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In early 1973, Sir Georg Solti Solti receives Grammy statuettes for the CSO’s recordings of Mahler’s Seventh and Eighth symphonies. (Terry’s Photography)

Georg Solti—who would serve as the Chicago Symphony Orchestra’s eighth music director from 1969 until 1991—received his first Grammy at the Recording Academy’s fifth awards ceremony in May 1963, for the RCA recording of Verdi’s Aida with Leontyne Price in the title role. Over the next two decades, he steadily increased his count, and at the 26th ceremony in February 1984, Solti received four awards, bringing his total to twenty-three and surpassing Henry Mancini’s record of twenty awards. Ultimately, Sir Georg would receive thirty-one awards—twenty-four with the Chicago Symphony Orchestra and Chorus—and he reigned as the all-time Grammy champ for nearly forty years.

At the the 65th Grammy Awards on February 5, 2023, Beyoncé received four statuettes, bringing her total to thirty-two and crowning her as the new champ. Quincy Jones follows Solti with twenty-eight awards, Alison Krauss has twenty-seven, and Pierre Boulez—former CSO conductor emeritus and principal guest conductor—is number five, with twenty-six Grammy awards, including eight with the Chicago Symphony Orchestra and Chorus.

In addition, Solti and producer John Culshaw received the Academy’s first Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Sir Georg also received the Academy’s 1995 Lifetime Achievement Award.

Following is a complete list of Sir Georg Solti’s thirty-one Grammy awards and seventy-four nominations.*

5th Annual Grammy Awards (1962)

Best Opera Recording (nom 1, win 1)
VERDI Aida
Georg Solti, conductor
Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi
Rome Opera House Orchestra
Rome Opera House Chorus
Giuseppe Conca, director
RCA

STRAUSS Salome
Best Opera Recording (nom 2)
Georg Solti, conductor
Birgit Nilsson, Gerhard Stolze, Grace Hoffman, Eberhard Wächter, Waldemar Kmentt
Vienna Philharmonic
London

6th Annual Grammy Awards (1963)
Best Opera Recording (nom 3)
WAGNER Siegfried
Georg Solti, conductor
Birgit Nilsson, Wolfgang Windgassen, Hans Hotter, Gerhard Stolze, Gustav Neidlinger, Joan Sutherland
Vienna Philharmonic
London

7th Annual Grammy Awards (1964)
Album of the Year–Classical (nom 4)
Best Opera Recording (nom 5)
VERDI Falstaff
Georg Solti, conductor
Geraint Evans, Giulieta Simionato, Ilva Ligabue, Robert Merrill, Mirella Freni, Alfredo Kraus, Rosalind Elias
RCA Italiana Opera Orchestra
RCA Italiana Opera Chorus
Nino Antonellini, director
RCA

8th Annual Grammy Awards (1965)
Best Opera Recording (nom 6)
WAGNER Götterdämmerung
Georg Solti, conductor
Birgit Nilsson, Wolfgang Windgassen, Gottlob Frick, Dietrich Fischer-Dieskau, Christa Ludwig, Claire Watson, Gustav Neidlinger
Vienna Philharmonic
Men of the Vienna State Opera Chorus
Wilhelm Pitz, director
London

9th Annual Grammy Awards (1966)

Album of the Year–Classical (nom 7)
Best Opera Recording (nom 8, win 2)
WAGNER Die Walküre
Georg Solti, conductor
Birgit Nilsson, Régine Crespin, Christa Ludwig, James King, Hans Hotter, Gottlob Frick
Vienna Philharmonic
London

10th Annual Grammy Awards (1967)
Best Classical Performance–Orchestra (nom 9)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Georg Solti, conductor
Heather Harper, Helen Watts
London Symphony Orchestra
London Symphony Orchestra Chorus
John Alldis, director
London

11th Annual Grammy Awards (1968)
Best Opera Recording (nom 10)
STRAUSS Elektra
Georg Solti, conductor
Birgit Nilsson, Marie Collier, Regina Resnik, Gerhard Stolze, Tom Krause
Vienna Philharmonic
Vienna State Opera Chorus
London

13th Annual Grammy Awards (1970)
Best Classical Performance–Orchestra (nom 11)
MAHLER Symphony No. 6 in A Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 12)
STRAUSS Der Rosenkavalier
Georg Solti, conductor
Régine Crespin, Yvonne Minton, Helen Donath, Luciano Pavarotti, Manfred Jungwirth
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
London

14th Annual Grammy Awards
Best Opera Recording (nom 13)
MOZART The Magic Flute, K. 620
Georg Solti, conductor
Pilar Lorengar, Christina Deutekom, Stuart Burrows, Dietrich Fischer-Dieskau, Hermann Prey, Martti Talvela
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
London

15th Annual Grammy Awards (1972)

Album of the Year–Classical (nom 14, win 3)
Best Choral Performance–Classical (other than opera) (nom 15, win 4)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, Lucia Popp, Arleen Augér, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela
Chicago Symphony Orchestra
Vienna State Opera Chorus
Singverein Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Helmut Froschauer, director
London

Best Classical Performance–Orchestra (nom 16, win 5)
MAHLER Symphony No. 7 in E Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

Album of the Year–Classical (nom 17)
Best Opera Recording (nom 18)
WAGNER Tannhäuser
Georg Solti, conductor
René Kollo, Christa Ludwig, Hans Sotin, Helga Dernesch
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Wilhelm Pitz, director
London

16th Annual Grammy Awards (1973)
Album of the Year–Classical (nom 19)
BEETHOVEN Piano Concertos
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Sir Georg Solti, conductor
Vladimir Ashkenazy, piano
London

Best Classical Performance–Orchestra (nom 20)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Opera Recording (nom 21)
WAGNER Parsifal
Sir Georg Solti, conductor
René Kollo, Dietrich Fischer-Dieskau, Hans Hotter, Gottlob Frick, Zoltán Kélémen, Christa Ludwig
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Anton Neyder, director
London

17th Annual Grammy Awards (1974)

Album of the Year–Classical (nom 22, win 6)
Best Classical Performance–Orchestra (nom 23, win 7)
BERLIOZ Symphonie fantastique, Op. 14
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London


Best Opera Recording (nom 24, win 8)
PUCCINI La bohème
Sir Georg Solti, conductor
Montserrat Caballé, Judith Blegen, Plácido DomingoSherrill Milnes, Vicente Sardinero, Ruggero Raimondi
London Philharmonic Orchestra
John Alldis Choir
John Alldis, director
Wandsworth School Boys’ Choir
Russell Burgess, director
RCA

Best Opera Recording (nom 25)
MOZART Così fan tutte, K. 588
Sir Georg Solti, conductor
Ryland Davies, Tom Krause, Gabriel Bacquier, Pilar Lorengar, Teresa Berganza, Jane Berbié
London Philharmonic Orchestra
Royal Opera House Chorus
Douglas Robinson, director
London

18th Annual Grammy Awards (1975)

Album of the Year–Classical (nom, 26, win 9)
Best Classical Performance–Orchestra (nom 27)
Beethoven’s Symphonies
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E flat Major, Op. 55 (Eroica)
BEETHOVEN Symphony No. 4 in B flat Major, Op. 60
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Overture to Coriolan, Op. 62
BEETHOVEN Leonore Overture No. 3, Op. 72b
Sir Georg Solti, conductor
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

19th Annual Grammy Awards (1976)

Best Classical Orchestral Performance (nom 28, win 10)
STRAUSS Also sprach Zarathustra, Op. 30
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Album of the Year–Classical (nom 29)
Best Opera Recording (nom 30)
BIZET Carmen
Sir Georg Solti, conductor
Tatiana Troyanos, Kiri Te Kanawa, Plácido Domingo, José van Dam
London Philharmonic Orchestra
John Alldis Choir
John Alldis, director
Boys’ Chorus from Haberdashers’ Aske’s School, Elstree
Alan Taylor and Jean Povey, directors
London

Best Classical Orchestral Performance (nom 31)
ELGAR Symphony No. 2 in E-flat Major
Sir Georg Solti, conductor
London Philharmonic Orchestra
London

20th Annual Grammy Awards (1977)

Best Choral Performance (other than opera) (nom 32, win 11)
VERDI Messa da Requiem
Sir Georg Solti, conductor
Leontyne Price, Janet Baker, Veriano Luchetti, José van Dam
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
RCA

Album of the Year–Classical (nom 33)
DEBUSSY Prelude to The Afternoon of a Faun and La mer
RAVEL Boléro
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Classical Orchestral Performance (nom 34)
RAVEL Boléro
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 35)
WAGNER The Flying Dutchman
Sir Georg Solti, conductor
Norman Bailey, Martti Talvela, Janis Martin, René Kollo
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
London

21st Annual Grammy Awards (1978)

Best Choral Performance, Classical (other than opera) (nom 36, win 12)
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Choral Performance, Classical (other than opera) (nom 37)
WALTON Belshazzar’s Feast
Sir Georg Solti, conductor
Benjamin Luxon, baritone
London Philharmonic Orchestra
London Philharmonic Choir
John Alldis, director
London

22nd Annual Grammy Awards (1979)

Best Classical Album (nom 38, win 13)
Best Classical Orchestral Recording (nom 39, win 14)
Brahms’s Symphonies
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 4 in E Minor, Op. 98
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Tragic Overture, Op. 81
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Choral Performance, Classical (other than opera) (nom 40, win 15)
BRAHMS A German Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, Bernd Weikl
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Classical Orchestral Recording (nom 41)
HOLST The Planets
Sir Georg Solti, conductor
London Philharmonic Orchestra
Women of the London Philharmonic Choir
John Alldis, director
London

23rd Annual Grammy Awards (1980)

Best Classical Album (nom 42)
Best Classical Orchestral Recording
 (nom 43, win 16)
BRUCKNER Symphony No. 6 in A Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 44)
BARTÓK Bluebeard’s Castle
Sir Georg Solti, conductor
Kolos Kováts, Sylvia Sass, István Sztankay
London Philharmonic Orchestra
London

24th Annual Grammy Awards (1981)

Best Classical Album (nom 45, win 17)
Best Classical Orchestral Recording (nom 46, win 18)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, Mira Zakai
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

25th Annual Grammy Awards (1982)

Best Classical Album (nom 47)
Best Choral Performance (other than opera
) (nom 48, win 19)
BERLIOZ The Damnation of Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, Kenneth Riegel, José van Dam, Malcolm King
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
London

26th Annual Grammy Awards (1983)

Best Classical Album (nom 49, win 20)
Best Classical Orchestral Recording (nom 50, win 21)
MAHLER Symphony No. 9 in D Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 51, win 22)
MOZART The Marriage of Figaro, K. 492
Sir Georg Solti, conductor
Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll
London Philharmonic Orchestra
London Opera Chorus
London
This recording tied with the soundtrack for Verdi’s La traviata with James Levine conducting the Metropolitan Opera Orchestra and Teresa Stratas, Plácido Domingo, and Cornell MacNeil.

Best Choral Performance (other than opera) (nom 52, win 23)
HAYDN The Creation
Sir Georg Solti, conductor
Norma Burrowes, Sylvia Greenberg, Rüdiger Wohlers, James Morris, Siegmund Nimsgern
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

27th Annual Grammy Awards (1984)
Best Classical Orchestral Recording (nom 53)
MAHLER Symphony No. 4 in G Minor
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Chicago Symphony Orchestra
London

28th Annual Grammy Awards (1985)

Best Opera Recording (nom 54, win 24)
SCHOENBERG Moses und Aron
Sir Georg Solti, conductor
Franz Mazura, Philip Langridge
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

29th Annual Grammy Awards (1986)

Best Classical Orchestral Recording (nom 55, win 25)
LISZT A Faust Symphony
Sir Georg Solti, conductor
Siegfried Jerusalem, tenor
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
London

Best Classical Album (nom 56)
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
MENDELSSOHN Symphony No. 4 in A Major, Op. 90 (Italian)
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 57)
VERDI Un ballo in maschera
Margaret Price, Kathleen Battle, Christa Ludwig, Luciano Pavarotti, Renato Bruson
National Philharmonic Orchestra
London Opera Chorus
Terry Edwards, director
Royal College of Music Junior Department Chorus
Vaughan Meakins, director
London

30th Annual Grammy Awards (1987)

Best Classical Album (nom 58)
Best Orchestral Recording (nom 59, win 26)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Opera Recording (nom 60)
MOZART The Abduction from the Seraglio, K. 384
Sir Georg Solti, conductor
Edita Gruberová, Kathleen Battle, Gösta Winbergh, Heinz Zednik, Martti Talvela
Vienna Philharmonic
Vienna State Opera Concert Choir
Martha Heigl, director
London

31st Annual Grammy Awards (1988)

Best Classical Album (nom 61)
Best Opera Recording
 (nom 62, win 27)
WAGNER Lohengrin
Sir Georg Solti, conductor
Jessye Norman, Eva Randová, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Dietrich Fischer-Dieskau
Vienna Philharmonic
Vienna State Opera Concert Choir
London

Best Chamber Music Performance (nom 63, win 28)
BARTÓK Sonata for Two Pianos and Percussion
Sir Georg Solti and Murray Perahia, pianos
Evelyn Glennie and David Corkhill, percussion
CBS

Best Orchestral Recording (nom 64)
BRUCKNER Symphony No. 7 in E Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Choral Performance (other than opera) (nom 65)
BACH Saint Matthew Passion, BWV 244
Sir Georg Solti, conductor
Kiri Te Kanawa, Anne Sofie von Otter, Anthony Rolfe Johnson, Hans Peter Blochwitz, Olaf Bär, Tom Krause
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

33rd Annual Grammy Awards
Best Orchestral Performance (nom 66)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

34th Annual Grammy Awards (1991)

Best Performance of a Choral Work (nom 67, win 29)
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, Anne Sofie von Otter, Hans Peter Blochwitz, William Shimell, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

35th Annual Grammy Awards (1992)

Best Classical Album (nom 68)
Best Opera Recording (nom 69, win 30)
STRAUSS Die Frau ohne Schatten
Sir Georg Solti, conductor
Hildegard Behrens, Júlia Várady, Sumi Jo, Reinhild Runkel, Plácido Domingo, José van Dam
Vienna Philharmonic
Vienna State Opera Chorus
Vienna Boys’ Choir
Helmuth Froschauer, director

40th Annual Grammy Awards (1997)

Best Classical Album (nom 70)
Best Opera Recording (nom 71, win 31)
WAGNER Die Meistersinger von Nürnberg
Sir Georg Solti, conductor
Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, René Pape
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe, director
London

Best Opera Recording (nom 72)
MOZART Don Giovanni, K. 527
Sir Georg Solti, conductor
Bryn Terfel, Renée Fleming, Ann Murray, Michele Pertusi, Herbert Lippert, Monica Groop, Robert Scaltriti, Mario Luperi
London Philharmonic Orchestra
London Voices
Terry Edwards, director
London

41st Annual Grammy Awards (1998)
Best Classical Album (nom 73)
Best Choral Performance (nom 74)
BARTÓK Cantata profana
WEINER Serenade for Small Orchestra, Op. 3
KODÁLY Psalmus Hungaricus, Op. 13
Sir Georg Solti, conductor
Tamás Daróczi, Alexandru Agache
Budapest Festival Orchestra
Choir of the Hungarian Radio and Television
Kálmán Strausz, director
Children’s Choir of Hungarian Radio and Television
Gabriella Thész, director
Schola Cantorum Budapestiensis
Tamás Bubnó, director

*A database of former Grammy Award winners can be found using the search function here; category titles have changed over the years. For opera recordings, only principal soloists are listed.

This article also appears here.

In early 1973, Sir Georg Solti Solti receives Grammy statuettes for the CSO’s recordings of Mahler’s Seventh and Eighth symphonies. (Terry’s Photography)

Georg Solti—who would serve as the Chicago Symphony Orchestra’s eighth music director from 1969 until 1991—received his first Grammy at the Recording Academy’s fifth awards ceremony in May 1963, for the RCA recording of Verdi’s Aida with Leontyne Price in the title role. Over the next two decades, he steadily increased his count, and at the 26th ceremony in February 1984, Solti received four awards, bringing his total to twenty-three and surpassing Henry Mancini’s record of twenty awards. Ultimately, Sir Georg would receive thirty-one awards—twenty-four with the Chicago Symphony Orchestra and Chorus—and has continued to reign as the all-time Grammy champ for nearly forty years.

In addition, Solti and producer John Culshaw received the Academy’s first Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Sir Georg also received the Academy’s 1995 Lifetime Achievement Award.

Beyoncé and Quincy Jones currently tie for the number two slot with twenty-eight awards each, Alison Krauss has twenty-seven, and Pierre Boulez—former CSO conductor emeritus and principal guest conductor—is number four, with twenty-six Grammy awards, including eight with the Chicago Symphony Orchestra and Chorus.

But keep an eye on Queen Bey . . . she goes into this Sunday’s Grammy Awards ceremony with nine nominations—including Album, Song, and Record of the year. If she receives three wins, she will tie with Sir Georg; if she takes home four or more, she will become the all-time champ. The 2023 Grammy Awards will air live on CBS on Sunday, February 5.

In the meantime, following is a complete list of Sir Georg Solti’s thirty-one Grammy awards and seventy-four nominations.*

5th Annual Grammy Awards (1962)

Best Opera Recording (nom 1, win 1)
VERDI Aida
Georg Solti, conductor
Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi
Rome Opera House Orchestra
Rome Opera House Chorus
Giuseppe Conca, director
RCA

STRAUSS Salome
Best Opera Recording (nom 2)
Georg Solti, conductor
Birgit Nilsson, Gerhard Stolze, Grace Hoffman, Eberhard Wächter, Waldemar Kmentt
Vienna Philharmonic
London

6th Annual Grammy Awards (1963)
Best Opera Recording (nom 3)
WAGNER Siegfried
Georg Solti, conductor
Birgit Nilsson, Wolfgang Windgassen, Hans Hotter, Gerhard Stolze, Gustav Neidlinger, Joan Sutherland
Vienna Philharmonic
London

7th Annual Grammy Awards (1964)
Album of the Year–Classical (nom 4)
Best Opera Recording (nom 5)
VERDI Falstaff
Georg Solti, conductor
Geraint Evans, Giulieta Simionato, Ilva Ligabue, Robert Merrill, Mirella Freni, Alfredo Kraus, Rosalind Elias
RCA Italiana Opera Orchestra
RCA Italiana Opera Chorus
Nino Antonellini, director
RCA

8th Annual Grammy Awards (1965)
Best Opera Recording (nom 6)
WAGNER Götterdämmerung
Georg Solti, conductor
Birgit Nilsson, Wolfgang Windgassen, Gottlob Frick, Dietrich Fischer-Dieskau, Christa Ludwig, Claire Watson, Gustav Neidlinger
Vienna Philharmonic
Men of the Vienna State Opera Chorus
Wilhelm Pitz, director
London

9th Annual Grammy Awards (1966)

Album of the Year–Classical (nom 7)
Best Opera Recording (nom 8, win 2)
WAGNER Die Walküre
Georg Solti, conductor
Birgit Nilsson, Régine Crespin, Christa Ludwig, James King, Hans Hotter, Gottlob Frick
Vienna Philharmonic
London

10th Annual Grammy Awards (1967)
Best Classical Performance–Orchestra (nom 9)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Georg Solti, conductor
Heather Harper, Helen Watts
London Symphony Orchestra
London Symphony Orchestra Chorus
John Alldis, director
London

11th Annual Grammy Awards (1968)
Best Opera Recording (nom 10)
STRAUSS Elektra
Georg Solti, conductor
Birgit Nilsson, Marie Collier, Regina Resnik, Gerhard Stolze, Tom Krause
Vienna Philharmonic
Vienna State Opera Chorus
London

13th Annual Grammy Awards (1970)
Best Classical Performance–Orchestra (nom 11)
MAHLER Symphony No. 6 in A Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 12)
STRAUSS Der Rosenkavalier
Georg Solti, conductor
Régine Crespin, Yvonne Minton, Helen Donath, Luciano Pavarotti, Manfred Jungwirth
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
London

14th Annual Grammy Awards
Best Opera Recording (nom 13)
MOZART The Magic Flute, K. 620
Georg Solti, conductor
Pilar Lorengar, Christina Deutekom, Stuart Burrows, Dietrich Fischer-Dieskau, Hermann Prey, Martti Talvela
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
London

15th Annual Grammy Awards (1972)

Album of the Year–Classical (nom 14, win 3)
Best Choral Performance–Classical (other than opera) (nom 15, win 4)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, Lucia Popp, Arleen Augér, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela
Chicago Symphony Orchestra
Vienna State Opera Chorus
Singverein Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Helmut Froschauer, director
London

Best Classical Performance–Orchestra (nom 16, win 5)
MAHLER Symphony No. 7 in E Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

Album of the Year–Classical (nom 17)
Best Opera Recording (nom 18)
WAGNER Tannhäuser
Georg Solti, conductor
René Kollo, Christa Ludwig, Hans Sotin, Helga Dernesch
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Wilhelm Pitz, director
London

16th Annual Grammy Awards (1973)
Album of the Year–Classical (nom 19)
BEETHOVEN Piano Concertos
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Sir Georg Solti, conductor
Vladimir Ashkenazy, piano
London

Best Classical Performance–Orchestra (nom 20)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Opera Recording (nom 21)
WAGNER Parsifal
Sir Georg Solti, conductor
René Kollo, Dietrich Fischer-Dieskau, Hans Hotter, Gottlob Frick, Zoltán Kélémen, Christa Ludwig
Vienna Philharmonic
Vienna State Opera Chorus
Norbert Balatsch, director
Vienna Boys’ Choir
Anton Neyder, director
London

17th Annual Grammy Awards (1974)

Album of the Year–Classical (nom 22, win 6)
Best Classical Performance–Orchestra (nom 23, win 7)
BERLIOZ Symphonie fantastique, Op. 14
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London


Best Opera Recording (nom 24, win 8)
PUCCINI La bohème
Sir Georg Solti, conductor
Montserrat Caballé, Judith Blegen, Plácido DomingoSherrill Milnes, Vicente Sardinero, Ruggero Raimondi
London Philharmonic Orchestra
John Alldis Choir
John Alldis, director
Wandsworth School Boys’ Choir
Russell Burgess, director
RCA

Best Opera Recording (nom 25)
MOZART Così fan tutte, K. 588
Sir Georg Solti, conductor
Ryland Davies, Tom Krause, Gabriel Bacquier, Pilar Lorengar, Teresa Berganza, Jane Berbié
London Philharmonic Orchestra
Royal Opera House Chorus
Douglas Robinson, director
London

18th Annual Grammy Awards (1975)

Album of the Year–Classical (nom, 26, win 9)
Best Classical Performance–Orchestra (nom 27)
Beethoven’s Symphonies
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E flat Major, Op. 55 (Eroica)
BEETHOVEN Symphony No. 4 in B flat Major, Op. 60
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Overture to Coriolan, Op. 62
BEETHOVEN Leonore Overture No. 3, Op. 72b
Sir Georg Solti, conductor
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

19th Annual Grammy Awards (1976)

Best Classical Orchestral Performance (nom 28, win 10)
STRAUSS Also sprach Zarathustra, Op. 30
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Album of the Year–Classical (nom 29)
Best Opera Recording (nom 30)
BIZET Carmen
Sir Georg Solti, conductor
Tatiana Troyanos, Kiri Te Kanawa, Plácido Domingo, José van Dam
London Philharmonic Orchestra
John Alldis Choir
John Alldis, director
Boys’ Chorus from Haberdashers’ Aske’s School, Elstree
Alan Taylor and Jean Povey, directors
London

Best Classical Orchestral Performance (nom 31)
ELGAR Symphony No. 2 in E-flat Major
Sir Georg Solti, conductor
London Philharmonic Orchestra
London

20th Annual Grammy Awards (1977)

Best Choral Performance (other than opera) (nom 32, win 11)
VERDI Messa da Requiem
Sir Georg Solti, conductor
Leontyne Price, Janet Baker, Veriano Luchetti, José van Dam
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
RCA

Album of the Year–Classical (nom 33)
DEBUSSY Prelude to The Afternoon of a Faun and La mer
RAVEL Boléro
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Classical Orchestral Performance (nom 34)
RAVEL Boléro
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 35)
WAGNER The Flying Dutchman
Sir Georg Solti, conductor
Norman Bailey, Martti Talvela, Janis Martin, René Kollo
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
London

21st Annual Grammy Awards (1978)

Best Choral Performance, Classical (other than opera) (nom 36, win 12)
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Choral Performance, Classical (other than opera) (nom 37)
WALTON Belshazzar’s Feast
Sir Georg Solti, conductor
Benjamin Luxon, baritone
London Philharmonic Orchestra
London Philharmonic Choir
John Alldis, director
London

22nd Annual Grammy Awards (1979)

Best Classical Album (nom 38, win 13)
Best Classical Orchestral Recording (nom 39, win 14)
Brahms’s Symphonies
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 4 in E Minor, Op. 98
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Tragic Overture, Op. 81
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Choral Performance, Classical (other than opera) (nom 40, win 15)
BRAHMS A German Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, Bernd Weikl
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Classical Orchestral Recording (nom 41)
HOLST The Planets
Sir Georg Solti, conductor
London Philharmonic Orchestra
Women of the London Philharmonic Choir
John Alldis, director
London

23rd Annual Grammy Awards (1980)

Best Classical Album (nom 42)
Best Classical Orchestral Recording
 (nom 43, win 16)
BRUCKNER Symphony No. 6 in A Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 44)
BARTÓK Bluebeard’s Castle
Sir Georg Solti, conductor
Kolos Kováts, Sylvia Sass, István Sztankay
London Philharmonic Orchestra
London

24th Annual Grammy Awards (1981)

Best Classical Album (nom 45, win 17)
Best Classical Orchestral Recording (nom 46, win 18)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, Mira Zakai
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

25th Annual Grammy Awards (1982)

Best Classical Album (nom 47)
Best Choral Performance (other than opera
) (nom 48, win 19)
BERLIOZ The Damnation of Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, Kenneth Riegel, José van Dam, Malcolm King
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
London

26th Annual Grammy Awards (1983)

Best Classical Album (nom 49, win 20)
Best Classical Orchestral Recording (nom 50, win 21)
MAHLER Symphony No. 9 in D Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 51, win 22)
MOZART The Marriage of Figaro, K. 492
Sir Georg Solti, conductor
Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll
London Philharmonic Orchestra
London Opera Chorus
London
This recording tied with the soundtrack for Verdi’s La traviata with James Levine conducting the Metropolitan Opera Orchestra and Teresa Stratas, Plácido Domingo, and Cornell MacNeil.

Best Choral Performance (other than opera) (nom 52, win 23)
HAYDN The Creation
Sir Georg Solti, conductor
Norma Burrowes, Sylvia Greenberg, Rüdiger Wohlers, James Morris, Siegmund Nimsgern
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

27th Annual Grammy Awards (1984)
Best Classical Orchestral Recording (nom 53)
MAHLER Symphony No. 4 in G Minor
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Chicago Symphony Orchestra
London

28th Annual Grammy Awards (1985)

Best Opera Recording (nom 54, win 24)
SCHOENBERG Moses und Aron
Sir Georg Solti, conductor
Franz Mazura, Philip Langridge
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

29th Annual Grammy Awards (1986)

Best Classical Orchestral Recording (nom 55, win 25)
LISZT A Faust Symphony
Sir Georg Solti, conductor
Siegfried Jerusalem, tenor
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
London

Best Classical Album (nom 56)
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
MENDELSSOHN Symphony No. 4 in A Major, Op. 90 (Italian)
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Opera Recording (nom 57)
VERDI Un ballo in maschera
Margaret Price, Kathleen Battle, Christa Ludwig, Luciano Pavarotti, Renato Bruson
National Philharmonic Orchestra
London Opera Chorus
Terry Edwards, director
Royal College of Music Junior Department Chorus
Vaughan Meakins, director
London

30th Annual Grammy Awards (1987)

Best Classical Album (nom 58)
Best Orchestral Recording (nom 59, win 26)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

Best Opera Recording (nom 60)
MOZART The Abduction from the Seraglio, K. 384
Sir Georg Solti, conductor
Edita Gruberová, Kathleen Battle, Gösta Winbergh, Heinz Zednik, Martti Talvela
Vienna Philharmonic
Vienna State Opera Concert Choir
Martha Heigl, director
London

31st Annual Grammy Awards (1988)

Best Classical Album (nom 61)
Best Opera Recording
 (nom 62, win 27)
WAGNER Lohengrin
Sir Georg Solti, conductor
Jessye Norman, Eva Randová, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Dietrich Fischer-Dieskau
Vienna Philharmonic
Vienna State Opera Concert Choir
London

Best Chamber Music Performance (nom 63, win 28)
BARTÓK Sonata for Two Pianos and Percussion
Sir Georg Solti and Murray Perahia, pianos
Evelyn Glennie and David Corkhill, percussion
CBS

Best Orchestral Recording (nom 64)
BRUCKNER Symphony No. 7 in E Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

Best Choral Performance (other than opera) (nom 65)
BACH Saint Matthew Passion, BWV 244
Sir Georg Solti, conductor
Kiri Te Kanawa, Anne Sofie von Otter, Anthony Rolfe Johnson, Hans Peter Blochwitz, Olaf Bär, Tom Krause
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

33rd Annual Grammy Awards
Best Orchestral Performance (nom 66)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
Sir Georg Solti, conductor
Chicago Symphony Orchestra
London

34th Annual Grammy Awards (1991)

Best Performance of a Choral Work (nom 67, win 29)
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, Anne Sofie von Otter, Hans Peter Blochwitz, William Shimell, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

35th Annual Grammy Awards (1992)

Best Classical Album (nom 68)
Best Opera Recording (nom 69, win 30)
STRAUSS Die Frau ohne Schatten
Sir Georg Solti, conductor
Hildegard Behrens, Júlia Várady, Sumi Jo, Reinhild Runkel, Plácido Domingo, José van Dam
Vienna Philharmonic
Vienna State Opera Chorus
Vienna Boys’ Choir
Helmuth Froschauer, director

40th Annual Grammy Awards (1997)

Best Classical Album (nom 70)
Best Opera Recording (nom 71, win 31)
WAGNER Die Meistersinger von Nürnberg
Sir Georg Solti, conductor
Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, René Pape
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe, director
London

Best Opera Recording (nom 72)
MOZART Don Giovanni, K. 527
Sir Georg Solti, conductor
Bryn Terfel, Renée Fleming, Ann Murray, Michele Pertusi, Herbert Lippert, Monica Groop, Robert Scaltriti, Mario Luperi
London Philharmonic Orchestra
London Voices
Terry Edwards, director
London

41st Annual Grammy Awards (1998)
Best Classical Album (nom 73)
Best Choral Performance (nom 74)
BARTÓK Cantata profana
WEINER Serenade for Small Orchestra, Op. 3
KODÁLY Psalmus Hungaricus, Op. 13
Sir Georg Solti, conductor
Tamás Daróczi, Alexandru Agache
Budapest Festival Orchestra
Choir of the Hungarian Radio and Television
Kálmán Strausz, director
Children’s Choir of Hungarian Radio and Television
Gabriella Thész, director
Schola Cantorum Budapestiensis
Tamás Bubnó, director

*A database of former Grammy Award winners can be found using the search function here; category titles have changed over the years. For opera recordings, only principal soloists are listed.

This article also appears here.

Beethoven’s Ninth Symphony—according to Frederick Stock, the Chicago Symphony Orchestra‘s second music director, in Talks About Beethoven’s Symphonies—is “dedicated to all Mankind. Embracing all phases of human emotion, monumental in scope and outline, colossal in its intellectual grasp and emotional eloquence, the Ninth stands today as the greatest of all symphonies.”

First page detail of a choral score, edited by Arthur Mees, the Orchestra’s first assistant conductor

Stock continues: “The Ninth is unquestionably the greatest of all symphonies not only because it is the final résumé of all of Beethoven’s achievements, colossal as they are even without the Ninth, but also because it voices the message of one who had risen beyond himself, beyond the world and the time in which he lived. The Ninth is Beethoven, the psychic and spiritual significance of his life.

“In the first movement we find the bitter struggle he waged against life’s adversities, his failing health, his deafness, his loneliness. The Scherzo depicts the quest for worldly joy; the third movement, melancholy reflection, longing—resignation. The last movement, the ‘Ode to Joy,’ is dedicated to all Mankind.”

“There’s something astonishing about a deaf composer choosing to open a symphony with music that reveals, like no other music before it, the very essence of sound emerging from silence,” writes CSOA scholar-in-residence and program annotator Phillip Huscher. “The famous pianissimo opening—sixteen measures with no secure sense of key or rhythm—does not so much depict the journey from darkness to light, or from chaos to order, as the birth of sound itself or the creation of a musical idea. It is as if the challenges of Beethoven’s daily existence—the struggle to compose music, his difficulty in communicating, the frustration of remembering what it was like to hear—have been made real in a single page of music.”

Founder and first music director Theodore Thomas first led the Chicago Orchestra in Beethoven’s Ninth Symphony on December 16 and 17, 1892, at the Auditorium Theatre. The soloists were Minnie Fish, Minna Brentano, Charles A. Knorr, and George E. Holmes, along with the Apollo Chorus (prepared by William L. Tomlins).

1961 recording (RCA)

Sixth music director Fritz Reiner led the Orchestra’s first recording of Beethoven’s Ninth Symphony on May 1 and 2, 1961, in Orchestra Hall. Phyllis Curtin, Florence Kopleff, John McCollum, and Donald Gramm were the soloists, and the Chicago Symphony Chorus was prepared by Margaret Hillis. For RCA, Richard Mohr was the producer and Lewis Layton was the recording engineer.

1972 recording (London)

Sir Georg Solti and the Chicago Symphony Orchestra and Chorus first recorded Beethoven’s nine symphonies between May 1972 and September 1974 for London Records. The recordings were ultimately released as a set (along with three overtures: Egmont, Coriolan, and Leonore no. 3); that set won the 1975 Grammy Award for Classical Album of the Year from the National Academy of Recording Arts and Sciences. The Ninth Symphony was recorded at the Krannert Center at the University of Illinois in Urbana on May 15 and 16, and June 26, 1972. Pilar Lorengar, Yvonne Minton, Stuart Burrows, and Martti Talvela were the soloists, and the Chicago Symphony Chorus was prepared by Margaret Hillis. David Harvey was the recording producer, and Gordon Parry, Kenneth Wilkinson, and Peter van Biene were the balance engineers.

1986 recording (London)

Between September 1986 and January 1990, Solti and the Orchestra and Chorus recorded the complete Beethoven symphonies a second time, again for London Records; and again, the recordings were ultimately released as a set (along with two overtures: Egmont and Leonore no. 3). The Ninth Symphony was recorded in Medinah Temple on September 29 and 30, 1986. Michael Haas was the recording producer, John Pellowe the balance engineer, and Neil Hutchinson the tape editor. Jessye Norman, Reinhild Runkel, Robert Schunk, and Hans Sotin were soloists, and Margaret Hillis prepared the Chorus. The release won the 1987 Grammy Award for Best Orchestral Performance from the National Academy of Recording Arts and Sciences.

On September 18, 20, 21, and 23, 2014, Riccardo Muti led the Chicago Symphony Orchestra and Chorus in Beethoven’s Ninth Symphony in Orchestra Hall. Camilla Nylund, Ekaterina Gubanova, Matthew Polenzani (September 18), William Burden (September 20, 21, and 23), and Eric Owens were the soloists, and the Chorus was prepared by Duain Wolfe. The performance on September 18 was recorded for YouTube and is available in the link below.

Riccardo Muti leads the Chicago Symphony Orchestra and Chorus in Beethoven’s Symphony No. 9 on February 24, 25, 26, and 27, 2022.

This article also appears here.

We have just heard news of the death of the wonderful Irish soprano Heather Harper, as reported in The Guardian. She was 88.

Harper appeared with the Chicago Symphony Orchestra on a number of notable occasions, as listed below (all appearances are subscription concerts at Orchestra Hall, unless otherwise noted):

April 3, 4, and 5, 1969
MAHLER Symphony No. 2 in C Minor (Resurrection)
Georg Solti, conductor
Helen Watts, contralto
Chicago Symphony Chorus
Margaret Hillis, director

December 11 and 12, 1969
HAYDN The Creation
Georg Solti, conductor
Stuart Burrows, tenor
Giorgio Tozzi, bass
Chicago Symphony Chorus
Margaret Hillis, director

August 30, 31 & September 1, 1971 (recording sessions at the Sofiensaal in Vienna)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Lucia Popp, soprano
Arleen Augér, soprano
Yvonne Minton, mezzo-soprano
Helen Watts, contralto
René Kollo, tenor
John Shirley-Quirk, bass-baritone
Martti Talvela, bass
Chorus of the Vienna State Opera
Norbert Balatsch, chorus master
Singverein Chorus
Helmut Froschauer, chorus master
Vienna Boys’ Choir
David Harvey produced the recording, and Gordon Parry and Kenneth Wilkinson were the engineers for London Records. The recording won the 1972 Grammy Award for Album of the Year—Classical, Best Choral Performance—Classical (other than opera), and Best Engineered Recording—Classical from the National Academy of Recording Arts and Sciences.

Mahler's Symphony no. 8 in E-flat Major, recorded in Vienna in 1971

Mahler’s Symphony no. 8 in E-flat Major, recorded in Vienna in 1971

March 30, 31, and April 1, 1972
HANDEL Jephtha
Margaret Hillis, conductor
Helen Watts, contralto
Richard Lewis, tenor
Robert Johnson, tenor
Barry McDaniel, baritone
Boris Carmeli, bass
Chicago Symphony Chorus
Margaret Hillis, director

October 12, 13, and 14, 1972
VIVALDI Gloria
ROSSINI Stabat mater
Carlo Maria Giulini, conductor
Julia Hamari, mezzo-soprano
Veriano Luchetti, tenor
Raffaele Arié, bass
Chicago Symphony Chorus
Margaret Hillis, director

March 7, 8, and 9, 1974
TIPPETT Symphony No. 3
Sir Michael Tippett, conductor

April 12 and 13, 1974
BACH Saint Matthew Passion, BWV 244
Sir Georg Solti, conductor
Helen Watts, contralto
Jerry Jennings, tenor
Mallory Walker, tenor
Gwynne Howell, bass
Philip Booth, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

Wishing a very happy eightieth birthday to the fantastic Australian mezzo-soprano, Yvonne Minton!

Minton has appeared as soloist with the Chicago Symphony Orchestra on a number of notable occasions—in concert and on recording—between 1970 and 1981, indicated below:

April 2 and 3, 1970, Orchestra Hall
MAHLER Lieder eines fahrenden Gesellen
Yvonne Minton, mezzo-soprano
Georg Solti, conductor
Recorded by London Records on April 1 and 7, 1970, in Orchestra Hall. The recording was produced by David Harvey; Gordon Parry and James Lock were the balance engineers.

April 1 and 7, 1970 (recording sessions only, no public performances)
MAHLER Songs from Des Knaben Wunderhorn (“Das irdische Leben,” “Verlorne Müh’,” “Wo die schönen Trompeten blasen,” and “Rheinlegendchen”)
Yvonne Minton, mezzo-soprano
Georg Solti, conductor
Recorded by London Records in Orchestra Hall. The recording was produced by David Harvey; Gordon Parry and James Lock were the balance engineers.

May 4, 5, and 6, 1972, Orchestra Hall
MAHLER Das Lied von der Erde
Yvonne Minton, mezzo-soprano
René Kollo, tenor
Sir Georg Solti, conductor
Recorded by London Records on May 8 and 9, 1972, at the Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign. The recording was produced by David Harvey; Kenneth Wilkinson and Gordon Parry were the balance engineers.

May 12 and 13, 1972, Orchestra Hall
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Pilar Lorengar, soprano
Yvonne Minton, mezzo-soprano
Stuart Burrows, tenor
Martti Talvela, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
Recorded by London Records on May 15, 16, and 26, 1972, at the Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign. The recording was produced by David Harvey; Kenneth Wilkinson and James Lock were the balance engineers. This recording was ultimately released as part of a set of Beethoven’s complete symphonies (along with three overtures: Egmont, Coriolan, and Leonore no. 3); that set won the 1975 Grammy Award for Classical Album of the Year from the National Academy of Recording Arts and Sciences.

April 24 and 26, 1975, Orchestra Hall
April 30, 1975, Carnegie Hall
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 5, 6, and 7, 1977, Orchestra Hall
May 13, 1977, Carnegie Hall
BEETHOVEN Missa solemnis in D Major, Op. 123
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor
The work was recorded in Chicago’s Medinah Temple on May 16, 17, and 18, 1977. For London Records, Ray Minshull was the producer and Kenneth Wilkinson, John Dunkerley, and Michael Mailes were the engineers. The recording won the 1978 Grammy Award for Best Choral Performance, Classical (other than opera) from the National Academy of Recording Arts and Sciences.

March 26, 27, and 28, 1981, Orchestra Hall
BRUCKNER Te Deum
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
The work was recorded in Orchestra Hall on March 28, 1981. For Deutsche Grammophon, Steven Paul was the executive producer, Werner Mayer the recording producer, and Klaus Scheibe was the balance engineer and editor. 

Happy, happy birthday!

____________________________________________________

During his tenure as music director, Solti and the Chicago Symphony Orchestra traveled to Carnegie Hall nearly every season. A complete list of those concerts are below:

January 8, 1970
HAYDN Symphony No. 102 in B-flat Major
BARTÓK Dance Suite
BRAHMS Symphony No. 1 in C Minor, Op. 68

January 9, 1970
MAHLER Kindertotenlieder
Helen Watts, contralto
MAHLER Symphony No. 5

December 7, 1970
LEVY Concerto for Piano No. 1
Earl Wild, piano
BRUCKNER Symphony No. 8 in C Minor

December 8, 1970
MAHLER Symphony No. 7 in E Minor

April 27, 1971
WAGNER Das Rheingold
Woglinde Karen Altman, soprano
Wellgunde Huguette Tourangeau, mezzo-soprano
Flosshilde Helen Watts, contralto
Alberich Rolf Kuhne, bass
Wotan David Ward, bass
Fricka Mignon Dunn, mezzo-soprano
Freia Karen Altman, soprano
Fasolt Martti Talvela, bass
Fafner Hans Sotin, bass
Donner Thomas Paul, bass
Froh Kenneth Riegel, tenor
Loge Gerhard Stolze, tenor
Mime John Lanigan, tenor
Erda Helen Watts, contralto

November 17, 1971
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97 (Rhenish)
BARTÓK Concerto for Orchestra
WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg

November 20, 1971
SCHOENBERG Moses and Aron
Moses Hans Hotter, speaker
Aron Richard Lewis, tenor
A Young Girl Karen Altman, soprano
A Young Man Kenneth Riegel, tenor
Another Man Benjamin Matthews, baritone
Priest Donald Gramm, bass-baritone
An Invalid Woman Emilie Miller, mezzo-contralto
Ephraimite Stephen Swanson, baritone
A Naked Youth Kenneth Riegel, tenor
Four Naked Virgins Barbara Pearson and Nancy Clevenger, sopranos; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto
Three Elders Alfred Reichel and Jack Abraham, baritones; Eugene Johnson, bass
Six Solo Voices in the Orchestra Barbara Pearson, soprano; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto; William Wahman, tenor; Stephen Swanson and Arthur Berg, baritones
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Barbara Born, director

April 19, 1972
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
MAHLER Das Lied von der Erde
Shirley Verrett, mezzo-soprano
Stuart Burrows, tenor

April 22, 1972
CARTER Variations for Orchestra
STRAUSS Don Juan, Op. 20
BERLIOZ Symphonie fantastique, Op. 14A

December 6, 1972
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Josephine Veasey, contralto
Faust Stuart Burrows, tenor
Mephistopheles Robert Savoie, baritone
Brander Roger Soyer, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

December 9, 1972
MENDELSSOHN Overture to Fingal’s Cave, Op. 26
BARTÓK Concert for Violin, No. 2
Isaac Stern, violin
STRAUSS Ein Heldenleben, Op. 40

May 2, 1973
WAGNER Act 3 of Götterdämmerung
Gutrune Karen Altman, soprano
Brunnhilde Helga Dernesch, soprano
Woglinde Barbara Pearson, soprano
Wellgunde Gwendolyn Jones, mezzo-soprano
Flosshilde Sandra Walker, mezzo-soprano
Siegfried Jess Thomas, tenor
Gunther Donald Gramm, bass
Hagen Martti Talvela, bass
Men of the Chicago Symphony Chorus
Richard Boldrey, assistant director

May 4, 1973
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRUCKNER Symphony No. 7 in E Major

November 14, 1973
WEBER Overture to Oberon
HENZE Heliogabalus Imperator
BEETHOVEN Symphony No.3 in E-flat Major, Op. 55 (Eroica)

November 17, 1973
BACH Suite No. 3 in D Major, BWV 1068
MAHLER Symphony No. 6 in A Minor

May 1, 1974
SCHUMANN Symphony No. 4 in D Minor, Op. 120
BARTÓK Bluebeard’s Castle
Judith Tatiana Troyanos, mezzo-soprano
Bluebeard Zoltán Kelemen, baritone

May 4, 1974
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
ELGAR Variations on an Original Theme, Op. 36 (Enigma)
STRAVINSKY The Rite of Spring

December 17, 1974
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Samuel Magad, violin
Ralph Zeitlin, recorder
Ray Still, oboe
Adolph Herseth, trumpet
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

December 18, 1974
STRAUSS Salome
Salome Birgit Nilsson, soprano
Herodias Ruth Hesse, mezzo-soprano
Herod Antipas Ragnar Ulfung, tenor
Jokanaan Norman Bailey, baritone
Slave Sarah Beatty, soprano
The Page of Herodias Sandra Walker, mezzo-soprano
Narraboth George Shirley, tenor
Cappadocian Gershon Silins, bass
Two Nazarenes Cory Winter, tenor; Franz Mazura, bass-baritone
Four Jews Philip Creech, Jerry Jennings, John Lanigan, and William Wahman, tenors; Eugene Johnson, bass
Two Soldiers Curtis Dickson and Thomas Paul, basses

December 20, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
ELGAR Symphony No. 2 in E-flat Major, Op. 63

December 21, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

April 29, 1975
STRAVINSKY Symphony in C
BRUCKNER Symphony No. 5 in B-flat Major

April 30, 1975
VERDI Requiem
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 2, 1975
HAYDN Symphony No. 101 in D Major (The Clock)
LISZT Piano Concerto No. 2 in A Major
Tamás Vásáry, piano
STRAUSS Also sprach Zarathustra, Op. 30

May 10, 1976
BARTÓK Music for Strings, Percussion, and Celesta
BEETHOVEN Symphony No. 2 in D Major, Op. 36
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

May 12, 1976
MENDELSSOHN Selections from A Midsummer Night’s Dream
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Alicia de Larrocha, piano
DEBUSSY La mer

May 14, 1976
WAGNER Der fliegende Höllander
The Dutchman Norman Bailey, bass-baritone
Senta Janis Martin, soprano
Daland Martti Talvelabass
Erik René Kollo, tenor
The Steersman Werner Krenntenor
Mary Isola Jonesmezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

November 8, 1976
MOZART Adagio and Fugue in C Minor, K. 546
VERDI Four Sacred Pieces
Jo Ann Pickens, soprano
Chicago Symphony Chorus
Margaret Hillis, director
WALTON Belshazzar’s Feast
David Ward, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 10, 1976
SHOSTAKOVICH Symphony No. 9 in E-flat Major, Op. 70
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

November 12, 1976
RAVEL Le tombeau de Couperin
DEBUSSY Prelude to The Afternoon of a Faun
RAVEL La valse
BEETHOVEN Symphony No. 7 in A Major, Op. 92

May 9, 1977
HAYDN Symphony No. 103 in E-flat Major
WAGNER Prelude and Liebestod from Tristan and Isolde
BRAHMS Symphony No. 2 in D Major, Op. 73

May 11, 1977
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
MAHLER Symphony No. 5

May 13, 1977
BEETHOVEN Missa solemnis, Op. 123
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Solti was scheduled to conduct four concerts at Carnegie Hall in October and November 1977; however after suffering a fall in Chicago, he was forced to cancel the first two appearances. The October 31 performance of Mahler’s Eighth Symphony was conducted by Chorus Director Margaret Hillis, and the November 1 program (identical to the November 2 concert) was led by Associate Conductor Henry Mazer.

November 2, 1977
ROSSINI Overture to The Barber of Seville
STRAVINSKY Jeu de cartes
STRAUSS Four Last Songs
Lucia Popp, soprano
STRAUSS Don Juan, Op. 20

November 4, 1977
TIPPETT Symphony No. 4
BRUCKNER Symphony No. 7 in E Major

May 8, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

May 9, 1978
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 10, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 12, 1978
BRAHMS Tragic Overture, Op. 81
BRAHMS A German Requiem, Op. 45
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director

May 14 & 15, 1979
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BRUCKNER Symphony No. 6 in A Major

May 16 & 18, 1979
MUSSORGSKY/Rimsky-Korsakov Prelude to Khovanshchina
SHOSTAKOVICH Symphony No. 1, Op. 10
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 19, 1979
BEETHOVEN Fidelio, Op. 72
Leonore Hildegard Behrens, soprano
Marzelline Sona Ghazarian, soprano
Florestan Peter Hofmann, tenor
Jaquino David Kübler, tenor
Don Pizarro Theo Adam, baritone
Rocco Hans Sotin, bass
Don Fernando Gwynne Howell, bass
Two Prisoners Robert Johnson, tenor and Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director

April 28 & 30, 1980
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastorale)
STRAVINSKY The Rite of Spring

April 29, 1980
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
WAGNER “Dich, teure Halle” from Tannhäuser
Leontyne Price, soprano
WAGNER Prelude and Liebestod from Tristan and Isolde
Leontyne Price, soprano
MUSSORGSKY/Ravel Pictures at an Exhibition

May 2 & 3, 1980
MAHLER Symphony No. 2 in C Minor (Resurrection)
Isobel Buchanan, soprano
Christa Ludwig, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 27 & 29, 1981
MAHLER Symphony No. 9 in D Major

April 28, 1981
BRUCKNER Symphony No.4 in E-flat Major (Romantic)
BARTÓK Concerto for Orchestra

May 1 & 2, 1981
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Frederica von Stade, mezzo-soprano
Faust Kenneth Riegel, tenor (May 1); Peyo Garazzi, tenor (May 2)
Mephistopheles José van Dam, baritone
Brander Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

April 18, 1983
WAGNER Das Rheingold
Wotan Siegmund Nimsgern, bass-baritone
Alberich Hermann Becht, baritone
Fricka Gabriele Schnaut, mezzo-soprano
Loge Siegfried Jerusalem, tenor
Mime Robert Tear, tenor
Erda Jan DeGaetani, mezzo-soprano
Fafner Malcolm Smith, bass
Fasolt Gwynne Howell, bass
Freia Mary Jane Johnson, soprano
Donner John Cheek, bass-baritone
Froh Dennis Bailey, tenor
Woglinde Michelle Harman-Gulick, soprano
Wellgunde Elizabeth Hynes, soprano
Flosshilde Emily Golden, mezzo-soprano

April 19, 1983
MOZART Overture to The Magic Flute, K. 620
BARTÓK Music for Strings, Percussion, and Celesta
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

April 29, 1985
VERDI Falstaff
Sir John Falstaff Guillermo Sarabia, baritone
Ford Wolfgang Brendel, baritone
Fenton Yordi Ramiro, tenor
Dr. Caius Heinz Zednik, tenor
Bardolph Francis Egerton, tenor
Pistol Aage Haugland, bass
Mistress Alice Ford Katia Ricciarelli, soprano
Nannetta Kathleen Battle, soprano
Mistress Quickly Christa Ludwig, mezzo-soprano
Mistress Meg Page Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 30, 1985
SHOSTAKOVICH Symphony No. 9, Op. 70
BRUCKNER Symphony No. 9 in D Minor (Unfinished)

May 1, 1985
BRAHMS Variations on a Theme by Haydn, Op 56a
LUTOSŁAWSKI Symphony No. 3
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

May 3, 1985
MAHLER Symphony No. 7 in E Minor

May 4, 1985
BERG Three Pieces for Orchestra, Op. 6
BERG Concerto for Violin
Salvatore Accardo, violin
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

May 18, 1987
MAHLER Symphony No. 9

May 19, 1987
STRAUSS Ein Heldenleben, Op. 40
STRAVINSKY The Rite of Spring

May 20, 1987
HAYDN Symphony No. 103 in E-flat Major (Drumroll)
BRUCKNER Symphony No. 7 in E Major

February 10, 1989
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
SCHOSTAKOVICH Symphony No. 8 in C Minor, Op. 65

February 11, 1989
BARTÓK Music for Strings, Percussion, and Celesta
BARTÓK Suite from The Miraculous Mandarin
BRAHMS Symphony No. 4 in E Minor, Op. 98

April 15 & 18, 1991
TIPPETT Byzantium
Faye Robinson, soprano
MAHLER Symphony No. 5


April 16 & 19, 1991

VERDI Otello
Otello Luciano Pavarotti, tenor
Desdemona Kiri Te Kanawa, soprano
Iago Leo Nucci, baritone
Emilia Elzbieta Ardam, mezzo-soprano
Cassio Anthony Rolfe Johnson, tenor
Roderigo John Keyes, tenor
Montano Alan Opie, baritone
Lodovico Dimitri Kavrakos, bass
A Herald Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Metropolitan Opera Children’s Chorus
Elena Doria, director

____________________________________________________

Solti and Margaret Hillis show off their 1986 Grammy Awards for Liszt’s Faust Symphony and Orff’s Carmina burana.

Sir Georg Solti won thirty-one Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other recording artist. Twenty-four of those awards were with the Chicago Symphony Orchestra and Chorus. In addition, Solti and producer John Culshaw received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Sir Georg also received the Academy’s 1995 Lifetime Achievement Award.

Alison Krauss and Quincy Jones tie for the number two slot with twenty-seven awards each, and Pierre Boulez—CSO conductor emeritus and former principal guest conductor—is number three, with twenty-six Grammy Awards, including eight with the Chicago Symphony Orchestra and Chorus.

Following is a complete list of Sir Georg Solti’s Grammy Awards.*

1962
Best Opera Recording (1)
VERDI Aida
Georg Solti, conductor
Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi
Rome Opera House Orchestra and Chorus
RCA

1966
Best Opera Recording (2)
WAGNER Die Walküre
Georg Solti, conductor
Birgit Nilsson, Régine Crespin, Christa Ludwig, James King, Hans Hotter, Gottlob Frick
Vienna Philharmonic
London

1972
Album of the Year—Classical (3)
Best Choral Performance—Classical (other than opera) (4)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Heather Harper, Lucia Popp, Arleen Augér, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela
Chicago Symphony Orchestra
Chorus of the Vienna State Opera
Singverein Chorus
Vienna Boys’ Choir
Norbert Balatsch and Helmut Froschauer, chorus masters
David Harvey, producer
London

1972
Best Classical Performance—Orchestra (5)
MAHLER Symphony No. 7 in E Minor
Georg Solti, conductor
Chicago Symphony Orchestra
London

1974
Album of the Year—Classical (6)
Best Classical Performance—Orchestra (7)
BERLIOZ Symphonie fantastique, Op. 14
Sir Georg Solti, conductor
Chicago Symphony Orchestra
David Harvey, producer
London

1974
Best Opera Recording (8)
PUCCINI La bohème
Sir Georg Solti, conductor
Montserrat Caballé, Judith Blegen, Plácido Domingo, Sherrill Milnes, Vicente Sardinero, Ruggero Raimondi
London Philharmonic Orchestra
John Alldis Choir
Wandsworth School Boys’ Choir
RCA

1975
Album of the Year—Classical (9)
Beethoven’s Complete Symphonies
BEETHOVEN Symphony No. 1 in C Major, Op. 21
BEETHOVEN Symphony No. 2 in D Major, Op. 36
BEETHOVEN Symphony No. 3 in E flat Major, Op. 55 (Eroica)
BEETHOVEN Symphony No. 4 in B flat Major, Op. 60
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Symphony No. 8 in F Major, Op. 93
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Overture to Coriolan, Op. 62
BEETHOVEN Leonore Overture No. 3, Op. 72b
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Pilar Lorengar, Yvonne Minton, Stuart Burrows, Martti Talvela
Chicago Symphony Chorus
Margaret Hillis, director
Ray Minshull and David Harvey, producers
London

1976
Best Classical Orchestral Performance (10)
STRAUSS Also sprach Zarathustra
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London

1977
Best Choral Performance (other than opera) (11)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, Janet Baker, Veriano Luchetti, José van Dam
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
RCA

1978
Best Choral Performance, Classical (other than opera) (12)
BEETHOVEN Missa solemnis in D Major, Op. 123
Sir Georg Solti, conductor
Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1979
Best Classical Album (13)
Best Classical Orchestral Recording (14)
Brahms’s Complete Symphonies
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Symphony No. 2 in D Major, Op. 73
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 4 in E Minor, Op. 98
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Tragic Overture, Op. 81
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London

1979
Best Choral Performance, Classical (other than opera) (15)
BRAHMS Ein deutsches Requiem, Op. 45
Sir Georg Solti, conductor
Kiri Te Kanawa, Bernd Weikl
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1980
Best Classical Orchestral Recording (16)
BRUCKNER Symphony No. 6 in A Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
Ray Minshull, producer
London

1981
Best Classical Album (17)
Best Classical Orchestral Recording (18)
MAHLER Symphony No. 2 in C Minor (Resurrection)
Sir Georg Solti, conductor
Isobel Buchanan, Mira Zakai
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London

1982
Best Choral Performance (other than opera) (19)
BERLIOZ La Damnation de Faust, Op. 24
Sir Georg Solti, conductor
Frederica von Stade, Kenneth Riegel, José van Dam, Malcolm King
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
London

1983
Best Classical Album (20)
Best Classical Orchestral Recording (21)
MAHLER Symphony No. 9 in D Major
Sir Georg Solti, conductor
Chicago Symphony Orchestra
James Mallinson, producer
London

1983
Best Opera Recording (22)
MOZART Le nozze di Figaro, K. 492
Sir Georg Solti, conductor
Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll
London Philharmonic Orchestra
London Opera Chorus
Christopher Raeburn, producer
London
This recording actually tied with the soundtrack for Verdi’s La traviata with James Levine conducting the Metropolitan Opera Orchestra; principal soloists Teresa Stratas, Plácido Domingo, and Cornell MacNeil.

1983
Best Choral Performance (other than opera) (23)
HAYDN The Creation
Sir Georg Solti, conductor
Norma Burrowes, Sylvia Greenberg, Rüdiger Wohlers, James Morris, Siegmund Nimsgern
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1985
Best Opera Recording (24)
SCHOENBERG Moses und Aron
Sir Georg Solti, conductor
Franz Mazura, Philip Langridge
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
James Mallinson, producer
London

1986
Best Classical Orchestral Recording (25)
LISZT A Faust Symphony
Sir Georg Solti, conductor
Siegfried Jerusalem
Chicago Symphony Orchestra
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London

1987
Best Orchestral Recording (26)
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
Michael Haas, producer
London

1988
Best Opera Recording (27)
WAGNER Lohengrin
Sir Georg Solti, conductor
Jessye Norman, Eva Randová, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Dietrich Fischer-Dieskau
Vienna Philharmonic
Vienna State Opera Chorus
Christopher Raeburn, producer
London

1988
Best Chamber Music Performance (28)
BARTÓK Sonata for Two Pianos and Percussion
Sir Georg Solti and Murray Perahia, pianos
Evelyn Glennie and David Corkhill, percussion
CBS

1991
Best Performance of a Choral Work (29)
BACH Mass in B Minor, BWV 232
Sir Georg Solti, conductor
Felicity Lott, Anne Sofie von Otter, Hans Peter Blochwitz, William Shimell, Gwynne Howell
Chicago Symphony Orchestra
Chicago Symphony Chorus
Margaret Hillis, director
London

1992
Best Opera Recording (30)
STRAUSS Die Frau ohne Schatten
Sir Georg Solti, conductor
Hildegard Behrens, Júlia Várady, Sumi Jo, Reinhild Runkel, Plácido Domingo, José van Dam
Vienna Philharmonic
Vienna State Opera Chorus
Vienna Boys’ Choir
Christopher Raeburn, Morten Winding, and Stephen Trainor, producers

1997
Best Opera Recording (31)
WAGNER Die Meistersinger von Nürnberg
Sir Georg Solti, conductor
Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, René Pape
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe, director
Michael Woolcock, producer

*A database of former Grammy Award winners can be found here; category titles have changed over the years. For opera recordings, only principal soloists are listed.

____________________________________________________

With the Chicago Symphony Orchestra and Chorus, Sir Georg Solti conducted Haydn’s The Creation on three different occasions at Orchestra Hall:

December 11 and 12, 1969 (performed in English)
Gabriel and Eve Heather Harper, soprano
Uriel Stuart Burrows, tenor
Raphael and Adam Giorgio Tozzi, bass
Chicago Symphony Chorus; Margaret Hillis, director
This was Solti’s first collaboration as music director with Margaret Hillis and the Chicago Symphony Chorus. These were also the first subscription concert performances of Haydn’s The Creation.

November 5, 6, and 8, 1981 (performed in German)
Gabriel Norma Burrowes, soprano
Eve Sylvia Greenberg, soprano
Uriel Rüdiger Wohlers, tenor
Raphael James Morris, bass
Adam Siegmund Nimsgern, bass-baritone
Chicago Symphony Chorus; Margaret Hillis, director

Following the performances, the work was recorded for London Records. Paul Myers was the producer, and James Lock and John Dunkerley were the engineers. The recording won the 1983 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

October 29, 30, and November 2, 1993 (performed in German)
Gabriel and Eve Ruth Ziesak, soprano
Uriel Herbert Lippert, tenor
Raphael René Pape, bass
Adam Anton Scharinger, bass-baritone
Chicago Symphony Chorus; Margaret Hillis, director

The work was recorded live by London Records. Michael Woolcock was the producer, John Pellowe and Jonathan Stokes were the engineers, and Deborah Gilbert was the tape editor.

Solti rehearsing the Orchestra, Chorus, and soloists for Haydn’s oratorio in November 1981.

____________________________________________________


Sir Georg Solti and the Chicago Symphony Orchestra and Chorus first recorded Beethoven’s nine symphonies between May 1972 and September 1974 for London Records. The recordings were ultimately released as a set (along with three overtures: Egmont, Coriolan, and Leonore no. 3); that set won the 1975 Grammy Award for Classical Album of the Year from the National Academy of Recording Arts and Sciences.

Symphony No. 1 in C Major, Op. 21
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
May 1974

Symphony No. 2 in D Major, Op. 36
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
May 1974

Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
November 1973 and May 1974

Symphony No. 4 in B-flat Major, Op. 60
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
May 1974

A recording session for Beethoven's Fifth or Eighth Symphony at Medinah Temple in November 1973.


Symphony No. 5 in C Minor, Op. 67
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
November 1973

Symphony No. 6 in F Major, Op. 68 (Pastoral)
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Sofiensaal, Vienna, Austria
September 1974

Symphony No. 7 in A Major, Op. 92
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Sofiensaal, Vienna, Austria
September 1974

Symphony No. 8 in F Major, Op. 93
Ray Minshull, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Medinah Temple
November 1973

Symphony No. 9 in D Minor, Op. 125
Pilar Lorengar, soprano
Yvonne Minton, mezzo-soprano
Stuart Burrows, tenor
Martti Talvela, bass
Chicago Symphony Chorus
Margaret Hillis, director
David Harvey, producer
Kenneth Wilkinson and James Lock, engineers
Recorded at Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign
May and June 1972

Margaret Hillis and Solti listen to playbacks of the Ninth Symphony at the Krannert Center in May 1972.

the vault

Theodore Thomas

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