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Wishing a very happy ninetieth birthday to the celebrated American mezzo-soprano Rosalind Elias!

A stalwart at the Metropolitan Opera, between 1954 and 1996, Elias performed 687 performances of fifty-four roles. Also at the house, she created the role of Erika in Samuel Barber‘s Vanessa in January 1958.

The following year, she made her only appearances with the Chicago Symphony Orchestra, as soloist in the following programs.

March 5 and 6, 1959
RAVEL La valse
CHAUSSON Poem of Love and the Sea, Op. 19
PROKOFIEV Alexander Nevsky, Op. 78
Chicago Symphony Chorus
Margaret Hillis, director

March 10, 1959
PROKOFIEV Alexander Nevsky, Op. 78
Chicago Symphony Chorus
Margaret Hillis, director
CHAUSSON Poem of Love and the Sea, Op. 19
TCHAIKOVSKY Marche miniature from Suite No. 1 in D Minor, Op. 43
TCHAIKOVSKY Marche slav, Op. 31

On March 7, RCA was on hand to record Prokofiev’s Alexander Nevsky—the first recording collaboration with the Orchestra and the Chicago Symphony Chorus—in Orchestra Hall. Richard Mohr was the producer and Lewis Layton was the recording engineer, and the recording recently was re-released as part of a comprehensive box set of Fritz Reiner’s complete recordings with the CSO on RCA.

Happy, happy birthday!

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The Chicago Symphony Orchestra family joins the music world in mourning conductor and composer Michael Gielen, who died earlier today at his home in Mondsee, Austria. He was ninety-one. Between 1973 and 2002, Maestro Gielen led the Chicago Symphony Orchestra in a broad range of repertoire, and a complete list of his appearances is below.

Michael Gielen (Patrik Müller photo)

December 6 and 7, 1973, Orchestra Hall
December 10, 1973, Uihlein Hall, Milwaukee
HAYDN Symphony No. 95 in C Minor
SZYMANOWSKI Violin Concerto No. 2, Op. 61
Wanda Wilkomirska, violin
PENDERECKI Capriccio for Violin and Orchestra
Wanda Wilkomirska, violin
SCRIABIN Symphony No. 3, Op. 43 (The Divine Poem)

March 21, 22, 23, and 26, 1996, Orchestra Hall
MAHLER Symphony No. 6 in A Minor

March 28, 29, and 30, 1996, Orchestra Hall
J. STRAUSS, Jr. Overture to Die Fledermaus
STUCKY Pinturas de Tamayo (Paintings of Tamayo) (world premiere)
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)

October 29, 30, 31, and November 1, 1997, Orchestra Hall
BEETHOVEN Leonore Overture No. 2, Op. 72
CARTER Piano Concerto
Ursula Oppens, piano
Richard Graef, flute
Grover Schiltz, oboe and english horn
J. Lawrie Bloom, clarinet
David Taylor, violin
Charles Pikler, viola
Stephen Balderston, cello
Joseph Guastafeste, bass
SCHUBERT Incidental Music from Rosamunde, D. 797
BEETHOVEN Leonore Overture No. 3, Op. 72

January 11, 12, 13, and 16, 2001, Orchestra Hall
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN/Liszt Andante cantabile from the Piano Trio in G-flat Major, Op. 97 (Archduke)
BEETHOVEN/Gielen Grosse Fuge in B-flat Major, Op. 133
SCHOENBERG Pelleas and Melisande, Op. 5

January 18, 20, and 23, 2001, Orchestra Hall
MAHLER Adagio from Symphony No. 10
LISZT Piano Concerto No. 1 in E-flat Major
Zoltán Kocsis, piano
KURTÁG . . . quasi una fantasia . . .
Zoltán Kocsis, piano
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)

January 17, 18, 29, and 22, 2002, Orchestra Hall
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Elena Bashkirova, piano
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

January 24, 25, 26, and 29, 2002, Orchestra Hall
RAVEL Valses nobles et sentimentales
DUTILLEUX Symphony No. 2 (Le double)
Alex Klein, oboe
Larry Combs, clarinet
David McGill, bassoon
Craig Morris, trumpet
Jay Friedman, trombone
Mary Sauer, piano
Melody Lord-Lundberg, celesta
Donald Koss, timpani
Samuel Magad, violin
Joseph Golan, violin
Charles Pikler, viola
John Sharp, cello
POULENC Concerto for Organ, Strings, and Timpani in G Minor
David Schrader, organ
Donald Koss, timpani
RAVEL La valse

Portions of this article previously appeared here.

Theodore and Rose Fay Thomas in 1903

Wishing our friends at The Anti-Cruelty Society a very happy 120th anniversary! And a tip of the hat to the society’s first president, Rose Fay Thomas, wife of Theodore Thomas, founder and first music director of the Chicago Symphony Orchestra!

During Chicago’s World’s Columbian Exposition in 1893, nearly twenty-eight million people visited our fair city, to “marvel at man’s progress and visions for the future,” according to the society’s website. “Yet the utopian ephemeral White City was a sharp contrast to the poorer neighborhoods that lay a short distance from the fairgrounds. The United States was in the midst of an economic depression. Hoards of immigrants, spurred by the industrial revolution, flocked to Chicago and other urban centers in search of work only to find themselves poor, starving, and huddled in crowded tenements. Raw sewage ran through the streets and epidemics of typhoid and other diseases often ravaged the city. The social unrest that would lead to the deadly Pullman Strike in 1894 was on the rise.

“As the century drew to a close, this grim climate and a deepening fear of these growing urban masses lead to the rise of progressive social reforms in Chicago and other urban centers. The middle and upper class women of the day were the driving force of this movement. Since the rise of the Suffrage movement in the 1850s, many women had become increasingly dissatisfied with their designated place in society and wished to play a more active role in bringing about needed change. In Chicago, many such women took the lead in establishing ground breaking social institutions and reforms. Jane Addams opened Hull House in 1889 to provide social services to immigrants and the working poor. Chicago’s women’s clubs formed charitable organizations and reform committees in response to the needs of the city’s poor, neglected and abused. In 1899 a small group of Chicago women turned their attention to a forgotten group of suffering creatures—the city’s animal population.

Rose Fay and Dickey, the Thomas family’s Springer Spaniel, in the late 1890s (George Glessner photo, courtesy of Glessner House collections)

“These humanitarians faced an uphill struggle to overcome the hardship, neglect, and cruelty all around them. A large percentage of the city’s estimated 50,000 workhorses were old, sick, and ill cared for. Many dropped under heavy burdens, only to be savagely beaten by insensitive drivers. The burgeoning Union Stock Yards and the slaughterhouses demonstrated little concern for the livestock they handled and incidents of inhumane butchery practices were common. Homeless dogs and cats wove their way through crowds of people in the streets in search of morsels of food and temporary shelter.

“A deep concern for the welfare of these helpless creatures led five Chicagoans to the home of Mrs. Theodore Thomas, wife of the city’s symphony conductor, on the evening of January 19, 1899. A second larger meeting at the residence of Mrs. Joseph Winterbothom on March 7, 1899, led to the formation of The Anti-Cruelty Society. This meeting saw the adoption of by-laws and election of Mrs. Thomas as the group’s first president. As the president of The Anti-Cruelty Society, Mrs. Thomas became one of the first women to head a humane society.

Chicago Tribune, March 6, 1904

“This small band of dedicated volunteers set high goals: to suppress cruelty to animals, to educate the public on humane treatment, and to create a refuge for strays. The Anti-Cruelty Society opened its first small animal shelter in 1904 at 1898 North Clark Street. By 1905, it had placed watering troughs throughout Chicago for thirsty workhorses. On December 6, 1906, The Anti-Cruelty Society received a charter from the State of Illinois to conduct protective work with animals and children. In addition to its work with animals, the Society was directly involved in the handling of child welfare cases for the next decade. The Society also instituted a humane education campaign organizing children’s chapters, distributing humane literature, and providing lectures.”

The Anti-Cruelty Society—Chicago’s oldest and most comprehensive animal welfare organization—continues its mission today, “building a community of caring by helping pets and educating people.” Happy, happy anniversary!

Dame Kiri Te Kanawa (IMG Artists photo)

Wishing a very happy seventy-fifth birthday to the celebrated New Zealand soprano Dame Kiri Te Kanawa!

With the Chicago Symphony Orchestra and Chorus, Te Kanawa has appeared in concert—in Orchestra Hall, at the Ravinia Festival, and in Carnegie Hall—and on recording on a number of notable occasions. The complete list is below.

May 4, 5, and 6, 1978, Orchestra Hall
May 12, 1978, Carnegie Hall
BRAHMS A German Requiem, Op. 45
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
Recorded at Medinah Temple on May 15 and 16, 1978. For London Records, James Mallinson was the recording producer, and Kenneth Wilkinson and Colin Moorfoot were the balance engineers.

March 23, 24, 25, and 26, 1983, Orchestra Hall
DUPARC Melodies françaises
MAHLER Symphony No. 4 in G Major
Sir Georg Solti, conductor
Mahler’s Fourth Symphony was recorded in Orchestra Hall on April 28 and 29, 1983. For London Records, James Mallinson was the recording producer, and James Lock and John Dunkerley were the balance engineers.

October 1, 2, and 9, 1984, Orchestra Hall (recording sessions only)
HANDEL Messiah
Anne Gjevang, contralto
Keith Lewis, tenor
Gwynne Howell, bass-baritone
Chicago Symphony Chorus
Margaret Hillis director
For London Records, Ray Minshull was the recording producer, and James Lock and Simon Eadon were the balance engineers.
Handel’s
Messiah also was performed on subscription concerts on September 27, 28, and 29, 1984. In addition to the cast above, Elizabeth Hynes was the soprano soloist.

June 29, 1985, Ravinia Festival
HANDEL Let the Bright Seraphim from Samson
MOZART Bella mia fiamma, K. 528
STRAUSS Four Last Songs
James Levine, conductor

March 19 and 21, 1987
BACH Saint Matthew Passion, BWV 244
Anne Sofie von Otter, mezzo-soprano
Thomas Moser, tenor
Tom Krause, bass
Hans Peter Blochwitz, tenor
Olaf Bär, baritone
Richard Cohn, baritone
Patrice Michaels, soprano
Debra Austin, mezzo-soprano
William Watson, tenor
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor
Recorded in Orchestra Hall on March 23, 24, 28, 30, and 31, 1987. For London Records, Andrew Cornall was the recording producer, and Simon Eadon and John Pellowe were the balance engineers.

Sir Georg Solti leads the Orchestra along with Plácido Domingo and Kiri Te Kanawa in the final scene from act 1 of Verdi’s Otello on October 9, 1987 (Jim Steere photo)

June 28, 1987, Ravinia Festival
MOZART Così fan tutte, K. 588
Dawn Upshaw, soprano
Tatiana Troyanos, mezzo-soprano
Jerry Hadley, tenor
Håkan Hagegård, baritone
John Cheek, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Richard Garrin, director
James Levine, conductor

October 9, 1987, Orchestra Hall (A Concert in Honor of the 75th Birthday of Sir Georg Solti)
VERDI Excerpts from Act 1 of Otello
Plácido Domingo, tenor
Joseph Wolverton, tenor
Kurt R. Hansen, tenor
Richard Cohn, baritone
David Huneryager, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
The concert was recorded for radio broadcast, and for WFMT, Norman Pellegrini was the producer and Mitchell G. Heller was the engineer. The duet “Già nella notte densa” was released on Solti: The Legacy in 2012, and for London Records, Matthew Sohn was the restoration engineer.

April 8 and 12, 1991, Orchestra Hall
April 16 and 19, 1991, Carnegie Hall
VERDI Otello
Luciano Pavarotti, tenor
Leo Nucci, baritone
Elzbieta Ardam, mezzo-soprano
Anthony Rolfe Johnson, tenor
John Keyes, tenor
Dimitri Kavrakos, bass
Alan Opie, baritone
Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Chicago Children’s Choir (April 8 and 12)
Leslie Britton, director
Metropolitan Opera Children’s Chorus (April 16 and 19)
Elena Doria, director
Recorded live in Orchestra Hall on April 8 and 12 and in Carnegie Hall on April 16 and 19, 1991. For London Records, Michael Haas was the recording producer, Christopher Pope was the assistant recording producer, and James Lock and John Pellowe were the balance engineers.

July 28, 2001, Ravinia Festival
STRAUSS Four Last Songs
LÉHAR “Lippen Schweigen” from Die lustige Witwe
LÉHAR “Vilja” from Die lustige Witwe
LÉHAR “Meine Lippen, sie küssen so heiss” from Giuditta
Christoph Eschenbach, conductor

July 19, 2008, Ravinia Festival
STRAUSS Morgen!, Op. 27, No. 4
STRAUSS Ständchen, Op. 17, No.2
STRAUSS Cäcilie, Op. 27, No. 2
CANTELOUBE Baïlèro, La delaïssádo, and Lo fiolairé from Chants d’Auvergne
PUCCINI Mi chiamano Mimì and Donde lieta uscì from La bohème
CILEA Io son l’umile ancella from Adriana Lecouvreur
James Conlon, conductor

Happy, happy birthday!

Kiri Te Kanawa and Luciano Pavarotti onstage at Orchestra Hall in April 1991 (Jim Steere photo)

Bernard Haitink leads the Chicago Symphony Orchestra in Orchestra Hall on October 31, 2013 (Todd Rosenberg photo)

Wishing a very happy ninetieth birthday to the legendary Dutch conductor Bernard Haitink!

In addition to serving as the Chicago Symphony’s principal conductor from 2006 until 2010, Haitink also launched the Orchestra’s CSO Resound record label with the recording of Mahler’s Third Symphony in 2007. A complete list of his appearances and recordings is below.

March 4, 5, and 6, 1976, Orchestra Hall
BACH Air from Orchestral Suite No. 3 in D Major, BWV 1068*
RAVEL Alborada del gracioso
STRAVINSKY Symphony in Three Movements
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
*Performed in memory of Jean Martinon, the Chicago Symphony Orchestra’s seventh music director, who died in Paris on March 1, 1976

March 11, 12, and 14, 1976, Orchestra Hall
COWELL Hymn and Fuguing Tune No. 3
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Silvia Marcovici, violin
SHOSTAKOVICH Symphony No. 4 in C Minor, Op. 43

January 9, 10, 11, and 12, 1997, Orchestra Hall
BRAHMS Variations on a Theme by Haydn, Op. 56a
TURNAGE Some Days
Cynthia Clarey, mezzo-soprano
BRAHMS Symphony No. 2 in D Major, Op. 73
Mark-Anthony Turnage‘s Some Days was recorded live and released by Decca.

January 16, 17, 18, and 21, 1997, Orchestra Hall
BACH Air from Orchestral Suite No. 3 in D Major, BWV 1068*
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sylvia McNair, soprano
Markella Hatziano, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
*Performed on January 18 only in memory of Ardis Krainik, general manager of Lyric Opera of Chicago, who died on January 18, 1997

March 2, 3, and 4, 2006, Orchestra Hall
WEBER Overture to Der Freischütz
HINDEMITH Symphonic Metamorphosis on Themes by Carl Maria von Weber
BRAHMS Symphony No. 2 in D Major, Op. 73

March 9, 10, and 11, 2006, Orchestra Hall
WEBERN Passacaglia for Orchestra, Op. 1
DEBUSSY La mer
BEETHOVEN Symphony No. 7 in A Major, Op. 92

Thursday, October 19, 20, and 21, 2006, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Michelle DeYoung, mezzo-soprano
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Chicago Children’s Choir
Josephine Lee, chorus director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; editing engineering by Classic Sound Limited, UK.

May 10, 11, 12, and 15, 2007, Orchestra Hall
BEETHOVEN Coriolan Overture, Op. 62
LUTOSŁAWSKI Chain 2: Dialogue for Violin and Orchestra
Robert Chen, violin
BRUCKNER Symphony No. 7 in E Major
Bruckner’s Seventh Symphony was recorded live. For CSO Resound, James Mallinson was the producer, Christopher Willis was the engineer, and John Newton was the assistant engineer; editing and mixing by Classic Sound Limited, UK.

Haitink along with the Orchestra and Chorus acknowledge applause following a performance of Ravel’s Daphnis and Chloe on November 8, 2007 (Todd Rosenberg photo)

October 18, 19, 20, and 23, 2007, Orchestra Hall
WAGNER Siegfried Idyll
MAHLER Symphony No. 6 in A Minor
Mahler’s Sixth Symphony was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; editing and mixing by Classic Sound Limited, UK.

October 25, 26, and 27, 2007, Orchestra Hall
MOZART Symphony No. 25 in G Minor, K. 183
TURNAGE Chicago Remains
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Emanuel Ax, piano
Mark-Anthony Turnage’s Chicago Remains was a world premiere, composed in memory of Sir John Drummond. The work was co-commissioned for the Chicago Symphony Orchestra by the Edward F. Schmidt Family Commissioning Fund and the Koussevitzky Music Foundation.

November 8, 9, and 10, 2007, Orchestra Hall
POULENC Gloria
Jessica Rivera, soprano
RAVEL Daphnis and Chloe
Chicago Symphony Chorus
Duain Wolfe, director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 1, 2, and 3, 2008, Orchestra Hall
May 15, 2008, Carnegie Hall
RAVEL Menuet antique
LIEBERSON Neruda Songs
Kelley O’Connor, mezzo-soprano
MAHLER Symphony No. 1 in D Major
Mahler’s First Symphony was recorded live in Orchestra Hall. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 8, 9, 10, 11, and 13, 2008, Orchestra Hall
May 16, 2008, Carnegie Hall
HADYN Symphony No. 101 in D Major (The Clock)
SHOSTAKOVICH Symphony No. 4 in C Major, Op. 43
Shostakovich’s Fourth Symphony was recorded live in Orchestra Hall. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK. The recording won the 2008 Grammy Award for Best Orchestral Performance from the National Academy of Recording Arts and Sciences.

July 16, 2008, Ravinia Festival
MAHLER Symphony No. 6 in A Minor

September 5, 2008, Concertgebouw, Amsterdam, The Netherlands
MAHLER Symphony No. 6 in A Minor

September 6, 2008, Concertgebouw, Amsterdam, The Netherlands
September 9, 2008, Royal Albert Hall, London, England
September 13, 2008, Kultur- & Kongresszentrum, Lucerne, Switzerland
MOZART Piano Concerto No. 24 in C Minor, K. 491
Murray Perahia, piano
SHOSTAKOVICH Symphony No. 4 in C Minor, Op. 43

September 8, 2008, Royal Albert Hall, London, England
TURNAGE Chicago Remains
MAHLER Symphony No. 6 in A Minor

September 12, 2008, Kultur- & Kongresszentrum, Lucerne, Switzerland
WAGNER Siegfried Idyll
MAHLER Symphony No. 6 in A Minor

November 20, 21, 22, and 25, 2008, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Miah Persson, soprano
Christianne Stotijn, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

November 28, 29, and 30, 2008, Orchestra Hall
HAYDN Symphony No. 44 in E Minor (Mourning)
LUTOSŁAWSKI Symphony No. 4
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Murray Perahia, piano

December 4, 5, and 6, 2008, Orchestra Hall
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
STRAUSS Ein Heldenleben, Op. 40
Robert Chen, violin
Strauss’s Ein Heldenleben was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

December 9, 2008, Orchestra Hall
HAYDN Symphony No. 101 in D Minor (The Clock)
BRUCKNER Symphony No. 7 in E Major

January 31, 2009, Minato Mirai Hall, Yokohama, Japan
February 4, 2009, Suntory Hall, Tokyo, Japan
February 6, 2009, Hong Kong Cultural Centre, Hong Kong
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
STRAUSS Ein Heldenleben, Op. 40

Robert Chen, violin

February 1, 2009, Suntory Hall, Tokyo, Japan
February 7, 2009, Hong Kong Cultural Centre, Hong Kong
February 11, 2009, Shanghai Grand Theatre, Shanghai, China
February 13, 2009, National Centre for the Performing Arts, Beijing, China
MAHLER Symphony No. 6 in A Minor

February 3, 2009, Suntory Hall, Tokyo, Japan
February 10, 2009, Shanghai Grand Theatre, Shanghai, China
February 14, 2009, National Centre for the Performing Arts, Beijing, China
HAYDN Symphony No. 101 in D Major (The Clock)
BRUCKNER Symphony No. 7 in E Major

April 16, 17, 18, and 21, 2009, Orchestra Hall
BRUCKNER Symphony No. 8 in C Minor

April 23, 24, and 25, 2009, Orchestra Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)
Webern’s Im Sommerwind was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

April 28, 2009, Orchestra Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
BRAHMS Symphony No. 1 in C Minor, Op. 68
Webern’s Im Sommerwind was recorded live. For CSO Resound, James Mallinson was the producer, and Christopher Willis was the engineer; audio post-production by Classic Sound Limited, UK.

May 2, 2009, Carnegie Hall
BRUCKNER Symphony No. 8 in C Minor

May 3, 2009, Carnegie Hall
WEBERN Im Sommerwind
MAHLER Rückert Lieder
Christianne Stotijn, mezzo-soprano
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 7, 8, 9, and 10, 2009, Orchestra Hall
PURCELL/Stucky Funeral Music for Queen Mary
BRITTEN Les illuminations, Op. 18
Ian Bostridge, tenor
SHOSTAKOVICH Symphony No. 15 in A Major, Op. 141

September 11, 2009, Philharmonie, Berlin, Germany
September 13, 2009, Kultur- & Kongresszentrum, Lucerne, Switzerland
September 18, 2009, Grosser Musikvereinsaal, Vienna, Austria
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
SHOSTAKOVICH Symphony No. 15 in A Major, Op. 141

September 14, 2009, Kultur- & Kongresszentrum, Lucerne, Switzerland
September 16, 2009, Grosser Musikvereinsaal, Vienna, Austria
September 21, 2009, Salle Pleyel, Paris, France
September 24, 2009, Royal Festival Hall, London, England
HAYDN Symphony No. 101 in D Major (The Clock)
BRUCKNER Symphony No. 7 in E Major

September 20, 2009, Salle Pleyel, Paris, France
September 23, 2009, Royal Festival Hall, London, England
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRAHMS Symphony No. 1 in C Minor, Op. 68

November 5, 6, 7, and 10, 2009, Orchestra Hall
RAVEL Alborada del gracioso
RAVEL Piano Concerto for the Left Hand in D Major
Jean-Yves Thibaudet, piano
MENDELSSOHN Incidental Music to A Midsummer Night’s Dream, Opp. 21 and 61
Erin Morley, soprano
Sasha Cooke, mezzo-soprano
Sir Thomas Allen, narrator
Girls of Anima
Emily Ellsworth, chorus director

November 12, 13, and 14, 2009, Orchestra Hall
HAYDN Sinfonia concertante in B-flat Major, Hob. I:105
Eugene Izotov, oboe
David McGill, bassoon
Robert Chen, violin
John Sharp, cello
BRUCKNER Symphony No. 9 in D Minor

Wednesday, June 2 and 3, 2010, Orchestra Hall
BEETHOVEN Overture to Fidelio, Op. 72
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

Saturday, June 5 and 8, 2010, Orchestra Hall
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

June 10 and 11, 2010, Orchestra Hall
BEETHOVEN Leonore Overture No. 2, Op. 72a
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)

Tuesday, June 15 and 16, 2010, Orchestra Hall
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Leonore Overture No. 3, Op. 72b
BEETHOVEN Symphony No. 7 in A Major, Op. 92

June 18, 19, and 20, 2010, Orchestra Hall
BEETHOVEN Calm Sea and Prosperous Voyage, Op. 112
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Jessica Rivera, soprano
Kelley O’Connor, mezzo-soprano
Clifton Forbis, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

May 26, 27, 28, and 31, 2011, Orchestra Hall
SCHUMANN Overture to Manfred, Op. 115
MOZART Piano Concerto No. 17 in G Major, K. 453
Emanuel Ax, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

June 2, 3, 4, and 5, 2011, Orchestra Hall
MAHLER Symphony No. 9 in D Major

Haitink and the Orchestra onstage in Beijing on February 14, 2009 (Todd Rosenberg photo)

Haitink and the Orchestra onstage at the National Centre for the Performing Arts in Beijing on February 14, 2009 (Todd Rosenberg photo)

October 20, 21, and 22, 2011, Orchestra Hall
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
MAHLER Symphony No. 4 in G Major
Klara Ek, soprano

October 27, 28, and 29, 2011, Orchestra Hall
HAYDN The Creation
Klara Ek, soprano
Ian Bostridge, tenor
Hanno Müller-Brachmann, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

October 25, 26, and 27, 2012, Orchestra Hall
BEETHOVEN Missa solemnis in D Major, Op. 123
Erin Wall, soprano
Bernarda Fink, mezzo-soprano
Anthony Dean Griffey, tenor
Hanno Müller-Brachmann, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

October 31, November 1, 2, and 3, 2013, Orchestra Hall
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Emanuel Ax, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

April 9, 10, 11, and 14, 2015, Orchestra Hall
MAHLER Symphony No. 7

April 28, 29, and 30, 2016, Orchestra Hall
MOZART Piano Concerto No. 22 in E-flat Major, K. 482
Till Fellner, piano
STRAUSS An Alpine Symphony, Op. 64

October 25, 27, and 30, 2018, Orchestra Hall
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Paul Lewis, piano
BRUCKNER Symphony No. 6 in A Major

Happy, happy birthday!

Wishing a very happy seventy-fifth birthday to the wonderful American mezzo-soprano Florence Quivar!

A frequent guest in Orchestra Hall and at the Ravinia Festival, Quivar has appeared with the Chicago Symphony Orchestra and Chorus on numerous occasions, as follows:

Florence Quivar (Kenn Duncan photo)

June 21, 1980, Ravinia Festival
MAHLER Kindertotenlieder
James Levine, conductor

July 3, 1980, Ravinia Festival
SCHUBERT Mass No. 6 in E-flat Major, D. 950
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 13, 1980, Ravinia Festival
BACH Saint Matthew Passion, BWV 244
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
Arthur Thompson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

April 8, 9, and 10, 1982, Orchestra Hall
BACH Mass in B Minor, BWV 232
Yvonne Kenny, soprano
Anthony Rolfe Johnson, tenor
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor

June 24, 1983, Ravinia Festival
VERDI Requiem
Leona Mitchell, soprano
Ermanno Mauro, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 29, 1984, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Johanna Meier, soprano
Judith Blegen, soprano
Marvis Martin, soprano
Isola Jones, mezzo-soprano
Giuliano Ciannella, tenor
Ryan Edwards, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Wisconsin Conservatory Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
James Levine, conductor

July 1, 1984, Ravinia Festival
MENDELSSOHN Incidental Music to A Midsummer Night’s Dream, Op. 61
Judith Blegen, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Orchestra Hall on July 2 and 3, 1984. For Deutsche Grammophon, Cord Garben was the recording supervisor, and Klaus Scheibe was the recording engineer.

July 13, 1986, Ravinia Festival
MOZART Requiem in D Minor, K. 626
Benita Valente, soprano
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

Benita Valenta, Quivar, Philip Creech, and John Cheek onstage with James Levine and the Chicago Symphony Orchestra and Chorus perform Mozart’s Requiem at the Ravinia Festival on July 13, 1986 (Jim Steere photo)

July 10, 1987, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Kaaren Erickson, soprano
Marvis Martin, soprano
Karen Williams, soprano
Hillary Johnsson, mezzo-soprano
Timothy Jenkins, tenor
Thomas Hampson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Milwaukee Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Lucy Ding, director
James Levine, conductor

June 22, 1990, Ravinia Festival
MAHLER Symphony No. 2 in C Minor (Resurrection)
Dawn Upshaw, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 23, 1991, Ravinia Festival
MOZART Mass in C Minor, K. 427
MOZART Requiem in D Minor, K. 626
Dawn Upshaw, soprano
Peter Kazaras, tenor
Terry Cook, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 7, 1991, Ravinia Festival
STRAVINSKY Oedipus Rex
Philip Langridge, tenor
Donald Kaasch, tenor
James Morris, bass-baritone
Jan-Hendrik Rootering, bass
F. Murray Abraham, narrator
Men of the Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Medinah Temple on July 9 and 10, 1991. For Deutsche Grammophon, Christopher Adler was the producer, Gregor Zielinsky was the balance engineer, Klaus Behrens and Wolf-Dieter Karwatky were the recording engineers, and Reinhard Lagemann was the editor. 

February 26, 27, 28, and 29, 1992, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Richard Garrin, director
Chicago Children’s Choir
Lucy Ding, director
Zubin Mehta, conductor

November 17, 18, 19, and 22, 1994, Orchestra Hall
CHAUSSON Poem of Love and the Sea, Op. 19
Antonio Pappano, conductor

May 30, 31, and June 1, 1996, Medinah Temple
MAHLER Symphony No. 8 in E-flat Major
Sharon Sweet, soprano
Marvis Martin, soprano
Ying Huang, soprano
Janis Taylor, mezzo-soprano
Vinson Cole, tenor
Richard Zeller, baritone
Eric Halfvarson, bass
Chicago Symphony Chorus
Duain Wolfe, director
Waukegan Concert Chorus
Don Horisberger, director
Glen Ellyn Children’s Chorus
Sandra Prodan Murphy, director
Christoph Eschenbach, conductor

July 23, 1996, Ravinia Festival
VERDI Requiem
Shinobu Satoh, soprano
Richard Leech, tenor
Roberto Scandiuzzi, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

August 7, 1999, Ravinia Festival
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Glen Ellyn Children’s Chorus
Emily Ellsworth, director
Christoph Eschenbach, conductor

June 30, 2001, Ravinia Festival
VERDI Requiem
Adina Nitescu, soprano
Vinson Cole, tenor
John Relyea, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

Happy, happy birthday!

Bernard Rands (Ted Gordon photo)

Wishing a very happy eighty-fifth birthday to the Pulitzer Prize–winning British-American composer Bernard Rands!

The Chicago Symphony Orchestra and Chorus have performed several of Rands’s compositions, on subscription concerts in Orchestra Hall as well as on tour to Europe. And during the 2019-20 season, music director Riccardo Muti will lead the Orchestra in the world premiere of the composer’s DREAM for Orchestra.

Below is a complete list of Rands’s works performed by the Chicago Symphony Orchestra and Chorus.

December 2, 3, 4, and 7, 1993, Orchestra Hall
RANDS Le Tambourin, Suites 1 and 2
Pierre Boulez, conductor

May 8, 9, and 11, 2003, Orchestra Hall
RANDS apókryphos
Angela Denoke, soprano
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
World premiere. Composed in memory of Margaret Hillis, founder and first director of the Chicago Symphony Chorus. Commissioned by the Edward F. Schmidt Family Commissioning Fund for the Chicago Symphony Orchestra and Chorus.

March 10, 11, and 12, 2005, Orchestra Hall
RANDS Cello Concerto
Johannes Moser, cello
Pierre Boulez, conductor

May 5, 6, 7, and 10, 2011, Orchestra Hall
August 26, 2011, Grosses Festspielhaus, Salzburg, Austria
August 28, 2011, Kultur- & Kongresszentrum, Lucerne, Switzerland
August 31, 2011, Grand Auditorium, Philharmonie Luxembourg, Luxembourg
September 2, 2011, Salle Pleyel, Paris, France
September 5, 2011, Grosser Musikvereinsaal, Vienna, Austria
RANDS Danza Petrificada
Riccardo Muti, conductor
World premiere. Commissioned for the Chicago Symphony Orchestra by The Edward F. Schmidt Family Commissioning Fund and written for Written for Mexico in Chicago 2010, a citywide celebration of the bicentennial of Mexico’s independence and the centennial of the Mexican Revolution.

December 19, 20, and 21, 2013, Orchestra Hall
RANDS . . . where the murmurs die . . .
Christoph Eschenbach, conductor

Compositions by Rands also have been performed on other series at Symphony Center, including:

February 16, 2000, MusicNOW
RANDS Concertino
Amy Mendillo, oboe
Mathieu Dufour, flute
Sean McNeely, clarinet
Mihaela Ionescu, violin
Jenny Gregoire, violin
Clara Takarabe, viola
Katinka Kleijn, cello
Deanne von Rooyen, harp

May 16, 2002, Symphony Center Presents
RANDS Well-a-day!, My dove, and Silently she’s combing from Canti d’amor
Chicago Symphony Singers
Duain Wolfe, conductor

March 19, 2003, MusicNOW
RANDS Well-a-day!, My dove, and Silently she’s combing from Canti d’amor
RANDS My Child from apókryphos
Chicago Symphony Singers
Duain Wolfe, conductor

Happy, happy birthday!

The Chicago Symphony Orchestra family joins the music world in mourning the passing of legendary pianist, conductor, and composer Sir André Previn, who died this morning at his home in Manhattan. He was 89.

A frequent visitor to Chicago from 1962 until 2006, Previn appeared with the Orchestra at the Ravinia Festival and in Orchestra Hall, in Milwaukee, in the television and recordings studios, as well as on a number of appearances in recital and with visiting orchestras. A complete list is below.

March 18, 1962, WGN Studios (Great Music from Chicago)
BERNSTEIN Overture to Candide
HINDEMITH Scherzo from Piano Sonata No. 3 in B-flat Major
PREVIN Portrait for Strings
PREVIN Jazz Sequence
GERSHWIN Piano Concerto in F
André Previn, piano and conductor

July 2, 1964, Ravinia Festival
MENDELSSOHN Ruy Blas Overture, Op. 95
LALO Symphonie espagnole for Violin and Orchestra, Op. 21
Ruggiero Ricci, violin
SHOSTAKOVICH Symphony No. 5 in D Minor, Op. 47

July 4, 1964, Ravinia Festival
PREVIN Overture to a Comedy
COPLAND The Red Pony, Film Suite for Orchestra
GERSHWIN Rhapsody in Blue
GERSHWIN Piano Concerto in F
André Previn, piano and conductor

June 24, 1965, Ravinia Festival
BEETHOVEN Overture to Coriolanus, Op. 62
BEETHOVEN Piano Concerto for Piano, No. 1, C Major, Op. 15
Daniel Barenboim, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68
This concert was Daniel Barenboim’s debut as piano soloist with the Chicago Symphony Orchestra.

June 26, 1965, Ravinia Festival
MOZART Symphony No. 31 in D Major, K. 297 (Paris)
MOZART Exsultate, jubilate, K. 165
Judith Raskin, soprano
BARBER Knoxville: Summer of 1915, Op. 24
Judith Raskin, soprano
TCHAIKOVSKY Symphony No. 2 in C Minor, Op. 17

January 13, 14, and 15, 1966, Orchestra Hall
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Arturo Benedetti Michelangeli, piano

February 19, 20, 21, and 22, 1975
February 24, 1975, Uihlein Hall, Milwaukee, Wisconsin
BERLIOZ Overture to Beatrice and Benedict
BARTÓK Concerto for Violin No. 2
Kyung-Wha Chung, violin
SHOSTAKOVICH Symphony No. 6 in B Minor, Op. 54

February 27, 28, and March 2, 1975
VAUGHAN WILLIAMS Symphony No. 5 in D Major
RACHMANINOV Symphony No. 2 in E Minor, Op. 27

July 22, 1976, Ravinia Festival
PROKOFIEV Symphony No. 1 in D Major, Op. 25 (Classical)
PROKOFIEV Piano Concerto No. 3, Op. 26
Gary Graffman, piano
PROKOFIEV Excerpts from Romeo and Juliet, Op. 64

July 24, 1976, Ravinia Festival
BERLIOZ Le Corsaire Overture, Op. 21
RAVEL Mother Goose Suite
WALTON Belshazzar’s Feast
Sherrill Milnes, baritone
Scottish National Orchestra Chorus
John Currie, director

January 20, 21, and 22, 1977, Orchestra Hall
MESSIAEN Turangalîla-Symphonie
Pierre-Laurent Aimard, piano
Jeanne Loriod, ondès martenot

January 24, 1977, Orchestra Hall
MOZART Violin Concerto No. 5 in A Major, K. 219
Mayumi Fujikawa, violin
SHOSTAKOVICH Symphony No. 5 in D Minor, Op. 47
Shostakovich’s Fifth Symphony was recorded in Medinah Temple on January 25, 1977. For EMI Records, Christopher Bishop was the producer, Christopher Parker was the balance engineer, and Simon Gibson remastered the recording at Abbey Road Studios.

January 27 and 30, 1977, Orchestra Hall
January 31, 1977, Uihlein Hall, Milwaukee, Wisconsin
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Mayumi Fujikawa, violin
SHOSTAKOVICH Symphony No. 4 in C Minor, Op. 43
Shostakovich’s Fourth Symphony was recorded in Medinah Temple on February 1, 1977. For EMI Records, Christopher Bishop was the producer, Christopher Parker was the balance engineer, and Simon Gibson remastered the recording at Abbey Road Studios.

April 19, 20, and 21, 1979, Orchestra Hall
April 23, 1979, Uihlein Hall, Milwaukee, Wisconsin
MAW Life Studies (No. VII and No. VIII)
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Horacio Gutiérrez, piano
STRAUSS An Alpine Symphony, Op. 64

April 28, 1979, Orchestra Hall
RACHMANINOV Symphony No. 2 in E Minor, Op. 27
Concert celebrating the second inauguration of Illinois Governor James R. Thompson, rescheduled from January 13, 1979, due to inclement weather

April 26, 27, and 29, 1979, Orchestra Hall
PROKOFIEV Violin Concerto No. 1 in D Major, Op. 19
Viktor Tretyakov, violin
RACHMANINOV Symphony No. 2 in E Minor, Op. 27

March 11, 12, and 13, 1982, Orchestra Hall
VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis
WALTON Cello Concerto
Ralph Kirshbaum, cello
SHOSTAKOVICH Symphony No. 10 in E Minor, Op. 93

March 18, 19, and 20, 1982
RAVEL Piano Concerto in G Major
Cristina Ortiz, piano
RAVEL Daphnis and Chloe
Chicago Symphony Chorus
Margaret Hillis, director

Previn also appeared on the CSO Presents and Symphony Center Presents series in Orchestra Hall, as follows:

September 30, 1996
Pittsburgh Symphony Orchestra
MOZART Overture to The Marriage of Figaro, K. 492
MOZART Piano Concerto No. 12 in A Major, K. 414
Leon Fleisher, piano
STRAUSS Domestic Symphony, Op. 53

April 28, 2004
BEETHOVEN Trio No. 3 in C Minor, Op. 1, No. 3
BRAHMS Trio No. 1 in B Major, Op. 8
MENDELSSOHN Trio No. 1 in D Minor, Op. 49
Anne-Sophie Mutter, violin
Lynn Harrell, cello
Sir André Previn, piano

March 6, 2005
Oslo Philharmonic Orchestra
DEBUSSY Prelude to The Afternoon of a Faun
PREVIN Violin Concerto (Anne-Sophie)
Anne-Sophie Mutter, violin
STRAUSS An Alpine Symphony, Op. 64

Numerous tributes have appeared on The New York Times, BBC News, and NPR sites, among several others.

Robert Rada at the CSO Alumni Association reunion, November 30, 2012 (Dan Rest photo)

The Chicago Symphony mourns the loss of Robert Rada, a member of the Orchestra’s trombone section from 1954 until 1957. He died in Hilton Head, South Carolina on February 17, 2019, at the age of 88.

Born on the south side of Chicago on August 14, 1930, Rada began playing the cornet in grade school, later adding the trombone in high school at the Farragut Career Academy. He performed with the Youth Orchestra of Greater Chicago and studied with Chicago Symphony Orchestra members David Anderson (trombone, 1929-1955) and Arnold Jacobs (principal tuba, 1944-1988). While attending the University of Chicago and Chicago Musical College, Rada was a member of the Civic Orchestra of Chicago from 1948 until 1950.

During the summer of 1950, Rada was a member of the Denver Symphony Orchestra, performing on several occasions under the baton of Igor Stravinsky. Later that same year through the fall of 1954, Rada attended the United States Military Academy as a member of the West Point Band. While at West Point, he studied with Neal DiBiase, principal trombone of the NBC Symphony Orchestra, and he also performed as an extra with the ensemble on two occasions under the baton of Arturo Toscanini. During his years at the academy, Rada met his soon-to-be wife Lindsley Burnham, and he also developed a strong interest in aviation.

In 1954, Rada was invited by Fritz Reiner to join the Chicago Symphony Orchestra, where he would serve through the 1956-57 season. His love of airplanes eventually led him to start his own aviation company, in which he sold corporate business jets. Rada occasionally subbed with the Philadelphia Orchestra and performed with the Kennett Symphony in Pennsylvania, and later he also was a member of the Hilton Head Orchestra. He was a longtime member of the Chicago Symphony Orchestra Alumni Association.

When interviewed for the Rosenthal Archives’s oral history project in 1995, Rada reflected on his years in the Orchestra under Reiner: “He made phenomenal music and he did it in a demanding way. He may have ruled with fear, but he produced a quality of music that I have never experienced before or since.”

Rada is survived by his wife of nearly sixty-four years, Lindsley; his three children; David (Sally), Paul (Anna) and Gretchen Willingham (John); and six grandchildren, Pamela, Michael, Molly, Madison, Sawyer, and Payton. A memorial service will be given on March 9, 2019, at the TidePointe Clubhouse (arrangements through Island Funeral Home and Crematory). An obituary also is posted here.

Renée Fleming (Timothy White photo for Decca)

Wishing a very happy sixtieth birthday to the incomparable American soprano Renée Fleming!

For nearly thirty years, Fleming has been a regular guest with the Chicago Symphony, both in Orchestra Hall and at the Ravinia Festival, as follows:

January 16, 17, and 18, 1992, Orchestra Hall
MOZART Requiem in D Minor, K. 626
Waltraud Meier, mezzo-soprano
John Aler, tenor
Peter Rose, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor

January 27, 28, 29, and 30, 1993, Orchestra Hall
FAURÉ Requiem in D Minor, Op. 48
Andreas Schmidt, baritone
Chicago Symphony Chorus
Vance George, director
Daniel Barenboim, conductor

August 5, 1994, Ravinia Festival
VERDI Te Deum from Quattro pezzi sacri
ROSSINI Stabat mater
Denyce Graves, mezzo-soprano
Gregory Kunde, tenor
Dean Peterson, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
Riccardo Chailly, conductor

January 15, 16, 17, and 20, 1998, Orchestra Hall
MOZART Exsultate, jubilate, K. 165
STRAUSS Moonlight Music and Morgen mittag um elf! from Capriccio
Christoph Eschenbach, conductor

Plácido Domingo and Renée Fleming onstage at Orchestra Hall, January 26, 1998 (Dan Rest photo)

January 26, 1998, Orchestra Hall
BERNSTEIN Tonight from West Side Story
BERNSTEIN Somewhere from West Side Story
GOUNOD Il se fait tard . . . O nuit d’amour from Faust
VERDI Già nella notte densa from Otello
LEHÁR Lippen schweigen from The Merry Widow
ELLINGTON In a Sentimental Mood
Plácido Domingo, tenor
Daniel Barenboim, conductor and piano
This special concert—entitled Star-Crossed Lovers—featured Fleming with Plácido Domingo in songs, arias, and duets, along with narrators Lynn Redgrave and Timothy Dalton. The concert was recorded for a Great Performances telecast and a London Records release.

August 8, 1998, Ravinia Festival
STRAUSS Four Last Songs
BARBER Knoxville: Summer of 1915, Op. 24
Christoph Eschenbach, conductor

July 31, 2004, Ravinia Festival
STRAUSS Marie Theres’! . . . Hab’ mir’s gelobt and Ist ein Traum from Der Rosenkavalier
Heidi Grant Murphy, soprano
Susan Graham, mezzo-soprano
Christoph Eschenbach, conductor

August 1, 2004, Ravinia Festival
HANDEL Morrai, sì l’empia tua testa and Ombre, piante from Rodelinda
MASSENET Adieu, notre petite table and Obéissons quand leur voix appellee from Manon
STRAUSS Moonlight Music and Morgen mittag um elf! from Capriccio
TRADITIONAL/Grusin Shenandoah
TRADITIONAL/Grusin The Water is Wide
PORTER So in Love from Kiss Me, Kate
RODGERS You’ll Never Walk Alone from Carousel
CATALANI Ebben, ne andrò lontana from La Wally
PUCCINI O mio babbino caro from Gianni Schicchi
VERDI Merci jeunes amies from Les vêpres siciliennes
Christoph Eschenbach, conductor

August 5, 2006, Ravinia Festival
BARBER Knoxville: Summer of 1915, Op. 24
CILEA Poveri fiori from Adriana Lecouvreur
PUCCINI O mio babbino caro from Gianni Schicchi
PUCCINI Vissi d’arte from Tosca
Miguel Harth-Bedoya, conductor

Chicago Symphony Orchestra opening night gala, October 3, 2009

October 3, 2009, Orchestra Hall
BARBER Knoxville: Summer of 1915, Op. 24
STRAUSS Freundliche Vision, Op. 48, No. 1
STRAUSS Zueignung, Op. 10, No. 1
STRAUSS Winterweihe, Op. 48, No. 4
STRAUSS Verführung, Op. 33, No. 1
Paavo Järvi, conductor

July 24, 2010, Ravinia Festival
STRAUSS Four Last Songs
Christoph Eschenbach, conductor

In recital, Fleming also has appeared in Orchestra Hall on three occasions:

October 27, 1996
SCHUBERT Die Männer sind méchant, D. 866, No. 3
SCHUBERT Du bist die Ruh, D. 776
SCHUBERT Im Frühling, D. 882
SCHUBERT Der Tod und das Mädchen, D. 531
SCHUBERT Nacht und Träume, D. 827
SCHUBERT Gretchen am Spinnrade, D. 118
STRAUSS Befreit, Op. 39, No. 4
STRAUSS Muttertändelei, Op. 43, No. 2
STRAUSS Waldseligkeit, Op. 49, No. 1
STRAUSS Cäcilie, Op. 27, No. 2
WOLF Heiß’ mich nicht reden (Mignon I)
WOLF Nur wer die Sehnsucht kennt (Mignon II)
WOLF So laßt mich scheinen (Mignon III)
WOLF Kennst du das Land (Mignon’s Song)
FAURÉ Lydia, Op. 4, No. 2
FAURÉ Clair de lune, Op. 46, No. 2
FAURÉ Chanson d’amour, Op. 27, No. 1
FAURÉ Les roses d’Ispahan, Op. 39, No. 4
FAURÉ Après un rêve, Op. 7, No. 1
ELLINGTON Prelude to a Kiss
ELLINGTON Do Nothin’ till You Hear from Me
ELLINGTON In a Sentimental Mood
ELLINGTON It Don’t Mean a Thing
Christoph Eschenbach, piano

January 24, 1999
SCHUBERT Suleika I, D. 720
SCHUBERT Scene from Faust, D. 126
SCHUBERT Gretchen am Spinnrade, D. 118
GLINKA Gretchen am Spinnrade
LISZT Kennst du das Land, S. 275/1
MENDELSSOHN Suleika, Op. 57, No. 3
WOLF Heiss mich nicht reden (Mignon I)
WOLF Nur wer die Sehnsucht kennt (Mignon II)
WOLF So lasst mich scheinen (Mignon III)
WOLF Kennst du das Land (Mignon IV)
DEBUSSY Ariettes oubliée
STRAUSS Einerlei, Op. 69, No. 3
STRAUSS Ich trage meine Minne, Op. 32, No. 1
STRAUSS Efeu from Mädchenblumen, Op. 22, No. 3
STRAUSS All mein’ Gedanken, Op. 21, No. 1
STRAUSS Morgen!, Op. 27, No. 4
STRAUSS Ich liebe dich, Op. 37, No. 2
Steven Blier, piano

April 18, 2004
HANDEL Ritorna, o caro e dolce mio tesoro from Rodelinda
HANDEL Mio caro bene! from Rodelinda
SCHUBERT Lachen und Weinen, D. 777
SCHUBERT Die Männer sind méchant, D. 866, No. 3
SCHUBERT Du bist die Ruh, D. 776
SCHUBERT Seligkeit, D. 433
BERG Seven Early Songs
PREVIN The Giraffes Go to Hamburg
RAVEL Shéhérazade
Mary Stolper, flute and alto flute
Richard Bado, piano

And be sure to catch Fleming with Evgeny Kissin in recital next season at Symphony Center, on Sunday, April 19, 2020!

Happy, happy birthday!

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Theodore Thomas

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The opinions expressed here are mine and do not necessarily reflect those of my employer.

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