In early 1889, Chicago businessman Charles Norman Fay encountered Theodore Thomas—then one of the most famous conductors in the United States—in New York. Thomas had fallen on hard times, his orchestra recently disbanded. According to Fay in the February 1910 Outlook, “My thoughts went back to those ten years of Summer Garden Concerts [in Chicago], and to some powerful and devoted friends of Mr. Thomas and his music at home, and I asked, ‘Would you come to Chicago if we could give you a permanent orchestra?’ The answer, grim and sincere, and entirely destitute of intentional humor, came back like a flash: ‘I would go to hell if they gave me a permanent orchestra.’ ”
Fay returned to Chicago and quickly found support for a new orchestra. The Orchestral Association first met on December 17, 1890, and less than a year later, on October 16 and 17, 1891, the Chicago Orchestra gave its first concerts at the Auditorium Theatre, with Thomas conducting Wagner’s A Faust Overture, Beethoven’s Fifth Symphony, Tchaikovsky’s First Piano Concerto with Rafael Joseffy, and Dvořák’s Husitská Overture.
“It has been stated that the Orchestral Association’s contract with Mr. Thomas stipulated that he should in the Chicago Orchestra give to the city an organization the peer of the finest in the United States. Yesterday’s public rehearsal at the Auditorium by that orchestra showed that Mr. Thomas has filled his contract,” reported the Chicago Tribune on October 17. “Thomas has long been known for his ability to quickly bring newly formed orchestras into condition for satisfactory work, but in this instance he has fairly surpassed himself, the results being simply astonishing. . . . The body of the tone produced is superb, possessing a vitality, a fullness, and volume such as has been heard from no orchestra ever before in Chicago.”
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