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Daniel Barenboim (Don Getsug photo)

Wishing a very happy seventy-fifth birthday to the Chicago Symphony Orchestra’s ninth music director, Daniel Barenboim!

Before and during his tenure as music director, Barenboim led the Orchestra on numerous international tours (see here, here, here, and here); made dozens of recordings for Deutsche Grammophon, Erato, and Teldec, in addition to other labels; conducted over thirty world and U.S. premieres; and was a frequent chamber music collaborator and recitalist.

From all of your friends here in Chicago, we wish you a happy, happy birthday, Maestro!

This article also appears here.

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In addition to releases with Deutsche Grammophon, Erato, and Teldec, Daniel Barenboim and the Chicago Symphony Orchestra made commercial recordings on several other labels. A complete list is below (all recordings made in Orchestra Hall unless otherwise noted).

Barenboim and du Pré at Medinah Temple on November 11, 1970 (Robert M. Lightfoot III photo)

Barenboim made his conducting debut with the Orchestra on November 4, 1970, on a concert at Michigan State University. The first work on that first program was Dvořák’s Cello Concerto, and the soloist was Barenboim’s wife, Jacqueline du Pré. One week later, they recorded the work—along with the same composer’s Silent Woods—with the Orchestra at Medinah Temple.

DVOŘÁK Concerto for Cello in B Minor, Op. 104
DVOŘÁK Silent Woods for Cello and Orchestra, Op. 68
Jacqueline du Pré, cello
Daniel Barenboim, conductor
Recorded in Medinah Temple on November 11, 1970
Angel Records

On January 26, 1998, in Orchestra Hall, Barenboim led—from the podium and the keyboard—a special concert called Star-Crossed Lovers, featuring Renée Fleming and Plácido Domingo in songs, arias, and duets along with narrators Lynn Redgrave and Timothy Dalton. The concert was recorded for a Great Performances telecast and a London Records release.

Domingo and Fleming on January 26, 1998 (Dan Rest photo)

BERNSTEIN Prologue, Tonight, Rumble, and Somewhere from West Side Story
ELLINGTON In a sentimental mood, Do nothin’ till you hear from me, and Prelude to a kiss
GARDEL El día que me quieras
GOUNOD Il se fait tard . . . Ô nuit d’amour! from Faust
LEHÁR Dein ist mein ganzes Herz from The Land of Smiles
LEHÁR Lippen schweigen from The Merry Widow
MORENO-TORROBA ¡Quisiera verte y no verte! and Jota castellana
VERDI Già nella notte densa from Otello
Renée Fleming, soprano
Plácido Domingo, tenor
Daniel Barenboim, piano and conductor
Recorded January 26, 1998
London Records

Barenboim led the Orchestra in the world premiere of composer-in-residence Shulamit Ran’s Legends in October 1993 and programmed the work again in June 2004. A recording of the second set of performances—along with Ran’s Violin Concerto, performed by Ittai Shapira with the BBC Concert Orchestra under Charles Hazlewood—was released by Albany Records in 2007.

RAN Legends
Daniel Barenboim, conductor
Recorded June 3, 4, 5, and 8, 2004
Albany Records

Three videos featuring the Orchestra and Barenboim, performing at the Philharmonie in Cologne, Germany, were also released, on the Arthaus Musik and EuroArts labels.

MAHLER Symphony No. 5
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on June 4 and 5, 1997
Arthaus Musik

SIBELIUS Concerto for Violin in D Minor, Op. 47
*BACH Sarabande from Partita No. 2 in D Minor, BWV 1004
*YSAŸE Ballad from Sonata No. 3 in D Minor
Maxim Vengerov, violin
Daniel Barenboim, conductor
FALLA Nights in the Gardens of Spain
Plácido Domingo, conductor
Recorded at the Philharmonie in Cologne, Germany on June 8 and 9, 1997
*Solo encores performed by Vengerov
Arthaus Musik

BOULEZ Notations for Orchestra I-IV
DEBUSSY La mer
FALLA The Three-Cornered Hat
*MORES/Carli El firulete
Elisabete Matos, mezzo-soprano
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on April 27 and 28, 2001
*Performed as an encore
EuroArts

In conjunction with the Chicago Symphony Orchestra Association’s annual Symphonython (previously Marathon and Radiothon) fundraiser, a themed collection of radio broadcasts was offered as a donation premium. Several works led by Barenboim were included on various sets, and one collection was dedicated solely to him.

Chicago Symphony Chorus: A Fortieth Anniversary Celebration
From the Archives, vol. 13 (1998)

BACH Singet dem Herr nein neues Lied, BWV 225
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded May 11 and 14, 1991

SCHUBERT Gesang der Geister über den Wassern, D. 714
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded May 9, 1991

Beethoven
From the Archives, vol. 17 (2003)

BEETHOVEN Elegy, Op. 118
Chicago Symphony Chorus
Duain Wolfe and Cheryl Frazes Hill, directors
Daniel Barenboim, conductor
Recorded September 17, 1994

A Tribute to Daniel Barenboim
From the Archives, vol. 20 (2006)

BERG Three Pieces for Orchestra, Op. 6
Daniel Barenboim, conductor
Recorded October 15, 1997

BERNSTEIN Symphony No. 1 (Jeremiah)
Birgitta Svendén, mezzo-soprano
Daniel Barenboim, conductor
Recorded February 15 and 16, 1996

FALLA El amor brujo
Jennifer Larmore, mezzo-soprano
Daniel Barenboim, conductor
Recorded May 22, 1997

HAYDN Symphony No. 48 in C Major (Maria Theresa)
Daniel Barenboim, conductor
Recorded May 20, 1993

MONIUSZKO Mazurka from Halka
Daniel Barenboim, conductor
Recorded at the Petrillo Music Shell in Grant Park, September 21, 1991

MORES/Carli El firulete
Daniel Barenboim, conductor
Recorded February 15, 2001

MOZART Finale Scene from The Marriage of Figaro, K. 492
Lella Cuberli, Joan Rodgers, Dawn Kotoski, sopranos
Cecilia Bartoli, Mimi Lerner, mezzo-sopranos
Graham Clark, tenor
Ferruccio Furlanetto, Michele Pertusi, Peter Rose, Günther von Kannen, basses
Daniel Barenboim, conductor
Recorded February 2, 7, and 12, 1992

SCHUBERT Psalm 23, D. 706
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, piano
Recorded October 3, 1996

THOMAS Ceremonial
Daniel Barenboim, conductor
Recorded January 6, 2000

WAGNER A Faust Overture
Daniel Barenboim, conductor
Recorded October 18, 1991

WOLF Der Feurreiter
Chicago Symphony Chorus
Duain Wolfe and Cheryl Frazes Hill, directors
Daniel Barenboim, conductor
Recorded September 17, 1994

Soloists of the Orchestra III
From the Archives, vol. 21

FISHER/Gould Chicago
Larry Combs, clarinet
Daniel Barenboim, conductor
Petrillo Music Shell, September 1991

BOULEZ Messagesquisse for Seven Cellos
John Sharp, solo cello
Stephen Balderston, Phillip Blum, Loren Brown, Richard Hirschl, Jonathan Pegis, and Gary Stucka, cellos
Daniel Barenboim, conductor
September 22, 1994

Additionally, two large collections of radio broadcast material were released as commercial recordings: a twelve-disc set to celebrate the the Orchestra’s centennial in 1990 and a ten-disc set as a retrospective of the twentieth century in 2000.

Chicago Symphony Orchestra: The First 100 Years (1990)

SCRIABIN Symphony No. 4, Op. 54 (The Poem of Ecstasy)
Daniel Barenboim, conductor
Recorded December 13, 14, and 16, 1984

BRAHMS Concerto for Piano No. 2 in B-flat Major, Op. 83
Daniel Barenboim, piano
Carlo Maria Giulini, conductor
Recorded November 28, 1977

RAN Concerto for Orchestra
Daniel Barenboim, conductor
Recorded October 20, 22, and 25, 1988

Chicago Symphony Orchestra in the Twentieth Century: Collector’s Choice (2000)

BUSONI Lustspiel Overture, Op. 38
Daniel Barenboim, conductor
Recorded January 4, 1996

MOZART/Busoni Overture to The Abduction from the Seraglio, K. 284
Daniel Barenboim, conductor
Recorded February 8, 1996

BEETHOVEN Christ on the Mount of Olives, Op. 85
Laura Aikin, soprano
Ben Heppner, tenor
René Pape, bass
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
Recorded February 15 and 16, 1996

From 1993 until 2000, recordings by Daniel Barenboim and the Chicago Symphony Orchestra were recorded and released by Teldec, following the acquisition of Erato by Warner Music in 1992. A complete list of Barenboim’s catalog with the CSO on Teldec is below (all recordings were made in Orchestra Hall, unless otherwise noted).

Cover image: Ludwig Mies van der Rohe’s apartment buildings at 860-880 North Lake Shore Drive*

BERIO Continuo
Daniel Barenboim, conductor
Recorded January 9, 1993

BERLIOZ Symphonie fantastique, Op. 14
Daniel Barenboim, conductor
Recorded May 11, 12, and 13, 1995

BERNSTEIN Symphonic Dances from West Side Story
Daniel Barenboim, conductor
Recorded in Medinah Temple May 23, 1997

BOULEZ Notations For Orchestra VII
Daniel Barenboim, conductor
Recorded January 28, 2000

BRAHMS Concerto for Violin in D Major, Op. 77
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded October 15, 16, 17, 18, and 21, 1997

BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Itzhak Perlman, violin
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Recorded September 26, 27, and 28, 1996

CARTER Partita
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on June 1, 1994

DEBUSSY La mer
Daniel Barenboim, conductor
Recorded January 28 and 29, 2000

FALLA Nights in the Gardens of Spain
Daniel Barenboim, piano
Plácido Domingo, conductor
Recorded in Medinah Temple on May 13, 15, 16 and 17, 1997

FALLA The Three-Cornered Hat
Jennifer Larmore, mezzo-soprano
Daniel Barenboim, conductor
Recorded in Medinah Temple on May 22, 23, 24, and 25, 1997

Cover image: an aerial view of Chicago in 1945*

FURTWÄNGLER Symphony No. 2 in E Minor
Daniel Barenboim, conductor
Recorded December 12, 13, 14 and 15, 2001

GERSHWIN Cuban Overture
Daniel Barenboim, conductor
Recorded in Medinah Temple May 23, 1997

HANNIBAL African Portraits
Alhaji “Papa” Bunka Susso, griot
Eye Plus One Drummers (Paul A. Cotton, Mesha’ch Silas, Enoch Williamson; Clifton Robinson, director)
Jevetta Steele, gospel singer
David “Honeyboy” Edwards, vocal
Hannibal Lokumbe Quartet (Hannibal Lokumbe, Ron Burton, Cecil McBee, Cecil Brooks III)
Barton Green, tenor
David van Abbema, baritone
Theodore Jones, baritone
Brian Smith, boy soprano
Morgan State University Choir
Nathan Carter, director
Kennedy-King College Community Chorus
Randall Johnson, director
Doris Ward Workshop Chorale
Lucius Robinson, director
Daniel Barenboim, conductor
Recorded May 4, 5, and 9, 1995

MAHLER Symphony No. 5
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on June 4 and 5, 1997

NIELSEN Concerto for Violin, Op. 33
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded January 8 and 9, 1996

ROUGET DE L’ISLE/Berlioz La Marseillaise
Plácido Domingo, tenor (recorded at the Hochschule für Musik Mozarteum, Salzburg, Austria)
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
Recorded May 15, 1995

SCHOENBERG Five Pieces for Orchestra, Op. 16
Daniel Barenboim, conductor
Recorded October 3 and 7, 1994

SCHOENBERG Transfigured Night, Op. 4
Daniel Barenboim, conductor
Recorded October 3 and 7, 1994

SIBELIUS Concerto for Violin in D Minor, Op. 47
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded January 8 and 9, 1996

STRAUSS Concerto for Horn No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
Recorded October 2 and 5, 1998
Daniel Barenboim, conductor
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

Cover image: Marina City Building*

STRAUSS Concerto for Oboe and Small Orchestra in D Major
Daniel Barenboim, conductor
Alex Klein, oboe
Recorded October 2, 5, and 6, 1998
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

STRAUSS Duet-Concertino in F Major
Daniel Barenboim, conductor
Larry Combs, clarinet
David McGill, bassoon
Recorded October 2 and 5, 1998
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

STRAVINSKY Concerto for Violin in D Major
Daniel Barenboim, conductor
Itzhak Perlman, violin
Recorded September 22, 23, and 24, 1994

STRAVINSKY The Rite of Spring
Daniel Barenboim, conductor
Recorded January 28 and 29, 2000

TAKEMITSU Visions
Daniel Barenboim, conductor
Recorded January 9, 1993

Cover image: Carson, Pirie, Scott and Company Building (now Sullivan Center)*

TCHAIKOVSKY 1812 Overture, Op. 49
Daniel Barenboim, conductor
Recorded October 30, 1995

TCHAIKOVSKY Romeo and Juliet
Daniel Barenboim, conductor
Recorded October 20, 1995

TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Daniel Barenboim, conductor
Recorded January 30, 31, February 1, and 4, 1997

TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Daniel Barenboim, conductor
Recorded October 26, 27, 28, and 30, 1995

Cover image: Old Colony Building*

TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathéthique)
Daniel Barenboim, conductor
Recorded February 5, 6, 7, and 10, 1998

WAGNER Overture to The Flying Dutchman
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 1 of Lohengrin
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 3 of Lohengrin
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg
Daniel Barenboim, conductor
Recorded September 26, 1992

WAGNER Prelude to Act 3 of Die Meistersinger von Nürnberg
Daniel Barenboim, conductor
Recorded January 6 and 8, 1999

WAGNER Prize Song from Die Meistersinger von Nürnberg (arranged for horn)
Daniel Barenboim, conductor
Dale Clevenger, horn
Recorded January 6 and 8, 1999

WAGNER Prelude and Good Friday Spell from Parsifal
Daniel Barenboim, conductor
Recorded January 8 and 13, 1999

WAGNER Overture to Rienzi
Daniel Barenboim, conductor
Recorded January 6 and 13, 1999

WAGNER Siegfried Idyll
Daniel Barenboim, conductor
Recorded January 13, 1999

WAGNER Overture to Tannhäuser
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 3 of Tannhäuser
Daniel Barenboim, conductor
Recorded January 8, 1999

WAGNER Prelude and Liebestod from Tristan und Isolde
Daniel Barenboim, conductor
Recorded January 16, 1993

*Historic photographs of iconic Chicago buildings were provided to Teldec by David R. Phillips of the Chicago Architectural Photographing Company

MENDELSSOHN Wedding MarchThe commercial recording legacy of the Chicago Symphony Orchestra—under second music director Frederick Stock—began on May 1, 1916. For the Columbia Graphophone Company (at an undocumented location in Chicago), they recorded Mendelssohn’s Wedding March from A Midsummer Night’s Dream; Wagner’s Ride of the Valkyries from Die Walküre; and Grieg’s Two Elegiac Melodies, Heart Wounds and The Last Spring.

Mendelssohn’s Wedding March and Grieg’s The Last Spring were each on the first 80-rpm disc issued in October 1916, and a Columbia Records sales brochure raved, “The deepest glories vibrant in such a familiar composition as Mendelssohn’s Wedding March are unguessed until interpreted by such an orchestra as this. From the first trumpet fanfare to the great central crescendo is very joy and glory articulate! . . . There can be no pleasure beyond enjoying such music as the Chicago Symphony here brings to every music-loving home.”

Recording_Centennial_Rotunda_Display_102.75x60

To commemorate this legacy, this collage of record and CD labels is on display in the first floor of Symphony Center’s Rotunda through the end of the Orchestra’s current—the 125th—season. Details of all of the recordings included are below (all recordings were made at Orchestra Hall unless otherwise noted).

BEETHOVEN Piano Concerto No. 4-2Austrian pianist Artur Schnabel made his debut with the Orchestra at the Ravinia Festival on July 11, 1942, performing Beethoven’s Fourth Piano Concerto with George Szell conducting. On July 22 and 24, Schnabel and the Orchestra recorded the Fourth along with Beethoven’s Fifth Piano Concerto at Orchestra Hall for Victor Records. Frederick Stock conducted these, his last, recording sessions with the Orchestra; he died a few short months later on October 20.

PROKOFIEV Scythian Suite-2 WAGNER Prelude and Liebestod-2The Chicago Symphony Orchestra gave the U.S. premiere of Prokofiev’s Scythian Suite under the baton of the composer on December 6, 1918. On March 16, 1945, third music director Désiré Defauw recorded the work for RCA.

Fourth music director Artur Rodzinski led the Orchestra in a complete performance of Wagner’s Tristan and Isolde—with Set Svanholm and Kirsten Flagstad in the title roles—at the Civic Opera House on November 16, 1947. A month later on December 14, he led the Orchestra in recording sessions for the Prelude and Liebestod at Orchestra Hall.

STRAUSS Ein HeldenlebenMUSSORGSKY Pictures at an ExhibitionFor Mercury Records, fifth music director Rafael Kubelík led the Orchestra’s first recording of Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition on April 23 and 24, 1951. Principal trumpet Adolph Herseth performed the opening fanfare.

On March 6, 1954, sixth music director Fritz Reiner and the Orchestra recorded together for the first time: Strauss’s Dance of the Seven Veils from Salome and Ein Heldenleben for RCA. (Reiner’s complete CSO catalog recently was re-released by RCA.)

BARTOK Music for Strings, Percussion, and CelestaBRAHMS Piano Concerto No. 2At the third annual Grammy awards ceremony on April 12, 1961, the Orchestra’s recording of Bartók’s Music for Strings, Percussion, and Celesta received the award for Best Classical Performance–Orchestra. Reiner had conducted the RCA release. That same evening, the Orchestra’s recording of Brahms’s Second Piano Concerto—also on RCA and with Erich Leinsdorf conducting—earned the award for Best Classical Performance–Concerto or Instrumental Soloist for Sviatoslav Richter. These were the first two Grammy awards earned for recordings by the Chicago Symphony Orchestra.

SCHUMANN Piano ConcertoPROKOFIEV Alexander NevskyReiner led the Orchestra, Chicago Symphony Chorus (prepared by its founder Margaret Hillis), and mezzo-soprano Rosalind Elias in Prokofiev’s Alexander Nevsky for RCA—the first recording collaboration with the Orchestra and the Chorus—on March 7, 1959, at Orchestra Hall.

Two years after winning the prestigious 1958 Tchaikovsky Competition in Moscow, Van Cliburn made his first recording with the Orchestra on April 16, 1960: Schumann’s Piano Concerto with Reiner conducting for RCA. (A complete list of Cliburn’s appearances and recordings with the Chicago Symphony Orchestra can be found here.)

MARTIN Concerto for Seven WindsOn March 19, 1966, seventh music director Jean Martinon led the Orchestra in recording sessions for Martin’s Concerto for Seven Wind Instruments, Timpani, Percussion, and String Orchestra for RCA. Featured soloists were CSO principals Clark Brody (clarinet), Willard Elliot (bassoon), Donald Peck (flute), Dale Clevenger (horn, in his first week on the job), Ray Still (oboe), Adolph Herseth (trumpet), Donald Koss (timpani), and Jay Friedman (trombone). (Martinon’s complete CSO catalog recently was re-released by RCA.)

SHOSTAKOVICH Symphony No. 6-2NIELSEN Clarinet Concerto-2Benny Goodman recorded Nielsen’s Clarinet Concerto with the Orchestra on June 18, 1966, for RCA. Morton Gould conducted. (Gould’s complete CSO catalog recently was re-released by RCA.)

At Medinah Temple on February 20 and 21, 1968, Leopold Stokowski and the Orchestra recorded Shostakovich’s Symphony no. 6  for RCA.

BERLIOZ Romeo and Juliet-2RIMSKY-KORSAKOV Sheherazade-2Carlo Maria Giulini—the Chicago Symphony Orchestra’s first principal guest conductor—recorded selections from Berlioz’s Romeo and Juliet for Angel on October 13 and 14, 1969, at Medinah Temple.

The Orchestra made its second recording of Rimsky-Korsakov’s Sheherazade on June 30 and July 1, 1969, at Medinah Temple for Angel. Seiji Ozawa, the Ravinia Festival’s first music director, conducted and concertmaster Victor Aitay was violin soloist.

DVORAK Cello Concerto-2MAHLER Symphony no. 5During eighth music director Georg Solti‘s first season as music director, the Orchestra performed Mahler’s Fifth Symphony at Carnegie Hall on January 9, 1970, and were called back for twelve curtain calls. Beginning on March 26 at Medinah Temple, Solti and the Orchestra committed their performance to disc—their first recording together—for London Records.

Daniel Barenboim, who would later become ninth music director, made his first recording with the Orchestra on November 11, 1970, at Medinah Temple. For Angel, he led sessions for Dvořák’s Cello Concerto with his wife Jacqueline du Pré as soloist. (A summary of du Pré’s association with the Orchestra is here.)

MAHLER Symphony No. 8-2Before the Chicago Symphony Orchestra performed the first concert of its first tour to Europe in 1971, Solti led recording sessions for Mahler’s Eighth Symphony at the Sofiensaal in Vienna on August 30, 31, and September 1. Soloists included Heather HarperLucia Popp (more about Popp’s performances with the Orchestra is here), Arleen AugérYvonne MintonHelen WattsRené KolloJohn Shirley-Quirk, and Martti Talvela. The recording won three 1972 Grammy awards for Album of the Year–Classical, Best Choral Performance–Classical (other than opera) (for the Chorus of the Vienna State OperaSingverein Chorus, and Vienna Boys’ Choir), and Best Engineered Recording–Classical.

BEETHOVEN Fidelio BRUCKNER Symphony No. 6-2On December 13, 1977, Barenboim and the Orchestra recorded Bruckner’s Sixth Symphony for Deutsche Grammophon, part of a complete cycle of the composer’s symphonies that also included the Te Deum, Helgoland, and Psalm 150.

Following concerts in Orchestra Hall and Carnegie Hall, Solti led the Orchestra, Chorus, and soloists (including Hildegard Behrens as Leonore and Peter Hofmann as Florestan) and in recording sessions for Beethoven’s Fidelio—”the first digitally recorded opera to be released,” according to Gramophone—at Medinah Temple on May 21, 22, 23, and 24, 1979.

ORFF Carmina Burana DOWNS Bear Down, Chicago BearsSecond music director of the Ravinia Festival, James Levine led the Orchestra, Chorus, Glen Ellyn Children’s Chorus, and soloists (June Anderson, Phillip Creech, and Bernd Weikl) in sessions for Orff’s Carmina burana on July 9 and 10, 1984, for Deutsche Grammophon. The recording was awarded the 1986 Grammy Award for Best Choral Performance (other than opera).

At the end of a subscription concert at Orchestra Hall on January 23, 1986, Solti led the Orchestra and Chorus in a spirited encore of  the Chicago Bears‘ fight song “Bear Down, Chicago Bears” in anticipation of the team’s Super Bowl victory. The day after the game, the work was recorded by London Records.

BRAHMS Double Concerto-2BEETHOVEN Symphony No. 9-2Solti led recording sessions at Medinah Temple for Beethoven’s Ninth Symphony—the second time he and the Orchestra and Chorus had recorded the work—on September 28, 30, and October 7, 1986, for London. Soloists were Jessye Norman, Reinhild Runkel, Robert Schunk, and Hans Sotin. The release was awarded the 1987 Grammy Award for Best Orchestral Performance.

Claudio Abbado, second principal guest conductor, led the Orchestra in Brahms’s Double Concerto with Isaac Stern and Yo-Yo Ma (future Judson and Joyce Green Creative Consultant) as soloists on November 7 and 8, 1986, for CBS Records.

SHOSTAKOVICH Symphony No. 7CORIGLIANO Symphony No. 1Closing the 97th season in June 1988, Leonard Bernstein led the Orchestra in performances of Shostakovich’s First and Seventh symphonies. Recorded live by Deutsche Grammophon, the release received the 1990 Grammy Award for Best Orchestral Performance.

On March 15, 16, and 17, 1990, Barenboim led the world premiere performances of composer-in-residence John Corigliano’s Symphony no. 1, commissioned for the Orchestra. The live recording—Barenboim and the Orchestra’s first on the Erato label—was awarded two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition.

Fantasia 2000BARTOK The Wooden PrinceThe recording of Bartók’s The Wooden Prince and Cantata profana led by Pierre Boulez for Deutsche Grammophon—recorded on December 19, 20, and 21, 1991—was awarded four 1993 Grammy awards: Best Classical Album, Best Orchestral Performance, Best Performance of a Choral Work, and Best Engineered Recording–Classical. (A complete list of Boulez’s recordings with the Orchestra is here and his complete Grammy awards are here.)

Between 1993 and 1996, Levine led the Orchestra and Chorus in recording sessions at Medinah Temple for Disney‘s feature film Fantasia 2000. The movie was released on January 1, 2000.

VARESE Amerique etcFALLA Gardens of SpainShortly after being named the Orchestra’s third principal guest conductor, Boulez led sessions for Varèse’s Amériques, Arcana, Déserts, and Ionisation in December 1995 and 1996. The Deutsche Grammophon release was awarded the 2001 Grammy Award for Best Orchestral Performance.

In May 1997 at Medinah Temple, the Orchestra recorded Falla’s Nights in the Gardens of Spain and The Three-Cornered Hat for Teldec. For Nights in the Gardens of Spain, Barenboim was piano soloist and Plácido Domingo conducted; for The Three-Cornered Hat, Jennifer Larmore was mezzo-soprano soloist and Barenboim conducted.

MAHLER Symphony no. 3BRAHMS Violin ConcertoA former Youth Auditions winner and member of the Civic Orchestra of Chicago, Rachel Barton recorded Brahms’s and Joachim’s violin concertos for Cedille Records on July 2 and 3, 2002. Carlos Kalmar conducted.

In his first concerts as principal conductor on October 19, 20, and 21, 2006, Bernard Haitink led the Orchestra, women of the Chorus (prepared by Duain Wolfe), the Chicago Children’s Choir, and mezzo-soprano Michelle DeYoung in Mahler’s Third Symphony. The work is recorded as the inaugural release on CSO Resound.

SHOSTAKOVICH Symphony No. 4CSOR_SP_booklet_rainbow_nobox.inddIn May 2008, Haitink and the Orchestra recorded Shostakovich’s Fourth Symphony for CSO Resound. The release was awarded the 2008 Grammy Award for Best Orchestral Performance.

Boulez led the Orchestra in Stravinsky’s Pulcinella, Symphony in Three Movements, and Four Studies in February and March 2009 for CSO Resound. Soloists in the Pulcinella were Roxana Constantinescu, Nicholas Phan, and Kyle Ketelsen.

BERLIOZ Symphonie fantastiqueVR_booklet_CSOR_901_1008.inddOn January 15, 16, and 17, 2009, Riccardo Muti—in his first concerts as music director designate—led the Orchestra, Chorus, and soloists (Barbara FrittoliOlga Borodina, Mario Zeffiri, and Ildar Abdrazakov) in Verdi’s Requiem. The subsequent CSO Resound recording was awarded 2010 Grammy awards for Best Classical Album and Best Choral Performance.

Following his first concert as the Chicago Symphony Orchestra’s tenth music director (for more than 25,000 people in Millennium Park) in September 2010, Muti led the Orchestra, Chorus, and soloists (Gérard Depardieu, Mario Zeffiri, and Kyle Ketelsen) in Berlioz’s Symphonie fantastique and Lélio. The two-disc set was released on CSO Resound in September 2015.

VERDI OtelloBates and ClyneOn April 7, 9, and 12, 2011, Muti led concert performances—recorded by CSO Resound—of Verdi’s Otello at Orchestra Hall. Along with the Orchestra, Chorus, and Chicago Children’s Chorus, soloists included Aleksandrs Antonenko in the title role, Krassimira Stoyanova as Desdemona, and Carlo Guelfi as Iago.

In February 2012, Muti led world premieres by the Orchestra’s Mead Composers-in-Residence: Anna Clyne’s Night Ferry and Mason Bates’s Alternative Energy. Both works were recorded for CSO Resound and released as digital downloads.

LincolnFor Sony Classical, composer John Williams led the Orchestra and Chorus in recording sessions at Orchestra Hall for his soundtrack for the motion picture Lincoln. Director Steven Spielberg was on hand to supervise.

Cheers to the next 100!

Placido Domingo

Wishing the happiest of birthdays to Plácido Domingo, celebrating his seventh-fifth!

The legendary singer has appeared in Chicago on both concert and opera stages, performing with the Chicago Symphony Orchestra as vocal soloist and conductor at Orchestra Hall, the Ravinia Festival, and several other venues in Chicago and in Europe. A complete list of his performances with the Orchestra is below (all concerts at Orchestra Hall unless otherwise noted):

October 9, 1987 (special concert celebrating Sir Georg Solti‘s seventy-fifth birthday)
J. STRAUSS, Jr. Overture to Die Fledermaus
Plácido Domingo, conductor
VERDI Excerpts from Act 1 of Otello
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Plácido Domingo, tenor
Joseph Wolverton, tenor
Kurt R. Hansen, tenor
David Huneryager, baritone
Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director

Solti 75

October 9, 1987 (Jim Steere photo)

June 27, 1992 (Ravinia Festival)
SAINT SAËNS Samson and Delilah
James Levine, conductor
Denyce Graves, mezzo-soprano
Plácido Domingo, tenor
David Anderson, tenor
John Concepcion, tenor
Sherrill Milnes, baritone
Bryn Terfel, bass-baritone
Sergei Koptchak, bass
Paul Grizzell, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 27, 1994 (Petrillo Music Shell, Grant Park)
Miguel Roa, conductor
Veronica Villaroel, soprano
Plácido Domingo, tenor
SOROZÁBAL Madrileña bonita from La del manojo de Rosas
MORENO TORROBA Los vareadores from Luisa Fernanda
MORENO TORROBA En mi tierra extremena from Luisa Fernanda
PENELLA Torero quiero ser from El gato montés
MORENO TORROBA De este apacible rincón from Luisa Fernanda
GUERRERO Fiel espada from El Huésped del Sevillano
MORENO TORROBA Amor, vida de mi vida from Maravilla
CABALLERO No cantes mas from El duo de la Africana
SOROZÁBAL No puede ser from La tabernera del puerto
SERRANO Te quiero Morena from El trust de los tenorios
LARA Granada

July 6, 1994 (Ravinia Festival)
Plácido Domingo, conductor
TCHAIKOVSKY Romeo and Juliet
SAINT SAËNS Introduction and Rondo capriccioso in A Minor, Op. 28
Sarah Chang, violin
SARASATE Concert Fantasies on Carmen, Op. 25
Sarah Chang, violin
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36

July 8, 1994 (Ravinia Festival)
Eugene Kohn, conductor
Kallen Esperian, soprano
MOZART Dalla sua pace from Don Giovanni, K. 527
MOZART Ma qual mai soffre, O Dei, from Don Giovanni, K. 527
VERDI Quando le sere al placido from Luisa Miller
VERDI Già nella notte densa from Otello
PUCCINI E lucevan le stelle from Tosca
MEYERBEER O, Paradis! from L’africaine
GOUNOD Il se fait tard . . . O nuit d’amour from Faust
DONIZETTI Caro elisir . . . Trallarallara . . . Esulti pur la barbara from L’elisir d’amore

May 2, 1996 (special concert celebrating Daniel Barenboim‘s Silver Jubilee)
Daniel Barenboim, conductor
Plácido Domingo, tenor
MOZART Dalla sua pace from Don Giovanni, K. 527
BERLIOZ Invocation to Nature from The Damnation of Faust, Op. 24
VERDI Otello’s Death from Otello
WAGNER Winterstürme from Die Walküre
TCHAIKOVSKY Lenski’s Aria from Eugene Onegin

May 12, 1997 (United Center)
Daniel Barenboim, conductor
Elizabeth Futral, soprano
Plácido Domingo, tenor
MASSENET Ô souverain, ô juge, ô père from Le Cid
CILÈA E’ la solita storia from L’Arlesiana
WAGNER Winterstürme from Die Walküre
DONIZETTI Caro elisir . . . Trallarallara . . . Esulti pur la barbara from L’elisir d’amore
PUCCINI E lucevan le stelle from Tosca
MASCAGNI Suzel, buon dì! from L’amico Fritz
LEHÁR Dein ist mein ganzes Herz from The Land of Smiles
LEHÁR Lippen schweigen from The Merry Widow
MOZART Là ci darem la mano from Don Giovanni, K. 527
SOROZÁBAL No puede ser from La tabernera del puerto
LARA Granada
VERDI Brindisi—Libiamo, libiamo ne’ lieti calici from La traviata

Star-Crossed Lovers

January 26, 1998 (Dan Rest photo)

May 13, 15, 16, and 17, 1997 (Medinah Temple)
June 8 and 9, 1997 (Philharmonie, Cologne, Germany)
FALLA Nights in the Gardens of Spain
Plácido Domingo, conductor
Daniel Barenboim, piano

October 4, 1997 (Symphony Center Opening Night Gala)
Daniel Barenboim, conductor
Soile Isokoski, soprano
Plácido Domingo, tenor
VERDI Già nella notte densa from Otello
VERDI Niun mi tema from Otello

January 26, 1998 (Star-Crossed Lovers)
Daniel Barenboim, conductor and piano
Renée Fleming, soprano
Plácido Domingo, tenor
BERNSTEIN Tonight from West Side Story
GOUNOD Il se fait tard . . . O nuit d’amour from Faust
VERDI Già nella notte densa from Otello
LEHÁR Dein ist mein ganzes Herz from The Land of Smiles
LEHÁR Lippen schweigen from The Merry Widow
GARDEL El día que me quieras
MORENO TORROBA ¡Quisiera verte y no verte!
MORENO TORROBA Jota castellana

May 25, 26, 27, and 30, 2000
Plácido Domingo, conductor
WAGNER Siegfried Idyll
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Rachel Barton, violin
BEETHOVEN Symphony No. 7 in A Major, Op. 92

August 4, 2007 (Ravinia Festival)
James Conlon, conductor
Ana María Martínez, soprano
Plácido Domingo, tenor
MASSENET Ô souverain, ô juge, ô père from Le Cid
CILÈA E’ la solita storia from L’Arlesiana
WAGNER Winterstürme from Die Walküre
VERDI Già nella notte densa from Otello
MORENO TORROBA Amor, vida de mi vida from Maravilla
MORENO TORROBA En mi tierra extremena from Luisa Fernanda
BERNSTEIN Tonight from West Side Story
SOROZÁBAL No puede ser from La tabernera del puerto
PENELLA Duet from El gato montés
LARA Granada
LEHÁR Lippen schweigen from The Merry Widow

Domingo also recorded with the Orchestra on three occasions:

VERDI Requiem
Recorded in Orchestra Hall on September 20 and 21, 1993
Daniel Barenboim, conductor
Alessandra Marc, soprano
Waltraud Meier, mezzo-soprano
Plácido Domingo, tenor
Ferruccio Furlanetto, bass
Chicago Symphony Chorus
Margaret Hillis, director
Erato
(Verdi’s Requiem was performed on September 17, 18, 23, and 25, 1993, with Vicente Ombuena singing the tenor solos; Domingo was in Chicago only on September 20.)

FALLA Nights in the Gardens of Spain
Recorded in Medinah Temple on May 13, 15, 16, and 17, 1997
Plácido Domingo, conductor
Daniel Barenboim, piano
Teldec

Star-Crossed Lovers
Recorded in Orchestra Hall on January 26, 1998
Daniel Barenboim, conductor and piano
Renée Fleming, soprano
Plácido Domingo, tenor
BERNSTEIN Tonight from West Side Story
GOUNOD Il se fait tard . . . O nuit d’amour from Faust
GARDEL El día que me quieras
MORENO TORROBA ¡Quisiera verte y no verte!
MORENO TORROBA Jota castellana
VERDI Già nella notte densa from Otello
LEHÁR Dein ist mein ganzes Herz from The Land of Smiles
LEHÁR Lippen schweigen from The Merry Widow
London

Happy, happy birthday!

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Detail of title page for Boulez's Notations VII

Detail of title page of the score to Boulez’s Notations VII

According to Phillip Huscher, “Pierre Boulez composed the original Notations for piano in 1945, when the twenty-year-old composer was still a student of Olivier Messiaen at the Paris Conservatory. Boulez wrote twelve pieces, each twelve measures long (the number was central to the manifesto of the time). These Notations are concise, highly polished studies, each a precise and taut exploration of a single musical idea. Although Boulez quickly put them aside and moved on to greater challenges, they are among the works with which he opened a new chapter in the history of music.”

Boulez orchestrated the first four Notations in 1977 and 1978, and these versions were premiered by the Orchestre de Paris in 1980 with Daniel Barenboim conducting. Claudio Abbado led the Chicago Symphony’s first performances in October 1984, and Boulez himself conducted them with the Orchestra in October 1987. Near the end of the centennial season, music director designate Daniel Barenboim first led the Chicago Symphony in the four Notations in April 1991, and shortly thereafter, a second set of four orchestrations was commissioned for the Orchestra by the Edward F. Schmidt Family Commissioning Fund.

Teldec release

Daniel Barenboim and the Orchestra recorded Stravinsky’s The Rite of Spring, Debussy’s La mer, and Boulez’s Notations VII for Teldec in January 2000

Boulez completed the first of these in 1997, and on January 14, 1999, the Orchestra gave the world premiere of Notations VII. Barenboim conducted the eight-minute work, followed by Pierre Boulez giving a brief discussion on his compositional process that included Barenboim performing the original piano version. Barenboim then conducted the work a second time. “What was abrupt in 1945 is now languorous; what was crude is now done with a lifetime’s experience and expertise; what was simple is fantastically embellished, even submerged,” wrote Paul Griffiths in The New York Times. “Boulez suggested the metaphor of long-buried grain sprouting, but one might rather think of an oyster making a pearl. As if irritated by the original piano piece, the composer has given it a sumptuous, dense, and opalescent coating, not only expanding it but also, in a way, withdrawing its shock. . . . The violent new influences of 1945 are, in the recomposition, being wiped away.”

Following the premiere, Barenboim led numerous performances of the five Notations in Chicago as well as on tour in Carnegie Hall, Berlin, Cologne, and Lucerne, and he included them during his farewell concerts as music director in June 2006. No. VII was recorded by Teldec in 2000.

This article also appears here.

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Duain Wolfe (Todd Rosenberg photo)

Duain Wolfe in 2006 (Todd Rosenberg photo)

Duain Wolfe first prepared the Chicago Symphony Chorus as a guest for a Ravinia Festival program of opera choruses in August 1993 and again early the following February for downtown performances of Schoenberg’s Friede auf Erden. Concluding a three-year search on February 10, 1994, Daniel Barenboim announced that Wolfe would succeed Chorus founder Margaret Hillis, who had served as director since 1957. He officially took directorship of the Chorus on June 1 and Hillis became director laureate.

Margaret Hillis in 1979

Margaret Hillis in 1979

“There are very few choruses in the world that perform at such a consistently high level, which is, of course, a tribute to Margaret Hillis’s brilliant leadership,” commented Daniel Barenboim in a press release. “The unique thing about the Chicago Symphony Chorus is its continuity. Its members, many of whom have been with the Chorus for a long time, are used to the sound of the Orchestra and to the methods of one director. This has enabled them to achieve their remarkable results. With Duain Wolfe I hope this tradition will develop even further and I look forward to our work together.”

During his tenure, Wolfe has prepared the Chorus for concerts at Orchestra Hall and the Ravinia Festival, as well as on tour in Carnegie Hall and the Philharmonie in Berlin. He also has prepared the Chorus for numerous recordings on American Gramaphone, Deutsche Grammophon, London, Teldec, and CSO Resound, including two Grammy winners: Wagner’s Die Meistersinger von Nürnberg conducted by Sir Georg Solti and Verdi’s Requiem conducted by Riccardo Muti. In 1995, Wolfe inaugurated Welcome Yule!—a popular series of holiday concerts that featured the Orchestra and Chorus along with children’s choruses, dancers, and actors—that enjoyed a twenty-year run.

The Chicago Symphony Chorus performing in Ravel's Daphnis and Chloe (conducted by Bernard Haitink) on November 8, 2007

The Chicago Symphony Chorus performing in Ravel’s Daphnis and Chloe (conducted by Bernard Haitink) on November 8, 2007 (Todd Rosenberg photo)

This article also appears here.

Wishing a very happy seventieth birthday to Itzhak Perlman!

Itzhak Perlman

A frequent and favorite guest artist in Chicago, Perlman has appeared with the Chicago Symphony Orchestra as both violin soloist and conductor on numerous occasions. He first appeared with the Orchestra at the Ravinia Festival on August 4, 1966 (a few weeks shy of his twenty-first birthday), in Tchaikovsky’s Violin Concerto with Thomas Schippers conducting, and he first appeared at Orchestra Hall on May 11 and 12, 1967, in Prokofiev’s Second Violin Concerto with Jean Martinon conducting.

Most recently, Perlman was soloist with the Orchestra downtown on March 7, 2011, in Mendelssohn’s Violin Concerto and Clark McAlister’s arrangement of Kreisler‘s Liebesfreud with James DePreist conducting, and at Ravinia on August 7, 2013, in Mendelssohn’s Violin Concerto with Carlos Miguel Prieto conducting.

Itzhak Perlman (photo by Lisa Marie Mazzucco)

Itzhak Perlman (Lisa Marie Mazzucco photo)

As a conductor, Perlman first led the Chicago Symphony Orchestra at the Ravinia Festival on July 25, 1999, in Bach’s Second Violin Concerto and Beethoven’s First Romance for Violin (also performing as soloist), along with Schubert’s Overture to Rosamunde and Brahms’s Fourth Symphony. He has led the Orchestra at Orchestra Hall on one occasion, on November 17, 2008, in Bach’s First Violin Concerto (also performing as soloist), Mozart’s Symphony no. 35, and Tchaikovsky’s Fifth Symphony. Most recently, he conducted the Orchestra at the Ravinia Festival on August 8, 2013, leading Brahms’s Academic Festival Overture, Haydn’s Second Cello Concerto with Alisa Weilerstein, and Tchaikovsky’s Fifth Symphony.

Perlman also has recorded several times with the Orchestra, as follows:

BRAHMS Concerto for Violin in D Major, Op. 77
Recorded in Medinah Temple, November and December 1976
Carlo Maria Giulini, conductor
Angel
1978 Grammy Award for Best Classical Album

Perlman Brahms

BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Recorded in Orchestra Hall, September 1996
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Teldec

ELGAR Violin Concerto in B Minor, Op. 61
Recorded in Orchestra Hall, March 1981
Daniel Barenboim, conductor
Deutsche Grammophon
1982 Grammy Award for Best Classical Performance–Instrumental Soloist or Soloists (with orchestra)

MENDELSSOHN Violin Concerto in E Minor, Op. 64
Recorded in Orchestra Hall, May 1993
Daniel Barenboim, conductor
Erato

recording session

Barenboim and Perlman recording in Orchestra Hall in May 1993 (Jim Steere photo)

PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Recorded in Orchestra Hall, May 1993
Daniel Barenboim, conductor
Erato

STRAVINSKY Violin Concerto in D Major
Recorded in Orchestra Hall, September 1994
Daniel Barenboim, conductor
Teldec

Happy, happy birthday!

19 Boulez

Since 1991, Helen Regenstein Conductor Emeritus Pierre Boulez has amassed and extraordinary discography with the Chicago Symphony Orchestra, including landmark twentieth-century masterpieces by Béla Bartók, Igor Stravinsky, and Edgard Varèse, as well as Gustav Mahler and Richard Strauss. And in 2005 as part of the CSO’s From the Archives series, a two-disc tribute of radio broadcast performances was released. A complete list of those recordings is below:

BACH/Schoenberg Prelude and Fugue in E flat Major, BWV 552 (Saint Anne)
Recorded in Orchestra Hall, December 1991
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Bluebeard

BARTÓK Bluebeard’s Castle
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
1998 Grammy Award for Best Opera

BARTÓK Cantata profana
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Awards for Best Classical Album, Best Engineered Recording–Classical, Best Performance of a Choral Work

Boulez Bartok Concerto

BARTÓK Concerto for Orchestra
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Concerto for Piano No. 1
Krystian Zimerman, piano
Recorded in Orchestra Hall, November 2001
Deutsche Grammophon

Boulez Shaham

BARTÓK Concerto for Violin No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Dance Suite
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Two Pictures for Orchestra, Op. 10
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

BARTÓK Divertimento for String Orchestra
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

BARTÓK Four Pieces for Orchestra, Op. 12
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance

BARTÓK Hungarian Sketches
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon

Boulez Mandarin

BARTÓK The Miraculous Mandarin, Op. 19
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Music for Strings, Percussion, and Celesta
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 1
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

BARTÓK Rhapsody for Violin and Orchestra No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon

Boulez Prince

BARTÓK The Wooden Prince
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Award for Best Classical Album, Best Engineered Recording–Classical, and Best Orchestral Performance

BERG Lulu Suite
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

BOULEZ Fanfare for the 80th Birthday of Sir Georg Solti
Recorded in Orchestra Hall, November 1992
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

BOULEZ Livre pour cordes
Recorded in Orchestra Hall, December 1999
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY First Rhapsody for Clarinet and Orchestra
Larry Combs, clarinet
Recorded in Orchestra Hall, November 1994
CSO (From the Archives, vol. 15: Soloists of the Orchestra II)

Boulez EuroArts

DEBUSSY Le jet d’eau
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

DEBUSSY Symphonic Fragments from Le martyre de Saint Sébastien
Recorded in Orchestra Hall, December 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

DEBUSSY Three Ballads by François Villon
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

JANÁČEK Glagolitic Mass
Elzbieta Szmytka, soprano
Nancy Maultsby, mezzo-soprano
Stuart Neill, tenor
Nathan Berg, bass-baritone
David Schrader, organ
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Three Rückert-Lieder (Liebst du um Schönheit, Ich atmet’ einen linden Duft, and Ich bin der Welt abhanden gekommen)
José van Dam, bass-baritone
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

MAHLER Symphony No. 1 in D Major
Recorded in Orchestra Hall, May 1998
Deutsche Grammophon

Boulez Mahler 9

MAHLER Symphony No. 9 in D Major
Recorded in Medinah Temple, December 1995
Deutsche Grammophon
1998 Grammy Award for Best Orchestral Performance

MAHLER Totenfeier
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

MESSIAEN L’ascension
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

Boulez Pelleas

SCHOENBERG Pelleas und Melisande
Recorded in Orchestra Hall, December 1991
Erato

SCHOENBERG Variations for Orchestra, Op. 31
Recorded in Orchestra Hall, December 1991
Erato

SCRIABIN Piano Concerto in F-sharp Minor, Op. 20
Anatol Ugorski, piano
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

Boulez Prometheus

SCRIABIN Prometheus, Op. 60
Anatol Ugorski, piano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

SCRIABIN Symphony No. 4, Op. 54 (The Poem of Ecstasy)
Recorded in Medinah Temple, November 1995
Deutsche Grammophon

Boulez Zarathustra

STRAUSS Also sprach Zarathustra, Op. 30
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon

STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Recorded in Orchestra Hall, November 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)

STRAVINSKY The Firebird
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon

STRAVINSKY The Firebird
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts

Boulez Firebird

STRAVINSKY Fireworks, Op. 4
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon

STRAVINSKY Four Studies
Recorded in Orchestra Hall, February and March 2009
CSO Resound

Boulez Pulcinella

STRAVINSKY Pulcinella
Roxana Constantinescu, mezzo-soprano
Nicholas Phan, tenor
Kyle Ketelsen, bass-baritone
Recorded in Orchestra Hall, March 2009
CSO Resound

STRAVINSKY Symphony in Three Movements
Recorded in Orchestra Hall, February and March 2009
CSO Resound

STRAVINSKY Symphony of Psalms
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

Boulez Thomas

THOMAS . . . words of the sea . . .
Recorded in Orchestra Hall, December 1996
ARTCD

VARÈSE Amériques
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Arcana
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

Boulez Varèse

VARÈSE Déserts
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

VARÈSE Ionisation
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance

The Orchestra also has recorded compositions by Boulez, released both commercially and as part of the From the Archives series:

BOULEZ Messagesquisse for Seven Cellos
Daniel Barenboim, conductor
John Sharp, Stephen Balderston, Philip Blum, Loren Brown, Richard Hirschl, Jonathan Pegis, and Gary Stucka, cellos
Recorded in Orchestra Hall, September 1994
CSO (From the Archives, vol. 21: Soloists of the Orchestra III)

Boulez Notations Barenboim

BOULEZ Notations for Orchestra I-IV
Recorded in Kölner Philharmonie, Cologne, Germany, April 2001
Daniel Barenboim, conductor
EuroArts

BOULEZ Notations for Orchestra VII
Daniel Barenboim, conductor
Recorded in Orchestra Hall, January 2000
Teldec

Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.

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The opinions expressed here are mine and do not necessarily reflect those of my employer.

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