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leontyne-price

Today we send all best wishes for a very happy ninetieth birthday to the legendary soprano, Leontyne Price! Several excellent tributes have been written (here, here, and here, among many others) to recognize her extraordinary and groundbreaking career as an artist—in opera, concert, and on recording.

Price has appeared with the Chicago Symphony Orchestra on numerous occasions, at Orchestra Hall, the Ravinia Festival, Carnegie Hall, and the Pabst Theater in Milwaukee, as follows:

February 28 and March 1, 1963 (Orchestra Hall)
BERLIOZ Les nuits d’été, Op. 7
FALLA El amor brujo
Fritz Reiner, conductor

March 13, 1971 (Orchestra Hall)
March 15, 1971 (Pabst Theater)
BARBER “Give me my robe” from Antony and Cleopatra
MOZART “Dove sono” from Le nozze di Figaro, K. 492
STRAUSS Four Last Songs
Carlo Maria Giulini, conductor

April 24 and 26, 1975 (Orchestra Hall)
April 30, 1975 (Carnegie Hall)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 11, 1975 (Ravinia Festival)
PUCCINI “Un bel di vedremo” from Madama Butterfly
VERDI “Ernani! Ernani, involami” from Ernani
MOZART “D’Oreste, d’Ajace” from Idomeneo, K. 366
STRAUSS “Zweite Brautnacht” from Die ägyptische Helena
James Levine, conductor

Proof sheet detail from recording sessions for Verdi's Requeim at Medinah Temple in June 1977

Proof sheet detail from recording sessions for Verdi’s Requiem at Medinah Temple in June 1977 (Robert M. Lightfoot III photo)

July 2, 1976 (Ravinia Festival)
PUCCINI “Senza mamma” from Suor Angelica
PUCCINI “Vissi d’arte” from Tosca
VERDI “Pace, pace, mio Dio” from La forza del destino
MOZART “Come scoglio” from Così fan tutte, K. 588
WAGNER “Dich, teure Halle” from Tannhäuser
James Levine, conductor

May 31, 1977 (Orchestra Hall)
VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Dame Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

June 22, 1979 (Ravinia Festival)
VERDI La forza del destino
James Levine, conductor
Leontyne Price, soprano
Isola Jones, mezzo-soprano
Sharon Graham, mezzo-soprano
Giuseppe Giacomini, tenor
Andrea Velis, tenor
Cornell MacNeil, baritone
Renato Capecchi, baritone
Carl Glaum, baritone
Bonaldo Giaiotti, bass
Julien Robbins, bass
Daniel McConnell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Price onstage with Solti and the Orchestra at Carnegie Hall on April 29, 1980 (Robert M. Lightfoot III photo)

Price onstage with Solti and the Orchestra at Carnegie Hall on April 29, 1980 (Robert M. Lightfoot III photo)

April 29, 1980 (Carnegie Hall)
WAGNER “Dich, teure Halle” from Tannhäuser
WAGNER Liebestod from Tristan und Isolde
Sir Georg Solti, conductor

July 13, 1985 (Ravinia Festival)
PUCCINI “Vissi d’arte” from Tosca
PUCCINI “Chi il bel sogno di Doretta” from La rondine
VERDI “Ernani! Ernani, involami” from Ernani
VERDI “D’amor sull’ali rosee” from Il trovatore
WAGNER Liebestod from Tristan und Isolde
STRAUSS Final Scene from Salome
James Levine, conductor

Advance notice for Price's 1963 debut with the Chicago Symphony Orchestra

Advance notice for Price’s 1963 debut with the Chicago Symphony Orchestra

Price also recorded with the Orchestra—including two Grammy Award winners—as follows:

BERLIOZ Les nuits d’été, Op. 7
FALLA El amor brujo
Fritz Reiner, conductor
Recorded on March 2 and 3, 1963 in Orchestra Hall by RCA
Richard Mohr produced the recording, and Lewis Layton was the engineer. The recording won the 1964 Grammy Award for Best Classical Performance–Vocal Soloist (with or without orchestra) from the National Academy of Recording Arts and Sciences.

VERDI Requiem
Sir Georg Solti, conductor
Leontyne Price, soprano
Dame Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded on June 1 and 2, 1977, in Medinah Temple by RCA
Thomas Z. Shepard produced the recording, and Paul Goodman was the engineer. The recording won the 1977 Grammy Award for Best Choral Performance (other than opera).

WAGNER “Dich teure Halle” from Tannhäuser
Recorded by WFMT on April 29, 1980, in Carnegie Hall
Released on Chicago Symphony Orchestra: The First 100 Years during the Orchestra’s centennial season in April 1991

Under the auspices of Allied Arts and CSO Presents, Price also gave numerous recitals in Orchestra Hall on the following dates:

  • May 6, 1956
  • April 7, 1957
  • December 6, 1958
  • May 30, 1962
  • February 3, 1963
  • February 1, 1970
  • February 27, 1972
  • April 4, 1976
  • January 29, 1984
  • November 11, 1990
  • April 24, 1994
  • February 16, 1997

Happy, happy birthday!

Portions of this article previously appeared here.

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Sir Georg Solti and soloists (standing) Herbert Lippert, Karita Mattila, Ben Heppner, and Alan Opie; (seated) José van Dam, Iris Vermillion, and René Pape (Jim Steere photo)

Sir Georg Solti and soloists (standing) Herbert Lippert, Karita Mattila, Ben Heppner, and Alan Opie; (seated) José van Dam, Iris Vermillion, and René Pape (Jim Steere photo)

In September 1995, Sir Georg Solti led three concert performances of Wagner’s Die Meistersinger von Nürnberg at Orchestra Hall. The performances were split: the first two acts on one concert and the third act on a separate concert over the course of two open dress rehearsals and four concerts. Principal soloists included Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie, and René Pape, along with the Chicago Symphony Chorus prepared by Duain Wolfe.

“Last weekend you could call the Chicago Symphony Orchestra, without fear of contradiction, the best and most prestigious Wagnerian pit band in the world of opera,” wrote John von Rhein in the Chicago Tribune. “Even as Solti blockbusters go, [these concerts] were an extraordinary experience—painstakingly prepared and powerfully executed. . . . It would be no exaggeration to call this a milestone in Solti’s Wagnerian career to rank with his historic recording of the Ring.”

WAGNER Die Meistersinger

The subsequent London Records release won the 1997 Grammy Award for Best Opera Recording. The award marked Solti’s thirty-first Grammy, more than any other recording artist in any genre. He received seven awards in addition to his twenty-four awards with the Chicago Symphony Orchestra and Chorus. Solti and producer John Culshaw also received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Richard Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Solti also received the Academy’s 1995 Lifetime Achievement Award.

This article also appears here and portions previously appeared here.

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Royal Albert Hall, August 28, 1989 (Jim Steere photo)

Royal Albert Hall, August 28, 1989 (Jim Steere photo)

On August 28, 1989, in London’s Royal Albert Hall, Sir Georg Solti led the Orchestra and the Chicago Symphony Chorus—in its European debut—in Berlioz’s The Damnation of Faust. Soloists included mezzo-soprano Anne Sofie von Otter, tenor Keith Lewis, bass-baritone José van Dam, and bass Peter Rose.

“I doubt that there will be a better Prom this year,” wrote Tom Sutcliffe in The Independent. “The sheer accuracy of the playing is astounding. . . . The crispness of the rhythms, the ability to switch mood in a phrase, ran throughout the ensemble— and of course when excitement or shock was needed, it sprang out instantly at Solti’s slightest indication, providing marvelous evidence of a long and deep relationship between instruments and conductor in which little needed to be said or shown for everything meant to be instantly understood. . . . And what a chorus the Chicago Symphony has, to comply with Solti’s needs, youthful, beautiful in tone and robust in attack, every word totally clear, understood and stylishly enunciated. Well, Solti’s chorus master is Margaret Hillis—simply the best.”

The Orchestra and Chorus also performed Berlioz’s Faust on August 30 in Salzburg’s Grosses Festspielhaus, and Solti and the Orchestra continued on through Switzerland, Germany, Denmark, Sweden, France, and the Netherlands before returning to London’s Royal Albert Hall* for the final concert of the tour on September 18.

The August 28 concert was recorded for television broadcast and later released by London Records on video.

Berlioz album

Also for London, Solti conducted the Orchestra, Chorus, and soloists (including mezzo-soprano Frederica von Stade, tenor Kenneth Riegel, bass-baritone José van Dam, and bass Malcolm King) in recording sessions of The Damnation of Faust in May 1981 at Medinah Temple. The recording was awarded the 1982 Grammy Award for Best Classical Performance–Choral.

*The September 18 concert originally had been scheduled for London’s Royal Festival Hall. As a result of a pay dispute earlier that month, there was the prospect of a strike between the unions representing the technicians and box office staff and management at South Bank Centre. The concert was moved to Royal Albert Hall to avoid the possibility of Orchestra musicians crossing picket lines.

This article also appears here.

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Leontyne Price

On February 28 and March 1, 1963, soprano Leontyne Price made her debut with the Chicago Symphony Orchestra in Berlioz’s Les nuits d’été and Falla’s El amor brujo with Fritz Reiner conducting. On March 4, both works were recorded by RCA and the subsequent release won a Grammy for Best Classical Performance–Vocal Soloist.

“The Reiner sound,” wrote Claudia Cassidy in the Chicago Tribune, “is not whetted merely to cut with a special clarity, but to set off a Berlioz sound somewhere between a shimmer and trill, a sound that can strike you right in the back of the neck and take possession of the spine. When the Orchestra is honed to peak performance, that is what happens in Reiner’s Berlioz. I had not realized in advance that precisely the same thing would happen to Miss Price’s Nuits d’été.

February 28 and March 1, 1963

February 28 and March 1, 1963

For more than twenty years, Price returned and performed with the Orchestra on several occasions—at the Ravinia Festival, Carnegie Hall, and Orchestra Hall—with Carlo Maria Giulini, James Levine, and Sir Georg Solti.

On May 31, 1977, Price was soloist with Solti and the Orchestra in Verdi’s Requiem on a special concert benefiting the musicians’ pension fund. The other soloists included Dame Janet Baker, Veriano Luchetti, and José van Dam, and the Chicago Symphony Chorus was prepared by Margaret Hillis. The following week, the work was recorded by RCA in Medinah Temple; the release received a Grammy Award for Best Choral Performance (other than opera), Hillis and the Chorus’s first win in that category.

With the Orchestra, Price also appeared at the Ravinia Festival under Levine in a complete performance of Verdi’s La forza del destino on June 22, 1979, and at Carnegie Hall with Solti in arias from Wagner’s Tannhäuser and Tristan and Isolde on April 29, 1980. She most recently was soloist with the Orchestra and Levine at Ravinia in a concert of opera arias by Puccini, Strauss, Verdi, and Wagner on July 13, 1985.

This article also appears here.

Frederica von Stade

Wishing a very happy seventieth birthday to the wonderful mezzo-soprano, Frederica von Stade (recently in Chicago for performances of Ricky Ian Gordon‘s A Coffin in Egypt with Chicago Opera Theater)!

Von Stade appeared with the Chicago Symphony Orchestra on several occasions, at the Ravinia Festival and in Carnegie Hall.

May 1 & 2, 1981, Carnegie Hall
BERLIOZ The Damnation of Faust
Kenneth Riegel, tenor (May 1)
Peyo Garazzi, tenor (May 2)
José van Dam, baritone
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor

July 9, 1988, Ravinia Festival
BERLIOZ Romeo and Juliet
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 14, 1996
MOZART Ch’io mi scordi di te? . . . Non temer, amato bene (with Claude Frank, piano)
MAHLER Songs from Rückert Lieder and Des Knaben Wunderhorn
Semyon Bychkov, conductor

August 14, 1999
MOZART “Parto, parto, ma tu, ben mio” from La clemenza di Tito,
LEHÁR “Vilja” and “Lippen schweigen” (with John Aler, tenor) from The Merry Widow
Christoph Eschenbach, conductor

July 8, 2000
Selections from:
COPLAND Old American Songs
KERN Show Boat
OFFENBACH The Grand Duchess of Gerolstein
MOZART Don Giovanni
RODGERS Oklahoma! and South Pacific
SONDHEIM A Little Night Music
with Samuel Ramey, bass
Miguel Harth-Bedoya, conductor

August 5 & 7, 2010
MOZART Così fan tutte
Ana María Martínez, soprano
Ruxandra Donose, mezzo-soprano
Saimir Pirgu, tenor
Rodion Pogossov, baritone
Richard Stilwell, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
James Conlon, conductor

Berlioz album cover

The 1981 interpretation of Berlioz’s The Damnation of Faust was recorded by London in Medinah Temple on May 4, 5, 6, and 7, 1981. James Mallinson was the producer, and James Lock and Simon Eadon were sound engineers. The recording won the 1982 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

19 Boulez

Since 1991, Helen Regenstein Conductor Emeritus Pierre Boulez has amassed and extraordinary discography with the Chicago Symphony Orchestra, including landmark twentieth-century masterpieces by Béla Bartók, Igor Stravinsky, and Edgard Varèse, as well as Gustav Mahler and Richard Strauss. And in 2005 as part of the CSO’s From the Archives series, a two-disc tribute of radio broadcast performances was released. A complete list of those recordings is below:

BACH/Schoenberg Prelude and Fugue in E flat Major, BWV 552 (Saint Anne)
Recorded in Orchestra Hall, December 1991
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Bluebeard

BARTÓK Bluebeard’s Castle
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
1998 Grammy Award for Best Opera

BARTÓK Cantata profana
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Awards for Best Classical Album, Best Engineered Recording–Classical, Best Performance of a Choral Work

Boulez Bartok Concerto

BARTÓK Concerto for Orchestra
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Concerto for Piano No. 1
Krystian Zimerman, piano
Recorded in Orchestra Hall, November 2001
Deutsche Grammophon

Boulez Shaham

BARTÓK Concerto for Violin No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Dance Suite
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Two Pictures for Orchestra, Op. 10
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Divertimento for String Orchestra
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

BARTÓK Four Pieces for Orchestra, Op. 12
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Hungarian Sketches
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

Boulez Mandarin

BARTÓK The Miraculous Mandarin, Op. 19
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Music for Strings, Percussion, and Celesta
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 1
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

Boulez Prince

BARTÓK The Wooden Prince
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Award for Best Classical Album, Best Engineered Recording–Classical, and Best Orchestral Performance

BERG Lulu Suite
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

BOULEZ Fanfare for the 80th Birthday of Sir Georg Solti
Recorded in Orchestra Hall, November 1992
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

BOULEZ Livre pour cordes
Recorded in Orchestra Hall, December 1999
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY First Rhapsody for Clarinet and Orchestra
Larry Combs, clarinet
Recorded in Orchestra Hall, November 1994
CSO (From the Archives, vol. 15: Soloists of the Orchestra II)

Boulez EuroArts

DEBUSSY Le jet d’eau
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

DEBUSSY Symphonic Fragments from Le martyre de Saint Sébastien
Recorded in Orchestra Hall, December 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY Three Ballads by François Villon
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

JANÁČEK Glagolitic Mass
Elzbieta Szmytka, soprano
Nancy Maultsby, mezzo-soprano
Stuart Neill, tenor
Nathan Berg, bass-baritone
David Schrader, organ
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Three Rückert-Lieder (Liebst du um Schönheit, Ich atmet’ einen linden Duft, and Ich bin der Welt abhanden gekommen)
José van Dam, bass-baritone
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Symphony No. 1 in D Major
Recorded in Orchestra Hall, May 1998
Deutsche Grammophon

Boulez Mahler 9

MAHLER Symphony No. 9 in D Major
Recorded in Medinah Temple, December 1995
Deutsche Grammophon
1998 Grammy Award for Best Orchestral Performance

MAHLER Totenfeier
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

MESSIAEN L’ascension
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Pelleas

SCHOENBERG Pelleas und Melisande
Recorded in Orchestra Hall, December 1991
Erato

SCHOENBERG Variations for Orchestra, Op. 31
Recorded in Orchestra Hall, December 1991
Erato

SCRIABIN Piano Concerto in F-sharp Minor, Op. 20
Anatol Ugorski, piano
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

Boulez Prometheus

SCRIABIN Prometheus, Op. 60
Anatol Ugorski, piano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

SCRIABIN Symphony No. 4, Op. 54 (The Poem of Ecstasy)
Recorded in Medinah Temple, November 1995
Deutsche Grammophon

Boulez Zarathustra

STRAUSS Also sprach Zarathustra, Op. 30
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Recorded in Orchestra Hall, November 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

STRAVINSKY The Firebird
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

STRAVINSKY The Firebird
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

Boulez Firebird

STRAVINSKY Fireworks, Op. 4
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, February and March 2009
CSO Resound

Boulez Pulcinella

STRAVINSKY Pulcinella
Roxana Constantinescu, mezzo-soprano
Nicholas Phan, tenor
Kyle Ketelsen, bass-baritone
Recorded in Orchestra Hall, March 2009
CSO Resound

STRAVINSKY Symphony in Three Movements
Recorded in Orchestra Hall, February and March 2009
CSO Resound

STRAVINSKY Symphony of Psalms
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

Boulez Thomas

THOMAS . . . words of the sea . . .
Recorded in Orchestra Hall, December 1996
ARTCD

VARÈSE Amériques
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Arcana
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

Boulez Varèse

VARÈSE Déserts
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Ionisation
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

The Orchestra also has recorded compositions by Boulez, released both commercially and as part of the From the Archives series:

BOULEZ Messagesquisse for Seven Cellos
Daniel Barenboim, conductor
John Sharp, Stephen Balderston, Philip Blum, Loren Brown, Richard Hirschl, Jonathan Pegis, and Gary Stucka, cellos
Recorded in Orchestra Hall, September 1994
CSO (From the Archives, vol. 21: Soloists of the Orchestra III)

Boulez Notations Barenboim

BOULEZ Notations for Orchestra I-IV
Recorded in Kölner Philharmonie, Cologne, Germany, April 2001
Daniel Barenboim, conductor
EuroArts

BOULEZ Notations for Orchestra VII
Daniel Barenboim, conductor
Recorded in Orchestra Hall, January 2000
Teldec

Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.

The Chicago Symphony Orchestra has performed Verdi’s Requiem on numerous occasions, and a complete list of all documented performances is below:

Northwestern, June 1910 - Lutkin conducting

North Shore May Festival, Northwestern University Gymnasium, Evanston, June 1910 – Peter C. Lutkin conducting

June 4, 1910 (Northwestern University Gymnasium, Evanston, Illinois)
Peter C. Lutkin conductor
Jane Osborn-Hannah, soprano
Rose Lutiger-Gannon, contralto
Evan Williams, tenor
Allen Hinckley, bass
North Shore Festival Chorus

February 7, 1912 (Massey Music Hall, Toronto, Ontario)
February 28, 1912 (Carnegie Hall, New York)
A.S. Vogt, conductor (for 2/7, not confirmed for 2/28)
Florence Hinkle, soprano
Christine Miller, mezzo-soprano
George Hamlin, tenor
Clarence Whitehill, bass-baritone
Mendelssohn Choir of Toronto

February 26, 1912 (Convention Hall, Buffalo, New York)
February 29, 1912 (Symphony Hall, Boston, Massachusetts)
(Excerpt: Libera me)
A.S. Vogt, conductor (not confirmed)
Florence Hinkle, soprano
Mendelssohn Choir of Toronto

May 15, 1913 (Hill Auditorium, Ann Arbor, Michigan)
Albert A. Stanley, conductor
Florence Hinkle, soprano
Ernestine Schumann-Heink, contralto
Lambert Murphy, tenor
Henri Scott, bass
University Choral Union

February 2, 1914 (Massey Music Hall, Toronto)
(Excerpts: Offertorium, Sanctus and Benedictus, Responsorium)
A.S. Vogt, conductor (not confirmed)
Florence Hinkle, soprano
Mildred Potter, contralto
Reed Miller, tenor
Horatio Connell, baritone
Mendelssohn Choir of Toronto

Pabst Theatre, April 1951 - Herman A. Zeitz conducting

Pabst Theatre, Milwaukee, Wisconsin, April 1951 – Herman A. Zeitz conducting

April 5, 1915 (Pabst Theater, Milwaukee, Wisconsin)
Herman A. Zeitz, conductor
Lucille Stevenson, soprano
Charlotte Peege, mezzo-soprano
Albert Lindquest, tenor
Burton Thatcher, bass
Milwaukee Musical Society Mixed Chorus

April 18, 1915 (Orchestra Hall)
Daniel Protheroe, conductor
Marjorie Dodge Warner, soprano
Rose Lutiger-Gannon, contralto
Albert Lindquest, tenor
Marion Green, bass
Allen W. Bogen, organ
“50 Members of the Chicago Symphony Orchestra”
Irish Choral Society

May 14, 1915 (Elmwood Music Hall, Buffalo, New York)
Frederick Stock, conductor
Anna Case, soprano
Margarete Matzenauer, contralto
Paul Althouse, tenor
Clarence Whitehill, bass-baritone
Buffalo Philharmonic Chorus
Andrew T. Webster, director

April 11, 1918 (Orchestra Hall)
Harrison M. Wild, conductor
Adelaide Fischer, soprano
Emma Roberts, alto
Theodore Karle, tenor
Henri Scott, bass
Apollo Chorus of Chicago

April 13, 1919 (Auditorium Theatre)
(Given in memory of the heroes of the U.S. and Allied nations)
May 18, 1919 (Bartlett Gymnasium, University of Chicago)
(Given in memory of members of the University of Chicago fallen in the war)
Harrison M. Wild, conductor
Monica Graham Stultz, soprano
Louise Harrison Slade, alto
Robert Quait, tenor
Arthur Middleton, bass
Apollo Chorus of Chicago

North Shore Music Festival, May 1928 - Frederick Stock conducting

North Shore May Festival, Northwestern University Gymnasium, Evanston, May 1928 – Frederick Stock conducting

May 20, 1920 (Hill Auditorium, Ann Arbor, Michigan)
Albert A. Stanley, conductor
Leona Sparkes, soprano
Carolina Lazzari, contralto
William Wheeler, tenor
Léon Rothier, bass
University Choral Union

May 21, 1928 ((Northwestern University Gymnasium, Evanston, Illinois))
Frederick Stock, conductor
Isabel Richardson Molter, soprano
Alvene Resseguie, contralto
Eugene F. Dressler, tenor
Rollin M. Pease, baritone
Festival Chorus of 600 Singers
A Cappella Choir

April 16, 1929 (Orchestra Hall)
Edgar Nelson, conductor
Else Harthan Arendt, soprano
Lilian Knowles, contralto
Edwin Kemp, tenor
Raymund Koch, bass
Chicago Sunday Evening Club Choir
Apollo Chorus of Chicago

Hill Auditorium in Ann Arbor, May 1930 - Moore conducting

Ann Arbor May Festival, Hill Auditorium, Ann Arbor, Michigan, May 1930 – Earl V. Moore conducting

May 17, 1930 (Hill Auditorium, Ann Arbor, Michigan)
Earl V. Moore, conductor
Nanette Guilford, soprano
Kathryn Meisle, contralto
Paul Althouse, tenor
Chase Baromeo, bass
Palmer Christian, organ
University Choral Union

February 20, 1934 (Orchestra Hall)
Edgar Nelson, conductor
Margery Maxwell, soprano
Lilian Knowles, alto
William Miller, tenor
Mark Love, bass
Apollo Chorus of Chicago

April 21, 1941 (Orchestra Hall)
Edgar Nelson, conductor
Esther Hart, soprano
Ruth Heizer, alto
William Miller, tenor
Mark Love, bass
Robert Birch, organ
Apollo Chorus of Chicago

April 8, 1949 (Orchestra Hall)
Edgar Nelson, conductor
Maud Nosler, soprano
Lili Chookasian, contralto
Edward Richmond, tenor
David Austin, bass
Robert Birch, organ
Apollo Chorus of Chicago

Ravinia Festival, July 1951 - William Steinberg conducting

Ravinia Festival, July 1951 – William Steinberg conducting

July 31, 1951 (Ravinia Festival)
William Steinberg, conductor
Frances Yeend, soprano
Elena Nikolaidi, mezzo-soprano
Jan Peerce, tenor
Yi-Kwei Sze, bass
Northwestern University Summer Chorus
George Howerton, director

February 14 and 15, 1952 (Orchestra Hall)
Bruno Walter, conductor
Zinka Milanov, soprano
Elena Nikolaidi, mezzo-soprano
David Poleri, tenor
Cesare Siepi, bass
Combined Choral Organizations of Northwestern University
George Howerton, director

August 2, 1956 (Ravinia Festival)
William Steinberg conductor
Frances Yeend, soprano
Regina Resnik, mezzo-soprano
Jan Peerce, tenor
Nicola Moscana, bass
Northwestern University Summer Chorus
George Howerton, director

Orchestra Hall, April 1958 - Fritz Reiner conducting

Orchestra Hall, April 1958 – Fritz Reiner conducting

April 3 and 4, 1958 (Orchestra Hall)
Fritz Reiner, conductor
Leonie Rysanek, soprano
Regina Resnik, mezzo-soprano
David Lloyd, tenor
Giorgio Tozzi, bass
Chicago Symphony Chorus
Margaret Hillis, director

April 22, 1960 (Orchestra Hall)
Henry Veld, conductor
Alice Riley, soprano
Evelyn Reynolds, alto
Thomas MacBone, tenor
Lionel Godow, bass
Apollo Chorus of Chicago

July 30, 1966 (Ravinia Festival)
William Steinberg, conductor
Saramae Endich, soprano
Maureen Forrester, mezzo-soprano
Jacob Barkin, tenor
John Macurdy, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 14, 15, and 16, 1968 (Orchestra Hall)
Jean Martinon, conductor
Martina Arroyo, soprano
Carol Smith, mezzo-soprano
Sándor Kónya, tenor
Malcolm Smith, bass
Chicago Symphony Chorus
Margaret Hillis, director

Orchestra Hall, March 1971 - Carlo Maria Giulini conducting

Orchestra Hall, March 1971 – Carlo Maria Giulini conducting

March 25, 26, and 27, 1971 (Orchestra Hall)
Carlo Maria Giulini, conductor
Martina Arroyo, soprano
Shirley Verrett, mezzo-soprano
Carlo Cossutta, tenor
Ezio Flagello, bass
Chicago Symphony Chorus
Margaret Hillis, director

April 24 and 26, 1975 (Orchestra Hall)
April 30, 1975 (Carnegie Hall)
Sir Georg Solti, conductor
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 31, 1977 (Orchestra Hall)
Sir Georg Solti, conductor
Leontyne Price, soprano
Dame Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 24, 1983 (Ravinia Festival)
James Levine, conductor
Leona Mitchell, soprano
Florence Quivar, mezzo-soprano
Ermanno Mauro, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director

Orchestra Hall, November 1986 - Claudio Abbado conducting

Orchestra Hall, November 1986 – Claudio Abbado conducting

November 13, 14, and 16, 1986 (Orchestra Hall)
Claudio Abbado, conductor
Margaret Price, soprano
Linda Finnie, mezzo-soprano
Vinson Cole, tenor
Bonaldo Giaiotti, bass (November 13 and 14)
Samuel Ramey, bass (November 16)
Chicago Symphony Chorus
Margaret Hillis, director

June 23, 1989 (Ravinia Festival)
James Levine, conductor
Andrea Gruber, soprano
Tatiana Troyanos, mezzo-soprano
Gary Lakes, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 3 and 4, 1989 (Orchestra Hall)
Sir Georg Solti, conductor (November 3)
Michael Morgan, conductor (November 4)
(Excerpt: Sanctus)
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master

September 17, 18, 23, and 25, 1993 (Orchestra Hall)
Daniel Barenboim, conductor
Alessandra Marc, soprano
Waltraud Meier, mezzo-soprano
Vicente Ombuena, tenor
Ferruccio Furlanetto, bass
Chicago Symphony Chorus
Margaret Hillis, director

Ravinia Festival, June 1996 - Christoph Eschenbach conducting

Ravinia Festival, June 1996 – Christoph Eschenbach conducting

June 23, 1996 (Ravinia Festival)
Christoph Eschenbach, conductor
Shinobu Satoh, soprano
Florence Quivar, mezzo-soprano
Richard Leech, tenor
Roberto Scandiuzzi, bass
Chicago Symphony Chorus
Duain Wolfe, director

April 24, 26, and 28, 2001 (Orchestra Hall)
Daniel Barenboim, conductor
Margaret Jane Wray, soprano (April 24)
Deborah Voigt, soprano (April 26 and 28)
Violeta Urmana, mezzo-soprano
Johan Botha, tenor
René Pape, bass
Chicago Symphony Chorus
Duain Wolfe, director

June 30, 2001 (Ravinia Festival)
Christoph Eschenbach, conductor
Adina Nitescu, soprano
Florence Quivar, mezzo-soprano
Vinson Cole, tenor
John Relyea, bass
Chicago Symphony Chorus
Duain Wolfe, director

July 8, 2006 (Ravinia Festival)
James Conlon, conductor
Christine Brewer, soprano
Stephanie Blythe, mezzo-soprano
Frank Lopardo, tenor
Vitalij Kowaljow, bass
Chicago Symphony Chorus
Duain Wolfe, director

Orchestra Hall, January 2009 - Riccardo Muti conducting

Orchestra Hall, January 2009 – Riccardo Muti conducting

June 14, 15, and 16, 2007 (Orchestra Hall)
David Zinman, conductor
Sondra Radvanovsky, soprano
Yvonne Naef, mezzo-soprano
Giuseppe Sabbatini, tenor
Morris D. Robinson, bass
Chicago Symphony Chorus
Duain Wolfe, director

January 15, 16, and 17, 2009 (Orchestra Hall)
Riccardo Muti, conductor
Barbara Frittoli, soprano
Olga Borodina, mezzo-soprano
Mario Zeffiri, tenor
Ildar Abdrazakov, bass
Chicago Symphony Chorus
Duain Wolfe, director

As we count down the days to Giuseppe Verdi‘s 200th birthday and our performance and simulcast of his Requiem led by Riccardo Muti, here are all of the recordings of the work by the Chicago Symphony Orchestra and Chorus.

Our eighth music director, Sir Georg Solti, was the first to commercially record Verdi’s Requiem. The work was recorded in Medinah Temple on June 1 and 2, 1977.

Solti

1977 – Sir Georg Solti

The soloists were Leontyne Price, soprano; Janet Baker, mezzo-soprano; Veriano Luchetti, tenor; and José van Dam, bass-baritone. The Chicago Symphony Chorus was prepared by Margaret Hillis.

Thomas Z. Shepard produced the recording, and Paul Goodman was the engineer for RCA (this was one of the few records Solti made independent of London/Decca). The recording won the 1977 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

Barenboim

1993 – Daniel Barenboim

Ninth music director Daniel Barenboim led recording sessions for Verdi’s Requiem on September 20 and 21, 1993, in Orchestra Hall.

Soloists included Alessandra Marc, soprano; Waltraud Meier, mezzo-soprano; Plácido Domingo, tenor; and Ferruccio Furlanetto, bass. The Chicago Symphony Chorus was prepared by Margaret Hillis.

Martin Sauer produced the recording; Jean Chatauret was the sound engineer, assisted by Christopher Willis; and Martine Guers was the editor for Erato.

In his first concerts at the CSO’s music director designate, Riccardo Muti led performances of Verdi’s Requiem at Orchestra Hall on January 15, 16, and 17, 2009. The performances were recorded live for CSO Resound.

Muti

2009 – Riccardo Muti

The soloists were Barbara Frittoli, soprano; Olga Borodina, mezzo-soprano; Mario Zeffiri, tenor; and Ildar Abdrazakov, bass. The Chicago Symphony Chorus was prepared by Duain Wolfe.

Christopher Adler produced the recording, and Christopher Willis was the recording engineer. David Frost and Tom Lazarus did the mixing, and Frost and Silas Brown performed the stereo mastering. The recording won 2010 Grammy Awards for Best Classical Album and Best Choral Performance from the National Academy of Recording Arts and Sciences.

But wait, there’s more . . .

Fritz Reiner, the CSO’s sixth music director, led performances of the Requiem at Orchestra Hall on April 3 and 4, 1958. Soloists included Leonie Rysanek, soprano; Regina Resnik, mezzo-soprano; David Lloyd, tenor; and Giorgio Tozzi, bass. The Chicago Symphony Chorus—in their second subscription concert appearances—was prepared by Margaret Hillis.

The March 4 performance was recorded for radio broadcast and since then, it has surfaced on a variety of unauthorized releases. An Italian release on Melodram in 1986 even mistakenly labeled the LP jacket as “Orchestra e Coro: Chicago Lyric Opera.” Most recently, we have seen it on a CD release from Archipel. Unfortunately, the sound quality on both is not great, even though it does provide an interesting snapshot of Reiner’s interpretation of the work, not to mention the sound of a very young Chicago Symphony Chorus.

Wishing a very happy eightieth birthday to the remarkable mezzo-soprano, Dame Janet Baker. Several excellent tributes have been written (here and here, among many others) to recognize her extraordinary career as an artist—in opera, concert, and on recording.

xx

Janet Baker recording Verdi’s Requiem with the Chicago Symphony Orchestra at Medinah Temple in June 1977

Dame Janet appeared with the Chicago Symphony Orchestra on four occasions, all at Orchestra Hall:

January 15, 16, and 18, 1976
BERLIOZ Les nuits d’été
Sir Georg Solti, conductor (January 15 and 16)
Henry Mazer, conductor (January 18)

May 31, 1977
VERDI Requiem
Leontyne Price, soprano
Janet Baker, mezzo-soprano
Veriano Luchetti, tenor
José van Dam, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor

April 20, 21, and 22, 1978
RAVEL Shéhérazade
Sir Georg Solti, conductor

May 3, 4, and 6, 1984
ELGAR Sea Pictures, Op. 37
Sir Georg Solti, conductor

Of course, the 1977 interpretation of Verdi’s Requiem was recorded by RCA in Medinah Temple on June 1 and 2. Thomas Z. Shepard produced the recording, and Paul Goodman was the engineer (this was one of the few records Solti made independent of London/Decca). The recording won the 1977 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

One of Dame Janet’s signature works—and the vehicle for her CSO debut—was Berlioz’s Les nuits d’été. Here’s the second song from the cycle (“Le spectre de la rose”) from a March 1972 concert conducted by Herbert Blomstedt.

____________________________________________________

During his tenure as music director, Solti and the Chicago Symphony Orchestra traveled to Carnegie Hall nearly every season. A complete list of those concerts are below:

January 8, 1970
HAYDN Symphony No. 102 in B-flat Major
BARTÓK Dance Suite
BRAHMS Symphony No. 1 in C Minor, Op. 68

January 9, 1970
MAHLER Kindertotenlieder
Helen Watts, contralto
MAHLER Symphony No. 5

December 7, 1970
LEVY Concerto for Piano No. 1
Earl Wild, piano
BRUCKNER Symphony No. 8 in C Minor

December 8, 1970
MAHLER Symphony No. 7 in E Minor

April 27, 1971
WAGNER Das Rheingold
Woglinde Karen Altman, soprano
Wellgunde Huguette Tourangeau, mezzo-soprano
Flosshilde Helen Watts, contralto
Alberich Rolf Kuhne, bass
Wotan David Ward, bass
Fricka Mignon Dunn, mezzo-soprano
Freia Karen Altman, soprano
Fasolt Martti Talvela, bass
Fafner Hans Sotin, bass
Donner Thomas Paul, bass
Froh Kenneth Riegel, tenor
Loge Gerhard Stolze, tenor
Mime John Lanigan, tenor
Erda Helen Watts, contralto

November 17, 1971
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97 (Rhenish)
BARTÓK Concerto for Orchestra
WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg

November 20, 1971
SCHOENBERG Moses and Aron
Moses Hans Hotter, speaker
Aron Richard Lewis, tenor
A Young Girl Karen Altman, soprano
A Young Man Kenneth Riegel, tenor
Another Man Benjamin Matthews, baritone
Priest Donald Gramm, bass-baritone
An Invalid Woman Emilie Miller, mezzo-contralto
Ephraimite Stephen Swanson, baritone
A Naked Youth Kenneth Riegel, tenor
Four Naked Virgins Barbara Pearson and Nancy Clevenger, sopranos; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto
Three Elders Alfred Reichel and Jack Abraham, baritones; Eugene Johnson, bass
Six Solo Voices in the Orchestra Barbara Pearson, soprano; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto; William Wahman, tenor; Stephen Swanson and Arthur Berg, baritones
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Barbara Born, director

April 19, 1972
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
MAHLER Das Lied von der Erde
Shirley Verrett, mezzo-soprano
Stuart Burrows, tenor

April 22, 1972
CARTER Variations for Orchestra
STRAUSS Don Juan, Op. 20
BERLIOZ Symphonie fantastique, Op. 14A

December 6, 1972
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Josephine Veasey, contralto
Faust Stuart Burrows, tenor
Mephistopheles Robert Savoie, baritone
Brander Roger Soyer, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

December 9, 1972
MENDELSSOHN Overture to Fingal’s Cave, Op. 26
BARTÓK Concert for Violin, No. 2
Isaac Stern, violin
STRAUSS Ein Heldenleben, Op. 40

May 2, 1973
WAGNER Act 3 of Götterdämmerung
Gutrune Karen Altman, soprano
Brunnhilde Helga Dernesch, soprano
Woglinde Barbara Pearson, soprano
Wellgunde Gwendolyn Jones, mezzo-soprano
Flosshilde Sandra Walker, mezzo-soprano
Siegfried Jess Thomas, tenor
Gunther Donald Gramm, bass
Hagen Martti Talvela, bass
Men of the Chicago Symphony Chorus
Richard Boldrey, assistant director

May 4, 1973
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRUCKNER Symphony No. 7 in E Major

November 14, 1973
WEBER Overture to Oberon
HENZE Heliogabalus Imperator
BEETHOVEN Symphony No.3 in E-flat Major, Op. 55 (Eroica)

November 17, 1973
BACH Suite No. 3 in D Major, BWV 1068
MAHLER Symphony No. 6 in A Minor

May 1, 1974
SCHUMANN Symphony No. 4 in D Minor, Op. 120
BARTÓK Bluebeard’s Castle
Judith Tatiana Troyanos, mezzo-soprano
Bluebeard Zoltán Kelemen, baritone

May 4, 1974
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
ELGAR Variations on an Original Theme, Op. 36 (Enigma)
STRAVINSKY The Rite of Spring

December 17, 1974
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Samuel Magad, violin
Ralph Zeitlin, recorder
Ray Still, oboe
Adolph Herseth, trumpet
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

December 18, 1974
STRAUSS Salome
Salome Birgit Nilsson, soprano
Herodias Ruth Hesse, mezzo-soprano
Herod Antipas Ragnar Ulfung, tenor
Jokanaan Norman Bailey, baritone
Slave Sarah Beatty, soprano
The Page of Herodias Sandra Walker, mezzo-soprano
Narraboth George Shirley, tenor
Cappadocian Gershon Silins, bass
Two Nazarenes Cory Winter, tenor; Franz Mazura, bass-baritone
Four Jews Philip Creech, Jerry Jennings, John Lanigan, and William Wahman, tenors; Eugene Johnson, bass
Two Soldiers Curtis Dickson and Thomas Paul, basses

December 20, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
ELGAR Symphony No. 2 in E-flat Major, Op. 63

December 21, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

April 29, 1975
STRAVINSKY Symphony in C
BRUCKNER Symphony No. 5 in B-flat Major

April 30, 1975
VERDI Requiem
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 2, 1975
HAYDN Symphony No. 101 in D Major (The Clock)
LISZT Piano Concerto No. 2 in A Major
Tamás Vásáry, piano
STRAUSS Also sprach Zarathustra, Op. 30

May 10, 1976
BARTÓK Music for Strings, Percussion, and Celesta
BEETHOVEN Symphony No. 2 in D Major, Op. 36
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

May 12, 1976
MENDELSSOHN Selections from A Midsummer Night’s Dream
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Alicia de Larrocha, piano
DEBUSSY La mer

May 14, 1976
WAGNER Der fliegende Höllander
The Dutchman Norman Bailey, bass-baritone
Senta Janis Martin, soprano
Daland Martti Talvelabass
Erik René Kollo, tenor
The Steersman Werner Krenntenor
Mary Isola Jonesmezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

November 8, 1976
MOZART Adagio and Fugue in C Minor, K. 546
VERDI Four Sacred Pieces
Jo Ann Pickens, soprano
Chicago Symphony Chorus
Margaret Hillis, director
WALTON Belshazzar’s Feast
David Ward, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 10, 1976
SHOSTAKOVICH Symphony No. 9 in E-flat Major, Op. 70
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

November 12, 1976
RAVEL Le tombeau de Couperin
DEBUSSY Prelude to The Afternoon of a Faun
RAVEL La valse
BEETHOVEN Symphony No. 7 in A Major, Op. 92

May 9, 1977
HAYDN Symphony No. 103 in E-flat Major
WAGNER Prelude and Liebestod from Tristan and Isolde
BRAHMS Symphony No. 2 in D Major, Op. 73

May 11, 1977
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
MAHLER Symphony No. 5

May 13, 1977
BEETHOVEN Missa solemnis, Op. 123
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Solti was scheduled to conduct four concerts at Carnegie Hall in October and November 1977; however after suffering a fall in Chicago, he was forced to cancel the first two appearances. The October 31 performance of Mahler’s Eighth Symphony was conducted by Chorus Director Margaret Hillis, and the November 1 program (identical to the November 2 concert) was led by Associate Conductor Henry Mazer.

November 2, 1977
ROSSINI Overture to The Barber of Seville
STRAVINSKY Jeu de cartes
STRAUSS Four Last Songs
Lucia Popp, soprano
STRAUSS Don Juan, Op. 20

November 4, 1977
TIPPETT Symphony No. 4
BRUCKNER Symphony No. 7 in E Major

May 8, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

May 9, 1978
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 10, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 12, 1978
BRAHMS Tragic Overture, Op. 81
BRAHMS A German Requiem, Op. 45
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director

May 14 & 15, 1979
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BRUCKNER Symphony No. 6 in A Major

May 16 & 18, 1979
MUSSORGSKY/Rimsky-Korsakov Prelude to Khovanshchina
SHOSTAKOVICH Symphony No. 1, Op. 10
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 19, 1979
BEETHOVEN Fidelio, Op. 72
Leonore Hildegard Behrens, soprano
Marzelline Sona Ghazarian, soprano
Florestan Peter Hofmann, tenor
Jaquino David Kübler, tenor
Don Pizarro Theo Adam, baritone
Rocco Hans Sotin, bass
Don Fernando Gwynne Howell, bass
Two Prisoners Robert Johnson, tenor and Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director

April 28 & 30, 1980
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastorale)
STRAVINSKY The Rite of Spring

April 29, 1980
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
WAGNER “Dich, teure Halle” from Tannhäuser
Leontyne Price, soprano
WAGNER Prelude and Liebestod from Tristan and Isolde
Leontyne Price, soprano
MUSSORGSKY/Ravel Pictures at an Exhibition

May 2 & 3, 1980
MAHLER Symphony No. 2 in C Minor (Resurrection)
Isobel Buchanan, soprano
Christa Ludwig, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 27 & 29, 1981
MAHLER Symphony No. 9 in D Major

April 28, 1981
BRUCKNER Symphony No.4 in E-flat Major (Romantic)
BARTÓK Concerto for Orchestra

May 1 & 2, 1981
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Frederica von Stade, mezzo-soprano
Faust Kenneth Riegel, tenor (May 1); Peyo Garazzi, tenor (May 2)
Mephistopheles José van Dam, baritone
Brander Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

April 18, 1983
WAGNER Das Rheingold
Wotan Siegumund Nimsgern, bass-baritone
Alberich Hermann Becht, baritone
Fricka Gabriele Schnaut, mezzo-soprano
Loge Siegfried Jerusalem, tenor
Mime Robert Tear, tenor
Erda Jan DeGaetani, mezzo-soprano
Fafner Malcolm Smith, bass
Fasolt Gwynne Howell, bass
Freia Mary Jane Johnson, soprano
Donner John Cheek, bass-baritone
Froh Dennis Bailey, tenor
Woglinde Michelle Harman-Gulick, soprano
Wellgunde Elizabeth Hynes, soprano
Flosshilde Emily Golden, mezzo-soprano

April 19, 1983
MOZART Overture to The Magic Flute, K. 620
BARTÓK Music for Strings, Percussion, and Celesta
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

April 29, 1985
VERDI Falstaff
Sir John Falstaff Guillermo Sarabia, baritone
Ford Wolfgang Brendel, baritone
Fenton Yordi Ramiro, tenor
Dr. Caius Heinz Zednik, tenor
Bardolph Francis Egerton, tenor
Pistol Aage Haugland, bass
Mistress Alice Ford Katia Ricciarelli, soprano
Nannetta Kathleen Battle, soprano
Mistress Quickly Christa Ludwig, mezzo-soprano
Mistress Meg Page Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 30, 1985
SHOSTAKOVICH Symphony No. 9, Op. 70
BRUCKNER Symphony No. 9 in D Minor (Unfinished)

May 1, 1985
BRAHMS Variations on a Theme by Haydn, Op 56a
LUTOSŁAWSKI Symphony No. 3
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

May 3, 1985
MAHLER Symphony No. 7 in E Minor

May 4, 1985
BERG Three Pieces for Orchestra, Op. 6
BERG Concerto for Violin
Salvatore Accardo, violin
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

May 18, 1987
MAHLER Symphony No. 9

May 19, 1987
STRAUSS Ein Heldenleben, Op. 40
STRAVINSKY The Rite of Spring

May 20, 1987
HAYDN Symphony No. 103 in E-flat Major (Drumroll)
BRUCKNER Symphony No. 7 in E Major

February 10, 1989
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
SCHOSTAKOVICH Symphony No. 8 in C Minor, Op. 65

February 11, 1989
BARTÓK Music for Strings, Percussion, and Celesta
BARTÓK Suite from The Miraculous Mandarin
BRAHMS Symphony No. 4 in E Minor, Op. 98

April 15 & 18, 1991
TIPPETT Byzantium
Faye Robinson, soprano
MAHLER Symphony No. 5


April 16 & 19, 1991

VERDI Otello
Otello Luciano Pavarotti, tenor
Desdemona Kiri Te Kanawa, soprano
Iago Leo Nucci, baritone
Emilia Elzbieta Ardam, mezzo-soprano
Cassio Anthony Rolfe Johnson, tenor
Roderigo John Keyes, tenor
Montano Alan Opie, baritone
Lodovico Dimitri Kavrakos, bass
A Herald Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Metropolitan Opera Children’s Chorus
Elena Doria, director

the vault

Theodore Thomas

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