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On May 23, 2023, we commemorate the centennial of legendary Spanish pianist Alicia de Larrocha (1923–2009). Over the course of four decades, she was a frequent soloist with the Chicago Symphony Orchestra in Orchestra Hall, the Ravinia Festival, in Carnegie Hall, and in Milwaukee. As a recitalist, she regularly appeared under the auspices of Allied Arts and Symphony Center Presents between 1967 and 2001.

De Larrocha’s auspicious CSO and Carnegie Hall debuts occurred on November 8, 1966, when she performed one of her signature works, Falla’s Nights in the Gardens of Spain under the baton of seventh music director Jean Martinon. “Miss de Larrocha is a marvel. Her playing has perfect finish, complete authority, and rhythmic suppleness,” wrote Harold C. Schonberg in the New York Times. “As a Spaniard, she brings special authority to the Falla work, that curious and attractive hybrid of Spanish feeling and French technique. . . . She is a wonderful pianist and more: she is an artist.”

“The diminutive pianist from Barcelona may be the youngest seventy-six-year-old virtuoso before the public,” according to John von Rhein in the Chicago Tribune, following de Larrocha’s July 10, 1999, appearance with the Orchestra at the Ravinia Festival. “Her splendidly even fingering, rounded tone, pearly legato runs, and springy rhythmic articulations made her an ideal interpreter for Mozart’s sunny Piano Concerto no. 19 in F, K. 459. Everything was in the best of taste, nothing was overdone or excessively manicured, making this perfect midsummer Mozart.”

A complete list of Alicia de Larrocha’s appearances with the Chicago Symphony Orchestra is below.

November 8, 1966, Carnegie Hall
FALLA Nights in the Gardens of Spain
Jean Martinon, conductor

November 26, 1966, Orchestra Hall
MONTSALVATGE Concerto breve
Irwin Hoffman, conductor

October 3 and 4, 1968, Orchestra Hall
SCHUMANN Piano Concerto in A Minor, Op. 54
István Kertész, conductor

August 11, 1973, Ravinia Festival
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Lawrence Foster, conductor

April 29, 30, and May 1, 1976, Orchestra Hall
May 12, 1976, Carnegie Hall
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Sir Georg Solti, conductor

July 8, 1976, Ravinia Festival
RAVEL Piano Concerto in G Major
RAVEL Piano Concerto for the Left Hand in D Major
James Levine, conductor

August 10, 1978, Ravinia Festival
CHOPIN Piano Concerto No. 2 in F Minor, Op. 21
James Conlon, conductor

December 13, 14, 15, and 16, 1978, Orchestra Hall
December 18, 1978, Uihlein Hall, Milwaukee
MOZART Piano Concerto No. 25 in C Major, K. 503
Sir Georg Solti, conductor

July 10, 1981, Ravinia Festival
RAVEL Piano Concerto in G Major
James Levine, conductor

October 15, 16, 17, and 1981, Orchestra Hall
MOZART Piano Concerto No. 22 in E-flat Major, K. 482
FALLA Nights in the Gardens of Spain
Garcia Navarro, conductor

July 30, 1983, Ravinia Festival
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
FALLA Nights in the Gardens of Spain
Jesús López-Cobos, conductor

August 10, 1985, Ravinia Festival
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
Michael Tilson Thomas, conductor

December 5, 6, and 7, 1985, Orchestra Hall
RAVEL Piano Concerto in G Major
Erich Leinsdorf, conductor

July 12, 1986, Ravinia Festival
SCHUMANN Piano Concerto in A Minor, Op. 54
James Levine, conductor

July 16, 1988, Ravinia Festival
MOZART Piano Concerto No. 9 in E-flat Major, K. 271 (Jeunehomme)
Dennis Russell Davies, conductor

August 10, 1989, Ravinia Festival
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
BEETHOVEN Piano Concerto No. 2 B-flat Major, Op. 19
BEETHOVEN Piano Concerto No. 3, C Minor, Opus 37
Edo de Waart, conductor

August 12, 1989, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Edo de Waart, conductor

October 12, 13, and 14, 1989, Orchestra Hall
MOZART Piano Concerto No. 21 in C Major, K. 467
FALLA Nights in the Gardens of Spain
David Zinman, conductor

July 28, 1990, Ravinia Festival
MOZART Piano Concerto No. 25 in C Major, K. 503
Gianluigi Gelmetti, conductor

August 2, 1991, Ravinia Festival
MOZART Piano Concerto No. 24 in C Minor, K. 491
Marek Janowski, conductor

July 18, 1992, Ravinia Festival
SCHUMANN Piano Concerto in A Minor, Op. 54
James Conlon, conductor

July 17, 1994, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Semyon Bychkov, conductor

July 22, 1995, Ravinia Festival
RAVEL Piano Concerto in G Major
Riccardo Chailly, conductor

February 29, March 1, 2, 3, and 5, 1996, Orchestra Hall
MOZART Piano Concerto No. 23 in A Major, K. 488
Daniele Gatti, conductor

August 2, 1996, Ravinia Festival
FALLA Nights in the Garden of Spain
Christoph Eschenbach, conductor

July 10, 1999, Ravinia Festival
MOZART Piano Concerto No. 19 in F Major, K. 459
Semyon Bychkov, conductor

This article also appears here.

Wishing a very happy eighty-fifth birthday to John Corigliano!

The recipient of numerous honors—including a Pulitzer Prize, an Academy Award, the Grawemeyer Award, and multiple Grammy awards—Corigliano served as the Chicago Symphony Orchestra’s first composer-in-residence from 1987 until 1990.

The Orchestra first performed Corigliano’s Concerto for Piano in February 1969, with Sheldon Shkolnik as soloist and acting music director Irwin Hoffman on the podium. Under the baton of Sir Georg Solti, the Orchestra performed the Concerto for Clarinet with Larry Combs, as well as the Tournaments Overture on concerts in Orchestra Hall and during the 1985 tour to Europe, performing the work in Hamburg, Madrid, Paris, and London.

On March 15, 1990, music director designate Daniel Barenboim led the world premiere of Corigliano’s Symphony No. 1, jointly commissioned for the Orchestra’s centennial by the Chicago Symphony and the Meet-the-Composer Orchestra Residencies Program.

“During the past decade I have lost many friends and colleagues to the AIDS epidemic, and the cumulative effect of those losses has, naturally, deeply affected me. My First Symphony was generated by feelings of loss, anger, and frustration,” wrote Corigliano in the program note for the premiere. “A few years ago, I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and, most importantly, each designed and constructed by his or her loved ones. This made me want to memorialize in music those I have lost, and reflect on those I am losing.”

The live recording—Barenboim and the Orchestra’s first on the Erato label—featured principal cello John Sharp and, offstage, pianist Stephen Hough. The recording was recognized with two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition. Barenboim programmed the symphony again in 1992, also taking it on tour to Carnegie Hall, Madrid, and London.

Corigliano’s First Symphony also has been performed at the Ravinia Festival under the batons of Christoph Eschenbach in 1996 and Marin Alsop in 2003; Eschenbach also led performances in Orchestra Hall in 1998.

With the Orchestra, Neeme Järvi conducted the Pied Piper Fantasy with Sir James Galway; Eschenbach led The Red Violin: Chaconne for Violin and Orchestra with Joshua Bell; William Eddins conducted Phantasmagoria on The Ghosts of Versailles; and Leonard Slatkin has led Three Hallucinations, Fantasia on an Ostinato, and The Mannheim Rocket.

To celebrate Sir Georg Solti’s seventy-fifth birthday in 1987, associate conductor Kenneth Jean led the Orchestra in the world premiere of Corigliano’s Campane di Ravello. Written while on vacation in Ravello, Italy, the composer remarked, “On Sundays, the multitude of churches in Ravello and the surrounding towns play their bells, each in a different key and rhythm. The cacophony is gorgeous, and uniquely festive. My tribute to Sir Georg attempts to make the sections of the symphony orchestra sound like pealing bells: that tolling, filigreed with birdcalls in the woodwinds, provides the backdrop for a theme that grows more and more familiar as it is clarified. At the end, it is clear and joyous—a tribute to a great man.”

Jean also led the work on the Centennial Gala concert on October 6, 1990, and current music director Riccardo Muti conducted it on September 19, 2015, on the Symphony Ball concert launching the Chicago Symphony Orchestra’s 125th season.

Current and former CSO composers-in-residence at MusicNOW’s twentieth anniversary concert : Augusta Read Thomas, Samuel Adams, Elizabeth Ogonek, John Corigliano, Shulamit Ran, and Mason Bates (Todd Rosenberg photo)

MusicNOW, the Orchestra’s contemporary music series, kicked off its twentieth season on October 2, 2017, at the Harris Theater with a concert celebrating past composers-in-residence. Samuel Adams and Elizabeth Ogonek honored their predecessors by programming works by Anna Clyne, Osvaldo Golijov, and Mark-Anthony Turnage, along with—in attendance—Mason Bates, Shulamit Ran, Augusta Read Thomas, and Corigliano.

Most recently, in January 2019, the Orchestra performed “One Sweet Morning” from the song cycle of the same name, with baritone Thomas Hampson as soloist and Bramwell Tovey conducting. In Chicago Classical Review, Lawrence A. Johnson wrote that Corigliano’s song, “made an apt and hopeful coda, envisioning a world with no more war . . . Hampson was able to convey the gentle optimism of the Yip Harburg text, and Corigliano’s fragile, bird-like rising line.”

Happy, happy birthday!

This article also appears here.

John Aler (Jack Mitchell photo)

The Chicago Symphony Orchestra family joins the music world in mourning the loss of American tenor John Aler, who died on December 10, 2022. He was seventy-three.

A four-time Grammy Award winner, Aler was a frequent guest with the Chicago Symphony Orchestra, both in Orchestra Hall and the Ravinia Festival. A complete list of his appearances and recordings with the Orchestra and Chorus is below.

February 13, 14, and 16, 1986, Orchestra Hall
BRITTEN War Requiem, Op. 66
Margaret Marshall, soprano
John Aler, tenor
Benjamin Luxon, tenor
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, conductor
Leonard Slatkin, conductor

August 14, 1986, Ravinia Festival
LISZT A Faust Symphony
Men of the Chicago Symphony Chorus
Margaret Hillis, director
James Conlon, conductor

December 12 and 17, 1991, Orchestra Hall
BARTOK Cantata profana
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Pierre Boulez, conductor
Recorded in Orchestra Hall on December 16, 1991, for Deutsche Grammophon. Paired with Bartók’s The Wooden Prince, the release won four Grammy awards—Best Classical Album, Best Orchestral Performance, Best Choral Performance, and Best Engineered Recording–Classical—from the National Academy of Recording Arts and Sciences.

January 16, 17, 18, and February 14, 1992, Orchestra Hall
MOZART Requiem in D Minor, K. 626
Renée Fleming, soprano (January 16, 17, and 18)
Margaret Jane Wray, soprano (February 14)
Waltraud Meier, mezzo-soprano
John Aler, tenor
Peter Rose, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor

April 29, 30, May 1, and 4, 1993, Orchestra Hall
BEETHOVEN Missa solemnis in D Major, Op. 123
Tina Kiberg, soprano
Waltraud Meier, mezzo-soprano
John Aler, tenor
Robert Holl, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded live in Orchestra Hall for Erato.

October 22, 1997, Orchestra Hall
MOZART Requiem in D Minor, K. 626
Emily Magee, soprano
Anna Larsson, contralto
John Aler, tenor
René Pape, bass
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
The second half of a concert given in memory of Sir Georg Solti, who died on September 5, 1997

August 14, 1999, Ravinia Festival
MOZART Dies Bildnis is bezaubernd schön from The Magic Flute, K. 620
LEHÁR Lippen schweigen from The Merry Widow
Frederica von Stade, mezzo-soprano
John Aler, tenor
Christoph Eschenbach, conductor
A portion of a concert—called A Galaxy of Stars—presented to benefit Ravinia’s outreach programs

July 23, 2010, Ravinia Festival
BERNSTEIN/Mauceri Vocal Suite from Candide
Cunegonde Anna Christy, soprano
Old Lady Kim Criswell, vocalist
Candide Nicholas Phan, tenor
Maximilian Jonathan Beyer, baritone
Governor/Vanderdendur John Aler, tenor
Paquette Kathryn Leemhuis, mezzo-soprano
Lakeside Singers
Robert Bowker, director
John Axelrod, conductor

August 6 and 8, 2010, Ravinia Festival
MOZART The Marriage of Figaro, K. 492
Figaro John Relyea, bass-baritone
Countess Almaviva Ailyn Pérez, soprano
Bartolo Richard Bernstein, bass
Susanna Lisette Oropesa, soprano
Marcellina Jane Bunnell, mezzo-soprano
Cherubino Lauren McNeese, mezzo-soprano
Count Almaviva Nathan Gunn, baritone
Basilio John Aler, tenor
Antonio Paul Corona, bass
Don Curzio Rodell Rosel, tenor
Barbarina Lei Xu, soprano
Chicago Symphony Chorus
Duain Wolfe, director
James Conlon, conductor

Daniel Barenboim leads the Orchestra and Chorus in Mozart’s Requiem in memory of Sir Georg Solti on October 22, 1997 (Jim Steere photo)

This article also appears here.

Wishing a very happy seventy-fifth birthday to American pianist André Watts!

André Watts (Steve J. Sherman photo)

Watts was born in Nuremberg, Germany, to a Hungarian mother and an African American U.S. Army soldier. His mother was his first piano teacher, and by the age of nine, he had won a competition to perform on a children’s concert with the Philadelphia Orchestra. Watts became a part of the American musical fabric when, at the age of sixteen, he appeared on a nationally televised Young People’s Concert with the New York Philharmonic on January 15, 1963, performing Liszt’s First Piano Concerto under the baton of Leonard Bernstein. Two weeks later, an ailing Glenn Gould canceled with the Philharmonic, and Bernstein invited Watts to perform the same Liszt concerto on subscription concerts on short notice. Columbia Masterworks soon recorded Watts’s interpretation, and the release The Exciting Debut of André Watts won the 1963 Grammy Award for Most Promising New Classical Recording Artist.

Watts became a student of Leon Fleisher at the Peabody Conservatory, combining his studies with a packed concert schedule that quickly included as many as 150 concerts a year. He soon made his debut with the Chicago Symphony Orchestra at the Ravinia Festival in June 1965, one day before his nineteenth birthday. Since then, Watts has been a frequent guest, appearing with the Orchestra on many occasions, as follows:

June 19, 1965, Ravinia Festival
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
Seiji Ozawa, conductor

May 7, 8, and 9, 1970, Orchestra Hall
BRAHMS Piano Concerto No. 2 in B-flat Major
Irwin Hoffman, conductor

Watt’s debut with the CSO at the Ravinia Festival on June 19, 1965

July 14, 1970, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
István Kertész, conductor

May 20, 21, and 22, 1971, Orchestra Hall
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Henry Mazer, conductor

December 2 and 3, 1971, Orchestra Hall
MOZART Piano Concerto No. 24 in C Minor, K. 491
Carlo Maria Giulini, conductor

July 18, 1972, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Seiji Ozawa, conductor

July 3, 1974, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
James Levine, conductor

August 3, 1975, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Lawrence Foster, conductor

July 15, 1976, Ravinia Festival
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
James Levine, conductor

July 7, 1977, Ravinia Festival
FRANCK Symphonic Variations
LISZT Totentanz
James Levine, conductor

Watt’s Ravinia Festival debut biography (June 19, 1965)

May 31 and June 1, 1979, Orchestra Hall
BRAHMS Concerto for Piano No. 2 in B-flat Major, Op. 83
Sir Georg Solti, conductor

July 7, 1979, Ravinia Festival
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
James Levine, conductor

July 11, 1980, Ravinia Festival
FRANCK Symphonic Variations
SAINT-SAËNS Piano Concerto No. 2 in G Minor, Op. 22
James Levine, conductor

June 28, 1981, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
James Levine, conductor

August 7, 1982, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Maxim Shostakovich, conductor

July 13, 1984, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
James Levine, conductor

July 12, 1985, Ravinia Festival
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
James Levine, conductor

January 23, 24, and 26, 1986, Orchestra Hall
LISZT Piano Concerto No. 1 in E-flat Major
LISZT Totentanz
Sir Georg Solti, conductor

July 11, 1986, Ravinia Festival
SAINT-SAËNS Piano Concerto No. 2 in G Minor, Op. 22
James Levine, conductor

August 15, 1987, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
George Cleve, conductor

Watt’s debut with the CSO in Orchestra Hall on May 7, 8, and 9, 1970

July 2, 1989, Ravinia Festival
SAINT-SAËNS Piano Concerto No. 2 in G Minor, Op. 22
James Levine, conductor

July 20, 1991, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Gennady Rozhdestvensky, conductor

July 17, 1992, Ravinia Festival
LISZT Piano Concerto No. 2 in A Major
James Conlon, conductor

February 25, 26, 27, and 28, 1993, Orchestra Hall
MENDELSSOHN Piano Concerto No. 1 in G Minor, Op. 25
David Loebel, conductor

July 23, 1993, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
John Nelson, conductor

November 1, 1993, Orchestra Hall
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Gerhardt Zimmermann, conductor

August 6, 1994, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Riccardo Chailly, conductor

June 30, 1995, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Christoph Eschenbach, conductor

January 24 and 25, 1996, Orchestra Hall
LISZT Piano Concerto No. 2 in A Major
LISZT Totentanz
Daniel Barenboim, conductor

January 26, 1996, Orchestra Hall
LISZT Piano Concerto No. 1 in E-flat Major
LISZT Totentanz
Daniel Barenboim, conductor

Watt’s CSO subscription concert debut biography (May 7, 8, and 9, 1970)

January 27, 1996, Orchestra Hall
LISZT Piano Concerto No. 1 in E-flat Major
Daniel Barenboim, conductor

July 2, 1996, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
LUTOSŁAWSKI Variations on a Theme by Paganini
Hermann Michael, conductor

August 1, 1997, Ravinia Festival
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Christoph Eschenbach, conductor

May 14, 15, 16, and 19, 1998, Orchestra Hall
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Franz Welser-Möst, conductor

August 14, 1998, Ravinia Festival
FRANCK Symphonic Variations
SAINT-SAËNS Piano Concerto No. 2 in G Minor, Op. 22
Christoph Eschenbach, conductor

July 16, 1999, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Claus Peter Flor, conductor

November 2, 1999, Orchestra Hall
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
William Eddins, conductor

January 11, 2000, Orchestra Hall
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Daniel Barenboim, conductor

André Watts in 1971 (James J. Kriegsmann photo)

August 4, 2000, Ravinia Festival
LISZT Piano Concerto No. 1 in E-flat Major
Roberto Abbado, conductor

April 19, 20, and 21, 2001, Orchestra Hall
LISZT Piano Concerto No. 2 in A Major
Daniel Barenboim, conductor

July 1, 2001, Ravinia Festival
SCHUBERT/Stein Fantasy in F Minor, D. 940
LISZT Totentanz
Christoph Eschenbach, conductor

July 29, 2005, Ravinia Festival
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
Leonard Slatkin, conductor

August 5, 2007, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
James Conlon, conductor

July 8, 2011, Ravinia Festival
LISZT Piano Concerto No. 2 in A Major
Christoph Eschenbach, conductor

Happy, happy birthday!

The Chicago Symphony Orchestra family joins the music world in mourning the loss of Canadian soprano Erin Wall, who died yesterday evening, October 8, 2020, following a long illness. She was forty-four.

Erin Wall in 2015 (Kristin Hoebermann photo)

Wall began her professional career in Chicago, as a member of the Ryan Opera Center at Lyric Opera of Chicago, and in her first season there, she also made her debut with the Chicago Symphony Orchestra on a special New Year’s Eve concert. She most recently appeared with the Orchestra in December 2018, as soloist in Richard Strauss’s Four Last Songs.

“I have wonderful memories of her collaboration in Bruckner’s Te Deum and of her great qualities as a singer and as a musician,” commented Riccardo Muti, speaking from Bologna, Italy. “There are no words for such a premature loss.”

A complete list of her appearances with the Chicago Symphony Orchestra is below.

December 31, 2001, Orchestra Hall
MOZART Temerari! . . . Come scoglio from Così fan tutte, K. 588
MOZART E Susanna non vien! . . . Dove sono from The Marriage of Figaro, K. 492
LEHÁR Meine Lippen, sie küssen so heiss from Giuditta
Carlos Kalmar, conductor

April 1 and 2, 2004, Orchestra Hall
NIELSEN Symphony No. 3, Op. 27 (Sinfonia espansiva)
Alan Gilbert, conductor
Wayne Tigges, bass-baritone

November 17, 18, 20, and 23, 2004, Orchestra Hall
BEETHOVEN Egmont, Op. 84
Mikko Franck, conductor
John Mahoney, narrator

Erin Wall in 2015 (Kristin Hoebermann photo)

August 6, 2005, Ravinia Festival
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Christoph Eschenbach, conductor
Meredith Arwady, contralto
Joseph Kaiser, tenor
Robert Pomakov, bass
Milwaukee Symphony Chorus
Lee Erickson, director

July 18, 2009, Ravinia Festival
BEETHOVEN Symphony No. 9 in D Minor Op. 125
James Conlon, conductor
Kelley O’Connor, mezzo-soprano
Anthony Dean Griffey, tenor
Morris D. Robinson, bass
Chicago Symphony Chorus
Duain Wolfe, director

October 25, 26, and 27, 2012, Orchestra Hall
BEETHOVEN Missa solemnis in D Major, Op. 123
Bernard Haitink, conductor
Bernarda Fink, mezzo-soprano
Anthony Dean Griffey, tenor
Hanno Müller-Brachmann, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

June 23, 25, and 26, 2016
BRUCKNER Te Deum
Riccardo Muti, conductor
Okka von der Damerau, mezzo-soprano
Steve Davislim, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director

December 6, 7, 8, and 11, 2018
STRAUSS Four Last Songs
Edward Gardner, conductor

A personal account of Wall’s journey with breast cancer, written by her in February 2019, is posted on the Canadian Opera Company‘s website, here.

Numerous tributes have been posted online, including Opera News, Chicago’s Daily Herald, and The Telegraph, among several others.

Wishing a very happy seventy-fifth birthday to legendary Israeli-American violinist, conductor, and teacher Itzhak Perlman!

Itzhak Perlman

A frequent and favorite guest artist in Chicago, Perlman has performed with the Chicago Symphony Orchestra as both violin soloist and conductor on numerous occasions.

Perlman made his Chicago debut as soloist with the Grant Park Symphony Orchestra on July 24 and 25, 1965, in Tchaikovsky’s Violin Concerto under the baton of Irwin Hoffman, and he first appeared locally in recital later that year on November 27 at KAM Isaiah Israel, performing Bloch, Brahms, Chausson, Mozart, Paganini, Sarasate, and Vivaldi with David Garvey at the piano.

He first appeared with the Chicago Symphony Orchestra at the Ravinia Festival on August 4, 1966 (a few weeks shy of his twenty-first birthday), in Tchaikovsky’s Violin Concerto with Thomas Schippers conducting. In Orchestra Hall, he first appeared under the auspices of Allied Arts with members of the CSO on an all-Stravinsky concert, in the Violin Concerto in D under the baton of Robert Craft.

As a conductor, Perlman first led the Chicago Symphony Orchestra at the Ravinia Festival on July 25, 1999, in Bach’s Second Violin Concerto and Beethoven’s First Romance for Violin (also performing as soloist), along with Schubert’s Overture to Rosamunde and Brahms’s Fourth Symphony. He has led the Orchestra at Orchestra Hall on one occasion, on November 17, 2008, in Bach’s First Violin Concerto (also performing as soloist), Mozart’s Symphony no. 35, and Tchaikovsky’s Fifth Symphony. Most recently, he conducted the Orchestra in an all-Tchaikovsky program at the Ravinia Festival on August 18, 2019, leading the Fourth Symphony, Variations on a Rococo Theme with Kian Soltani, and the 1812 Overture.

A complete list of Perlman’s appearances is below:

August 4, 1966, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Thomas Schippers, conductor

May 11 and 12, 1967, Orchestra Hall
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Jean Martinon, conductor

Itzhak Perlman (photo by Lisa Marie Mazzucco)

Itzhak Perlman (Lisa Marie Mazzucco photo)

July 6, 1967, Ravinia Festival
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Sir Malcolm Sargent, conductor

July 30, 1968, Ravinia Festival
PAGANINI Violin Concerto No. 1 in D Major, Op. 6
Moshe Atzmon, conductor

July 24, 1969, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
István Kertész, conductor

April 16, 17, and 18, 1970, Orchestra Hall
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Rafael Frühbeck de Burgos, conductor

July 30, 1970, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Lawrence Foster, conductor

July 27, 1971, Ravinia Festival
DVOŘÁK Violin Concerto in A Minor, Op. 53
István Kertész, conductor

July 25, 1972, Ravinia Festial
LALO Symphonie espagnole in D Minor, Op. 21
Lawrence Foster, conductor

July 13, 1973, Ravinia Festival
BERG Violin Concerto
SAINT-SAËNS Introduction and Rondo capriccioso in A Minor, Op. 28
James Levine, conductor

May 8, 9, and 10, 1975, Orchestra Hall
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Ray Still, oboe
BRAHMS Violin Concerto in D Major, Op. 77
Sir Georg Solti, conductor

November 24, 26, and 28, 1976, Orchestra Hall
MOZART Violin Concerto No. 4 in D Major, K. 218
Carlo Maria Giulini, conductor

Perlman Brahms

November 29, 1976, Mandel Hall, University of Chicago
BRAHMS Violin Concerto in D Major, Op. 77
Carlo Maria Giulini, conductor
Recorded in Medinah Temple on November 30 and December 1, 1976. For Angel, Christopher Bishop was the producer and and Christopher Parker was the balance engineer. The recording won the 1978 Grammy Award for Best Classical Album from the National Academy of Recording Arts and Sciences.

July 28, 1977, Ravinia Festival
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Lynn Harrell, cello
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

November 16, 17, and 18, 1978, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Edo de Waart, conductor

March 23, and 24, 1981, Orchestra Hall (recording sessions only)
ELGAR Violin Concerto in B Minor, Op. 61
Daniel Barenboim, conductor
For Deutsche Grammophon, Steven Paul was the producer, Werner Mayer was the recording supervisor, Klaus Scheibe was the recording engineer, and Christopher Adler and Joachim Niss were editors. The recording won the 1982 Grammy Award for Best Classical Performance–Instrumental Soloist or Soloists (with orchestra).

October 29, 30, and 31, 1981, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Sir Georg Solti, conductor

March 1, 2, and 3, 1984, Orchestra Hall
ELGAR Violin Concerto in B Minor, Op. 61
Leonard Slatkin, conductor

August 7, 1986, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
SARASATE Carmen Fantasy, Op. 25
David Zinman, conductor

August 9, 1986, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
David Zinman, conductor

January 15, 16, 17, and 20, 1987, Orchestra Hall
DVOŘÁK Violin Concerto in A Minor, Op. 53
Sir Georg Solti, conductor

August 8, 1987, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Edo de Waart, conductor

December 6, 1988, Orchestra Hall
MOZART Rondo in C Major, K. 373
MOZART Rondeau: Allegro from Duet No. 1 for Violin and Viola in G Major, K. 423
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Pinchas Zukerman, conductor and viola

July 15, 1989, Ravinia Festival
SIBELIUS Violin Concerto in D Minor, Op. 47
James Conlon, conductor

October 3, 5, and 6, and 7, 1989, Orchestra Hall
BRAHMS Violin Concerto in D Major, Op. 77
Daniel Barenboim, conductor

June 23, 1990, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

June 30, 1991, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BRAHMS Violin Concerto in D Major, Op. 77
James Levine, conductor

June 20, 1992, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
James Levine, conductor

May 13, 14, 15, and 18, 1993, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Daniel Barenboim, conductor
Recorded live by Erato. Victor Muenzer was the recording supervisor; Lawrence Rock and Konrad Strauss were sound engineers, assisted by Christopher Willis.

June 26, 1993, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
BRAHMS Violin Concerto in D Major, Op. 77
Mariss Jansons, conductor

July 30, 1994, Ravinia Festival
KHACHATURIAN Violin Concerto in D Minor
Hugh Wolff, conductor

September 22, 23, and 24, 1994, Orchestra Hall
STRAVINSKY Violin Concerto in D
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
John Sharp, cello
Daniel Barenboim, conductor and piano
Stravinsky’s Violin Concerto was recorded live by Teldec. Nikolaus Deckenbrock was the executive producer, Martin Fouqué was the recording producer and editor, Michael Brammann was the recording engineer, and Wolfram Nehls and Philipp Nedel were the assistant engineers.

November 14, 1994, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Lawrence Foster, conductor

July 15, 1995, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Semyon Bychkov, conductor

July 18, 1996, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Christoph Eschenbach, conductor

September 26, 27, and 28, 1996, Orchestra Hall
BRAHMS Concerto in A Minor for Violin and Cello, Op. 102 (Double)
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Recorded live by Teldec. Renate Kupfer was the executive producer, Martin Sauer was the recording producer, Michael Brammann was the recording engineer, Philipp Nedel and John Newton were assistant engineers, and Stefan Witzel was the digital editor.

November 11, 1996, Orchestra Hall
MASSENET Meditation from Thaïs
KREISLER Schön Rosmarin
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

June 22, 1997, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Christoph Eschenbach, conductor

January 22, 23, and 24, 1998, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
William Eddins, conductor

July 19, 1998, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

July 24, 1999, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesleid
KREISLER Liebesfreud
KREISLER Tambourin chinois
Eiji Oue, conductor

July 25, 1999, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BEETHOVEN Romance No. 1 in G major, Op. 40
SCHUBERT Overture to Rosamunde, D. 797
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor and violin

June 1, 2, and 3, 2000, Orchestra Hall
BARBER Violin Concerto, Op. 14
Charles Dutoit, conductor

July 22, 2000, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bernhard Klee, conductor

recording session

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

July 23, 2000, Ravinia Festival
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Alex Klein, oboe
MOZART Symphony No. 29 in A Major, K. 201
VIVALDI Violin Concerto in G Minor, Op. 8, No. 2 (Summer)
BIZET Symphony in C Major
Itzhak Perlman, conductor and violin

November 8, 2000, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Markus Stenz, conductor

December 6, 7, and 8, 2001, Orchestra Hall
BACH Brandenburg Concerto No. 5 in D Major, BWV 1050
Mathieu Dufour, flute
Daniel Barenboim, piano
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Daniel Barenboim, conductor

June 21, 2002, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
William Eddins, conductor

June 22, 2002, Ravinia Festival
GLINKA Overture to Ruslan and Ludmilla
BACH Violin Concerto No. 1 in A Minor, BWV 1041
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Itzhak Perlman, conductor and violin

June 23, 2002, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
Kurt Nikkanen, violin
Zuill Bailey, cello
Navah Perlman, piano
BEETHOVEN Symphony No. 7 in A Major, Op. 92
Itzhak Perlman, conductor

June 28, 2003, Ravinia Festival
MOZART Violin Concerto No. 3 in G Major, K. 216
Robert Spano, conductor

June 29, 2003, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Giora Schmidt, violin
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)
Itzhak Perlman, conductor

June 27, 2004, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Peter Oundjian, conductor

July 9, 2005, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesfreud
SAINT-SÄENS Introduction and Rondo capriccioso in A Minor, Op. 28
Marin Alsop, conductor

July 10, 2005, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Lang Lang, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor

October 1, 2005, Orchestra Hall
MOZART Violin Concerto No. 3 in G Major, K. 216 (Strassburg)
Daniel Barenboim, conductor

July 12, 2006, Ravinia Festival
MOZART Violin Concerto No. 5 in A Major, K. 219 (Turkish)
Yoel Levi, conductor

July 13, 2006, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Emanuel Ax, piano
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
Itzhak Perlman, conductor

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

November 17, 2008, Orchestra Hall
BACH Violin Concerto No. 1 in A Minor, BWV 1041
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor and violin

March 7, 2011, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
KREISLER/McAlister Liebesfreud
James DePreist, conductor

August 4, 2011, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
James Conlon, conductor

August 6, 2011, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
MOZART Piano Concerto No. 12 in A Major, K. 414
Gabriela Martinez, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)
Itzhak Perlman, conductor

August 7, 2013, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Carlos Miguel Prieto, conductor

August 8, 2013, Ravinia Festival
BRAHMS Academic Festival Overture, Op. 80
HAYDN Cello Concerto No.2 in D Major
Alisa Weilerstein, cello
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor

August 20, 2016, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bramwell Tovey, conductor

August 21, 2016, Ravinia Festival
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Lynn Harrell, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

July 29, 2017, Ravinia Festival
HUPFELD/Williams As Time Goes By from Casablanca
MORRICONE/Williams Love Theme from Cinema Paradiso
WILLIAMS Theme from Far and Away
BARRY/Williams Main Title Theme from Out of Africa
KORNGOLD/Williams Marian and Robin Love Theme from The Adventures of Robin Hood
WILLIAMS Theme from Sabrina
WILLIAMS Theme from Schindler’s List
GARDEL/Williams Tango from Scent of a Woman
James Conlon, conductor

August 17, 2019, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Krzysztof Urbański, conductor

August 18, 2019, Ravinia Festival
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Kian Soltani, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

Under the auspices of Allied Arts and Symphony Center Presents, Perlman also has appeared in Orchestra Hall on numerous times in recital, as follows:

Chicago Tribune, December 29, 1966

December 28, 1966, and January 1, 1967, Orchestra Hall
STRAVINSKY Violin Concerto in D
Members of the Chicago Symphony Orchestra
Robert Craft, conductor

April 2, 1967, Orchestra Hall
BEETHOVEN Sonata No. 8 in G Major, Op 30, No. 3
FRANCK Sonata in A Major
STRAVINSKY Suite italienne
BLOCH Nigun from Baal shem
WIENIAWSKI Scherzo tarantelle, Op. 16
Samuel Sanders, piano

January 12, 1969, Orchestra Hall
VIVALDI Sonata in A Major, RV 31
BACH Sonata No. 1 in G Minor, BWV 1001
BRAHMS Sonata No. 1 in G Minor, Op. 108
STRAVINSKY Duo concertant
PAGANINI Three Caprices
SARASATE/Zimbalist Carmen Fantasy
Samuel Sanders, piano

April 27, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 301
MOZART Sonata in E-flat Major, K. 302
MOZART Sonata in C Major, K. 303
MOZART Sonata in E Minor, K. 304
MOZART Sonata in A Major, K. 305
MOZART Sonata in D Major, K. 306
Daniel Barenboim, piano

May 6, 1991, Orchestra Hall
MOZART Sonata in F Major, K. 376
MOZART Sonata in B-flat Major, K. 378
MOZART Sonata in F Major, K. 377
MOZART Sonata in C Major, K. 296
Daniel Barenboim, piano

October 7, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 379
MOZART Sonata in E-flat Major, K. 481
MOZART Sonata in E-flat Major, K. 380
MOZART Sonata in B-flat Major, K. 454
Daniel Barenboim, piano

October 16, 1991, Orchestra Hall
MOZART Twelve Variations in G Major on the French Song La bergère Cèlimène, K. 359
MOZART Sonata in F Major, K. 547
MOZART Six Variations in G Minor on the French Song Hélas! j’ai perdu mon amant, K. 360
MOZART Sonata for Violin and Piano in A Major, K. 526
Daniel Barenboim, piano

May 10, 1993, Orchestra Hall
BEETHOVEN Sonata No. 1 in D Major, Op. 12, No. 1
BEETHOVEN Sonata No. 3 in E-flat Major, Op. 12, No. 3
BEETHOVEN Sonata No. 4 in A Minor, Op. 23
BEETHOVEN Sonata No. 5 in F Major, Op. 24 (Spring)
Daniel Barenboim, piano

May 16, 1993, Orchestra Hall
BEETHOVEN Sonata No. 2 in A Major, Op. 12, No. 2
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
BEETHOVEN Sonata No. 10 in G Major, Op. 96
Daniel Barenboim, piano

May 17, 1993, Orchestra Hall
BEETHOVEN Sonata No. 6 in A Major, Op. 30, No. 1
BEETHOVEN Sonata No. 8 in G Major, Op. 30, No. 3
BEETHOVEN Sonata No. 9 in A Major, Op. 47
Daniel Barenboim, piano

September 26, 1994, Orchestra Hall
BACH Sonata in G Major, BWV 1019
ELGAR Sonata in E Minor, Op. 82
STRAUSS Sonata in E-flat Major, Op. 18
Daniel Barenboim, piano

February 2, 1997, Orchestra Hall
SCHUBERT Sonata in G Minor, D. 408
SCHUBERT Sonata in A Major, D. 574 (Grand Duo)
SCHUBERT Fantasy in C Major, D. 934
Daniel Barenboim, piano

Perlman, Samuel Magad, Daniel Barenboim, John Sharp, and Pinchas Zukerman performing Brahms’s F minor quintet on October 9, 1997 (Jim Steere photo)

October 9, 1997, Orchestra Hall
WAGNER Siegfried Idyll
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Joseph Guastafeste, bass
Donald Peck, flute
Alex Klein, oboe
Larry Combs, clarinet
Gregory Smith, clarinet
David McGill, bassoon
Dale Clevenger, horn
Norman Schweikert, horn
Adolph Herseth, trumpet
Daniel Barenboim conductor
MOZART Duo No. 1 for Violin and Viola in G Major, K. 423
Itzhak Perlman, violin
Pinchas Zukerman, viola
HALVORSEN Passacaglia on a Theme of Handel for Violin and Viola
Itzhak Perlman, violin
Pinchas Zukerman, viola
BRAHMS Quintet for Piano and Strings in F Minor, Op. 34
Itzhak Perlman, violin
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Daniel Barenboim, piano

December 1, 1997, Medinah Temple
Brave Old World
The Klezmatics
The Andy Statman Klezmer Orchestra
The Klezmer Conservatory Band

October 17, 1999, Orchestra Hall
MOZART Sonata in F Major, K. 377
MOZART Sonata in A Major, K. 526
BEETHOVEN Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Daniel Barenboim, piano

November 19, 2000, Orchestra Hall
SCHUMANN Piano Quintet in E-flat Major, Op. 44
BRAHMS Piano Quintet in F Minor, Op. 34
Robert Chen, violin
Pinchas Zukerman, viola
Yo-Yo Ma, cello
Daniel Barenboim, piano

December 9, 2001, Orchestra Hall
MOZART Sonata in G Major, K. 379
BRAHMS Sonata No. 2 in A Major, Op. 100
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
Daniel Barenboim, piano

May 3, 2006, Orchestra Hall
BACH/Goldberg Sonata for Two Violins and Keyboard in C Major, BWV 1037
MOZART Duo for Violin and Viola in G Major, K. 423
LECLAIR Sonata for Two Violins in F Major, Op. 3, No. 4
MOSZKOWSKI Suite for Two Violins and Piano in G Minor, Op. 71
Pinchas Zukerman, violin and viola
Rohan De Silva, piano

April 19, 2009, Orchestra Hall
MOZART Piano Quartet No. 2 in E-flat Major, K. 493
Itzhak Perlman, violin
Molly Carr, viola
Yves Dharamraj, cello
Kwan Yi, piano
MENDELSSOHN Octet for Strings in E-flat Major, Op. 20
Itzhak Perlman, violin
Erno Kallai, violin
Francesca Anderegg, violin
Wanzhen Li, violin
Kyle Armbrust, viola
Molly Carr, viola
Jia Kim, cello
Yves Dharamraj, cello

May 1, 2019, Orchestra Hall
MOZART Violin Sonata in D Major, K. 306
BRAHMS Violin Sonata No. 2 in A Major, Op. 100
BEETHOVEN Violin Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Evgeny Kissin, piano

Happy, happy birthday!

The Chicago Symphony Orchestra family joins the music world in mourning the loss of legendary American pianist, conductor, and pedagogue Leon Fleisher, who died yesterday in Baltimore. He was ninety-two.

Leon Fleisher (Eli Turner photo)

Fleisher began playing the piano at the age of four, and five years later he became a student of Artur Schnabel. At sixteen in 1944, he made his debut performing Brahms’s First Piano Concerto with the San Francisco Symphony and then with the New York Philharmonic at Carnegie Hall, both under Pierre Monteux. The following year, he made his debut with the Chicago Symphony Orchestra with Leonard Bernstein conducting at the Ravinia Festival.

In 1964, Fleisher lost the use of his right hand due to focal dystonia, forcing him to concentrate on repertoire written for the left hand. By the late 1990s, he had regained use of his right hand. A tireless pedagogue, he was (according to his son Julian) still teaching and conducting master classes online as recently as last week.

Fleisher appeared with the Chicago Symphony Orchestra on numerous occasions, both in Orchestra Hall and at the Ravinia Festival. A complete list is below.

July 31, 1945, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Leonard Bernstein, conductor

August 4, 1945, Ravinia Festival
FRANCK Symphonic Variations
LISZT Piano Concerto No. 2 in A Major
Leonard Bernstein, conductor

July 4, 1946, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
George Szell, conductor

July 7, 1946, Ravinia Festival
SCHUMANN Piano Concerto in A Minor, Op. 54
George Szell, conductor

July 11, 1946, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
William Steinberg, conductor

July 14, 1946, Ravinia Festival
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
William Steinberg, conductor

Leon Fleisher in 1963 (Bender photo)

March 25, 1947, Orchestra Hall
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Désiré Defauw, conductor

March 27 and 28, 1947, Orchestra Hall
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Désiré Defauw, conductor

February 18, 19, and 23, 1954, Orchestra Hall
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Fritz Reiner, conductor

July 1, 1954, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
William Steinberg, conductor

July 4, 1954, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
William Steinberg, conductor

July 13, 1956, Ravinia Festival
MOZART Piano Concerto No. 25 in C Major, K. 503
Igor Markevitch, conductor

July 14, 1956, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Igor Markevitch, conductor

February 1, 1958, Orchestra Hall
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Carlo Maria Giulini, conductor

July 26, 1958, Ravinia Festival
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Igor Markevitch, conductor

July 29, 1958, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Georg Solti, conductor

July 30, 1959, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73
André Cluytens, conductor

August 1, 1959, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
André Cluytens, conductor

June 27, 1961, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Walter Hendl, conductor

June 29, 1961, Ravinia Festival
MOZART Piano Concerto No. 25 in C Major, K. 503
Walter Hendl, conductor

April 25 and 26, 1963, Orchestra Hall
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Walter Hendl, conductor

July 25, 1963, Ravinia Festival
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Hans Schmidt-Isserstedt, conductor

July 27, 1963, Ravinia Festival
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Hans Schmidt-Isserstedt, conductor

July 30, 1964, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Stanisław Skrowaczewski, conductor

August 1, 1964, Ravinia Festival
MOZART Piano Concerto No. 23 in A Major, K. 488
Seiji Ozawa, conductor

July 6, 1968, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Seiji Ozawa, conductor

June 30, 1984, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
James Levine, conductor

July 27, 1985, Ravinia Festival
BRITTEN Diversions for Piano Left Hand and Orchestra, Op. 21
James Conlon, conductor

August 14, 1986, Ravinia Festival
PROKOFIEV Piano Concerto No. 4 in B-flat Major for the Left Hand, Op. 53
James Conlon, conductor

July 28, 1988, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Yuri Temirkanov, conductor

July 28, 1989, Ravinia Festival
SCHMIDT Piano Concerto for the Left Hand in E-flat Major
Edo de Waart, conductor
Chicago Symphony Orchestra

July 26, 1990, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Gianluigi Gelmetti, conductor

December 3, 4, 5, and 8, 1992
RAVEL Piano Concerto for the Left Hand in D Major
Pierre Boulez, conductor

July 29, 1995, Ravinia Festival
FOSS Piano Concerto for the Left Hand
Manfred Honeck, conductor

December 14, 15, and 16, 1995, Orchestra Hall
RAVEL Piano Concerto for the Left Hand in D Major
Pierre Boulez, conductor

July 10, 1998, Ravinia Festival
RAVEL Piano Concerto for the Left Hand in D Major
Christoph Eschenbach, conductor

July 1, 1999, Ravinia Festival
MOZART Piano Concerto No. 12 in A Major, K. 414
Christoph Eschenbach, conductor

August 14, 1999, Ravinia Festival
BRAHMS Adagio from Piano Concerto No. 1 in D Minor, Op. 15
Christoph Eschenbach, conductor

July 15, 2000, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Iván Fischer, conductor

July 15, 2001, Ravinia Festival
MOZART Piano Concerto No. 12 in A Major, K. 414
Sir Andrew Davis, conductor

July 13, 2002, Ravinia Festival
MOZART Concerto for Three Pianos in F Major, K. 242 (Lodron)
Leon Fleisher, piano
Claude Frank, piano
Menahem Pressler, piano
Peter Oundjian, conductor

August 1, 2003, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
John Axelrod, conductor

July 30, 2008, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-Flat Major, Op. 73 (Emperor)
Sir Andrew Davis, conductor

July 28, 2013, Ravinia Festival
MOZART Concerto for Three Pianos in F Major, K. 242 (Lodron)
Leon Fleisher, piano
Katherine Jacobson Fleisher, piano
Alon Goldstein, piano

Numerous tributes have been posted online, including The Baltimore Sun, The New York Times, and NPR, among many others.

Frederica von Stade (Robert Millard photo)

Wishing a very happy seventy-fifth birthday to the wonderful American mezzo-soprano, Frederica von Stade!

Von Stade has appeared with the Chicago Symphony Orchestra on several occasions, at the Ravinia Festival and in Carnegie Hall, as follows.

May 1 and 2, 1981, Carnegie Hall
BERLIOZ The Damnation of Faust
Kenneth Riegel, tenor (May 1)
Peyo Garazzi, tenor (May 2)
José van Dam, baritone
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Sir Georg Solti, conductor

Solti also led performances of Berlioz’s work at Orchestra Hall in Chicago on April 23 and 25, 1981, prior to the Carnegie Hall performances. Unfortunately, Frederica von Stade had to cancel due to illness. She was replaced by Chicago Symphony Chorus member Mary Beth Stephen on April 23 and Claudine Carlson on April 25.

Berlioz’s The Damnation of Faust was recorded by London in Medinah Temple on May 4, 5, 6, and 7, 1981. James Mallinson was the producer, and James Lock and Simon Eadon were sound engineers. The recording won the 1982 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

Berlioz album cover

July 9, 1988, Ravinia Festival
BERLIOZ Romeo and Juliet
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 14, 1996, Ravinia Festival
MOZART Ch’io mi scordi di te? . . . Non temer, amato bene (with Claude Frank, piano)
MAHLER Songs from Rückert Lieder and Des Knaben Wunderhorn
Semyon Bychkov, conductor

August 14, 1999, Ravinia Festival
MOZART “Parto, parto, ma tu, ben mio” from La clemenza di Tito,
LEHÁR “Vilja” and “Lippen schweigen” (with John Aler, tenor) from The Merry Widow
Christoph Eschenbach, conductor

July 8, 2000, Ravinia Festival
Selections from:
COPLAND Old American Songs
KERN Show Boat
OFFENBACH The Grand Duchess of Gerolstein
MOZART Don Giovanni
RODGERS Oklahoma! and South Pacific
SONDHEIM A Little Night Music
with Samuel Ramey, bass
Miguel Harth-Bedoya, conductor

August 5 and 7, 2010, Ravinia Festival
MOZART Così fan tutte
Ana María Martínez, soprano
Ruxandra Donose, mezzo-soprano
Saimir Pirgu, tenor
Rodion Pogossov, baritone
Richard Stilwell, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
James Conlon, conductor

Happy, happy birthday!

Christoph Eschenbach (Eric Brissaud photo)

Wishing a very happy eightieth birthday to German pianist and conductor Christoph Eschenbach!

Eschenbach’s association with the Chicago Symphony Orchestra began over fifty years ago, when he was piano soloist in the U.S. premiere of Hans Werner Henze’s Second Piano Concerto under the baton of the composer on January 30, 31, and February 1, 1969, in Orchestra Hall. “For all its integrated construction, the concerto depends greatly upon the soloist. So much, in fact, that it is difficult to imagine the work succeeding if Christoph Eschenbach were not at the keyboard,” wrote Thomas Willis in the Chicago Tribune. “The harder the passages, the more he seems to relish their challenge . . . he can drive a climax to its emotional peak and the next moment be spinning delicate filigree requiring the greatest control and concentration.”

At the Ravinia Festival, Eschenbach made his debut as piano soloist on July 25, 1973, in Schumann’s Piano Concerto with Riccardo Muti—in his debut with the Chicago Symphony Orchestra—on the podium. As a conductor, Eschenbach first led the Orchestra at Ravinia on August 3, 1978, in an all-Beethoven program: the Second Piano Concerto (conducting from the keyboard) and the Third Symphony.

In Orchestra Hall, he first led the Orchestra (as a last-minute replacement for Klaus Tennstedt) in Mahler’s Sixth Symphony on December 20, 21, and 22, 1990. “His credentials as a Mahlerian are impressive,” wrote John von Rhein in the Chicago Tribune. “He has the force of imagination and perception to fuse the sprawling rhetoric of Mahler’s most tragic symphony into a statement at once structurally coherent and emotionally compelling. . . . In Eschenbach’s hands, the finale was a true culmination, breathing an air of desperate defiance from first to last. He balanced light and shade, serenity and strife, with a white-hot intensity and concentration not heard here since Georg Solti’s Mahler Sixth years ago.”

1969 publicity flyer for Christoph Eschenbach

To coincide with the Ravinia Festival’s sixtieth season, along with an $11.5 million renovation of the pavilion and grounds, executive director Zarin Mehta announced in September 1994 that Eschenbach would be the festival’s third music director beginning in the summer of 1995.

For his first concert in that capacity on June 29, 1995, Eschenbach led the Orchestra in Rouse’s Phaethon, Bruch’s First Violin Concerto with Nadja Salerno-Sonnenberg, and Mahler’s Fifth Symphony. Regarding Mahler’s symphony, von Rhein wrote in the Chicago Tribune, “It was a highly individual interpretation, to be sure, but Eschenbach has the command, the control, to make our band share his convictions and carry out his ideas all the way.” In the Chicago Sun-Times, Wynne Delacoma added, “The audience was on its feet seconds after the Mahler ended, cheering and applauding, sending up waves of still louder cheers as Eschenbach motioned to CSO principals and soloists, especially brass and woodwinds, to take their bows.”

Eschenbach served the Ravinia Festival through the 2003 summer season. He gave his final concerts as music director with the Orchestra on August 10, leading Mozart’s Piano Concerto no. 12 (from the keyboard), Bernstein’s Symphony no. 2 (The Age of Anxiety) with pianist Christopher Taylor, and Beethoven’s Fourth Piano Concerto with Lang Lang.

Most recently, he led the Orchestra in Orchestra Hall on February 22, 23, 24, and 27, 2018, leading Weber’s Overture to Der Freischütz, Chopin’s Second Piano Concerto with David Fray, and Mendelssohn’s Overture to A Midsummer Night’s Dream and Fourth Symphony.

To celebrate his eightieth birthday, Eschenbach returns to the Ravinia Festival in the summer of 2020, to lead the Orchestra in three concerts:

August 7, 2020
KHACHATURIAN Flute Concerto
Stathis Karapanos, flute
BERLIOZ Symphonie fantastique, Op. 14

August 8, 2020
THEODORAKIS (arr. Wastor and Karapanos) Zorbas Suite
Stathis Karapanos, flute
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Erin Wall, soprano
Michelle DeYoung, mezzo-soprano
Paul Appleby, tenor
Matthias Goerne, baritone
Chicago Symphony Chorus
Duain Wolfe, director

August 9, 2020
KORNGOLD Violin Concerto in D Major, Op. 35
William Hagen, violin
MAHLER Symphony No. 1 in D Major

Happy, happy birthday!

Portions of this article previously appeared here.

The Chicago Symphony Orchestra family joins the music world in mourning the death of the remarkable German tenor and conductor Peter Schreier, who died in Dresden on December 25, 2019, following a long illness. He was 84.

Schreier appeared in recital and with the Orchestra, both in Orchestra Hall and at the Ravinia Festival, as follows:

March 13, 1995, Orchestra Hall
SCHUBERT Winterreise, D. 911
Peter Schreier, tenor
Daniel Barenboim, piano

August 4, 1996, Ravinia Festival
SCHUMANN Scenes from Goethe’s Faust
Christoph Eschenbach, conductor
Rebecca Evans, soprano
Michelle DeYoung, mezzo-soprano
Peter Schreier, tenor
Bo Skovhus, baritone
Alan Held, bass-baritone
Franz-Josef Selig, bass
Chicago Symphony Chorus
Duain Wolfe, director
Barrington Children’s Choir

March 6, 7, 8, and 11, 1997, Orchestra Hall
BACH The Passion According to Saint Matthew, BWV 244
Peter Schreier, conductor and evangelist
Julie Kaufmann, soprano
Monica Groop, mezzo-soprano
Steve Davislim, tenor
Klaus Mertens, baritone
Peter Lika, bass
Chicago Symphony Chorus
Duain Wolfe, chorus director
Chicago Children’s Choir
William Chin, director

December 16, 17, and 18, 1999
BACH Parts 1, 2, and 3 from Christmas Oratorio, BWV 248
Peter Schreier, conductor and evangelist
Ute Selbig, soprano
Rosemarie Lang, mezzo-soprano
Thomas Cooley, tenor
Egbert Junghanns, baritone
Chicago Symphony Chorus
Duain Wolfe, director

June 7, 8, 9, and 10, 2001
BACH The Passion According to Saint John, BWV 245
Peter Schreier, conductor and evangelist
Camilla Nylund, soprano
Annette Markert, mezzo-soprano
Marcus Ullmann, tenor
Jörg Hempel, baritone
Stephan Loges, baritone
Chicago Symphony Chorus
Duain Wolfe, director

March 11, 12, 13, 14, and 16, 2004
HANDEL Messiah
Peter Schreier, conductor
Esther Heideman, soprano
Jane Gilbert, mezzo-soprano
Randal Rushing, tenor
Kevin Burdette, bass
Chicago Symphony Chorus
Duain Wolfe, director

Numerous tributes have been posted online at BBC News and AP News, among many others.

the vault

Theodore Thomas

disclaimer

The opinions expressed here are mine and do not necessarily reflect those of my employer.

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