Housed in a quiet corner of Symphony Center, the Samuel R. and Marie Louise Rosenthal Archives of the Chicago Symphony Orchestra Association provides a comfortable setting for serious research as well as casual study. Since its founding in 1990, the Archives has welcomed thousands of visitors from around the world to its reading room where collections—documenting the activities of the Chicago Symphony Orchestra, Chicago Symphony Chorus, and Civic Orchestra of Chicago, along with events at Orchestra Hall and Symphony Center—are made available to the general public. Whether a patron, student, scholar, or music aficionado, the Rosenthal Archives offers unique and historically significant collections of manuscripts, recordings, scores, photographs, and videos that capture the legacy of one of the world’s greatest performing arts organizations.
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Frank Villella has been a member of Chicago Symphony Orchestra Association’s Rosenthal Archives’ staff since 1993, serving as archivist since 2002 and director since 2014. He is responsible for the preservation and access of collections that document the activities of the Chicago Symphony Orchestra, Chicago Symphony Chorus, Civic Orchestra of Chicago, and Symphony Center. For the Orchestra, Frank has co-produced several compilations of archival sound recordings, written for the CSO’s program book and syndicated radio broadcasts, and contributed research to Sir Georg Solti’s Memoirs and biographies of Margaret Hillis, Jacqueline du Pré, Isaac Stern, Bruno Walter, and Carlo Maria Giulini. He is the author of Chicago Symphony Orchestra: 125 Moments and the From the Archives blog, and he has written program notes for the DePaul University School of Music, GIA Publications, the Juilliard School, and the Decca and RCA Red Seal record labels.
Also an active musician, Frank regularly performs and records with Bella Voce, William Ferris Chorale, The Rookery, and Schola Antiqua of Chicago. He is a twenty-year veteran of the Chicago Symphony Chorus, where he served as a section leader and appeared on numerous recordings on Deutsche Grammophon, London, Erato, Teldec, Nonesuch, American Gramaphone, and CSO Resound, including two Grammy Award winners: Wagner’s Die Meistersinger von Nürnberg conducted by Sir Georg Solti and Verdi’s Requiem conducted by Riccardo Muti.
Frank is chair emeritus of the board of directors for the Collaborative Arts Institute of Chicago and a board member of the Solti Foundation US. He also has served on the board of governors of the Chicago chapter of the National Academy of Recording Arts and Sciences and the board of directors of Rush Hour Concerts, the International Music Foundation, and the Chicago Gay Men’s Chorus.
The Archives recently concluded a three-year audio digitization and preservation project of radio broadcast masters, interviews, and oral histories. The project was funded in part by grants from the GRAMMY Foundation, the Gaylord & Dorothy Donnelley Foundation, and Save America’s Treasures through a partnership between the National Endowment for the Arts and the National Park Service, Department of the Interior.
8 comments
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February 2, 2024 at 3:35 PM
John Lambert
In your tribute to Byron Janis you cite Toscanini as leading the pianist’s 1943 NBC Symphony debut but the conductor was Frank Black. See https://cso.org/experience/article/13229/happy-birthday-byron-janis
February 9, 2022 at 4:10 AM
Sharyn Jones
Hello from Jülich, birthplace of Frederick Stock. The Frederick Stock Street is now complete. A film is available on my Facebook account, Sharyn Elvey Jones.
October 7, 2021 at 10:56 PM
Deborah Mercer
My husband was a member of the Chicago Symphony Chorus from 1980 to 1991. I am wondering if there is a list of all of the Chorus performances during that time period. Thanks.
July 21, 2021 at 12:24 PM
khindersteinKaren HInderstein
Hello. I am trying to find out what concert Bud Hersch played in or very near November 13th 2004. I remember it being a double trumpet concerto. Bud and another trumpeter played.
July 21, 2021 at 1:37 PM
Frank Villella
Dear Karen – Herseth retired at the end of the 2004 Ravinia Festival season, so he wouldn’t have been performing in November of that year. Also, the CSO didn’t perform a double trumpet concerto in and around that time. If you have any additional questions, please send an email to villellaf@cso.org. Happy to help!
March 5, 2021 at 7:32 PM
Tom Boring
Forgive me if I am in the wrong place. The NY Times says a Ravinia program will have Stravinsky conducting 7/18/1964. I attended a Stravinsky performance with my father at Ravinia just prior to my father’s death, 8/13/1964. I can see no reference to this concert in your archives. Can you clarify this matter for me? Thank You.
October 8, 2020 at 3:18 PM
Don Roberts
Hi Frank, It was great to see you on my computer screen! Superb job conducting the Bernstein interview. I still have vivid memories of Lenny’s last two CSO concerts–Shostakovich I and VII. The links between the podium and the musicians were incredible. It is sad that he didn’t get to return.
Be well,
Don
December 17, 2018 at 7:21 PM
james miller
Fritz Reiner made several recordings of Mozart’s music in recognition of the composer’s bicentennial. Some were issued only in monaural form on LP. I was listening to the CD reissue of one of them, the Divertimento, K.334, the other night and, to my amazement, it was either a genuine two-channel recording or the best fake stereo I’ve ever heard. I owned the LP edition for several decades and it was straight monaural. The CD came from the big complete Reiner/CSO set that was released several years ago. I believe two of the Mozart symphonies, originally released monaurally, were two-channel recordings. Were any others? I have heard rumors that the Eroica was released in two-channel form in Japan but, by my recollection, it never came out that way here. Thank you. James Miller