You are currently browsing the tag archive for the ‘Lorin Maazel’ tag.
The Chicago Symphony Orchestra family wishes the magnificent pianist and conductor Vladimir Ashkenazy a very happy eighty-fifth birthday!
Ashkenazy catapulted onto the world stage in 1955 after winning second prize in the International Chopin Piano Competition in Warsaw. He was awarded first prize in both the Queen Elisabeth Competition in Brussels in 1956 and the International Tchaikovsky Competition in 1962.
“Pound for pound, he may be the most pyrotechnic pianist in the whole world,” wrote Seymour Raven in the Chicago Tribune, following Ashkenazy’s Orchestra Hall recital debut, presented under the auspices of Allied Arts on October 19, 1958. Seven years later, after his Chicago Symphony Orchestra debut in Prokofiev’s Second Piano Concerto, Thomas Willis (also in the Tribune) commented, the “volcanic [pianist], whose two previous recitals here marked him as a man to watch, had everything it takes to get the locomotor going full speed and most of the qualities to sustain momentum. The big tone for melodies framed the structure in iron. The bravura technique took in stride the hammering octaves, scales which sweep the keyboard, and arpeggio lightning which galvanizes the Russian bear intermezzo into a furious climax. . . . This combination of work, soloist, and orchestra could lift you right out of your seat more than once.”
During the first tour to Europe in 1971, Ashkenazy joined the Orchestra on the first leg in Edinburgh on September 5, performing Mozart’s Piano Concerto no. 20 under Georg Solti. In May 1971 and 1972, he recorded Beethoven’s five piano concertos with the CSO, again with Solti conducting. Recording sessions took place at the Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign, and for London Records, the recording was produced by David Harvey and Kenneth Wilkinson was the recording engineer. The set of all five concertos won the 1973 Grammy Award for Best Classical Performance—Instrumental Soloist or Soloists (with orchestra).
For nearly fifty years, Vladimir Ashkenazy was a regular visitor to the stage in Orchestra Hall. In January 2020, he announced that he would be retiring from public performance, capping a career that spanned nearly seventy years.
A complete list of his appearances—with the Chicago Symphony Orchestra, as a piano recitalist, and as a guest conductor with visiting orchestras—is below.
October 28, 29, and 30, 1965, Orchestra Hall
November 1, 1965, Pabst Theater, Milwaukee
PROKOFIEV Piano Concerto No. 2 in G Minor, Op. 16
Irwin Hoffman, conductor
March 27, 1967, Pabst Theater, Milwaukee
30 and 31, 1967, Orchestra Hall
BEETHOVEN Piano Concerto No. 3 in C Minor, Op. 37
Jean Martinon, conductor
July 25, 1968, Ravinia Festival
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Alfred Wallenstein, conductor
December 5, 6, and 7, 1968, Orchestra Hall
December 9, 1968, Pabst Theater, Milwaukee
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
William Steinberg, conductor
October 30, 31, and November 1, 1969, Orchestra Hall
November 3, 1969, Pabst Theater, Milwaukee
MOZART Piano Concerto in D Minor, K. 466
Eliahu Inbal, conductor
July 16, 1970, Ravinia Festival
PROKOFIEV Piano Concerto No. 2 in G Minor, Op. 16
István Kertész, conductor
May 7 and 8, 1971, Orchestra Hall
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Georg Solti, conductor
July 20, 1971, Ravinia Festival
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
István Kertész, conductor
September 5, 1971, Usher Hall, Edinburgh, Scotland
MOZART Piano Concerto in D Minor, K. 466
Georg Solti, conductor
May 20, 1972, Orchestra Hall
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Sir Georg Solti, conductor
May 21, 1972, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Sir Georg Solti, conductor
March 1, 2, and 3, 1973, Orchestra Hall
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Lorin Maazel, conductor
November 7, 8, and 9, 1974, Orchestra Hall
PROKOFIEV Piano Concerto No. 5 in G Major, Op. 55
Carlo Maria Giulini, conductor
January 18 and 20, 1980, Orchestra Hall
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Sir Georg Solti, conductor
Under the auspices of Allied Arts and Symphony Center Presents, Ashkenazy has appeared as piano recitalist, chamber musician, and guest conductor, as follows (*program book not on file; repertoire culled from advertisements and newspaper clippings).
October 19, 1958, Orchestra Hall
BRAHMS Variations and Fugue on a Theme by Handel, Op. 24
CHOPIN Nocturne in B Major, Op. 9, No. 3
CHOPIN Scherzo No. 4 in E Major, Op. 54
LISZT Mephisto Waltz No. 1
RACHMANINOV Variations on a Theme by Corelli, Op. 42
PROKOFIEV Sonata No. 7 in B-flat Major, Op. 83
*November 18, 1962, Orchestra Hall
MOZART Sonata No. 9 in D Major, K. 311
PROKOFIEV Sonata No. 6 in A Major, Op. 82
CHOPIN Etudes, Op. 25
*May 16, 1971, Orchestra Hall
HAYDN Sonata in E-flat Major, Hob. XVI:52
BEETHOVEN Piano Sonata No. 23 in F Minor, Op. 57 (Appassionata)
CHOPIN Sonata No. 3 in B Minor, Op. 58
March 4, 1973, Orchestra Hall
DOHNÁNYI String Quartet No. 3 in A Minor, Op. 33
SHOSTAKOVICH String Quartet No. 2 in A Major, Op. 68
SCHUMANN Piano Quintet in E-flat Major, Op. 44
Chicago Symphony String Quartet
Victor Aitay, violin
Edgar Muenzer, violin
Milton Preves, viola
Frank Miller, cello
*February 17, 1974, Orchestra Hall
BEETHOVEN Sonata No. 3 in C Major, Op. 2, No. 3
BEETHOVEN Sonata No. 30 in E Major, Op. 109
CHOPIN Fantasy in F Minor, Op. 49
CHOPIN Impromptu in F-sharp Major, Op. 36
CHOPIN Ballade No. 4 in F Minor, Op. 52
CHOPIN Scherzo in E Major, Op. 54
*March 20, 1977, Orchestra Hall
SCRIABIN Sonata No. 2 in G-sharp Minor, Op. 19
SCRIABIN Two Poems, Op. 32
SCRIABIN Sonata No. 7, Op. 64 (White Mass)
SCRIABIN Sonata No. 10, Op. 70
SCRIABIN Four Pieces, Op. 56
RACHMANINOV Études-Tableaux, nos. 2 (Allegro in C major), 6 (Allegro con fuoco in E-flat major), 7 (Moderato in G minor), and 3 (Grave in C minor)
RACHMANINOV Selections from Ten Preludes, Op. 23 and Thirteen Preludes, Op. 32
*January 21, 1979, Orchestra Hall
BEETHOVEN Sonata No. 16 in G Major, Op. 31, No. 1
SCHUMANN Davidsbündlertänze, Op. 6
CHOPIN Fantasy in F Minor, Op. 49
CHOPIN Ballade in A-flat
CHOPIN Nocturne in F-sharp Minor, Op. 48, No. 2
CHOPIN Scherzo in C-sharp Minor
*February 20, 1981, Orchestra Hall
BEETHOVEN Sonata No. 31 in A-flat Major, Op. 110
BEETHOVEN Sonata No. 32 in C Minor, Op. 111
CHOPIN Sonata No. 3 in B Minor, Op. 58
CHOPIN Nocturne in D-flat Major, Op. 27, No. 2
*March 20, 1983, Orchestra Hall
BEETHOVEN Sonata No. 28 in A Major, Op. 101
BEETHOVEN Sonata No. 30 in E Major, Op. 109
SCHUBERT Klavierstücke No. 1 in E-flat Minor and No. 2 in E-flat Major, D. 946
SCHUBERT Fantasy in C Major, D. 760 (Wanderer)
*April 29, 1984, Orchestra Hall
SCHUBERT Sonata in B-flat Major, D. 960
SCHUMANN Papillons, Op. 2
SCHUMANN Symphonic Etudes, Op. 13
December 9, 1990, Orchestra Hall
BEETHOVEN Sonata No. 31 in A-flat Major, Op. 110
BEETHOVEN Sonata No. 32 in C Minor, Op. 111
BRAHMS Klavierstücke, Op. 119
BRAHMS Variations on a Theme by Handel, Op. 24
November 15, 1992, Orchestra Hall
MENDELSSOHN Selections from A Midsummer Night’s Dream, Op. 61
BAX Tintagel
SHOSTAKOVICH Symphony No. 10 in E Minor, Op. 93
Royal Philharmonic Orchestra
November 10, 1997, Orchestra Hall
KODÁLY Dances of Galánta
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Christian Tetzlaff, violin
BRAHMS Symphony No. 1 in C Minor, Op. 68
Deutsches Symphonie-Orchester Berlin
March 31, 2000, Orchestra Hall
JANÁČEK Suite from The Cunning Little Vixen
DVOŘÁK Violin Concerto in A Minor, Op. 53
Kurt Nikkanen, violin
PROKOFIEV Symphony No. 5 in B-flat Major, Op. 100
Czech Philharmonic
March 7, 2003, Orchestra Hall
SHOSTAKOVICH/Barshai Chamber Symphony for Strings in C Minor, Op. 110a
PROKOFIEV Piano Concerto No. 1 in D-flat Major, Op. 10
Lukáš Vondráček, piano
DVOŘÁK Symphony No. 7 in D Minor, Op. 70
Czech Philharmonic
Happy, happy birthday!
This article also appears here.
The Chicago Symphony Orchestra family joins the music world in mourning the loss of Polish composer and conductor Krzysztof Penderecki, who died on Sunday at his home in Krakow following a long illness. He was eighty-six.
“The death of Krzysztof Penderecki is a great loss for the music world,” wrote Riccardo Muti today from his home in Ravenna. “In the late 1970s with the Philharmonia Orchestra, I conducted his Symphony no. 1—a piece of extreme modernity—in London and in other European cities. In 2007, I was fortunate to meet him in person in Ravenna while he was conducting the Luigi Cherubini Orchestra in a concert dedicated entirely to his music. Later in 2016, he returned to conduct the ensemble at the Cathedral of Orvieto, Italy, where he led some of his compositions and Dvořák’s New World Symphony. Penderecki was a great musician—open to the contemporary music world—who was passionate to work with the young generation. He was an extraordinary human being and a person of great kindness. His passing is a great mourning to the music world.”
Muti led the Chicago Symphony Orchestra’s most recent performances of the composer’s music—The Awakening of Jacob—to open the 127th season of subscription concerts on September 23 and 26, 2017.
In 2000, the composer himself was in Chicago to lead the Orchestra and Chorus in performances of his Seven Gates of Jerusalem, a work commissioned for the 3,000th anniversary of Jerusalem and premiered there in 1997. In a preview article in the Chicago Tribune, John von Rhein wrote, that the forces required to perform the work “are much larger than in any of Penderecki’s previous works. The symphony calls for five vocal soloists and a speaker, three choruses, a large onstage orchestra (including four percussion groups) and a smaller ensemble of woodwinds and brass stationed at the rear of the hall.” The complete program was as follows:
March 16, 17, and 18, 2000
SCHUBERT Symphony No. 5 in B-flat Major, D 485
PENDERECKI Seven Gates of Jerusalem
Krzysztof Penderecki, conductor
Bozena Harasimowicz-Haas, soprano
Izabella Klosíinska, soprano
Jadwiga Rappé, alto
Jorma Silvasti, tenor
Romauld Tesarowicz, bass
Alberto Mizrahi, speaker
Chicago Symphony Chorus
Duain Wolfe, director
“An air of hammering declamation permeated Seven Gates,” wrote Wynne Delacoma in the Chicago Sun-Times. “The chorus announced its presence with stern, massed song in the work’s opening bars. Several of the movements had a steady, pacing rhythm that moved forward with the implacable force of an invading army. There were a few moments of respite. . . . The fifth movement, the exultant ‘Laude, Ierusalem Dominum (Praise the Lord, O Jerusalem)’ came closest to breaking away from big, somber gestures. Rhythms were more animated, percussion and individual instruments galloped and surged with nervous energy.”
The Orchestra performed music by Penderecki on a number of other occasions, as follows (all performances in Orchestra Hall):
December 30, 1970; January 1 and 2, 1971
PENDERECKI Polymorphia
Aldo Ceccato, conductor
December 6 and 7, 1973
PENDERECKI Capriccio for Violin and Orchestra
Michael Gielen, conductor
Wanda Wilkomirska, violin
November 21, 22, and 23, 2002
PENDERECKI Symphony No. 4
Lorin Maazel, conductor
March 17, 19, and 22, 2011
PENDERECKI Concerto grosso for Three Cellos and Orchestra
Charles Dutoit, conductor
Katinka Kleijn, cello
Kenneth Olsen, cello
John Sharp, cello
Numerous tributes have been posted online at the Chicago Tribune, The New York Times, and The Guardian, among several others.
The Chicago Symphony Orchestra family joins the music world in mourning the loss of Lorin Maazel, a frequent and beloved guest conductor for forty years, from 1973 until 2013. Maazel died on July 13, 2014, at his Castleton Farms estate in Virginia. He was 84.
Maazel made his debut with the Chicago Symphony Orchestra in February and March 1973, leading two weeks of subscription concerts at Orchestra Hall as well as a run-out to Milwaukee:
February 22, 23 & 24, 1973
February 26, 1973 (Pabst Theater in Milwaukee, Wisconsin)
SIBELIUS Symphony No. 2 in D Major, Op. 43
BARTÓK Two Images, Op. 10
SCRIABIN The Poem of Ecstasy, Op. 54
March 1, 2 & 3, 1973
MARTIRANO Contrasts for Orchestra
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Vladimir Ashkenazy, piano
SCHUMANN Symphony No. 2 in C Major, Op. 61
During his forty-year collaboration with the Orchestra, Maazel’s repertoire covered a wide range of composers, including Beethoven, Brahms, Hindemith, Holst, Kernis, Mahler, Mendelssohn, Mozart, Penderecki, Prokofiev, Respighi, Strauss, Stravinsky, Tchaikovsky, Verdi, and Wagner. He was one of several conductors invited to share the podium for the CSO’s Centennial Gala on October 6, 1990, and a few weeks later he led the Orchestra in the world premiere of Shchedrin’s Old Russian Circus Music (commissioned to celebrate the CSO’s centennial season) on October 25, 1990. A noted composer, Maazel also led the Orchestra in the U.S. premiere of his own Farewells on December 14, 2000.
Maazel last led the Chicago Symphony Orchestra at Orchestra Hall for two weeks of subscription concerts—including a run-out to the Krannert Center at the University of Illinois—in February 2005:
February 10 & 12, 2005
February 11, 2005 (Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign, Urbana, Illinois)
BRAHMS Serenade No. 2 in A Major, Op. 16
BARTÓK Two Images, Op. 10
PROKOFIEV Symphony No. 5 in B-flat Major, Op. 100
February 17, 18, 19 & 20, 2005
THOMAS Gathering Paradise
Heidi Grant Murphy, soprano
SHOSTAKOVICH Cello Concerto No. 1
John Sharp, cello
SIBELIUS Symphony No. 1 in E Minor, Op. 39
His most recent appearance in Orchestra Hall was in March 2009 with the New York Philharmonic, during his final season as that ensemble’s music director:
March 9, 2009
BERLIOZ Roman Carnival Overture, Op. 9
TCHAIKOVSKY Suite No. 3 in G Major, Op. 55
STRAVINSKY The Rite of Spring
Maazel’s last appearances with the Chicago Symphony Orchestra were tour concerts in January and February 2013, including stops in Hong Kong, Shanghai, Beijing, Tianjin, and Seoul.
A statement from the Chicago Symphony Orchestra on Lorin Maazel’s passing can be found here.