Carnegie Hall, as follows.

May 1 and 2, 1981, Carnegie Hall
BERLIOZ The Damnation of Faust
Kenneth Riegel, tenor (May 1)
Peyo Garazzi, tenor (May 2)
José van Dam, baritone
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor

Solti also led performances of Berlioz’s work at Orchestra Hall in Chicago on April 23 and 25, 1981, prior to the Carnegie Hall performances. Unfortunately, Frederica von Stade had to cancel due to illness. She was replaced by Chicago Symphony Chorus member Mary Beth Stephen on April 23 and Claudine Carlson on April 25.

Berlioz’s The Damnation of Faust was recorded by London in Medinah Temple on May 4, 5, 6, and 7, 1981. James Mallinson was the producer, and James Lock and Simon Eadon were sound engineers. The recording won the 1982 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

Berlioz album cover

July 9, 1988, Ravinia Festival
BERLIOZ Romeo and Juliet
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 14, 1996, Ravinia Festival
MOZART Ch’io mi scordi di te? . . . Non temer, amato bene (with Claude Frank, piano)
MAHLER Songs from Rückert Lieder and Des Knaben Wunderhorn
Semyon Bychkov, conductor

August 14, 1999, Ravinia Festival
MOZART “Parto, parto, ma tu, ben mio” from La clemenza di Tito,
LEHÁR “Vilja” and “Lippen schweigen” (with John Aler, tenor) from The Merry Widow
Christoph Eschenbach, conductor

July 8, 2000, Ravinia Festival
Selections from:
COPLAND Old American Songs
KERN Show Boat
OFFENBACH The Grand Duchess of Gerolstein
MOZART Don Giovanni
RODGERS Oklahoma! and South Pacific
SONDHEIM A Little Night Music
with Samuel Ramey, bass
Miguel Harth-Bedoya, conductor

August 5 and 7, 2010, Ravinia Festival
MOZART Così fan tutte
Ana María Martínez, soprano
Ruxandra Donose, mezzo-soprano
Saimir Pirgu, tenor
Rodion Pogossov, baritone
Richard Stilwell, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
James Conlon, conductor

Happy, happy birthday!

Raymond Niwa in 1950 (Central Studio)

The Chicago Symphony Orchestra family mourns the loss of Raymond Niwa—a member of the violin section from 1951 until 1997—who passed away on May 27, 2020, following a brief illness. He was ninety-seven.

Born on August 3, 1922, in Chicago, Niwa began violin lessons at the age of nine, and he attended Lane Technical College Preparatory High School. In 1940, Niwa was the winner of the Polish Arts Club’s first recital contest, and the following year he placed first in the Society of American Musicians Young Artist’s Competition. Following both contests, he was presented in recital in Kimball Hall.

Attending DePaul University as a student of Morris Gomberg, Niwa received a bachelor of music degree in 1943, after which he was drafted into the U.S. Army during World War II. After three years of military service, he returned to DePaul for a master’s degree, completed in 1948.

While a student, Niwa was a member of the Civic Orchestra of Chicago during the 1945–46 season. In 1946, he was in the pit for the final season of the Chicago Opera Company, and that same year, he began a five-year tenure with the Grant Park Symphony Orchestra. During 1950–51, he performed for one season as a member of the Pittsburgh Symphony Orchestra.

The Niwa Trio—Raymond Niwa, Eloise Niwa, and Margaret Evans—in 1970 (Terry’s photo)

In 1951, fifth music director Rafael Kubelík invited Niwa to join the Chicago Symphony Orchestra’s first violin section. During his tenure, he performed as a featured soloist on two occasions: in Prokofiev’s Second Violin Concerto on January 3, 1953, with George Schick conducting, and again on June 10, 1970, in Szymanowski’s First Violin Concerto under the baton of Irwin Hoffman. Niwa also was an active member on the Orchestra’s members’ committee as well as the contract negotiating team for many years.

Niwa and his wife Eloise, a pianist, and Margaret Evans, a longtime member of the Orchestra’s cello section, made up the Niwa Trio and were featured on the CSO’s Chamber Music Series for over twenty years. They also actively participated in the Orchestra’s ensemble programs, frequently performing in Chicago-area schools and throughout the community.

From 1946 until 1948, Niwa was on faculty at DePaul University, and in 1948, he began a long tenure at Roosevelt University, later heading the faculty string quartet for eight years.

Raymond Niwa in the early 1970s (Terry’s photo)

The Niwa’s children also are accomplished musicians. Their son David is a violinist and holds degrees from the Curtis Institute and the Juilliard School, and their daughter Gail is a pianist, also with degrees from Juilliard. The Niwa family claims a singular distinction: all four have been soloists with the Chicago Symphony Orchestra.

In their retirement, Raymond and Eloise Niwa were longtime members of the Chicago Symphony Orchestra Alumni Association. He also served for many years on the CSOAA’s board, as a director and treasurer.

Raymond Niwa’s beloved wife Eloise preceded him in death in 2013. He is survived by his daughter Gail, son David (Mariko), and grandson Matthew. Details for a memorial service are pending. In lieu of flowers, the family has requested donations to the Chicago Symphony Orchestra in both Raymond and Eloise’s memory.

In May 1904, Chicago Orchestra founder and first music director Theodore Thomas led his final Cincinnati May Festival concerts at Music Hall. Since founding the festival in 1873, Thomas had regularly led concerts, inviting his Chicago Orchestra after its founding in 1891.

Cover of the 1904 Cincinnati May Festival program book

Cover of the 1904 Cincinnati May Festival program book

Programming for the five-concert festival was nothing short of epic and included orchestral works, opera excerpts, and large-scale choral works. The Orchestra had been expanded to over one hundred and ten players and the May Festival Chorus numbered over 500. And for the final concert, Thomas had chosen Beethoven’s Missa solemnis and the Ninth Symphony.

According to Philo Adams Otis in his book The Chicago Symphony Orchestra: Its Organization, Growth, and Development, 1891–1924: “The program was of the highest order . . . But with due regard to soloists and chorus, the strength of the Festival, to my mind, was Mr. Thomas and the Orchestra. Never have I heard the Beethoven Eighth Symphony played as at the first matinée! What a performance he gave us Friday evening of Death and Transfiguration!”

And in Memoirs of Theodore Thomas (edited by his widow Rose Fay Thomas): “The May Festival of 1904 brought the work of Thomas to a close in Cincinnati, and its programmes were of such a caliber that it was the artistic climax, not only of the long series of festivals in that city, but, perhaps, even of Thomas’ own career. One colossal work was piled on another, regardless of everything but the one object of making this festival surpass, in standard and perfection, all that had preceded it. . . . the chorus, under the able and musicianly training of its director, Mr. Edwin W. Glover, was in splendid condition, and Thomas had nothing to correct about its performance. . . . The performances at the Cincinnati Festival were, therefore, amongst the very finest that he ever gave in his life, and no one in his audience had the slightest idea of the strain under which he worked.”

The complete concert programs are below.

First concert

Wednesday evening, May 11, 1904, 7:30 p.m.
BACH Suite No. 2 in B Minor, BWV 1067
Alfred Quensel, flute
BACH Mass in B Minor, BWV 232
Agnes Nicholls, soprano
Ernestine Schumann-Heink, contralto
William Green, tenor
Robert Watkin-Mills, bass
Wilhelm Middelschulte, organ
May Festival Chorus
Edwin W. Glover, director
(an intermission followed the conclusion of the Gloria)

Second concert

Thursday afternoon, May 12, 1904, 2:00 p.m.
MOZART Symphony No. 39 in E-flat Major, K. 543
MOZART Nie wird mich Hymen (Parto, ma tu ben mio) from La clemenza di Tito, K. 621
Ernestine Schumann-Heink, contralto
Joseph Schreurs, clarinet obbligato
SCHUBERT Entr’acte No. 1 from Rosamunde, D. 797
WEBER Ocean, Thou Mighty Monster from Oberon
Agnes Nicholls, soprano
ELGAR Variations on an Original Theme, Op. 36 (Enigma)
ELGAR Pomp and Circumstance Marches No. 2 in A Minor and No. 1 in D Major, Op. 39
Intermission
BEETHOVEN Symphony No. 8 in F Major, Op. 93
LISZT The Three Gypsies (Die drei Zigeuner)
Ernestine Schumann-Heink, contralto
Leopold Kramer, violin obbligato
WAGNER Bacchanale from Tannhäuser
WAGNER Prelude and Liebestod from Tristan und Isolde
Agnes Nicholls, soprano

Third concert

Friday evening, May 13, 1904, 7:30 p.m.
ELGAR Incidental Music and Funeral March from Grania and Diarmid, Op. 42
ELGAR The Dream of Gerontius, Op. 38
Muriel Foster, contralto
William Green, tenor
Robert Watkin-Mills, bass
Wilhelm Middelschulte, organ
May Festival Chorus
Edwin W. Glover, director
Intermission
STRAUSS Death and Transfiguration, Op. 24
BEETHOVEN Abscheulicher! from Fidelio, Op. 72
Agnes Nicholls, soprano
BERLIOZ Imperial Hymn, Op. 26
May Festival Chorus
Edwin W. Glover, director

Fourth concert

Saturday afternoon, May 14, 1904, 1:30 p.m.
GLUCK Overture and Divinités du Styx from Alceste
Ernestine Schumann-Heink, contralto
BRUCKNER Symphony No. 9 in D Minor (Unfinished)
BRAHMS Alto Rhapsody, Op. 53
Ernestine Schumann-Heink, contralto
Men of the May Festival Chorus
Edwin W. Glover, director
Intermission
WAGNER Prelude to Die Meistersinger von Nürnberg
ELGAR In Haven, Where Corals Lie, and The Swimmer from Sea Pictures, Op. 37
Muriel Foster, contralto
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
STRAUSS Hymnus, Op. 33 No. 3
Muriel Foster, contralto
TCHAIKOVSKY 1812 Overture, Op. 49

Fifth concert

Saturday evening, May 14, 1904, 7:30 p.m.
BEETHOVEN Missa solemnis in D Major, Op. 123
Intermission
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Agnes Nicholls, soprano
Ernestine Schumann-Heink, contralto
William Green, tenor
Robert Watkin-Mills, bass-baritone
May Festival Chorus
Edwin W. Glover, director

This article previously appeared here

Riccardo Muti leads the Chicago Symphony Orchestra, Chorus, and soloists in Beethoven’s Missa solemnis on September 24, 25, and 26, 2020.

The Chicago Symphony Orchestra family joins the music world in mourning the loss of the celebrated Lebanese-American mezzo-soprano Rosalind Elias, who died in Manhattan on May 3. She was ninety.

A stalwart at the Metropolitan Opera, between 1954 and 1996, Elias performed 687 performances of fifty-four roles. Also at the house, she created the role of Erika in Samuel Barber‘s Vanessa in January 1958.

The following year, she made her only appearances with the Chicago Symphony Orchestra, as soloist in the following programs.

March 5 and 6, 1959
Fritz Reiner, conductor
RAVEL La valse
CHAUSSON Poem of Love and the Sea, Op. 19
PROKOFIEV Alexander Nevsky, Op. 78
Chicago Symphony Chorus
Margaret Hillis, director

March 10, 1959
Fritz Reiner, conductor
PROKOFIEV Alexander Nevsky, Op. 78
Chicago Symphony Chorus
Margaret Hillis, director
CHAUSSON Poem of Love and the Sea, Op. 19
TCHAIKOVSKY Marche miniature from Suite No. 1 in D Minor, Op. 43
TCHAIKOVSKY Marche slav, Op. 31

On March 7, RCA was on hand to record Prokofiev’s Alexander Nevsky—the first recording collaboration with the Orchestra and the Chicago Symphony Chorus—in Orchestra Hall. Richard Mohr was the producer and Lewis Layton was the recording engineer, and the recording recently was re-released as part of a comprehensive box set of Fritz Reiner’s complete recordings with the CSO on RCA.

Numerous online tributes have been posted, including Opera News, The Washington Post, and OperaWire, among many others.

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Theodore Thomas

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