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Wishing a very happy eighty-fifth birthday to John Corigliano!
The recipient of numerous honors—including a Pulitzer Prize, an Academy Award, the Grawemeyer Award, and multiple Grammy awards—Corigliano served as the Chicago Symphony Orchestra’s first composer-in-residence from 1987 until 1990.
The Orchestra first performed Corigliano’s Concerto for Piano in February 1969, with Sheldon Shkolnik as soloist and acting music director Irwin Hoffman on the podium. Under the baton of Sir Georg Solti, the Orchestra performed the Concerto for Clarinet with Larry Combs, as well as the Tournaments Overture on concerts in Orchestra Hall and during the 1985 tour to Europe, performing the work in Hamburg, Madrid, Paris, and London.
On March 15, 1990, music director designate Daniel Barenboim led the world premiere of Corigliano’s Symphony No. 1, jointly commissioned for the Orchestra’s centennial by the Chicago Symphony and the Meet-the-Composer Orchestra Residencies Program.
“During the past decade I have lost many friends and colleagues to the AIDS epidemic, and the cumulative effect of those losses has, naturally, deeply affected me. My First Symphony was generated by feelings of loss, anger, and frustration,” wrote Corigliano in the program note for the premiere. “A few years ago, I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and, most importantly, each designed and constructed by his or her loved ones. This made me want to memorialize in music those I have lost, and reflect on those I am losing.”
The live recording—Barenboim and the Orchestra’s first on the Erato label—featured principal cello John Sharp and, offstage, pianist Stephen Hough. The recording was recognized with two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition. Barenboim programmed the symphony again in 1992, also taking it on tour to Carnegie Hall, Madrid, and London.
Corigliano’s First Symphony also has been performed at the Ravinia Festival under the batons of Christoph Eschenbach in 1996 and Marin Alsop in 2003; Eschenbach also led performances in Orchestra Hall in 1998.
With the Orchestra, Neeme Järvi conducted the Pied Piper Fantasy with Sir James Galway; Eschenbach led The Red Violin: Chaconne for Violin and Orchestra with Joshua Bell; William Eddins conducted Phantasmagoria on The Ghosts of Versailles; and Leonard Slatkin has led Three Hallucinations, Fantasia on an Ostinato, and The Mannheim Rocket.
To celebrate Sir Georg Solti’s seventy-fifth birthday in 1987, associate conductor Kenneth Jean led the Orchestra in the world premiere of Corigliano’s Campane di Ravello. Written while on vacation in Ravello, Italy, the composer remarked, “On Sundays, the multitude of churches in Ravello and the surrounding towns play their bells, each in a different key and rhythm. The cacophony is gorgeous, and uniquely festive. My tribute to Sir Georg attempts to make the sections of the symphony orchestra sound like pealing bells: that tolling, filigreed with birdcalls in the woodwinds, provides the backdrop for a theme that grows more and more familiar as it is clarified. At the end, it is clear and joyous—a tribute to a great man.”
Jean also led the work on the Centennial Gala concert on October 6, 1990, and current music director Riccardo Muti conducted it on September 19, 2015, on the Symphony Ball concert launching the Chicago Symphony Orchestra’s 125th season.
MusicNOW, the Orchestra’s contemporary music series, kicked off its twentieth season on October 2, 2017, at the Harris Theater with a concert celebrating past composers-in-residence. Samuel Adams and Elizabeth Ogonek honored their predecessors by programming works by Anna Clyne, Osvaldo Golijov, and Mark-Anthony Turnage, along with—in attendance—Mason Bates, Shulamit Ran, Augusta Read Thomas, and Corigliano.
Most recently, in January 2019, the Orchestra performed “One Sweet Morning” from the song cycle of the same name, with baritone Thomas Hampson as soloist and Bramwell Tovey conducting. In Chicago Classical Review, Lawrence A. Johnson wrote that Corigliano’s song, “made an apt and hopeful coda, envisioning a world with no more war . . . Hampson was able to convey the gentle optimism of the Yip Harburg text, and Corigliano’s fragile, bird-like rising line.”
Happy, happy birthday!
This article also appears here.
The Chicago Symphony Orchestra family joins the classical music world in mourning the loss of Christopher Rouse. He died on September 21, 2019, at the age of seventy at a hospice center in Towson, Maryland.
Christopher Rouse (Getty photo)
Music by the Pulitzer Prize–winning composer has been performed by the Orchestra on numerous occasions, and a complete list is below.
March 1, 2, and 3, 1984, Orchestra Hall
ROUSE The Infernal Machine
Leonard Slatkin, conductor
April 28, 29, and 30, 1994, Orchestra Hall
ROUSE Symphony No. 1
David Zinman, conductor
June 29, 1995, Ravinia Festival
ROUSE Phaethon
Christoph Eschenbach, conductor
July 18, 1996, Ravinia Festival
ROUSE Symphony No. 2
Christoph Eschenbach, conductor
August 12, 1999, Ravinia Festival
ROUSE Envoi
Christoph Eschenbach, conductor
May 17, 18, 19, and 22, 2001, Orchestra Hall
ROUSE Clarinet Concerto
Larry Combs, clarinet
Christoph Eschenbach, conductor
The Clarinet Concerto was commissioned by the Hanson Institute for American Music of the Eastman School of Music (University of Rochester) and for the Chicago Symphony Orchestra and its principal clarinet, Larry Combs. The concerto was dedicated to Augusta Read Thomas, the Orchestra’s composer-in-residence from 1997 until 2006.
April 20, 21, 22, 23, and 25, 2006, Orchestra Hall
ROUSE Rapture
David Zinman, conductor
December 20, 21, and 22, 2012, Orchestra Hall
ROUSE Heimdall’s Trumpet
Christopher Martin, trumpet
Jaap van Zweden, conductor
Heimdall’s Trumpet was commissioned for the Chicago Symphony Orchestra by the Edward F. Schmidt Family Commissioning Fund.
Numerous tributes have been posted on Chicago Classical Review, The Washington Post, Baltimore Sun, and Classic FM, among many others.
Christopher Rouse’s final work—his Symphony no. 6—will receive its world premiere on October 18, 2019, with the Cincinnati Symphony Orchestra. Louis Langrée will conduct.
Wishing a very happy eightieth birthday to John Corigliano!
The recipient of numerous honors—including a Pulitzer Prize, an Academy Award, the Grawemeyer Award, and multiple Grammy awards—Corigliano served as the Chicago Symphony Orchestra’s first composer-in-residence from 1987 until 1990.
The Orchestra first performed Corigliano’s Concerto for Piano in February 1969, with Sheldon Shkolnik as soloist and acting music director Irwin Hoffman on the podium. Under the baton of Sir Georg Solti, the Orchestra performed the Concerto for Clarinet with Larry Combs, as well as the Tournaments Overture on concerts in Orchestra Hall and during the 1985 tour to Europe, performing the work in Hamburg, Madrid, Paris, and London.
On March 15, 1990, music director designate Daniel Barenboim led the world premiere of Corigliano’s Symphony No. 1, jointly commissioned for the Orchestra’s centennial by the Chicago Symphony and the Meet-the-Composer Orchestra Residencies Program.
“During the past decade I have lost many friends and colleagues to the AIDS epidemic, and the cumulative effect of those losses has, naturally, deeply affected me. My First Symphony was generated by feelings of loss, anger, and frustration,” wrote Corigliano in the program note for the premiere. “A few years ago, I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and, most importantly, each designed and constructed by his or her loved ones. This made me want to memorialize in music those I have lost, and reflect on those I am losing.”
The live recording—Barenboim and the Orchestra’s first on the Erato label—featured principal cello John Sharp and, offstage, pianist Stephen Hough. The recording was recognized with two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition. Barenboim programmed the symphony again in 1992, also taking it on tour to Carnegie Hall, Madrid, and London.
Corigliano’s First Symphony also has been performed at the Ravinia Festival under the batons of Christoph Eschenbach in 1996 and Marin Alsop in 2003; Eschenbach also led performances in Orchestra Hall in 1998.
With the Orchestra, Neeme Järvi conducted the Pied Piper Fantasy with Sir James Galway; Eschenbach led The Red Violin: Chaconne for Violin and Orchestra with Joshua Bell; William Eddins conducted Phantasmagoria on The Ghosts of Versailles; and Leonard Slatkin has led Three Hallucinations, Fantasia on an Ostinato, and The Mannheim Rocket.
To celebrate Sir Georg Solti’s seventy-fifth birthday in 1987, associate conductor Kenneth Jean led the Orchestra in the world premiere of Corigliano’s Campane di Ravello. Written while on vacation in Ravello, Italy, the composer remarked, “On Sundays, the multitude of churches in Ravello and the surrounding towns play their bells, each in a different key and rhythm. The cacophony is gorgeous, and uniquely festive. My tribute to Sir Georg attempts to make the sections of the symphony orchestra sound like pealing bells: that tolling, filigreed with birdcalls in the woodwinds, provides the backdrop for a theme that grows more and more familiar as it is clarified. At the end, it is clear and joyous—a tribute to a great man.”
Jean also led the work on the Centennial Gala concert on October 6, 1990, and current music director Riccardo Muti conducted it on September 19, 2015, on the Symphony Ball concert launching the Chicago Symphony Orchestra’s 125th season.
Corigliano and Stephanie Jeong at the Harris Theater on October 2, 2017 (Todd Rosenberg photo)
MusicNOW, the Orchestra’s contemporary music series, kicked off its twentieth season on October 2, 2017, at the Harris Theater with a concert celebrating past composers-in-residence. Samuel Adams and Elizabeth Ogonek honored their predecessors by programming works by Anna Clyne, Osvaldo Golijov, and Mark-Anthony Turnage, along with—in attendance—Mason Bates, Shulamit Ran, Augusta Read Thomas, and Corigliano.
CSO violins Yuan-Qing Yu and Hermine Gagné, viola Danny Lai, and cello Kenneth Olsen performed Corigliano’s A Black November Turkey (in the composer’s string quartet arrangement), and violin Stephenie Jeong soloed in the Red Violin Caprices. The Chicago Classical Review’s Lawrence A. Johnson observed, “Jeong delivered a powerful tour de force performance, sensitively serving the pages of introspective melancholy and throwing off Corigliano’s artful retake on nineteenth-century Paganini-esque fiddle fireworks with blazing virtuosity and panache. It was wonderful to see the veteran composer join the CSO’s young associate concertmaster for a double curtain call.”
And next season, in January 2019, Thomas Hampson will perform the song “One Sweet Morning” from Corigliano’s song cycle One Sweet Morning, commissioned to commemorate the tenth anniversary of the September 11, 2001, attacks. Bramwell Tovey will conduct.
Happy, happy birthday!
Before and during his tenure as the Chicago Symphony Orchestra’s ninth music director, Daniel Barenboim was firmly committed to introducing new works to Chicago audiences. He also was instrumental in the continued cultivation of the Orchestra’s composer-in-residence program, frequently conducting works by John Corigliano, Shulamit Ran, and Augusta Read Thomas. With the Orchestra, Barenboim led over thirty world and U.S. premieres, and a complete list is below (all performances in Orchestra Hall, unless otherwise noted; an asterisk (*) indicates a work commissioned by the Chicago Symphony Orchestra).
Barenboim and John Corigliano review the score to his Symphony no. 1 in March 1990 (Terry’s photo)
World premieres
March 8, 1990
*Tōru Takemitsu Visions
Daniel Barenboim, conductor
March 15, 1990
*John Corigliano Symphony No. 1
Stephen Hough, piano
John Sharp, cello
Daniel Barenboim, conductor
September 14, 1990 (Edman Memorial Chapel, Wheaton College, Wheaton, Illinois)
*Stephen Kowalsky Last Voyage
Daniel Barenboim, conductor
Barenboim acknowledges Shulamit Ran following the world premiere of her Legends on October 7, 1993 (Jim Steere photo)
April 30, 1991
*Ellen Taaffe Zwilich Concerto for Bass Trombone, Strings, Timpani, and Cymbals
Charles Vernon, bass trombone
Daniel Barenboim, conductor
February 4, 1993
*Melinda Wagner Falling Angels
Daniel Barenboim, conductor
October 7, 1993
*Shulamit Ran Legends for Orchestra
Daniel Barenboim, conductor
Barenboim and the Orchestra acknowledge Elliott Carter following the world premiere of his Partita on February 17, 1994 (Jim Steere photo)
February 17, 1994
*Elliott Carter Partita
Daniel Barenboim, conductor
October 12, 1995
*York Höller Aura
Daniel Barenboim, conductor
January 30, 1997
*Jay Alan Yim Rough Magic
Daniel Barenboim
May 15, 1997
*Aribert Reimann Violin Concerto
Gidon Kremer, violin
Daniel Barenboim, conductor
February 5, 1998
*Sir Harrison Birtwistle Exody
Daniel Barenboim, conductor
February 12, 1998
Max Raimi Elegy
Daniel Barenboim, conductor
Two pages of Pierre Boulez’s manuscript score for Notations VII
January 14, 1999
*Pierre Boulez Notations VII for Orchestra
Daniel Barenboim, conductor
February 11, 1999
Elias Tanenbaum First Bassman for Contrabass and Orchestra
Joseph Guastafeste, bass
Daniel Barenboim, conductor
January 6, 2000
*Augusta Read Thomas Ceremonial
Daniel Barenboim, conductor
September 13, 2001 (Kultur- & Kongresszentrum, Lucerne, Switzerland)
*Hanspeter Kyburz Noesis for Large Orchestra
Daniel Barenboim, conductor
September 27, 2001
*Elliott Carter Cello Concerto
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Texts for the first two sections of Bernard Rands’s apókryphos, as included in the printed score
May 8, 2003
*Bernard Rands apókryphos
Angela Denoke, soprano
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
May 22, 2003
*Melinda Wagner Extremity of Sky (Concerto for Piano and Orchestra)
Emanuel Ax, piano
Daniel Barenboim, conductor
May 29, 2003
Elliott Carter Of Rewaking
Michelle DeYoung, mezzo-soprano
Daniel Barenboim, conductor
October 9, 2003
*Lalo Schifrin Fantasy for Screenplay and Orchestra
Daniel Barenboim, conductor
May 19, 2005
*George Benjamin Dance Figures (Nine choreographic scenes for orchestra)
Daniel Barenboim, conductor
Title page detail for Augusta Read Thomas’s score for Astral Canticle
October 6, 2005
*Elliott Carter Soundings
Daniel Barenboim, piano and conductor
February 16, 2006
*Isabel Mundry Nocturno
Daniel Barenboim, conductor
June 1, 2006
*Augusta Read Thomas Astral Canticle
Mathieu Dufour, flute
Robert Chen, violin
Daniel Barenboim, conductor
United States premieres
November 7, 1985
Siefgried Wagner Sehnsucht
Daniel Barenboim, conductor
May 9, 1991
Pierre Boulez Four movements from Le visage nuptial
(I. Conduite; II. Gravité. L’emmuré; IV. Evadné; and V. Post-scriptum)
Phyllis Bryn-Julson, soprano
Lucy Shelton, soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
In 1995, Teldec released recordings of three CSO world premieres, all conducted by Barenboim: Carter’s Partita, Berio’s Continuo, and Takemitsu’s Visions.
May 16, 1991
Edison Denisov Symphonie pour grande orchestra
Daniel Barenboim, conductor
January 7, 1993
*Luciano Berio Continuo
Daniel Barenboim, conductor
October 1, 1998
Rodion Shchedrin Concerto cantabile
Maxim Vengerov, violin
Daniel Barenboim, conductor
September 30, 1999
*Wolfgang Rihm Sotto voce
Daniel Barenboim, piano and conductor
Barenboim with Augusta Read Thomas during a rehearsal for the world premiere of her Aurora—co-commissioned by the Chicago Symphony Orchestra and the Berlin Philharmonic—in Berlin in June 2000
February, 24, 2000
Elliott Carter What Next?
Simone Nold, soprano
Lynne Dawson, soprano
Hilary Summers, contralto
William Joyner, tenor
Hanno Müller-Brachmann, bass-baritone
Michael John Devine, boy soprano
Daniel Barenboim, conductor
September 21, 2000
*Augusta Read Thomas Aurora
Elizabeth Norman, soprano
Daniel Barenboim, piano and conductor
October 4, 2001
*Isabel Mundry Panorama ciego
Daniel Barenboim, piano and conductor
December 13, 2001
Wilhelm Furtwängler Symphony No. 2 in E Minor
Daniel Barenboim, conductor
____________________________________________________
Daniel Barenboim and John Corigliano review the score to Symphony no. 1 (Terry’s photo)
At the invitation of music director Sir Georg Solti, John Corigliano became the Chicago Symphony Orchestra’s first composer-in-residence in 1987, and his Symphony no. 1 was jointly commissioned for the Orchestra’s centennial by the Chicago Symphony and the Meet-the-Composer Orchestra Residencies Program.
“During the past decade I have lost many friends and colleagues to the AIDS epidemic, and the cumulative effect of those losses has, naturally, deeply affected me. My First Symphony was generated by feelings of loss, anger, and frustration,” wrote Corigliano in the program note for the premiere. “A few years ago, I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and, most importantly, each designed and constructed by his or her loved ones. This made me want to memorialize in music those I have lost, and reflect on those I am losing.”
Music director designate Daniel Barenboim conducted the world premiere of the symphony on March 15, 1990, with soloists principal cello John Sharp and, offstage, pianist Stephen Hough. The live recording—Barenboim and the Orchestra’s first on the Erato label—won two 1991 Grammy awards for Best Orchestral Performance and Best Contemporary Composition.
Corigliano served the Orchestra as composer-in-residence until 1990, and he was succeeded by Shulamit Ran (1990–1997), Augusta Read Thomas (1997–2006), Osvaldo Golijov and Mark-Anthony Turnage (2006–2010), Mason Bates and Anna Clyne (2010–2015), and Samuel Adams and Elizabeth Ogonek beginning in 2015. In January 2002, CSO trustee Cynthia Sargent and her sister, governing member Sally Hands, endowed the position, and Augusta Read Thomas became the Orchestra’s first Mead Composer-in-Residence.
This article also appears here.
____________________________________________________
Boulez speaking at a reception celebrating his seventieth birthday in Orchestra Hall’s Grainger Ballroom on March 30, 1995 (Cheri Eisenberg photo)
After his 1969 debut with the Chicago Symphony Orchestra, Pierre Boulez returned as guest conductor in 1987 and, beginning in 1991, appeared annually in Chicago. During celebrations for his seventieth birthday, he was named the Chicago Symphony Orchestra’s third principal guest conductor on March 30, 1995.
Boulez led the Orchestra in an extraordinary breadth of repertoire, including the music of Bartók, Berg, Berio, Bruckner, Carter, Debussy, Janáček, Ligeti, Mahler, Messiaen, Prokofiev, Rands, Ravel, Schoenberg, Scriabin, Strauss, Stravinsky, Varèse, and Webern, in addition to his own compositions. He conducted world premieres by the Orchestra’s composers-in-residence Shulamit Ran and Augusta Read Thomas, as well as by Philippe Manoury and Matthias Pintscher.
Boulez traveled with the Orchestra to New York’s Carnegie Hall and on tour to England, Germany, Hungary, and Japan. He curated several MusicNOW concerts; delivered lectures at the Art Institute of Chicago; collaborated in Beyond the Score presentations both in Chicago and in New York; and conducted the Civic Orchestra on several occasions, both in concert and in reading sessions of new music.
Boulez and Daniel Barenboim acknowledge applause following a performance of Bartók’s First Piano Concerto on April 1, 1995 (Cheri Eisenberg photo)
Several of his many recordings with the Orchestra were Grammy winners in multiple categories, including Bartók’s Bluebeard’s Castle, The Wooden Prince, Cantata profana, and Concerto for Orchestra; Mahler’s Ninth Symphony; and Varèse’s Amériques, Arcana, Déserts, and Ionisation. In fact, Boulez is the third all-time Grammy winner—behind Sir Georg Solti (thirty-one) and Alison Krauss and Quincy Jones (twenty-seven each)—with twenty-six awards to his credit.
In 2006, Boulez was named the Orchestra’s Helen Regenstein Conductor Emeritus.
Boulez’s most recent residency in Chicago was during two weeks in 2010. On November 26 and 27, he led Debussy’s Selections from The Martyrdom of Saint Sebastian, Ligeti’s Violin Concerto with concertmaster Robert Chen, Ravel’s Mother Goose Suite, and Debussy’s La mer. The following week, on December 2, 3, and 4, he conducted Schoenberg’s Transfigured Night and Janáček’s Glagolitic Mass with vocal soloists Christine Brewer, Nancy Maultsby, Lance Ryan, and Mikhail Petrenko; organist Paul Jacobs; and the Chicago Symphony Chorus.
This article also appears here.
Since 1991, Helen Regenstein Conductor Emeritus Pierre Boulez has amassed and extraordinary discography with the Chicago Symphony Orchestra, including landmark twentieth-century masterpieces by Béla Bartók, Igor Stravinsky, and Edgard Varèse, as well as Gustav Mahler and Richard Strauss. And in 2005 as part of the CSO’s From the Archives series, a two-disc tribute of radio broadcast performances was released. A complete list of those recordings is below:
BACH/Schoenberg Prelude and Fugue in E flat Major, BWV 552 (Saint Anne)
Recorded in Orchestra Hall, December 1991
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
BARTÓK Bluebeard’s Castle
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
1998 Grammy Award for Best Opera
BARTÓK Cantata profana
John Aler, tenor
John Tomlinson, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Awards for Best Classical Album, Best Engineered Recording–Classical, Best Performance of a Choral Work
BARTÓK Concerto for Orchestra
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance
BARTÓK Concerto for Piano No. 1
Krystian Zimerman, piano
Recorded in Orchestra Hall, November 2001
Deutsche Grammophon
BARTÓK Concerto for Violin No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon
BARTÓK Dance Suite
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
BARTÓK Two Pictures for Orchestra, Op. 10
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
BARTÓK Divertimento for String Orchestra
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
BARTÓK Four Pieces for Orchestra, Op. 12
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
1994 Grammy Awards for Best Classical Album and Best Orchestral Performance
BARTÓK Hungarian Sketches
Recorded in Orchestra Hall, December 1993
Deutsche Grammophon
BARTÓK The Miraculous Mandarin, Op. 19
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon
BARTÓK Music for Strings, Percussion, and Celesta
Recorded in Orchestra Hall, December 1994
Deutsche Grammophon
BARTÓK Rhapsody for Violin and Orchestra No. 1
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon
BARTÓK Rhapsody for Violin and Orchestra No. 2
Gil Shaham, violin
Recorded in Orchestra Hall, December 1998
Deutsche Grammophon
BARTÓK The Wooden Prince
Recorded in Orchestra Hall, December 1991
Deutsche Grammophon
1993 Grammy Award for Best Classical Album, Best Engineered Recording–Classical, and Best Orchestral Performance
BERG Lulu Suite
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts
BOULEZ Fanfare for the 80th Birthday of Sir Georg Solti
Recorded in Orchestra Hall, November 1992
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
BOULEZ Livre pour cordes
Recorded in Orchestra Hall, December 1999
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
DEBUSSY First Rhapsody for Clarinet and Orchestra
Larry Combs, clarinet
Recorded in Orchestra Hall, November 1994
CSO (From the Archives, vol. 15: Soloists of the Orchestra II)
DEBUSSY Le jet d’eau
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts
DEBUSSY Symphonic Fragments from Le martyre de Saint Sébastien
Recorded in Orchestra Hall, December 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
DEBUSSY Three Ballads by François Villon
Christine Schäfer, soprano
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts
JANÁČEK Glagolitic Mass
Elzbieta Szmytka, soprano
Nancy Maultsby, mezzo-soprano
Stuart Neill, tenor
Nathan Berg, bass-baritone
David Schrader, organ
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
MAHLER Three Rückert-Lieder (Liebst du um Schönheit, Ich atmet’ einen linden Duft, and Ich bin der Welt abhanden gekommen)
José van Dam, bass-baritone
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
MAHLER Symphony No. 1 in D Major
Recorded in Orchestra Hall, May 1998
Deutsche Grammophon
MAHLER Symphony No. 9 in D Major
Recorded in Medinah Temple, December 1995
Deutsche Grammophon
1998 Grammy Award for Best Orchestral Performance
MAHLER Totenfeier
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
MESSIAEN L’ascension
Recorded in Orchestra Hall, November 1996
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
SCHOENBERG Pelleas und Melisande
Recorded in Orchestra Hall, December 1991
Erato
SCHOENBERG Variations for Orchestra, Op. 31
Recorded in Orchestra Hall, December 1991
Erato
SCRIABIN Piano Concerto in F-sharp Minor, Op. 20
Anatol Ugorski, piano
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
SCRIABIN Prometheus, Op. 60
Anatol Ugorski, piano
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
SCRIABIN Symphony No. 4, Op. 54 (The Poem of Ecstasy)
Recorded in Medinah Temple, November 1995
Deutsche Grammophon
STRAUSS Also sprach Zarathustra, Op. 30
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Recorded in Orchestra Hall, November 1995
CSO (From the Archives, vol. 19: A Tribute to Pierre Boulez)
STRAVINSKY The Firebird
Recorded in Orchestra Hall, December 1992
Deutsche Grammophon
STRAVINSKY The Firebird
Recorded in Kölner Philharmonie, Cologne, Germany, April 2000
EuroArts
STRAVINSKY Fireworks, Op. 4
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
STRAVINSKY Four Studies
Recorded in Orchestra Hall, November 1992
Deutsche Grammophon
STRAVINSKY Four Studies
Recorded in Orchestra Hall, February and March 2009
CSO Resound
STRAVINSKY Pulcinella
Roxana Constantinescu, mezzo-soprano
Nicholas Phan, tenor
Kyle Ketelsen, bass-baritone
Recorded in Orchestra Hall, March 2009
CSO Resound
STRAVINSKY Symphony in Three Movements
Recorded in Orchestra Hall, February and March 2009
CSO Resound
STRAVINSKY Symphony of Psalms
Chicago Symphony Chorus
Duain Wolfe, director
Recorded in Orchestra Hall, November 2000
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)
THOMAS . . . words of the sea . . .
Recorded in Orchestra Hall, December 1996
ARTCD
VARÈSE Amériques
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance
VARÈSE Arcana
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance
VARÈSE Déserts
Recorded in Orchestra Hall, December 1996
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance
VARÈSE Ionisation
Recorded in Orchestra Hall, December 1995
Deutsche Grammophon
2001 Grammy Award for Best Orchestral Performance
The Orchestra also has recorded compositions by Boulez, released both commercially and as part of the From the Archives series:
BOULEZ Messagesquisse for Seven Cellos
Daniel Barenboim, conductor
John Sharp, Stephen Balderston, Philip Blum, Loren Brown, Richard Hirschl, Jonathan Pegis, and Gary Stucka, cellos
Recorded in Orchestra Hall, September 1994
CSO (From the Archives, vol. 21: Soloists of the Orchestra III)
BOULEZ Notations for Orchestra I-IV
Recorded in Kölner Philharmonie, Cologne, Germany, April 2001
Daniel Barenboim, conductor
EuroArts
BOULEZ Notations for Orchestra VII
Daniel Barenboim, conductor
Recorded in Orchestra Hall, January 2000
Teldec
Numerous upcoming programs celebrate Pierre Boulez, including Beyond the Score: A Pierre Dream on November 14 and 16, 2014, and Boulez’s Piano Works on March 15, 2015, with Pierre-Laurent Aimard and Tamara Stefanovich.
Lorin Maazel (Ben Spiegel photo)
The Chicago Symphony Orchestra family joins the music world in mourning the loss of Lorin Maazel, a frequent and beloved guest conductor for forty years, from 1973 until 2013. Maazel died on July 13, 2014, at his Castleton Farms estate in Virginia. He was 84.
Maazel made his debut with the Chicago Symphony Orchestra in February and March 1973, leading two weeks of subscription concerts at Orchestra Hall as well as a run-out to Milwaukee:
February 22, 23 & 24, 1973
February 26, 1973 (Pabst Theater in Milwaukee, Wisconsin)
SIBELIUS Symphony No. 2 in D Major, Op. 43
BARTÓK Two Images, Op. 10
SCRIABIN The Poem of Ecstasy, Op. 54
March 1, 2 & 3, 1973
MARTIRANO Contrasts for Orchestra
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Vladimir Ashkenazy, piano
SCHUMANN Symphony No. 2 in C Major, Op. 61
Mstislav Rostropovich and Lorin Maazel, following their performance of the first movement of Dvořák’s Cello Concerto at the Centennial Gala on October 6, 1990
During his forty-year collaboration with the Orchestra, Maazel’s repertoire covered a wide range of composers, including Beethoven, Brahms, Hindemith, Holst, Kernis, Mahler, Mendelssohn, Mozart, Penderecki, Prokofiev, Respighi, Strauss, Stravinsky, Tchaikovsky, Verdi, and Wagner. He was one of several conductors invited to share the podium for the CSO’s Centennial Gala on October 6, 1990, and a few weeks later he led the Orchestra in the world premiere of Shchedrin’s Old Russian Circus Music (commissioned to celebrate the CSO’s centennial season) on October 25, 1990. A noted composer, Maazel also led the Orchestra in the U.S. premiere of his own Farewells on December 14, 2000.
Maazel last led the Chicago Symphony Orchestra at Orchestra Hall for two weeks of subscription concerts—including a run-out to the Krannert Center at the University of Illinois—in February 2005:
February 10 & 12, 2005
February 11, 2005 (Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign, Urbana, Illinois)
BRAHMS Serenade No. 2 in A Major, Op. 16
BARTÓK Two Images, Op. 10
PROKOFIEV Symphony No. 5 in B-flat Major, Op. 100
February 17, 18, 19 & 20, 2005
THOMAS Gathering Paradise
Heidi Grant Murphy, soprano
SHOSTAKOVICH Cello Concerto No. 1
John Sharp, cello
SIBELIUS Symphony No. 1 in E Minor, Op. 39
His most recent appearance in Orchestra Hall was in March 2009 with the New York Philharmonic, during his final season as that ensemble’s music director:
March 9, 2009
BERLIOZ Roman Carnival Overture, Op. 9
TCHAIKOVSKY Suite No. 3 in G Major, Op. 55
STRAVINSKY The Rite of Spring
Maazel’s last appearances with the Chicago Symphony Orchestra were tour concerts in January and February 2013, including stops in Hong Kong, Shanghai, Beijing, Tianjin, and Seoul.
A statement from the Chicago Symphony Orchestra on Lorin Maazel’s passing can be found here.
from the archives 