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The Chicago Symphony Orchestra family joins the music world in mourning the loss of legendary soprano Jessye Norman, who died earlier today in New York. She was 74.

Jessye Norman (Royal Philharmonic Society photo)

A frequent visitor to Chicago—on concert, recital, and opera stages—Norman appeared with the Chicago Symphony Orchestra as vocal soloist and narrator on many occasions, both at Orchestra Hall and the Ravinia Festival. A complete list of her performances and recordings with the Orchestra is below.

March 21, 22, and 23, 1974, Orchestra Hall
SCHUMANN Das Paradies und die Peri, Op. 50
Carlo Maria Giulini, conductor
Jessye Norman, soprano
Birgit Finnilä, contralto
Ernst Haefliger, tenor
Raffaele Arié, bass
Sarah Beatty, soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Chicago Symphony Chorus
Margaret Hillis, director

May 29, 30, and 31, 1975, Orchestra Hall
LA MONTAINE Songs of the Rose of Sharon, Op. 6
Daniel Barenboim, conductor
Jessye Norman, soprano

August 9, 1975, Ravinia Festival
BERLIOZ Les nuits d’été, Op. 7
Edo de Waart, conductor
Jessye Norman, soprano

Receiving bows following Beethoven's Ninth Symphony at Orchestra Hall on September 24, 1986

Receiving bows following Beethoven’s Ninth Symphony at Orchestra Hall on September 24, 1986 (Jim Steere photo)

July 7, 1978, Ravinia Festival
MOZART Ch’io mi scordi di te?, K. 505
Edward Gordon, piano
RAVEL Sheherazade
BERLIOZ The Death of Cleopatra
WAGNER Wesendonk-Lieder
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

July 9, 1978, Ravinia Festival
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Sherrill Milnes, baritone
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, tenor
John Cheek, bass
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 8, 1979, Ravinia Festival
MAHLER Das Lied von der Erde
James Levine, conductor
Jessye Norman, soprano
Seth McCoy, tenor

March 26, 27, and 28, 1981, Orchestra Hall
BRUCKNER Te Deum
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall on March 28, 1981. For Deutsche Grammophon, Steven Paul was the executive producer, Werner Mayer was the recording producer, and Günther Breest was the balance engineer.

December 1, 2, and 3, 1983, Orchestra Hall
MAHLER Das Lied von der Erde
Erich Leinsdorf, conductor
Jessye Norman, soprano
David Rendall, tenor

BEETHOVEN Symphony No. 9 (Solti 2)

September 24, 25, 26, and 27, 1986, Orchestra Hall
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple on September 29 and 30, 1986. For London Records, Michael Haas was the producer, John Pellowe was the engineer, and Neil Hutchinson was tape editor. The recording won the 1987 Grammy Award for Best Orchestral Performance from the National Academy of Recording Arts and Sciences.

July 1, 1988, Ravinia Festival
WAGNER Act 1 of Die Walküre
James Levine, conductor
Jessye Norman, soprano
Gary Lakes, tenor
Aage Haugland, bass

July 5, 1992, Ravinia Festival
STRAUSS  Ruhe, meine Seele, Op. 27, No. 1
STRAUSS Waldseligkeit, Op. 49, No. 1
STRAUSS Wiegenlied, Op. 41, No. 1
STRAUSS Die heiligen drei Konige aus Morgenland, Op. 56, No. 6
STRAUSS Cäcilie, Op. 27, No. 2
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

Boulez Bluebeard

December 2, 4, and 7, 1993, Orchestra Hall
BARTÓK Bluebeard’s Castle
Pierre Boulez, conductor
Jessye Norman, soprano
László Polgár, bass
Larry Russo, narrator
Recorded in Orchestra Hall on December 6 and 13, 1993. For Deutsche Grammophon, Roger Wright was the executive producer, Pål Christian Moe was the associate producer, Karl-August Naegler was the recording producer, Helmut Burk was the balance engineer, Jobst Eberhardt and Stephan Flock were the recording engineers, and Hans-Ulrich Bastin was the editor. Nicholas Simon was the narrator for the commercial release. The recording won the 1998 Grammy Award for Best Opera Recording from the National Academy of Recording Arts and Sciences.

June 22, 1996, Ravinia Festival
BERLIOZ Villanelle, Le spectre de la rose Sur les lagunes, and L’ile inconnue from Les nuits d’été, Op. 7
RAVEL Sheherazade
Christoph Eschenbach, conductor
Jessye Norman, soprano

James Conlon acknowledges Norman following her narration of Copland’s Lincoln Portrait at the Ravinia Festival on July 18, 2009 (Russell Jenkins photo)

June 21, 1997, Ravinia Festival
MOZART Vado, ma dove?, K. 583
MOZART Porgi amor from The Marriage of Figaro, K. 492
BIZET Habanera from Carmen
SAINT-SAËNS Mon coeur s’ouvre à ta voix from Samson and Delilah
STRAUSS Final Scene from Capriccio
Christoph Eschenbach, conductor
Jessye Norman, soprano

July 18, 2009, Ravinia Festival
COPLAND Lincoln Portrait
James Conlon, conductor
Jessye Norman, narrator

Norman also also appeared in recital and as soloist in Orchestra Hall (under the auspices of Allied Arts and later Symphony Center Presents) on the following occasions:

Jessye Norman in Orchestra Hall on May 19, 2002 (Peter Thompson for the Chicago Tribune)

January 5, 1986
Phillip Moll, piano

October 20, 1986
STRAUSS Four Last Songs
Berlin Philharmonic
James Levine, conductor
Herbert von Karajan was originally scheduled to conduct Strauss’s Metamorphosen and Ein Heldenleben, but he canceled a week before the performance due to illness. The revised program was Wagner’s Siegfried Idyll, Strauss’s song cycle, and Beethoven’s Seventh Symphony.

October 23, 1988
James Levine, piano

March 20, 1992
Phillip Moll, piano

April 2, 1995
Ann Schein, piano

June 3, 1998
Ken Noda, piano

May 19, 2002
Mark Markham, piano

Numerous tributes have been posted on CNN, Chicago Tribune, Chicago Sun-Times, The New York Times, and NPR, among many others.

Wishing a very happy seventieth birthday to Jessye Norman!

A frequent visitor to Chicago—on concert, recital, and opera stages—Norman has appeared with the Chicago Symphony Orchestra as vocal soloist and narrator on many occasions, both at Orchestra Hall and the Ravinia Festival. A complete list of her performances with the Orchestra is below (all concerts at Orchestra Hall unless otherwise noted):

Jessye Norman 1970s

March 21, 22, and 23, 1974
SCHUMANN Das Paradies und die Peri, Op. 50
Carlo Maria Giulini, conductor
Jessye Norman, soprano
Birgit Finnilä, contralto
Ernst Haefliger, tenor
Raffaele Arié, bass
Sarah Beatty, soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Chicago Symphony Chorus
Margaret Hillis, director

May 29, 30, and 31, 1975
LA MONTAINE Songs of the Rose of Sharon, Op. 6
Daniel Barenboim, conductor
Jessye Norman, soprano

August 9, 1975 (Ravinia Festival)
BERLIOZ Les nuits d’été, Op. 7
Edo de Waart, conductor
Jessye Norman, soprano

July 7, 1978 (Ravinia Festival)
MOZART Ch’io mi scordi di te?, K. 505
Edward Gordon, piano
RAVEL Sheherazade
BERLIOZ La mort de Cléopatre
WAGNER Wesendonk-Lieder
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

July 9, 1978 (Ravinia Festival)
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Sherrill Milnes, baritone
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, tenor
John Cheek, bass
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, director

July 8, 1979 (Ravinia Festival)
MAHLER Das Lied von der Erde
James Levine, conductor
Jessye Norman, soprano
Seth McCoy, tenor

March 26, 27, and 28, 1981
BRUCKNER Te Deum
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director

December 1, 2, and 3, 1983
MAHLER Das Lied von der Erde
Erich Leinsdorf, conductor
Jessye Norman, soprano
David Rendall, tenor

Receiving bows following Beethoven's Ninth Symphony at Orchestra Hall on September 24, 1986

Receiving bows following Beethoven’s Ninth Symphony at Orchestra Hall on September 24, 1986 (Jim Steere photo)

September 24, 25, 26, and 27, 1986
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director

July 1, 1988 (Ravinia Festival)
WAGNER Die Walküre, Act 1
James Levine, conductor
Jessye Norman, soprano
Gary Lakes, tenor
Aage Haugland, bass

July 5, 1992 (Ravinia Festival)
STRAUSS  Ruhe, meine Seele, Op. 27, No. 1
STRAUSS Waldseligkeit, Op. 49, No. 1
STRAUSS Wiegenlied, Op. 41, No. 1
STRAUSS Die heiligen drei Konige aus Morgenland, Op. 56, No. 6
STRAUSS Cäcilie, Op. 27, No. 2
WAGNER Liebestod from Tristan and Isolde
James Levine, conductor
Jessye Norman, soprano

December 2, 4, and 7, 1993
BARTÓK Bluebeard’s Castle
Pierre Boulez, conductor
Jessye Norman, soprano
László Polgár, bass
Larry Russo, narrator

June 22, 1996 (Ravinia Festival)
BERLIOZ “Villanelle,” “Le spectre de la rose,” “Sur les lagunes,” and “L’ile inconnue” from Les nuits d’été, Op. 7
RAVEL Sheherazade
Christoph Eschenbach, conductor
Jessye Norman, soprano

June 21, 1997 (Ravinia Festival)
MOZART Vado, ma dove?, K. 583
MOZART “Porgi amor” from The Marriage of Figaro, K. 492
BIZET Habanera from Carmen
SAINT-SAËNS “Mon coeur s’ouvre à ta voix” from Samson and Delilah
STRAUSS Final Scene from Capriccio
Christoph Eschenbach, conductor
Jessye Norman, soprano

July 18, 2009 (Ravinia Festival)
COPLAND Lincoln Portrait
James Conlon, conductor
Jessye Norman, narrator

Norman also has recorded with the Chicago Symphony Orchestra on three occasions:

BEETHOVEN Symphony No. 9 (Solti 2)

BRUCKNER Te Deum
Recorded in Orchestra Hall, March 1981
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Deutsche Grammophon

BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Recorded in Medinah Temple, September and October 1986
Sir Georg Solti, conductor
Jessye Norman, soprano
Reinhild Runkel, mezzo-soprano
Robert Schunk, tenor
Hans Sotin, bass
Chicago Symphony Chorus
Margaret Hillis, director
London
1987 Grammy Award for Best Orchestral Recording

Boulez Bluebeard

BARTÓK Bluebeard’s Castle
Recorded in Orchestra Hall, December 1993
Jessye Norman, soprano
László Polgár, bass
Nicholas Simon, narrator
Deutsche Grammophon
1998 Grammy Award for Best Opera Recording

Happy, happy birthday!

This week Riccardo Muti leads the Chicago Symphony Orchestra in Mahler’s First Symphony, almost exactly one hundred years since Frederick Stock first conducted it in Chicago.

Program page for the Chicago Symphony Orchestra's first performances of Mahler's First Symphony

Program page for the Chicago Symphony Orchestra’s first performances of Mahler’s First Symphony

That first performance of the symphony (sandwiched between Handel’s Concerto grosso, op. 6, no. 2 and Schumann’s Piano Concerto with Josef Hofmann) on November 6, 1914, left Ronald Webster of the Chicago Daily Tribune a bit puzzled: “The Mahler symphony is less important but more interesting to talk about because it is strictly earthy. There is a suggestion in the program notes that Mahler was not wholly serious in this symphony. It was obvious yesterday that he was not serious at all. Even the finale is not serious, though it is tiresome, being too long. But it is the quality of the humor which is likely to cause people to turn up their noses. The humor is a little coarse, definitely ironical, of a barnyard kind and healthy. Mahler is himself partly to blame for such ideas about him. Definite conceptions such as his (though he may not have been serious about them either) are death to all mystic attitude toward this work. . . . He suggests that the first movement is nature’s awakening at early morning. One suspects that Mahler included in nature the cows and chickens as well as the cuckoo and the dewy grass.” The complete review is here.

Despite that critic’s early apprehensions, the symphony soon became a staple in the Orchestra’s repertoire and has been led—at Orchestra Hall, the Ravinia Festival, and on tour—by a vast array of conductors, including: Roberto Abbado, Claudio Abbado, Daniel Barenboim, Pierre Boulez, James Conlon, Christoph von Dohnányi, Gustavo Dudamel, Christoph Eschenbach, Adam Fischer, Carlo Maria Giulini, Bernard Haitink, Irwin Hoffman, Paul Kletzki, Kirill Kondrashin, Rafael Kubelík, James Levine, Lorin Maazel, Igor Markevitch, Henry Mazer, Eugene Ormandy, Seiji Ozawa, George Schick, Leonard Slatkin, Sir Georg Solti, William Steinberg, Klaus Tennstedt, Michael Tilson Thomas, Edo de Waart, Bruno Walter, and Jaap van Zweden.

And the Orchestra has recorded the work six times, as follows:

Giulini 1971Carlo Maria Giulini, conductor
Recorded by Angel at Medinah Temple in March 1971
Christopher Bishop, producer
Carson Taylor, engineer
Giulini’s recording won the 1971 Grammy Award for Best Classical Performance—Orchestra from the National Academy of Recording Arts and Sciences.

Abbado 1981Claudio Abbado, conductor
Recorded by Deutsche Grammophon at Orchestra Hall in February 1981
Rainer Brock, producer
Karl-August Naegler, engineer

Solti 1983Sir Georg Solti, conductor
Recorded by London at Orchestra Hall in October 1983
James Mallinson, producer
James Lock, engineer

Tennstedt 1990Klaus Tennstedt, conductor
Recorded by EMI at Orchestra Hall in May and June 1990
John Fraser, producer
Michael Sheady, engineer

Boulez 1998Pierre Boulez, conductor
Recorded by Deutsche Grammophon at Orchestra Hall in May 1998
Karl-August Naegler, producer
Rainer Maillard and Reinhard Lagemann, engineers

Haitink 2008Bernard Haitink, conductor
Recorded by CSO Resound at Orchestra Hall in May 2008
James Mallinson, producer
Christopher Willis, engineer

For more information on Muti’s performances of Mahler’s First this week, please visit the CSO’s website.

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The opinions expressed here are mine and do not necessarily reflect those of my employer.

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