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Wishing a very happy eightieth birthday to the wonderful Welsh bass, Gwynne Howell!
Howell has appeared with the Chicago Symphony Orchestra on a number of notable occasions and on several award-winning recordings between 1974 and 1990. A complete list is below (concerts at Orchestra Hall, unless otherwise noted).
April 12 and 13, 1974
BACH Saint Matthew Passion, BWV 232
Sir Georg Solti, conductor
Heather Harper, soprano
Helen Watts, contralto
Jerry Jennings, tenor
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
April 24 and 26, 1975
April 30, 1975 (Carnegie Hall)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
January 29, 30, and 31, 1976
STRAVINSKY Oedipus Rex
Sir Georg Solti, conductor
Peter Pears, tenor
Josephine Veasey, mezzo-soprano
Donald Gramm, bass-baritone
Gwynne Howell, bass
Mallory Walker, tenor
Dominic Cossa, baritone
Werner Klemperer, narrator
Men of the Chicago Symphony Chorus
Margaret Hillis, chorus director
May 5, 6, and 7, 1977
May 13, 1977 (Carnegie Hall)
BEETHOVEN Missa solemnis, Op. 123
Sir Georg Solti, conductor
Victor Aitay, violin
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded in Chicago’s Medinah Temple on May 16, 17, and 18, 1977. For London Records, Ray Minshull was the producer and Kenneth Wilkinson, John Dunkerley, and Michael Mailes were the engineers. The recording won the 1978 Grammy Award for Best Choral Performance, Classical (other than opera) from the National Academy of Recording Arts and Sciences.
May 10 and 12, 1979
May 19, 1979 (Carnegie Hall)
BEETHOVEN Fidelio, Op. 72
Hildegard Behrens, soprano
Sona Ghazarian, soprano
Peter Hofmann, tenor
David Kübler, tenor
Theo Adam, baritone
Hans Sotin, bass
Gwynne Howell, bass
Robert Johnson, tenor
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director
The opera was recorded at Medinah Temple on May 21, 22, 23, and 24, 1979. For London Records, Ray Minshull was the producer, Michael Haas was the assistant producer, and James Lock, David Frost, and Tony Griffiths were the engineers.
April 7, 9, and 12, 1983
April 18, 1983 (Carnegie Hall)
WAGNER Das Rheingold
Siegmund Nimsgern, bass-baritone
Hermann Becht, baritone
Gabriele Schnaut, mezzo-soprano
Siegfried Jerusalem, tenor
Robert Tear, tenor
Jan DeGaetani, mezzo-soprano
Malcolm Smith, bass
Gwynne Howell, bass
Mary Jane Johnson, soprano
John Cheek, bass-baritone
Dennis Bailey, tenor
Michelle Harman-Gulick, soprano
Elizabeth Hynes, soprano
Emily Golden, mezzo-soprano
September 27, 28, and 29, 1984
HANDEL Messiah
Elizabeth Hynes, soprano
Anne Gjevang, contralto
Keith Lewis, tenor
Gwynne Howell, bass
David Schrader, harpsichord
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded in Orchestra Hall on October 1, 2, and 9, 1984. For London Records, Ray Minshull was the producer, and James Lock and Simon Eadon were balance engineers.
January 25, 26, and 28, 1990
BACH Mass in B Minor, BWV 232
Felicity Lott, soprano
Anne Sofie von Otter, mezzo-soprano
Hans Peter Blochwitz, tenor
William Shimell, baritone
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
The work was recorded on January 25, 26, and 28, 1990, in Orchestra Hall. For London Records, Michael Haas was the recording producer, and Stanley Goodall and Simon Eadon were the balance engineers. The recording won the 1991 Grammy Award for Best Performance of a Choral Work from the National Academy of Recording Arts and Sciences.
Check out the video below, produced by Wild Plum Arts, in which Howell talks about working with Solti and many others.
Happy, happy birthday!
The Chicago Symphony Orchestra family joins the music world in mourning the loss of the extraordinary American soprano Phyllis Curtin, a frequent guest artist who performed under three music directors—Fritz Reiner, Jean Martinon, and Sir Georg Solti—between 1957 and 1972. Curtin died on June 5, 2016, at her home in Great Barrington, Massachusetts. She was 94.
Curtin made her debut with the Chicago Symphony Orchestra at the Ravinia Festival in 1957, and she most recently appeared at Orchestra Hall in 1972. A complete list of her appearances with the Orchestra is below (subscription concerts at Orchestra Hall, unless otherwise noted):
July 7, 1957 (Ravinia Festival)
FOSS The Song of Songs
Lukas Foss, conductor
Phyllis Curtin, soprano
April 27 and 28, 1961
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Fritz Reiner, conductor
Phyllis Curtin, soprano
Florence Kopleff, contralto
John McCollum, tenor
Donald Gramm, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Beethoven’s Ninth Symphony was recorded by RCA on May 1 and 2, 1961, in Orchestra Hall. The recording recently was re-released as part of a sixty-three-disc set featuring Reiner’s complete discography with the Orchestra.
April 26 and 27, 1962
HANDEL Israel in Egypt
Fritz Reiner, conductor
Phyllis Curtin, soprano
Carol Smith, mezzo-soprano
Richard Lewis, tenor
Chicago Symphony Chorus
Margaret Hillis, director
July 9, 1964 (Ravinia Festival)
MOZART Voi che sapete from The Marriage of Figaro, K. 492
MOZART Alleluia from Exsultate, jubilate, K. 165
J. STRAUSS, Jr. Czárdás and Mein Herr Marquis from Die Fledermaus
KORNGOLD Glück das mir verblieb from Die tote Stadt
LEHÁR Dein is mein ganzes Herz from Das Land des Lächelns
SIECZYNSKI Wien, du Stadt meiner Träume
Andre Kostelanetz, conductor
Phyllis Curtin, soprano
April 22, 23, and 24, 1965
HAYDN The Seasons
Jean Martinon, conductor
Phyllis Curtin, soprano
Charles Bressler, tenor
Ara Berberian, bass
Chicago Symphony Chorus
Margaret Hillis, director
January 6, 7, and 8, 1966
PERGOLESI Stabat Mater
Jean Martinon, conductor
Phyllis Curtin, soprano
Betty Allen, mezzo-soprano
STRAVINSKY Les noces
Jean Martinon, conductor
Phyllis Curtin, soprano
Betty Allen, mezzo-soprano
André Montal, tenor
Peter Harrower, bass-baritone
Mary Sauer, Laurence Davis, Louis M. Kohnop, and Eloise Niwa, pianos
Donald Koss, Gordon Peters, James J. Ross, Sam Denov, Albert Payson, and Norbert Szymanski, percussion
Chicago Symphony Chorus
Margaret Hillis, director
December 1, 2, and 3, 1966
MARTINON The Rose of Sharon (U.S. premiere)
Jean Martinon, conductor
Phyllis Curtin, soprano
Ernst Haefliger, tenor
Joseph Brewer, tenor
Harold Robinson, baritone
Mary Sauer and Harriet Wingreen, pianos
Chicago Symphony Chorus
Margaret Hillis, director
May 14 and 15, 1970
JANÁČEK Glagolitic Mass
Charles Mackerras, conductor
Phyllis Curtin, soprano
Joan Caplan, mezzo-soprano
John Alexander, tenor
Ara Berberian, bass
Mary Sauer, organ
Chicago Symphony Chorus
Margaret Hillis, director
January 20, 21, and 22, 1972
SHOSTAKOVICH Symphony No. 14, Op. 135
Carlo Maria Giulini, conductor
Phyllis Curtin, soprano
Raffaele Arié, bass
June 27, 1972 (Ravinia Festival)
BRITTEN War Requiem, Op. 66
István Kertész, György Fischer, and Margaret Hillis, conductors
Phyllis Curtin, soprano
Robert Tear, tenor
John Shirley-Quirk, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Northwestern University Chorus and Northwestern University Concert Choir
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director
November 30 and December 1, 1972
BERLIOZ The Damnation of Faust, Op. 24
Sir Georg Solti, conductor
Phyllis Curtin, soprano (substituting for contralto Josephine Veasey)
Stuart Burrows, tenor
Robert Savoie, baritone
Roger Soyer, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director
Did you know that Helen Regenstein Conductor Emeritus Pierre Boulez is the third all-time Grammy Awards champ? He received his first two Grammy Awards in February 1968, the same evening The Beatles won Album of the Year for Sgt. Pepper’s Lonely Hearts Club Band!
Sir Georg Solti, the Chicago Symphony Orchestra’s eighth music director, won thirty-one Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other recording artist. Alison Krauss and Quincy Jones tie for the number two slot with twenty-seven awards each, and Boulez is number three, with twenty-six Grammy Awards, including eight with the Chicago Symphony Orchestra and Chorus.
Following is a complete list of Pierre Boulez’s Grammy Awards† to date:
1967
Album of the Year—Classical (1)
Best Opera Recording (2)
BERG Wozzeck
Pierre Boulez, conductor
Walter Berry, Ingeborg Lasser, Isabel Strauss, Fritz Uhl, Carl Doench
Paris National Opera Orchestra and Chorus
Thomas Z. Shepard, producer
CBS
(For Album of the Year—Classical, there was a tie that year. Boulez’s recording of Berg’s Wozzeck tied with Leonard Bernstein‘s recording of Mahler’s Symphony no. 8 with the London Symphony Orchestra, also for CBS. Soloists included Erna Spoorenberg, Gwyneth Jones, Gwenyth Annear, Anna Reynolds, Norma Procter, John Mitchinson, Vladimir Ruzdiak, and Donald McIntyre; and the choruses were the Leeds Festival Chorus, London Symphony Orchestra Chorus, Orpington Junior Singers, Highgate School Boys’ Choir, and the Finchley Children’s Music Group. John McClure was the producer.)
1968
Best Classical Performance—Orchestra (3)
DEBUSSY Jeux, La mer, Prelude to The Afternoon of a Faun
Pierre Boulez, conductor
New Philharmonia Orchestra
CBS
1969
Best Classical Performance—Orchestra (4)
DEBUSSY Images for Orchestra
Pierre Boulez, conductor
The Cleveland Orchestra
CBS
1970
Best Classical Performance—Orchestra (5)
STRAVINSKY The Rite of Spring
Pierre Boulez, conductor
The Cleveland Orchestra
CBS
1973
Album of the Year—Classical (6)
Best Classical Performance—Orchestra (7)
BARTÓK Concerto for Orchestra
Pierre Boulez, conductor
New York Philharmonic
Thomas Z. Shepard, producer
CBS
1975
Best Classical Performance—Orchestra (8)
RAVEL Daphnis et Chloé
Pierre Boulez, conductor
New York Philharmonic
Camerata Singers
Abraham Kaplan, director
CBS
1980
Best Classical Album (9)
Best Opera Recording (10)
BERG Lulu
Pierre Boulez, conductor
Teresa Stratas, Yvonne Minton, Hanna Schwarz, Franz Mazura, Kenneth Riegel, Toni Blankenheim, Robert Tear, Helmut Pampuch
Paris Opera Orchestra
Gunther Breest and Michael Horwath, producers
Deutsche Grammophon
1982
Best Opera Recording (11)
WAGNER Der Ring des Nibelungen
Pierre Boulez, conductor
Donald McIntyre, Gwyneth Jones, Heinz Zednik, Hermann Becht, Jeannine Altmeyer, Manfred Jung, Matti Salminen, Ortrun Wenkel, Peter Hofmann, and Siegfried Jerusalem
Bayreuth Festival Orchestra and Chorus
Andrew Kazdin, producer
Philips
1993
Best Classical Album (12)
Best Orchestral Performance* (13)
Best Performance of a Choral Work** (14)
BARTÓK The Wooden Prince* and Cantata profana**
Pierre Boulez, conductor
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Symphony Orchestra
Karl-August Naegler, producer
Deutsche Grammophon
1994
Best Classical Album (15)
Best Orchestral Performance (16)
BARTÓK Concerto for Orchestra and Four Orchestral Pieces
Pierre Boulez, conductor
Chicago Symphony Orchestra
Karl-August Naegler, producer
Deutsche Grammophon
1995
Best Classical Album (17)
Best Orchestral Performance* (18)
DEBUSSY La mer*, Nocturnes, Jeux, and First Rhapsody for Clarinet
Pierre Boulez, conductor
Franklin Cohen, clarinet
Women of The Cleveland Orchestra Chorus
Gareth Morell, director
Karl-August Naegler, producer
Deutsche Grammophon
1996
Best Small Ensemble Performance (with or without a conductor) (19)
BOULEZ . . . explosante-fixe . . .
Pierre Boulez, conductor
Ensemble InterContemporain
Deutsche Grammophon
1997
Best Orchestral Performance (20)
BERLIOZ Symphonie fantastique and Tristia
Pierre Boulez, conductor
The Cleveland Orchestra Chorus
Gareth Morell, director
The Cleveland Orchestra
Deutsche Grammophon
1998
Best Orchestral Performance* (21)
Best Opera Recording** (22)
MAHLER Symphony No. 9*
BARTÓK Bluebeard’s Castle**
Jessye Norman, soprano
László Polgár, bass
Pierre Boulez, conductor
Chicago Symphony Orchestra
Deutsche Grammophon
1999
Best Classical Contemporary Composition (23)
BOULEZ Répons
Pierre Boulez, composer
Deutsche Grammophon
2001
Best Orchestral Performance (24)
VARÈSE Amériques, Arcana, Déserts, and Ionisation
Pierre Boulez, composer
Chicago Symphony Orchestra
Deutsche Grammophon
2003
Best Orchestral Performance (25)
MAHLER Symphony No. 3
Pierre Boulez, conductor
Anne Sofie von Otter, mezzo-soprano
Women’s Chorus of the Wiener Singverein
Johannes Prinz, director
Vienna Boys’ Choir
Gerald Wirth, director
Vienna Philharmonic
Deutsche Grammophon
2005
Best Small Ensemble Performance (with our without a conductor) (26)
BOULEZ Le marteau sans maître, Dérive 1, Dérive 2
Pierre Boulez, conductor
Hilary Summers, contralto
Ensemble InterContemporain
Deutsche Grammophon
†A database of former Grammy Award winners can be found here; category titles have changed over the years. For opera recordings, only principal soloists are listed.
Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.
Earlier today we heard of the news of the death of the remarkable English bass-baritone John Shirley-Quirk, as reported in The Telegraph.
Shirley-Quirk appeared with the Chicago Symphony Orchestra on a number of important occasions, as listed below (all appearances are subscription concerts at Orchestra Hall, unless otherwise noted):
August 30, 31 & September 1, 1971 (recording sessions at the Sofiensaal in Vienna)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, soprano
Lucia Popp, soprano
Arleen Augér, soprano
Yvonne Minton, mezzo-soprano
Helen Watts, contralto
René Kollo, tenor
Martti Talvela, bass
Chorus of the Vienna State Opera
Norbert Balatsch, chorus master
Singverein Chorus
Helmut Froschauer, chorus master
Vienna Boys’ Choir
December 16, 17 & 18, 1971
BACH Mass in B Minor
Carlo Maria Giulini, conductor
Margaret Price, soprano
Josephine Veasey, mezzo-soprano
Luigi Alva, tenor
Chicago Symphony Chorus
Margaret Hillis, director
June 27, 1972 (Ravinia Festival)
BRITTEN War Requiem
István Kertész, conductor (orchestra)
György Fischer, conductor (chamber orchestra)
Margaret Hillis, conductor (children’s chorus)
Phyllis Curtin, soprano
Robert Tear, tenor
Chicago Symphony Chorus
Margaret Hillis, director
Northwestern University Chorus and Concert Choir
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director
July 3, 1975 (Ravinia Festival)
MAHLER Selections from Des Knaben Wunderhorn
James Levine, conductor
Maria Ewing, soprano
May 15, 16 & 17, 1980
VAUGHAN WILLIAMS A Sea Symphony
Raymond Leppard, conductor
Isobel Buchanan, soprano
Chicago Symphony Chorus
Margaret Hillis, director
March 5, 6 & 7, 1981
STRAVINSKY Oedipus Rex
Claudio Abbado, conductor
Maximilian Schell, narrator
Philip Langridge, tenor
Lucia Valentini-Terrani, mezzo-soprano
Aage Haugland, bass
Rockwell Blake, tenor
Donald Gramm, bass-baritone
Men of the Chicago Symphony Chorus
Margaret Hillis, director
June 3, 4 & 5, 1982
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Eugene Ormandy, conductor
Benita Valente, soprano
Katherine Ciesinski, mezzo-soprano
Jon Frederic West, tenor
Kurt Link, bass (Shirley-Quirk canceled due to illness and was replaced by Link on June 5 only)
Chicago Symphony Chorus
Margaret Hillis, director
November 1, 2 & 4, 1984
MUSSORGSKY Boris Godunov
Claudio Abbado, conductor
Ruggero Raimondi, bass
Zehava Gal, mezzo-soprano
Cyndia Sieden, soprano
Jennifer Jones, mezzo-soprano
Philip Langridge, tenor
Hartmut Welker, baritone
Samuel Ramey, bass
Kaludi Kaludov, tenor
Lucia Valentini-Terrani, mezzo-soprano
Sergei Koptchak, bass
Kurt Hansen, tenor
Richard Cohn, baritone
Bradley Nystrom, bass-baritone
Donald Kaasch, tenor
Paul Grizzell, bass
Dale Prest, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director