You are currently browsing the tag archive for the ‘Dale Clevenger’ tag.

Chicago Symphony Orchestra Principal Trumpet Adolph “Bud” Herseth in the 1960s
Adolph Herseth in 1938 (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra Association)
Avis Bottemiller and Adolph Herseth (center) in the 1930s in Bertha, Minnesota (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra Association)
Adolph Herseth in the midst of the CSO’s brass section in 1988 (Jim Steere)
Adolph Herseth with Daniel Barenboim, the CSO’s ninth music director (Jim Steere)
Adolph Herseth in the 1980s (Jim Steere)
Adolph and Avis Herseth at the CSO Alumni Association reunion in the Club at Symphony Center on June 3, 2011 (Dan Rest)
Adolph Herseth and Doc Severinsen perform with the CSO in Orchestra Hall on June 7, 1988 (Jim Steere)
Adolph Herseth demonstrates his warm-up technique at the Ravinia Festival in the late 1970s
Adolph Herseth serving in the U.S. Navy in the 1940s
Adolph Herseth performs Taps at the gravesite of Sir Georg Solti in Budapest, Hungary on April 1, 2005 (Todd Rosenberg)
Adolph Herseth in the early 1990s (Jim Steere)
Adolph Herseth enjoying a round of golf in Lucerne, Switzerland in September 1978 (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra Association)
Adolph Herseth’s first concert with the CSO was at the Ravinia Festival on June 29, 1948, under the baton of Eugene Ormandy.
Proof sheet from photo session featuring Adolph Herseth in the 1970s (Robert M. Lightfoot III)
CSO brass section musicians Adolph Herseth, Rudolph Nashan, Wayne Barrington, Arnold Jacobs, and Frank Crisafulli perform for Chicago schoolchildren in the 1960s
Newlyweds Avis and Adolph Herseth in 1943 (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra Association)
The Chicago Symphony Orchestra and Assistant Conductor Tauno Hannikainen onstage in Orchestra Hall on October 14, 1948, at the beginning of Adolph Herseth’s first downtown season as principal trumpet
CSO trumpets Frank Holz, Renold Schilke, Gerald Huffman, and Adolph Herseth onstage at Orchestra Hall on October 14, 1948, at the beginning of Herseth’s first downtown season as principal trumpet
Gabriel’s Children, the concert celebrating Adolph Herseth’s fiftieth season as the CSO’s principal trumpet, on June 7, 1998
Adolph Herseth in the 1980s (Jim Steere)
The Herseth family’s 1953 Christmas card (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra)
CSO brass section musicians Arnold Jacobs, Frank Crisafulli, Richard Oldberg, Vincent Cichowicz, and Adolph Herseth in the mid-1960s (Terry’s)
Karel Husa, Adolph Herseth, and Sir Georg Solti backstage following the world premiere of the composer’s Concerto for Trumpet and Orchestra on February 11, 1988 (Jim Steere)
Adolph Herseth in the early 1980s (Robert M. Lightfoot III)
Associate Conductor Kenneth Jean leads the CSO brass section in The National Anthem at Soldier Field on September 14, 1987, for the Chicago Bears‘ home opening game
Leonard Bernstein and Adolph Herseth discuss a detail in Shostakovich’s Seventh Symphony during a rehearsal break in Orchestra Hall in June 1988 (Jim Steere)
Adolph Herseth (far right) with fellow Luther College band members in 1940 (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra)
MOZART Horn Concerto No. 3, Bassoon Concerto, and Oboe Concerto, and HAYDN Trumpet Concerto (Deutsche Grammophon, 1981–1984)
Valerie and Georg Solti greet Avis and Adolph Herseth in Orchestra Hall’s ballroom on March 18, 1969 (Terry’s)
Adolph Herseth and Sir Georg Solti rehearsing Husa’s Concerto for Trumpet and Orchestra in Perth, Australia in March 1988 (Jim Steere)
The school band in Bertha, Minnesota in 1929 (Adolph Herseth is pictured near the far right of the second row, second from the end) (Adolph Herseth collection, Rosenthal Archives of the Chicago Symphony Orchestra Association)
Clark Brody, Willard Elliot, Donald Peck, Dale Clevenger, Jean Martinon, Ray Still, Adolph Herseth, Donald Koss, and Jay Friedman backstage before a performance of Martin’s Concerto for Seven Wind Instruments, Timpani, Percussion, and String Orchestra in February 1966 (Terry’s photo)

This article also appears here.

Willard Elliot in the early 1990s (Jim Steere photo)

For more than thirty years, Willard Elliot (1926-2000) was the foundation of the Chicago Symphony Orchestra’s wind section. A native of Fort Worth, Texas, he studied piano and clarinet before switching to the bassoon at the age of fourteen, even though he wanted to play the instrument much sooner. According to his widow, Patricia, “He was waiting until he was big enough to play the bassoon.” Elliot earned a bachelor’s degree from North Texas State University, and, at the age of nineteen, he completed a master’s degree in composition from the Eastman School of Music. He spent three years with the Houston Symphony and eleven years as principal bassoon with the Dallas Symphony Orchestra, in addition to performing with the Fourth Army Band at Fort Sam Houston in San Antonio. In 1964, Elliot was hired by seventh music director Jean Martinon as the Chicago Symphony Orchestra’s principal bassoon.

As a composer, Elliot was co-winner of the 1961 Koussevitzky Foundation Award for his Elegy for Orchestra. Under Seiji Ozawa, he was soloist with the CSO in the world premiere of his Concerto for Bassoon, first performed at the Ravinia Festival on June 27, 1965; and Richard Graef was soloist in The Snake Charmer (Concerto for Alto Flute and Orchestra), first performed on Youth Concerts on January 7, 1976, under the baton of then–associate conductor Henry Mazer. Elliot also composed two symphonies; arrangements of works by Glinka, Granados, Grieg, Mozart, Ravel, Scriabin, and Weber; along with numerous chamber works for a variety of instrument combinations.

During his thirty-three-year tenure, Elliot performed as a soloist under Claudio Abbado, Lawrence Foster, Carlo Maria Giulini, Morton Gould, Antonio Janigro, Martinon, and Sir Georg Solti. On March 19, 1966, he was a soloist—along with his colleagues Clark Brody, Dale Clevenger, Jay Friedman, Adolph Herseth, Donald Koss, Donald Peck, and Ray Still—in recording sessions for Martin’s Concerto for Seven Wind Instruments, Timpani, Percussion, and String Orchestra for RCA under Martinon’s baton. On February 4, 1984, Elliot recorded Mozart’s Bassoon Concerto with Abbado conducting for Deutsche Grammophon.


As an educator, Elliot taught at the University of North Texas and DePaul and Northwestern universities, and he also coached the Civic Orchestra of Chicago‘s bassoon section. Following his retirement from the Chicago Symphony Orchestra in 1996, Elliot and his wife moved to Fort Worth to teach music at Texas Christian University and give master classes around the country. They also continued their work with Bruyere Music Publishers (founded in 1986), preparing his compositions and arrangements for publication.

“When I joined the CSO in 1992, Willard was nearing the end of a long performing career. I was very aware of being a different generation from Willard, but he was very collegial from the first time we worked together,” commented William Buchman, assistant principal bassoon. “He encouraged me to play with real gusto and engagement. It made me feel like my contributions to the Orchestra’s sound were important.”

“Willard Elliot was a fascinating man and wonderful musician,” according to John Bruce Yeh, assistant principal clarinet. He was “a true renaissance musician: arranger, composer, educator, as well as orchestral bassoonist par excellence.” Elliot and Yeh were both founding members of the Chicago Symphony Winds, and together they toured and recorded Elliot’s transcription of Grieg’s Four Lyric Pieces as well as Mozart’s Serenade in E-flat major, K. 375, both for the Sheffield Lab label.

Willard Elliot in 1970 (Zeloof-Stuart Photography)

“In 1979, I formed Chicago Pro Musica,” Yeh continued, and “Willard and I were pleased to explore a wide range of chamber music with our CSO colleagues and guests.” In 1983, the ensemble recorded Stravinsky’s The Soldier’s Tale along with Elliot’s arrangement of Scriabin’s Waltz in A-flat major for their debut on Reference Recordings. “Willard loved the music of Scriabin and the composer’s exotic harmonies. Those of us in the CSO woodwind section to this day fondly remember some of the inspired little signature harmonic touches Willard would inject into standard repertoire, a small alteration that only those close by would be able to hear during a rehearsal, for example. He would always liven things up that way.” The ensemble won the 1985 Grammy Award for Best New Classical Artist.

“Willard was always an upbeat man with a smile on his face,” remembered Michael Henoch, assistant principal oboe. “He was, of course, a marvelous musician, a consummate master of the bassoon, but he had many other interests including geology, gardening, and researching his family’s genealogy. . . . He had a huge presence in the CSO woodwind section, and I was honored to perform with him. Over the years, I also played many chamber music concerts with him in the Chicago Symphony Chamber Players, Chicago Pro Musica, and the Chicago Chamber Musicians.  We played many of his own compositions and arrangements, all crafted with a high degree of professionalism.”

“I remember being aware that Willard was always so well-prepared and enthusiastic. He had played just about every piece at least once before, and he had a photographic memory of all of his previous performances,” added Buchman. “He also was remarkably organized with his reeds. He had a journal in which he kept notes about every reed he made and used, including what pieces he had used each reed for. . . . He adjusted well to retirement, though, and he kindly bestowed upon me a couple of large boxes of reed cane he had been storing for decades. I still have some of it today!”

Willard Elliot’s Two Sketches for Woodwind Quintet—performed by Jennifer Gunn, Michael Henoch, John Bruce Yeh, William Buchman, and Oto Carrillo—can be heard on CSO Sessions Episode 19, available on CSOtv from May 6 until June 4, 2021.

Elliot also can be heard as part of the continuo in the January 1990 London recording of Bach’s Mass in B Minor, under the baton of Sir Georg Solti and featured on the May 11, 2021, From the CSO’s Archives: The First 130 Years radio broadcast.

Wishing a very happy eightieth-fifth birthday to Zubin Mehta!

Zubin Mehta in 2016 (Wilfried Hösl photo)

A frequent and favorite guest conductor in Chicago, Mehta has appeared with the Chicago Symphony Orchestra on numerous occasions, both at Orchestra Hall and the Ravinia Festival.

December 1, 1986, Orchestra Hall
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
BRAHMS Piano Concerto No. 2 in B-flat Major, Op. 83
Daniel Barenboim, piano

November 17, 18, 19, and 22, 1988, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Marvis Martin, soprano
Maureen Forrester, contralto
Chicago Symphony Chorus
Margaret Hillis, director

November 23, 25, and 27, 1988, Orchestra Hall
MESSIAEN Turangalîla-symphonie
Pierre-Laurent Aimard, piano
Jeanne Loriod, ondès martenot

August 9, 1991, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Midori, violin
MAHLER Symphony No. 5

August 10, 1991, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BARBER Knoxville: Summer of 1915, Op. 24
Marvis Martin, soprano
BEETHOVEN Symphony No. 9 in D Minor, Op. 125
Marvis Martin, soprano
Gweneth Bean, contralto
Ben Heppner, tenor
Julien Robbins, baritone
Chicago Symphony Chorus
Margaret Hillis, director

February 19, 20, 21, and 22, 1992, Orchestra Hall
BRAHMS Symphony No. 3 in F Major, Op. 90
FOSS Symphony No. 3 (Symphony of Sorrows) (world premiere)
RAVEL Suite No. 2 from Daphnis and Chloe

February 26, 27, 28, and 29, 1992, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Florence Quivar, mezzo-soprano
Women of the Chicago Symphony Chorus
Richard Garrin, director
Chicago Children’s Choir
Lucy Ding, director

February 2, 1993, Orchestra Hall
BEETHOVEN Leonore Overture No. 3, Op. 72
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Daniel Barenboim, piano

Zubin Mehta at La Scala in 2010 (Marco Brescia photo)

December 16, 17, and 19, 1993, Orchestra Hall
WEBERN Passacaglia for Orchestra, Op. 1
WEBERN Six Pieces for Orchestra, Op. 6
WEBERN Concerto, Op. 24
Richard Graef, flute
Michael Henoch, oboe
Larry Combs, clarinet
Gail Williams, horn
William Scarlett, trumpet
Jay Friedman, trombone
Samuel Magad, violin
Charles Pikler, viola
Mary Sauer, piano
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

January 26, 27, and 31, 1995, Orchestra Hall
SCHUBERT Symphony No. 6 in C Major, D. 589
ORFF Carmina burana
Janet Williams, soprano
Frank Lopardo, tenor
Bo Skovhus, baritone
Chicago Symphony Chorus
Duain Wolfe, director
Chicago Children’s Choir
William Chin, director

February 2, 4, and 5, 1995
MOZART Symphony No. 40 in G Minor, K. 550
SCHOENBERG Chamber Symphony No. 1, Op. 9
Richard Graef, flute
Michael Henoch, oboe
Grover Schiltz, English horn
Larry Combs, clarinet
John Bruce Yeh, clarinet
J. Lawrie Bloom, bass clarinet
Willard Elliot, bassoon
Burl Lane, contrabassoon
Dale Clevenger, horn
Gail Williams, horn
Rubén González, violin
Joseph Golan, violin
Charles Pikler, viola
John Sharp, cello
Joseph Guastafeste, bass
WAGNER Siegfried Idyll
Donald Peck, flute
Michael Henoch, oboe
Larry Combs, clarinet
Gregory Smith, clarinet
Bruce Grainger, bassoon
Dale Clevenger, horn
Gail Williams, horn
Adolph Herseth, trumpet
Rubén González, violin
Joseph Golan, violin
Charles Pikler, viola
John Sharp, cello
Joseph Guastafeste, bass
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)

June 22 and 23, 1995, Ravinia Festival
WAGNER Prelude to Die Meistersinger von Nürnberg
BEETHOVEN Piano Concerto No. 3, C minor, Op. 37
Emanuel Ax, piano
GERSHWIN An American in Paris
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34

June 24, 1995, Ravinia Festival
PUCCINI Tosca
Floria Tosca Elizabeth Holleque, soprano
Mario Cavaradossi Richard Leech, tenor
Baron Scarpia Sergei Leiferkus, baritone
Angelotti Stephen Morscheck, bass-baritone
Sacristan David Evitts, baritone
Spoletta Matthew Polenzani, tenor
Sciarrone Victor Benedetti, baritone
Jailer Mark McCrory, bass-baritone
A Young Shepherd Suzanne Shields, soprano
Chicago Symphony Chorus
Duain Wolfe, director
Glen Ellyn Children’s Chorus
Lisa Sirvatka, director

June 27, 1995, Ravinia Festival
BRAHMS Tragic Overture, Opus 81
BRAHMS Concerto for Violin and Cello A Minor, Op. 102 (Double)
Pinchas Zukerman, violin
Ralph Kirshbaum, cello
BRAHMS Symphony No. 2 in D Major, Op. 73

January 18, 19, and 20, 1996, Orchestra Hall
SCHUBERT Overture to Rosamunde, D. 644
SCHUBERT Symphony in B Minor, D. 759 (Unfinished)
STRAUSS Domestic Symphony, Op. 53

Zubin Mehta in 2007 (Oded Antman photo)

February 20, 21, 22, and 25, 1997, Orchestra Hall
LUTOSŁAWSKI Symphony No. 4
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

February 27, 28, and March 1, 1997, Orchestra Hall
KORNGOLD Suite from Much Ado About Nothing
BARTÓK Piano Concerto No. 2
Yefim Bronfman, piano
MENDELSSOHN Octet for Strings in E-flat Major, Op. 20

February 18, 20, and 22, 1998, Orchestra Hall
WAGNER A Faust Overture
HINDEMITH Symphony, Mathis der Maler
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Daniel Barenboim, piano

February 26, 27, 28, and March 3, 1998, Orchestra Hall
CRUMB Ancient Voices of Children
Barbara Ann Martin, soprano
R. Anton Briones, boy soprano
Alex Klein, oboe and harmonica
Frederic Chrislip, mandolin and musical saw
Sarah Bullen, harp
Mary Sauer, electric piano and toy piano
Gordon Peters, percussion
Patricia Dash, percussion
Edward Atkatz, percussion
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

February 8, 9, and 10, 2001, Orchestra Hall
BERLIOZ The Trojans, Op. 29, Part 1: The Fall of Troy
Cassandra Deborah Voigt, soprano
Chorebus Roman Trekel, baritone
Aeneas Jon Villars, tenor
Ascanius Nancy Pifer, soprano
Hecuba Stacy Eckert, mezzo-soprano
Helenus James Cornelison, tenor
Panthus and A Soldier Timothy J. Quistorff, baritone
Priam, Spirit of Hector, and Greek Captain Andrew Funk, bass
Chicago Symphony Chorus
Duain Wolfe, director

April 4, 5, and 6, 2002, Orchestra Hall
STRAVINSKY Fireworks, Op. 4
STRAVINSKY Circus Polka
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Nikolaj Znaider, violin
BEETHOVEN Symphony No. 7 in A Major, Op. 92

April 11, 12, and 13, 2002, Orchestra Hall
BERLIOZ The Trojans, Op. 29, Part 2: The Trojans at Carthage
Dido Nadja Michael, mezzo-soprano
Anna Nancy Maultsby, mezzo-soprano
Ascanius Meredith Barber, soprano
Spirit of Cassandra Stacy Eckert, mezzo-soprano
Aeneas Jon Villars, tenor
Iopas Nicholas Phan, tenor
Hylas Michael Sommese, tenor
Mercury and Spirit of Chorebus Michael Brauer, baritone
First Sentinel and Spirit of Hector Timothy J. Quistorff, baritone
Second Sentinel and Sprit of Priam Terry Cook, bass
Narbal Stephen Milling, bass
Chicago Symphony Chorus
Duain Wolfe, director

February 24, 2006, Orchestra Hall
BRAHMS Symphony No. 1 in C Minor, Op. 68
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Daniel Barenboim, piano

Happy, happy birthday!

Wishing a very happy eighty-fifth birthday to the remarkable Japanese conductor Seiji Ozawa!

As a last-minute replacement for Georges Prêtre in July 1963, Ozawa was called upon to lead the Chicago Symphony Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut on July 16 in Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the Orchestra with transparency of gesture and human communication, then commands acceptance.”

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Between 1965 and 1970—at both Orchestra Hall and in Medinah Temple— Ozawa and the Orchestra recorded a number of works for Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony.

A complete list of his performances and recordings with the Chicago Symphony Orchestra is below:

July 16, 1963, Ravinia Festival
BEETHOVEN Leonore Overture No. 3, Op. 72a
GRIEG Concerto for Piano in A Minor, Op. 16
Byron Janis, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

June 16, 1964

July 18, 1963, Ravinia Festival
ROSSINI Overture to The Barber of Seville
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christian Ferras, violin
DEBUSSY Prelude to The Afternoon of a Faun
TAKEMITSU Requiem for String Orchestra (U.S. premiere)
PROKOFIEV Selections from Romeo and Juliet

June 16, 1964, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BARBER Piano Concerto, Op. 38
John Browning, piano
BERLIOZ Symphonie fantastique, Op. 14

June 18, 1964, Ravinia Festival
POULENC Gloria
Barbara Garrison, soprano
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director
FAURÉ Requiem in D Minor, Op. 48
Barbara Garrison, soprano
Howard Nelson, baritone
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director

June 30, 1964, Ravinia Festival
HINDEMITH Symphony, Mathis der Maler
SIBELIUS Piano Concerto in D Minor, Op. 47
Ruggiero Ricci, violin
MUSSORGSKY/Ravel Pictures at an Exhibition

Ozawa and Igor Stravinsky in Orchestra Hall on July 20, 1964, while the composer was in town to lead recording sessions of his Orpheus with the CSO (Arthur Siegel photo)

July 7, 1964, Ravinia Festival
MOZART Overture to The Abduction from the Seraglio, K. 384
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Neal O’Doan, piano
GLUCK Divinités du Styx from Alceste
Dolores Ann White, mezzo-soprano
THOMAS Elle est la pres de lui from Mignon
Dolores Ann White, mezzo-soprano
ROSSINI Non più mesta from La cenerentola
Dolores Ann White, mezzo-soprano
LISZT Piano Concerto No. 1 in E-flat Major
Michael Rogers, piano

July 21, 1964, Ravinia Festival
BIZET Symphony No. 1 in C Major
RAVEL Alborada del gracioso
MOZART Concerto for Oboe in C Major, K. 314
Ray Still, oboe
TCHAIKOVSKY Francesca da Rimini, Op. 32

July 25, 1964, Ravinia Festival
SCHUMAN American Festival Overture
IVES Central Park in the Dark
STRAVINSKY Violin Concerto in D
Paul Makanowitzky, violin
FRANCK Symphony in D Minor

July 28, 1964, Ravinia Festival
WEBER Overture to Euryanthe, Op. 81
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Paul Makanowitzky, violin
BRAHMS Symphony No. 1 in C Minor, Op. 68

Leon Fleisher and Ozawa backstage on August 1, 1964 (Arthur Siegel photo)

August 1, 1964, Ravinia Festival,
BERNSTEIN Overture to Candide
MOZART Piano Concerto No. 23 in A Major, K. 488
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

June 15, 1965, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
MOZART Serenade No. 10 for Winds in B-flat Major, K. 361
BRAHMS Symphony No. 2 in D Major, Op. 73

June 17, 1965, Ravinia Festival
WEBER Jubel Overture, Op. 59
RESPIGHI Ancient Airs and Dances Suite No. 1
DONIZETTI Una furtiva lagrima from L’elisir d’amore
Richard Tucker, tenor
VERDI Forse la soglia attinse from Un ballo in maschera
Richard Tucker, tenor
BIZET L’arlesienne Suite No. 2
BIZET La fleur que tu m’avais jetèe from Carmen
Richard Tucker, tenor
MASCAGNI Mamma, quel vino from Cavalleria rusticana
Richard Tucker, tenor

June 19, 1965, Ravinia Festival
HARRIS When Johnny Comes Marching Home
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
André Watts, piano
NIELSEN Symphony No. 5, Op. 50

June 20, 1965, Ravinia Festival
COPLAND Fanfare for the Common Man
BLACHER Concertante Musik, Op. 10
DEBUSSY First Rhapsody
Clark Brody, clarinet
KABELEVSKY The Comedians, Op. 26
HINDEMITH Concerto for Winds, Harp, and Orchestra
RAMSIER Divertimento on a Theme of Couperin
Gary Karr, bass

June 22, 1965, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Berl Senofsky, violin
BERLIOZ Funereal and Triumphal Symphony, Op. 15
BERLIOZ Selections from The Damnation of Faust, Op. 24

June 27, 1965, Ravinia Festival
ROUSSEL Symphony No. 3 in G Minor, Op. 42
BARTÓK Piano Concerto No. 3
Peter Serkin, piano
STRAVINSKY Four Etudes
ELLIOT Bassoon Concerto (world premiere)
Willard Elliot, bassoon
Bartók’s Third Piano Concerto was recorded on June 28, 1965, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 29, 1965, Ravinia Festival
HANDEL Concerto grosso in B Minor, Op. 6, No. 12
BEETHOVEN Concerto for Piano No. 3 in C Minor, Op. 37
Eugene Istomin, piano
SIBELIUS Violin Concerto in D Minor, Op. 47
Isaac Stern, violin

July 1, 1965, Ravinia Festival
MOZART Divertimento in D Major, K. 136
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Isaac Stern, violin
DVOŘÁK Cello Concerto in B Minor, Op. 104
Leonard Rose, cello

July 3, 1965, Ravinia Festival
MOZART Piano Concerto No. 24 in C Minor, K. 491
Eugene Istomin, piano
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Isaac Stern, violin
Leonard Rose, cello
BEETHOVEN Concerto for Violin, Cello, and Piano in C Major, Op. 56 (Triple)
Isaac Stern, violin
Leonard Rose, cello
Eugene Istomin, piano

July 4, 1965, Ravinia Festival
HOVHANESS Fantasy on Japanese Wood Prints, Op. 211 (world premiere)
Yoichi Hiraoka, xylophone
IVES The Fourth of July
GERSHWIN An American in Paris
GOTTLIEB Pieces of Seven Overture
BERNSTEIN Suite from Fancy Free

July 11, 1965, Ravinia Festival
GINASTERA Estancia Suite, Op. 8a
DEBUSSY/Caplet Children’s Corner
RIVIER Concerto brève
Kyoko Ozawa, piano
RIEGGER Dance Rhythms, Op. 58
RIEGGER Study in Sonority, Op. 7

July 15, 1965, Ravinia Festival
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Victor Aitay, violin
Milton Preves, viola
STRAUSS Four Songs (Morgen, Waldseligkeit, Muttertändelei, and Zueignung)
Elisabeth Schwarzkopf, soprano
HINDEMITH Konzertmusik for String Orchestra and Brass, Op. 50
TCHAIKOVSKY Letter Scene from Eugene Onegin
Elisabeth Schwarzkopf, soprano

July 18, 1965, Ravinia Festival
IBERT Divertissement
ORFF Carmina burana
Julia Diane Ragains, soprano
Pierre Duval, tenor
Sherrill Milnes, baritone
Alfred H. Reichel, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Children’s Choir
Christopher Moore, director

July 20, 1965, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Gabriel Chodos, piano
DVOŘÁK First movement (Allegro) from Cello Concerto in B Minor, Op. 104
Daniel Domb, cello
RAVEL Piano Concerto in G Major
John C. Owings, piano
LISZT Piano Concerto No. 1 in E-flat Major
Adrian Ruiz, piano

For the U.S. premiere of Jean Martinon’s Cello Concerto on July 31, 1965, former principal cello János Starker returned as soloist at the Ravinia Festival. Shown here during a rehearsal are the composer, soloist, and conductor.

July 31, 1965, Ravinia Festival
COPLAND An Outdoor Overture
MARTINON Cello Concerto, Op. 52 (U.S. premiere)
János Starker, cello
TCHAIKOVSKY Symphony No. 4, F Minor, Op. 36

March 26, 1966, Orchestra Hall
March 28, 1966, Pabst Theater, Milwaukee
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
WEBER Konzertstück for Piano in F Minor, Op. 79
Yuri Boukoff, piano
LISZT Piano Concerto No. 1 in E-flat Major
Yuri Boukoff, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

March 31, April 1, and 2, 1966, Orchestra Hall
MOZART Symphony No. 36 in C Major, K. 425 (Linz) 
IVES Symphony No. 4
DVOŘÁK Violin Concerto in A Minor, Op. 53
Isaac Stern, violin

June 28, 1966, Ravinia Festival
BUSONI Lustspiel Overture, Op. 38
TAKEMITSU Requiem for String Orchestra
MAHLER Symphony No. 1 in D Major

June 30, 1966, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
MUSSORGSKY Selections from Boris Godunov
George London, bass-baritone
BORODIN Symphony No. 2 in B Minor

July 7, 1966, Ravinia Festival
HAYDN Symphony No. 86 in D Major
MOZART Piano Concerto No. 21 in C Major, K. 467
Peter Serkin, piano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

July 10, 1966, Ravinia Festival
TOCH Pinocchio, A Merry Overture
IBERT Symphonic Suite, Impressions of Paris
IVES/Schuman Variations on America
BARTÓK Piano Concerto No. 1
Peter Serkin, piano
Bartók’s First Piano Concerto was recorded on July 11, 1966, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 24, 1966, Ravinia Festival
FREEDMAN Images
BERG Violin Concerto
Paul Makanowitzky, violin
MOREL L’etoile noire
THOMSON Louisiana Story, Suite for Orchestra

July 26, 1966, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
RACHMANINOV Concerto for Piano No. 1 in F-sharp Minor, Op. 1
Byron Janis, piano
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Byron Janis, piano

July 28, 1966, Ravinia Festival
HANDEL/Harty Suite from Music for the Royal Fireworks
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Byron Janis, piano
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Byron Janis, piano

July 31, 1966, Ravinia Festival
LUTOSŁAWSKI Funeral Music
SHULMAN Theme and Variations for Viola and Orchestra
Milton Preves, viola
BERIO Serenata I for Flute and Fourteen Instruments
Donald Peck, flute
XENAKIS Eonta
Yuji Takahashi, piano
VARÈSE Hyperprism

August 11, 1966, Ravinia Festival
HOMMANN Overture for Orchestra
BERNSTEIN Symphony No. 1 (Jeremiah)
Mary Simmons, mezzo-soprano
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Van Cliburn, piano

August 13, 1966, Ravinia Festival
BACH/Schoenberg Prelude and Fugue in E-flat Major, BWV 552 (Saint Anne)
BEETHOVEN Piano Concerto No. 5 in E-fat Major, Op. 73 (Emperor)
Van Cliburn, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

June 27, 1967, Ravinia Festival
GLUCK Overture to Iphigénie en Aulide
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Byron Janis, piano
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
GINASTERA Estancia Suite, Op. 8a

June 29, 1967, Ravinia Festival
GERSHWIN An American in Paris
GERSHWIN/Bennett Porgy and Bess, A Symphonic Picture
GERSHWIN Cuban Overture
GERSHWIN Concerto in F for Piano and Orchestra
Byron Janis, piano

July 1, 1967, Ravinia Festival
VERDI Overture to I vespri siciliani
MENOTTI The Death of the Bishop of Brindisi
Julie Idione, soprano
Simon Estes, bass
All-City Chicago High School Chorus
Emile Serposs, director
MOZART Piano Concerto No. 23 in A Major, K. 488
Lili Kraus, piano
RESPIGHI Pines of Rome

July 9, 1967, Ravinia Festival
BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051
BLOCH Concerto grosso No. 1
Mary Sauer, piano
SYMONDS Concerto grosso for Jazz Quintet and Orchestra
Kenny Soderblom Jazz Quintet
Kenny Soderblom, alto saxophone
John Avant, trombone
Bobby Roberts, guitar
Harold Jones, drums
Ernest Outlaw, bass
YASHIRO Cello Concerto
Tsuyoshi Tsutsumi, cello

July 13, 1967, Ravinia Festival
BRITTEN The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell)
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Peter Serkin, piano
MUSSORGSKY/Ravel Pictures at an Exhibition
Britten’s Young Person’s Guide and Mussorgsky’s Pictures at an Exhibition were recorded in Medinah Temple on July 18, 1967. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 16, 1967, Ravinia Festival
MERCURE Triptyque for Orchestra
JOACHIM Contrasts for Orchestra (world premiere)
SCHULLER Recitative and Rondo (world premiere)
Victor Aitay, violin
MOZART Horn Concerto in E-flat Major, K. 495
Dale Clevenger, horn
SCHOENBERG Piano Concerto, Op. 42
Peter Serkin, piano
Schoenberg’s Piano Concerto was recorded in Medinah Temple on July 17, 1967. For RCA Max Wilcox was the producer and Richard Gardner was the recording engineer.

July 30, 1967, Ravinia Festival
RUSSO Symphony No. 2 in C, Op. 32 (Titans)
VIEUXTEMPS Violin Concerto No. 4 in D Minor, Op. 31
Young Uck Kim, violin
FOSS Baroque Variations in Three Movements (world premiere)
SCHUMAN Symphony No. 3

August 8, 1967, Ravinia Festival
VERDI Overture to La forza del destino
CHOPIN Piano Concerto No. 2 in F Minor
Gabriel Chodos, piano
SAINT-SAЁNS Piano Concerto No. 2 in G Minor
Patricia Hanson, piano

August 10, 1967, Ravinia Festival
BERNSTEIN Overture to Candide
BERNSTEIN Serenade after Plato’s Symposium
James Oliver Buswell IV, violin
BERNSTEIN Symphony No. 2 (The Age of Anxiety)
Leonard Pennario, piano

Ozawa and the CSO recording Stravinsky’s The Rite of Spring in Orchestra Hal on July 1, 1968 (Terry’s photo)

August 12, 1967, Ravinia Festival
BERNSTEIN Symphonic Dances from West Side Story
BERNSTEIN Symphony No. 3 (Kaddish)
Betty Allen, mezzo-soprano
Vera Zorina, speaker
Chicago Symphony Chorus
Margaret Hillis, director
Ronald B. Schweitzer, assistant director
Chicago Children’s Choir
Christopher Moore, director

August 15, 1967, Civic Center Plaza (now Richard J. Daley Center)
Dedication of The Chicago Picasso
GERSHWIN An American in Paris
BERNSTEIN Overture to Candide
BERNSTEIN Selections from Symphonic Dances from West Side Story

April 29, 1968, Orchestra Hall
BERNSTEIN Overture to Candide
BRAHMS Excerpt from Fourth movement (Adagio) from Symphony No. 1 in C Minor, Op. 68
MASCAGNI Voi lo sapete from Cavalleria rusticana
Grace Bumbry, soprano
PONCHIELLI Suicidio! from La gioconda
Grace Bumbry, soprano

June 27, 1968, Ravinia Festival
WAGNER Prelude to Die Meistersinger von Nürnberg
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BERLIOZ Roman Carnival Overture
COPLAND Preamble for a Solemn Occasion
Marian Anderson, speaker
STRAVINSKY Suite from The Firebird

June 29, 1968, Ravinia Festival
BEETHOVEN Overture to The Creatures of Prometheus, Op. 43
BEETHOVEN Piano Concerto No. 3 C Minor, Op. 37
Byron Janis, piano
STRAVINSKY The Rite of Spring
Stravinsky’s The Rite of Spring was recorded in Orchestra Hall on July 1, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 30, 1968, Ravinia Festival
WEBER Overture to Oberon
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 26
Susan Starr, piano
TCHAIKOVSKY Suite from Swan Lake
BOCK Selections from Fiddler on the Roof
GARLAND In the Mood

July 2, 1968, Ravinia Festival
CHABRIER España
TURINA Rapsodia sinfonica
Joaquín Achúcarro, piano
FALLA Nights In The Gardens of Spain
Joaquín Achúcarro, piano
FALLA Three Dances from The Three-Cornered Hat
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34

July 6, 1968, Ravinia Festival
KRENEK Perspectives (world premiere)
RAVEL Piano Concerto for the Left Hand
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Tchaikovsky’s Fifth Symphony was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

July 7, 1968, Ravinia Festival
J. C. BACH Symphony No. 4 in D Major
SAINT-SAËNS Cello Concerto in A Minor, Op. 33
Lawrence Foster, cello
STRAVINSKY Fireworks
RUSSO Three Pieces for Blues Band and Orchestra (world premiere)
Stravinsky’s Fireworks was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

August 3, 1968, Ravinia Festival
SCHUBERT Symphony No. 8 in B Minor (Unfinished)
PUCCINI Sì, mi chiamano Mimì from La bohème
Anna Moffo, soprano
VERDI Scene from La traviata
Anna Moffo, soprano
DONIZETTI Mad Scene from Lucia di Lammermoor
Anna Moffo, soprano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
Beethoven’s Fifth Symphony and Schubert’s Eighth Symphony were recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 4, 1968, Ravinia Festival
STOUT Symphony No. 2 (world premiere)
SHOSTAKOVICH Cello Concerto in E-flat Major, Op. 107
Frank Miller, cello
GINASTERA Piano Concerto No. 1, Op. 28
Jerome Lowenthal, piano

August 6, 1968, Ravinia Festival
TOYAMA Rhapsody for Orchestra
TAKEMITSU November Steps
Kinshi Tsuruta, kinshi, biwa and voice
Katsuya Yokoyama, shakuhachi
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Young Uck Kim, violin

Seiji and Vera Ozawa at a Ravinia Festival picnic on August 4, 1968 (Nickerson Photo Company photo)

August 8, 1968, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
BRITTEN Scottish Ballad, Op. 26
Arthur Austin Whittemore, piano
Jack Lowe, piano
POULENC Concerto for Two Pianos in D Minor
Arthur Austin Whittemore, piano
Jack Lowe, piano
MENDELSSOHN Incidental Music from A Midsummer Night’s Dream, Op. 61
Mary Michel, speaker
Teresa Orantes, soprano
Diana Haskell, mezzo-soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Mussorgsky’s A Night on Bare Mountain was recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 10, 1968 (11:00 a.m.), Ravinia Festival
BERNSTEIN Prologue from West Side Story
DEBUSSY Clair de lune from Suite bergamasque
TOYAMA Rhapsody for Orchestra
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
VERDI Overture to I vespri siciliani

August 10, 1968 (8:30 p.m.), Ravinia Festival
RESPIGHI The Birds
MOZART Piano Concerto No. 23 in A Major, K. 488
John Browning, piano
STRAVINSKY Capriccio for Piano and Orchestra
John Browning, piano
HINDEMITH Symphonic Metamorphosis on Themes of Carl Maria von Weber

June 26, 1969, Ravinia Festival
BEETHOVEN Piano Concerto in D Major (arranged from the Violin Concerto, Op. 61)
Peter Serkin, piano
BARTÓK Concerto for Orchestra
Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

June 28, 1969, Ravinia Festival
BERLIOZ The Damnation of Faust, Op. 24
Lois Marshall, soprano
Nicholas di Virgilio, tenor
Ezio Flagello, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 29, 1969, Ravinia Festival
STRAUSS Horn Concerto No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
TAKEMITSU Asterism for Piano and Orchestra
Yuji Takahashi, piano
RIMSKY-KORSAKOFF Sheherazade, Op. 35
Victor Aitay, violin
Rimsky-Korsakov’s Sheherazade and the Polovtsian Dances from Borodin’s Prince Igor (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

July 3, 1969, Ravinia Festival
MOZART Overture to Così fan tutte, K. 588
MOZART Piano Concerto No. 18 in B-flat Major, K. 456
Peter Serkin, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

July 5, 1969, Ravinia Festival
HAYDN Symphony No. 75 in D Major
CHOPIN Piano Concerto No. 2 in F Minor, Op. 21
Maurizio Pollini, piano
TCHAIKOVSKY Symphony No. 1 in G Minor, Op. 13 (Winter Dreams)

July 6, 1969, Ravinia Festival
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Victor Aitay, violin
Donald Peck, flute
De Vere Moore, oboe
Adolph Herseth, trumpet
Mary Sauer, harpsichord
TIRCUIT Concerto for Solo Percussionist and Orchestra
Stomu Yamash’ta, percussion
SHOSTAKOVICH Concerto for Piano, Trumpet, and String Orchestra in C Minor, Op. 35
Sheldon Shkolnik, piano
Adolph Herseth, trumpet
BERNSTEIN Chichester Psalms
Howard Pfeifer, boy soprano
Chicago Symphony Chorus
Margaret Hillis, director

June 25, 1970, Ravinia Festival
WAGNER Prelude and Liebestod from Tristan and Isolde
Eileen Farrell, soprano
JANÁČEK Sinfonietta
WAGNER A Faust Overture
WAGNER Brünnhilde’s Immolation from Götterdämmerung
Eileen Farrell, soprano
Janáček’s Sinfonietta was recorded in Medinah Temple on June 26, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

June 27, 1970, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Maurizio Pollini, piano
BERLIOZ Symphonie fantastique, Op. 14

June 28, 1970, Ravinia Festival
GABRIELI Sonata pian’ e forte
LUTOSŁAWSKI Concerto for Orchestra
SCHICKELE The Fantastic Garden
WALDEN Circus
DENNIS Pennsylvania Station
Lutosławski’s Concerto for Orchestra was recorded in Medinah Temple on June 29, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

Donald Peck and Edward Druzinsky rehearse with Ozawa and the Orchestra on July 8, 1971 (Donald Peck collection)

July 8, 1971, Ravinia Festival
MOZART Concerto for Flute and Harp in C Major, K. 299
Donald Peck, flute
Edward Druzinsky, harp
HUMMEL Concerto for Trumpet in E-flat Major
Adolph Herseth, trumpet
GABRIELI Canzon duodecimi toni
TAKEMITSU Cassiopeia for Solo Percussionist and Orchestra (world premiere)
Stomu Yamash’ta, percussion

July 10, 1971, Ravinia Festival
PROKOFIEV Excerpts from Romeo and Juliet
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Pinchas Zukerman, violin
BARTÓK The Miraculous Mandarin, Op. 19

February 1, 2, and 3, 1973, Orchestra Hall
February 5, 1973, Pabst Theater, Milwaukee
HAYDN Symphony No. 60 in C Major (Il distratto)
LIGETI Melodien
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

February 8, 9, and 10, 1973, Orchestra Hall
BOONE First Landscape
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Gina Bachauer, piano
STRAVINSKY The Firebird

July 14, 1985, Ravinia Festival
MOZART Rondo in D Major, K. 382
Peter Serkin, piano
TAKEMITSU Riverrun
Peter Serkin, piano
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

On tour with visiting orchestras, Ozawa also appeared in Orchestra Hall under the auspices of Allied Arts and Symphony Center Presents, as follows:

April 8 1975, Orchestra Hall
MOZART Piano Concerto No. 21 in C Major, K. 467
James Levine, piano
RAVEL Daphnis and Chloe
Ann Arbor Festival Chorus
Donald Bryant, director
Boston Symphony Orchestra

March 6, 1981, Orchestra Hall
BEETHOVEN Symphony No. 7 in A Major, Op. 92
STRAVINSKY The Rite of Spring
Boston Symphony Orchestra

April 24, 1991, Orchestra Hall
BEETHOVEN Symphony No 8 in F Major, Op. 93
BERLIOZ Symphonie fantastique, Op. 14
Boston Symphony Orchestra

February 9, 1996, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Heidi Grant Murphy, soprano
Michelle DeYoung, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Boston Symphony Orchestra

January 10, 2001, Orchestra Hall
MAHLER Symphony No. 9 in D Major
Saito Kinen Orchestra

Wishing a very happy seventy-fifth birthday to legendary Israeli-American violinist, conductor, and teacher Itzhak Perlman!

Itzhak Perlman

A frequent and favorite guest artist in Chicago, Perlman has performed with the Chicago Symphony Orchestra as both violin soloist and conductor on numerous occasions.

Perlman made his Chicago debut as soloist with the Grant Park Symphony Orchestra on July 24 and 25, 1965, in Tchaikovsky’s Violin Concerto under the baton of Irwin Hoffman, and he first appeared locally in recital later that year on November 27 at KAM Isaiah Israel, performing Bloch, Brahms, Chausson, Mozart, Paganini, Sarasate, and Vivaldi with David Garvey at the piano.

He first appeared with the Chicago Symphony Orchestra at the Ravinia Festival on August 4, 1966 (a few weeks shy of his twenty-first birthday), in Tchaikovsky’s Violin Concerto with Thomas Schippers conducting. In Orchestra Hall, he first appeared under the auspices of Allied Arts with members of the CSO on an all-Stravinsky concert, in the Violin Concerto in D under the baton of Robert Craft.

As a conductor, Perlman first led the Chicago Symphony Orchestra at the Ravinia Festival on July 25, 1999, in Bach’s Second Violin Concerto and Beethoven’s First Romance for Violin (also performing as soloist), along with Schubert’s Overture to Rosamunde and Brahms’s Fourth Symphony. He has led the Orchestra at Orchestra Hall on one occasion, on November 17, 2008, in Bach’s First Violin Concerto (also performing as soloist), Mozart’s Symphony no. 35, and Tchaikovsky’s Fifth Symphony. Most recently, he conducted the Orchestra in an all-Tchaikovsky program at the Ravinia Festival on August 18, 2019, leading the Fourth Symphony, Variations on a Rococo Theme with Kian Soltani, and the 1812 Overture.

A complete list of Perlman’s appearances is below:

August 4, 1966, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Thomas Schippers, conductor

May 11 and 12, 1967, Orchestra Hall
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Jean Martinon, conductor

Itzhak Perlman (photo by Lisa Marie Mazzucco)

Itzhak Perlman (Lisa Marie Mazzucco photo)

July 6, 1967, Ravinia Festival
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Sir Malcolm Sargent, conductor

July 30, 1968, Ravinia Festival
PAGANINI Violin Concerto No. 1 in D Major, Op. 6
Moshe Atzmon, conductor

July 24, 1969, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
István Kertész, conductor

April 16, 17, and 18, 1970, Orchestra Hall
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Rafael Frühbeck de Burgos, conductor

July 30, 1970, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Lawrence Foster, conductor

July 27, 1971, Ravinia Festival
DVOŘÁK Violin Concerto in A Minor, Op. 53
István Kertész, conductor

July 25, 1972, Ravinia Festial
LALO Symphonie espagnole in D Minor, Op. 21
Lawrence Foster, conductor

July 13, 1973, Ravinia Festival
BERG Violin Concerto
SAINT-SAËNS Introduction and Rondo capriccioso in A Minor, Op. 28
James Levine, conductor

May 8, 9, and 10, 1975, Orchestra Hall
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Ray Still, oboe
BRAHMS Violin Concerto in D Major, Op. 77
Sir Georg Solti, conductor

November 24, 26, and 28, 1976, Orchestra Hall
MOZART Violin Concerto No. 4 in D Major, K. 218
Carlo Maria Giulini, conductor

Perlman Brahms

November 29, 1976, Mandel Hall, University of Chicago
BRAHMS Violin Concerto in D Major, Op. 77
Carlo Maria Giulini, conductor
Recorded in Medinah Temple on November 30 and December 1, 1976. For Angel, Christopher Bishop was the producer and and Christopher Parker was the balance engineer. The recording won the 1978 Grammy Award for Best Classical Album from the National Academy of Recording Arts and Sciences.

July 28, 1977, Ravinia Festival
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Lynn Harrell, cello
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

November 16, 17, and 18, 1978, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Edo de Waart, conductor

March 23, and 24, 1981, Orchestra Hall (recording sessions only)
ELGAR Violin Concerto in B Minor, Op. 61
Daniel Barenboim, conductor
For Deutsche Grammophon, Steven Paul was the producer, Werner Mayer was the recording supervisor, Klaus Scheibe was the recording engineer, and Christopher Adler and Joachim Niss were editors. The recording won the 1982 Grammy Award for Best Classical Performance–Instrumental Soloist or Soloists (with orchestra).

October 29, 30, and 31, 1981, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Sir Georg Solti, conductor

March 1, 2, and 3, 1984, Orchestra Hall
ELGAR Violin Concerto in B Minor, Op. 61
Leonard Slatkin, conductor

August 7, 1986, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
SARASATE Carmen Fantasy, Op. 25
David Zinman, conductor

August 9, 1986, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
David Zinman, conductor

January 15, 16, 17, and 20, 1987, Orchestra Hall
DVOŘÁK Violin Concerto in A Minor, Op. 53
Sir Georg Solti, conductor

August 8, 1987, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Edo de Waart, conductor

December 6, 1988, Orchestra Hall
MOZART Rondo in C Major, K. 373
MOZART Rondeau: Allegro from Duet No. 1 for Violin and Viola in G Major, K. 423
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Pinchas Zukerman, conductor and viola

July 15, 1989, Ravinia Festival
SIBELIUS Violin Concerto in D Minor, Op. 47
James Conlon, conductor

October 3, 5, and 6, and 7, 1989, Orchestra Hall
BRAHMS Violin Concerto in D Major, Op. 77
Daniel Barenboim, conductor

June 23, 1990, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
James Levine, conductor

June 30, 1991, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BRAHMS Violin Concerto in D Major, Op. 77
James Levine, conductor

June 20, 1992, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
James Levine, conductor

May 13, 14, 15, and 18, 1993, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Daniel Barenboim, conductor
Recorded live by Erato. Victor Muenzer was the recording supervisor; Lawrence Rock and Konrad Strauss were sound engineers, assisted by Christopher Willis.

June 26, 1993, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
BRAHMS Violin Concerto in D Major, Op. 77
Mariss Jansons, conductor

July 30, 1994, Ravinia Festival
KHACHATURIAN Violin Concerto in D Minor
Hugh Wolff, conductor

September 22, 23, and 24, 1994, Orchestra Hall
STRAVINSKY Violin Concerto in D
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
John Sharp, cello
Daniel Barenboim, conductor and piano
Stravinsky’s Violin Concerto was recorded live by Teldec. Nikolaus Deckenbrock was the executive producer, Martin Fouqué was the recording producer and editor, Michael Brammann was the recording engineer, and Wolfram Nehls and Philipp Nedel were the assistant engineers.

November 14, 1994, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
Lawrence Foster, conductor

July 15, 1995, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Semyon Bychkov, conductor

July 18, 1996, Ravinia Festival
BRAHMS Violin Concerto in D Major, Op. 77
Christoph Eschenbach, conductor

September 26, 27, and 28, 1996, Orchestra Hall
BRAHMS Concerto in A Minor for Violin and Cello, Op. 102 (Double)
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Recorded live by Teldec. Renate Kupfer was the executive producer, Martin Sauer was the recording producer, Michael Brammann was the recording engineer, Philipp Nedel and John Newton were assistant engineers, and Stefan Witzel was the digital editor.

November 11, 1996, Orchestra Hall
MASSENET Meditation from Thaïs
KREISLER Schön Rosmarin
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

June 22, 1997, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Christoph Eschenbach, conductor

January 22, 23, and 24, 1998, Orchestra Hall
BEETHOVEN Violin Concerto in D Major, Op. 61
William Eddins, conductor

July 19, 1998, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christoph Eschenbach, conductor

July 24, 1999, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesleid
KREISLER Liebesfreud
KREISLER Tambourin chinois
Eiji Oue, conductor

July 25, 1999, Ravinia Festival
BACH Violin Concerto in E Major, BWV 1042
BEETHOVEN Romance No. 1 in G major, Op. 40
SCHUBERT Overture to Rosamunde, D. 797
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor and violin

June 1, 2, and 3, 2000, Orchestra Hall
BARBER Violin Concerto, Op. 14
Charles Dutoit, conductor

July 22, 2000, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bernhard Klee, conductor

recording session

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

July 23, 2000, Ravinia Festival
BACH Concerto for Oboe and Violin in C Minor, BWV 1060
Alex Klein, oboe
MOZART Symphony No. 29 in A Major, K. 201
VIVALDI Violin Concerto in G Minor, Op. 8, No. 2 (Summer)
BIZET Symphony in C Major
Itzhak Perlman, conductor and violin

November 8, 2000, Orchestra Hall
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Markus Stenz, conductor

December 6, 7, and 8, 2001, Orchestra Hall
BACH Brandenburg Concerto No. 5 in D Major, BWV 1050
Mathieu Dufour, flute
Daniel Barenboim, piano
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Daniel Barenboim, conductor

June 21, 2002, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
William Eddins, conductor

June 22, 2002, Ravinia Festival
GLINKA Overture to Ruslan and Ludmilla
BACH Violin Concerto No. 1 in A Minor, BWV 1041
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Itzhak Perlman, conductor and violin

June 23, 2002, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Concerto for Violin, Cello and Piano in C Major, Op. 56 (Triple)
Kurt Nikkanen, violin
Zuill Bailey, cello
Navah Perlman, piano
BEETHOVEN Symphony No. 7 in A Major, Op. 92
Itzhak Perlman, conductor

June 28, 2003, Ravinia Festival
MOZART Violin Concerto No. 3 in G Major, K. 216
Robert Spano, conductor

June 29, 2003, Ravinia Festival
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Giora Schmidt, violin
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)
Itzhak Perlman, conductor

June 27, 2004, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Peter Oundjian, conductor

July 9, 2005, Ravinia Festival
DVOŘÁK Romance in F Minor, Op. 11
KREISLER Liebesfreud
SAINT-SÄENS Introduction and Rondo capriccioso in A Minor, Op. 28
Marin Alsop, conductor

July 10, 2005, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
BEETHOVEN Piano Concerto No. 1 in C Major, Op. 15
Lang Lang, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98
Itzhak Perlman, conductor

October 1, 2005, Orchestra Hall
MOZART Violin Concerto No. 3 in G Major, K. 216 (Strassburg)
Daniel Barenboim, conductor

July 12, 2006, Ravinia Festival
MOZART Violin Concerto No. 5 in A Major, K. 219 (Turkish)
Yoel Levi, conductor

July 13, 2006, Ravinia Festival
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Emanuel Ax, piano
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)
Itzhak Perlman, conductor

Perlman and Daniel Barenboim rehearsing with the CSO in May 1993 (Jim Steere photo)

November 17, 2008, Orchestra Hall
BACH Violin Concerto No. 1 in A Minor, BWV 1041
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor and violin

March 7, 2011, Orchestra Hall
MENDELSSOHN Violin Concerto in E Minor, Op. 64
KREISLER/McAlister Liebesfreud
James DePreist, conductor

August 4, 2011, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
James Conlon, conductor

August 6, 2011, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
MOZART Piano Concerto No. 12 in A Major, K. 414
Gabriela Martinez, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)
Itzhak Perlman, conductor

August 7, 2013, Ravinia Festival
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Carlos Miguel Prieto, conductor

August 8, 2013, Ravinia Festival
BRAHMS Academic Festival Overture, Op. 80
HAYDN Cello Concerto No.2 in D Major
Alisa Weilerstein, cello
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Itzhak Perlman, conductor

August 20, 2016, Ravinia Festival
BEETHOVEN Violin Concerto in D Major, Op. 61
Bramwell Tovey, conductor

August 21, 2016, Ravinia Festival
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Lynn Harrell, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

July 29, 2017, Ravinia Festival
HUPFELD/Williams As Time Goes By from Casablanca
MORRICONE/Williams Love Theme from Cinema Paradiso
WILLIAMS Theme from Far and Away
BARRY/Williams Main Title Theme from Out of Africa
KORNGOLD/Williams Marian and Robin Love Theme from The Adventures of Robin Hood
WILLIAMS Theme from Sabrina
WILLIAMS Theme from Schindler’s List
GARDEL/Williams Tango from Scent of a Woman
James Conlon, conductor

August 17, 2019, Ravinia Festival
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Krzysztof Urbański, conductor

August 18, 2019, Ravinia Festival
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
TCHAIKOVSKY Variations on a Rococo Theme, Op. 33
Kian Soltani, cello
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Itzhak Perlman, conductor

Under the auspices of Allied Arts and Symphony Center Presents, Perlman also has appeared in Orchestra Hall on numerous times in recital, as follows:

Chicago Tribune, December 29, 1966

December 28, 1966, and January 1, 1967, Orchestra Hall
STRAVINSKY Violin Concerto in D
Members of the Chicago Symphony Orchestra
Robert Craft, conductor

April 2, 1967, Orchestra Hall
BEETHOVEN Sonata No. 8 in G Major, Op 30, No. 3
FRANCK Sonata in A Major
STRAVINSKY Suite italienne
BLOCH Nigun from Baal shem
WIENIAWSKI Scherzo tarantelle, Op. 16
Samuel Sanders, piano

January 12, 1969, Orchestra Hall
VIVALDI Sonata in A Major, RV 31
BACH Sonata No. 1 in G Minor, BWV 1001
BRAHMS Sonata No. 1 in G Minor, Op. 108
STRAVINSKY Duo concertant
PAGANINI Three Caprices
SARASATE/Zimbalist Carmen Fantasy
Samuel Sanders, piano

April 27, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 301
MOZART Sonata in E-flat Major, K. 302
MOZART Sonata in C Major, K. 303
MOZART Sonata in E Minor, K. 304
MOZART Sonata in A Major, K. 305
MOZART Sonata in D Major, K. 306
Daniel Barenboim, piano

May 6, 1991, Orchestra Hall
MOZART Sonata in F Major, K. 376
MOZART Sonata in B-flat Major, K. 378
MOZART Sonata in F Major, K. 377
MOZART Sonata in C Major, K. 296
Daniel Barenboim, piano

October 7, 1991, Orchestra Hall
MOZART Sonata in G Major, K. 379
MOZART Sonata in E-flat Major, K. 481
MOZART Sonata in E-flat Major, K. 380
MOZART Sonata in B-flat Major, K. 454
Daniel Barenboim, piano

October 16, 1991, Orchestra Hall
MOZART Twelve Variations in G Major on the French Song La bergère Cèlimène, K. 359
MOZART Sonata in F Major, K. 547
MOZART Six Variations in G Minor on the French Song Hélas! j’ai perdu mon amant, K. 360
MOZART Sonata for Violin and Piano in A Major, K. 526
Daniel Barenboim, piano

May 10, 1993, Orchestra Hall
BEETHOVEN Sonata No. 1 in D Major, Op. 12, No. 1
BEETHOVEN Sonata No. 3 in E-flat Major, Op. 12, No. 3
BEETHOVEN Sonata No. 4 in A Minor, Op. 23
BEETHOVEN Sonata No. 5 in F Major, Op. 24 (Spring)
Daniel Barenboim, piano

May 16, 1993, Orchestra Hall
BEETHOVEN Sonata No. 2 in A Major, Op. 12, No. 2
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
BEETHOVEN Sonata No. 10 in G Major, Op. 96
Daniel Barenboim, piano

May 17, 1993, Orchestra Hall
BEETHOVEN Sonata No. 6 in A Major, Op. 30, No. 1
BEETHOVEN Sonata No. 8 in G Major, Op. 30, No. 3
BEETHOVEN Sonata No. 9 in A Major, Op. 47
Daniel Barenboim, piano

September 26, 1994, Orchestra Hall
BACH Sonata in G Major, BWV 1019
ELGAR Sonata in E Minor, Op. 82
STRAUSS Sonata in E-flat Major, Op. 18
Daniel Barenboim, piano

February 2, 1997, Orchestra Hall
SCHUBERT Sonata in G Minor, D. 408
SCHUBERT Sonata in A Major, D. 574 (Grand Duo)
SCHUBERT Fantasy in C Major, D. 934
Daniel Barenboim, piano

Perlman, Samuel Magad, Daniel Barenboim, John Sharp, and Pinchas Zukerman performing Brahms’s F minor quintet on October 9, 1997 (Jim Steere photo)

October 9, 1997, Orchestra Hall
WAGNER Siegfried Idyll
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Joseph Guastafeste, bass
Donald Peck, flute
Alex Klein, oboe
Larry Combs, clarinet
Gregory Smith, clarinet
David McGill, bassoon
Dale Clevenger, horn
Norman Schweikert, horn
Adolph Herseth, trumpet
Daniel Barenboim conductor
MOZART Duo No. 1 for Violin and Viola in G Major, K. 423
Itzhak Perlman, violin
Pinchas Zukerman, viola
HALVORSEN Passacaglia on a Theme of Handel for Violin and Viola
Itzhak Perlman, violin
Pinchas Zukerman, viola
BRAHMS Quintet for Piano and Strings in F Minor, Op. 34
Itzhak Perlman, violin
Samuel Magad, violin
Pinchas Zukerman, viola
John Sharp, cello
Daniel Barenboim, piano

December 1, 1997, Medinah Temple
Brave Old World
The Klezmatics
The Andy Statman Klezmer Orchestra
The Klezmer Conservatory Band

October 17, 1999, Orchestra Hall
MOZART Sonata in F Major, K. 377
MOZART Sonata in A Major, K. 526
BEETHOVEN Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Daniel Barenboim, piano

November 19, 2000, Orchestra Hall
SCHUMANN Piano Quintet in E-flat Major, Op. 44
BRAHMS Piano Quintet in F Minor, Op. 34
Robert Chen, violin
Pinchas Zukerman, viola
Yo-Yo Ma, cello
Daniel Barenboim, piano

December 9, 2001, Orchestra Hall
MOZART Sonata in G Major, K. 379
BRAHMS Sonata No. 2 in A Major, Op. 100
BEETHOVEN Sonata No. 7 in C Minor, Op. 30, No. 2
Daniel Barenboim, piano

May 3, 2006, Orchestra Hall
BACH/Goldberg Sonata for Two Violins and Keyboard in C Major, BWV 1037
MOZART Duo for Violin and Viola in G Major, K. 423
LECLAIR Sonata for Two Violins in F Major, Op. 3, No. 4
MOSZKOWSKI Suite for Two Violins and Piano in G Minor, Op. 71
Pinchas Zukerman, violin and viola
Rohan De Silva, piano

April 19, 2009, Orchestra Hall
MOZART Piano Quartet No. 2 in E-flat Major, K. 493
Itzhak Perlman, violin
Molly Carr, viola
Yves Dharamraj, cello
Kwan Yi, piano
MENDELSSOHN Octet for Strings in E-flat Major, Op. 20
Itzhak Perlman, violin
Erno Kallai, violin
Francesca Anderegg, violin
Wanzhen Li, violin
Kyle Armbrust, viola
Molly Carr, viola
Jia Kim, cello
Yves Dharamraj, cello

May 1, 2019, Orchestra Hall
MOZART Violin Sonata in D Major, K. 306
BRAHMS Violin Sonata No. 2 in A Major, Op. 100
BEETHOVEN Violin Sonata No. 9 in A Major, Op. 47 (Kreutzer)
Evgeny Kissin, piano

Happy, happy birthday!

The Chicago Symphony Orchestra family joins the music world in mourning the loss of British conductor Raymond Leppard, who died yesterday in Indianapolis. He was 92.

Raymond Leppard (Frank Espich photo for the IndyStar)

Leppard appeared with the Orchestra on several occasions, both in Orchestra Hall and at the Ravinia Festival, and a complete list of his appearances is below.

May 15, 16, and 17, 1980, Orchestra Hall
BACH Air from Suite No. 3 in D Major, BWV 1068
Performed in memory of Guido Rizzo, a member of the CSO’s viola section since 1947
VAUGHAN WILLIAMS Serenade to Music
Chicago Symphony Chorus
Margaret Hillis, director
VAUGHAN WILLIAMS A Sea Symphony
Isobel Buchanan, soprano
John Shirley-Quirk, bass-baritone
Chicago Symphony Chorus
Margaret Hillis, director

December 17, 18, and 20, 1981, Orchestra Hall
MOZART Serenade No. 13 G Major, K. 525 (Eine kleine Nachtmusik)
DEBUSSY Nocturnes
Chicago Symphony Chorus
James Winfield, director
SCHUMAN Three Colloquies for French Horn and Orchestra
Dale Clevenger, horn
STRAUSS Suite from Der Rosenkavalier

April 28, 29, and May 1, 1983, Orchestra Hall
BRITTEN Occasional Overture
DAVIES Stone Litany: Runes from a House of the Dead
Jan DeGaetani, mezzo-soprano
BAX Tintagel
ELGAR Symphony No. 1 in A-flat Major, Op. 55

January 9, 10, and 11, 1986, Orchestra Hall
CHABRIER Suite pastorale
BARTÓK Concerto for Two Pianos, Percussion, and Orchestra
Anthony and Joseph Paratore, pianos
BIZET Symphony No. 1 in C Major

July 18, 1986, Ravinia Festival
BEETHOVEN Symphony No. 1 in C Major, Op. 21
HAYDN Piano Concerto in D Major, H. XVIII:2
Alfred Brendel, piano
LISZT Piano Concerto No. 2 in A Major
Alfred Brendel, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

July 19, 1986, Ravinia Festival
DVORÁK Symphonic Variations, Op. 78
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Cho-Liang Lin, violin
RIMSKY-KORSAKOV Sheherazade, Op. 35
Samuel Magad, violin

Numerous tributes have been posted in The New York Times, NPR, and The Indianapolis Star, among several others.

Norman Schweikert in 1988 (Jim Steere photo)

It is with great sadness that we share news of the passing of Norman Schweikert, a member of the Chicago Symphony Orchestra’s horn section from 1971 until 1997, who passed away at his home on Washington Island, Wisconsin on December 31, 2018, after a brief illness. He was 81.

A native of Los Angeles, Schweikert began piano lessons at the age of six, added violin soon after, and turned to the horn at age thirteen. His first horn teachers were Odolindo Perissi and Sinclair Lott, both members of the Los Angeles Philharmonic. During high school, Schweikert won a scholarship to the Aspen Music Festival, where he studied with Joseph Eger. In 1955, he auditioned for Erich Leinsdorf, then music director of the Rochester Philharmonic Orchestra, and won his first professional post as fourth horn there. He was its youngest member and in succeeding years played second and third horn.

While in Rochester, Schweikert attended the Eastman School of Music and performed and recorded with the Eastman Wind Ensemble under Frederick Fennell. Studying with Morris Secon and Verne Reynolds, he graduated in 1961 with a bachelor’s degree and a performer’s certificate in horn. During his eleven-year tenure in Rochester, Schweikert served three years with the United States Military Academy Band at West Point as well as five years on the faculty of the Interlochen Arts Academy as instructor of horn and a member of the Interlochen Arts Quintet.

In June 1971—at the invitation of music director Georg Solti—Schweikert joined the Chicago Symphony as assistant principal horn, just in time for the Orchestra’s first tour to Europe. In 1975, he was named second horn, the position he held until his retirement in 1997 (he continued to play as a substitute or extra until June 2006). Schweikert appeared as a soloist with the Orchestra on a number of occasions, and in March 1977 he—along with colleagues Dale Clevenger, Richard Oldberg, and Thomas Howell—was soloist in the recording of Schumann’s Konzertstück for Four Horns under the baton of Daniel Barenboim for Deutsche Grammophon.

In 1970, Schweikert chaired the International Horn Society’s organizing committee and served as its first secretary and treasurer. He continued on the advisory council, contributed many articles to The Horn Call, and was elected an honorary member in 1996. From 1973 until 1998, Schweikert served as associate professor of horn on the faculty of Northwestern University.

In his retirement, Schweikert and his wife Sally—a thirty-year veteran of the Chicago Symphony Chorus—made their home on Washington Island in Wisconsin, where he performed with the Washington Island Music Festival. They were longtime members of the Chicago Symphony Orchestra Alumni Association, regularly attending annual reunions. Schweikert also continued his research into the lives of U.S. orchestra members, a project that he started while studying at Eastman, and his collection of material on the subject is likely the largest private collection of its kind in the world. In 2012, Schweikert’s book The Horns of Valhalla—the story of horn players Josef and Xaver Reiter—was published by WindSong Press Limited.

Schweikert is survived by Sally, his beloved wife of fifty-seven years; and their son Eric, principal timpani of the Fort Wayne Philharmonic. Details for a memorial service are pending.

From 1993 until 2000, recordings by Daniel Barenboim and the Chicago Symphony Orchestra were recorded and released by Teldec, following the acquisition of Erato by Warner Music in 1992. A complete list of Barenboim’s catalog with the CSO on Teldec is below (all recordings were made in Orchestra Hall, unless otherwise noted).

Cover image: Ludwig Mies van der Rohe’s apartment buildings at 860-880 North Lake Shore Drive*

BERIO Continuo
Daniel Barenboim, conductor
Recorded January 9, 1993

BERLIOZ Symphonie fantastique, Op. 14
Daniel Barenboim, conductor
Recorded May 11, 12, and 13, 1995

BERNSTEIN Symphonic Dances from West Side Story
Daniel Barenboim, conductor
Recorded in Medinah Temple May 23, 1997

BOULEZ Notations For Orchestra VII
Daniel Barenboim, conductor
Recorded January 28, 2000

BRAHMS Concerto for Violin in D Major, Op. 77
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded October 15, 16, 17, 18, and 21, 1997

BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Itzhak Perlman, violin
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Recorded September 26, 27, and 28, 1996

CARTER Partita
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on June 1, 1994

DEBUSSY La mer
Daniel Barenboim, conductor
Recorded January 28 and 29, 2000

FALLA Nights in the Gardens of Spain
Daniel Barenboim, piano
Plácido Domingo, conductor
Recorded in Medinah Temple on May 13, 15, 16 and 17, 1997

FALLA The Three-Cornered Hat
Jennifer Larmore, mezzo-soprano
Daniel Barenboim, conductor
Recorded in Medinah Temple on May 22, 23, 24, and 25, 1997

Cover image: an aerial view of Chicago in 1945*

FURTWÄNGLER Symphony No. 2 in E Minor
Daniel Barenboim, conductor
Recorded December 12, 13, 14 and 15, 2001

GERSHWIN Cuban Overture
Daniel Barenboim, conductor
Recorded in Medinah Temple May 23, 1997

HANNIBAL African Portraits
Alhaji “Papa” Bunka Susso, griot
Eye Plus One Drummers (Paul A. Cotton, Mesha’ch Silas, Enoch Williamson; Clifton Robinson, director)
Jevetta Steele, gospel singer
David “Honeyboy” Edwards, vocal
Hannibal Lokumbe Quartet (Hannibal Lokumbe, Ron Burton, Cecil McBee, Cecil Brooks III)
Barton Green, tenor
David van Abbema, baritone
Theodore Jones, baritone
Brian Smith, boy soprano
Morgan State University Choir
Nathan Carter, director
Kennedy-King College Community Chorus
Randall Johnson, director
Doris Ward Workshop Chorale
Lucius Robinson, director
Daniel Barenboim, conductor
Recorded May 4, 5, and 9, 1995

MAHLER Symphony No. 5
Daniel Barenboim, conductor
Recorded at the Philharmonie in Cologne, Germany on June 4 and 5, 1997

NIELSEN Concerto for Violin, Op. 33
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded January 8 and 9, 1996

ROUGET DE L’ISLE/Berlioz La Marseillaise
Plácido Domingo, tenor (recorded at the Hochschule für Musik Mozarteum, Salzburg, Austria)
Chicago Symphony Chorus
Duain Wolfe, director
Daniel Barenboim, conductor
Recorded May 15, 1995

SCHOENBERG Five Pieces for Orchestra, Op. 16
Daniel Barenboim, conductor
Recorded October 3 and 7, 1994

SCHOENBERG Transfigured Night, Op. 4
Daniel Barenboim, conductor
Recorded October 3 and 7, 1994

SIBELIUS Concerto for Violin in D Minor, Op. 47
Maxim Vengerov, violin
Daniel Barenboim, conductor
Recorded January 8 and 9, 1996

STRAUSS Concerto for Horn No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
Recorded October 2 and 5, 1998
Daniel Barenboim, conductor
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

Cover image: Marina City Building*

STRAUSS Concerto for Oboe and Small Orchestra in D Major
Daniel Barenboim, conductor
Alex Klein, oboe
Recorded October 2, 5, and 6, 1998
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

STRAUSS Duet-Concertino in F Major
Daniel Barenboim, conductor
Larry Combs, clarinet
David McGill, bassoon
Recorded October 2 and 5, 1998
2001 Grammy Award: Best Instrumental Soloist(s) Performance (with Orchestra)

STRAVINSKY Concerto for Violin in D Major
Daniel Barenboim, conductor
Itzhak Perlman, violin
Recorded September 22, 23, and 24, 1994

STRAVINSKY The Rite of Spring
Daniel Barenboim, conductor
Recorded January 28 and 29, 2000

TAKEMITSU Visions
Daniel Barenboim, conductor
Recorded January 9, 1993

Cover image: Carson, Pirie, Scott and Company Building (now Sullivan Center)*

TCHAIKOVSKY 1812 Overture, Op. 49
Daniel Barenboim, conductor
Recorded October 30, 1995

TCHAIKOVSKY Romeo and Juliet
Daniel Barenboim, conductor
Recorded October 20, 1995

TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Daniel Barenboim, conductor
Recorded January 30, 31, February 1, and 4, 1997

TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Daniel Barenboim, conductor
Recorded October 26, 27, 28, and 30, 1995

Cover image: Old Colony Building*

TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathéthique)
Daniel Barenboim, conductor
Recorded February 5, 6, 7, and 10, 1998

WAGNER Overture to The Flying Dutchman
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 1 of Lohengrin
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 3 of Lohengrin
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg
Daniel Barenboim, conductor
Recorded September 26, 1992

WAGNER Prelude to Act 3 of Die Meistersinger von Nürnberg
Daniel Barenboim, conductor
Recorded January 6 and 8, 1999

WAGNER Prize Song from Die Meistersinger von Nürnberg (arranged for horn)
Daniel Barenboim, conductor
Dale Clevenger, horn
Recorded January 6 and 8, 1999

WAGNER Prelude and Good Friday Spell from Parsifal
Daniel Barenboim, conductor
Recorded January 8 and 13, 1999

WAGNER Overture to Rienzi
Daniel Barenboim, conductor
Recorded January 6 and 13, 1999

WAGNER Siegfried Idyll
Daniel Barenboim, conductor
Recorded January 13, 1999

WAGNER Overture to Tannhäuser
Daniel Barenboim, conductor
Recorded May 7, 1994

WAGNER Prelude to Act 3 of Tannhäuser
Daniel Barenboim, conductor
Recorded January 8, 1999

WAGNER Prelude and Liebestod from Tristan und Isolde
Daniel Barenboim, conductor
Recorded January 16, 1993

*Historic photographs of iconic Chicago buildings were provided to Teldec by David R. Phillips of the Chicago Architectural Photographing Company

Orchestra Hall, January 19, 1958

On January 19, 1958, fifteen-year-old Daniel Barenboim made his piano recital debut at Orchestra Hall, with the following program:

BACH/Liszt Prelude and Fugue in A Minor, BWV 543
BEETHOVEN Sonata No. 23 in F Minor, Op. 57 (Appassionata)
BRAHMS Sonata No. 1 in C Major, Op. 1
BEN-HAIM Intermezzo and Toccata, Op. 34

The next day in the American, Roger Dettmer wrote, “Only very occasionally some youngster will happen along who seems to have been born adult . . . The prodigy turned out yesterday afternoon to be Daniel Barenboim, born fifteen years ago in Argentina. The talent is huge, the technique already formidable and he applied both to a virtuoso program [with] secure musical training and uncommon sensitivity of touch.”

He returned in November of that year and again every couple of years after that for more solo piano recitals, including—over the course of a month between February 26 and March 27, 1986—a series of eight concerts, traversing Beethoven’s complete cycle of piano sonatas.

After becoming the Chicago Symphony Orchestra’s ninth music director in September 1991, Barenboim made regular appearances as piano recitalist and chamber musician, collaborating with an extraordinary roster of instrumentalists and singers. He performed a dizzying array of repertoire, including Albéniz’s Iberia; Bach’s Goldberg Variations; Bartók’s Sonata for Two Pianos and Percussion; Beethoven’s Diabelli Variations; Berg’s Chamber Concerto for Piano, Violin, and Thirteen Wind Instruments (with Pierre Boulez conducting); Brahms’s cello sonatas; Mahler’s Des Knaben Wunderhorn, Songs of a Wayfarer, and Rückert Lieder; Messiaen’s Quartet for the End of Time; Mozart’s complete violin sonatas; Schubert’s Winterreise; Schumann’s Frauenliebe und -leben; Wagner’s Siegfried Idyll and Wesendonk Lieder; and Wolf’s Italian Songbook; along with other piano works by Chopin, Debussy, Liszt, Schoenberg, and Schubert, among others.

Barenboim’s collaborators included instrumentalists Héctor Console, Lang Lang, Radu Lupu, Yo-Yo Ma, Rodolfo Mederos, Itzhak Perlman, András Schiff, Deborah Sobol, Maxim Vengerov, and Pinchas Zukerman, along with singers Kathleen BattleCecilia Bartoli, Angela Denoke, Plácido Domingo, Thomas Hampson, Robert Holl, Waltraud Meier, Thomas Quasthoff, Peter Schreier, and Bo Skovhus. He also invited countless members of the Orchestra to join him, including Stephen Balderston, Li-Kuo Chang, Robert Chen, Dale Clevenger, Larry Combs, Louise Dixon, Edward Druzinsky, Jay Friedman, Rubén González, Richard Graef, Joseph Guastafeste, John Hagstrom, Adolph Herseth, Richard Hirschl, Alex Klein, Donald Koss, Burl Lane, Samuel Magad, David McGill, Michael Mulcahy, Lawrence Neuman, Bradley Opland, Nancy Park, Donald Peck, Gene Pokorny, Mark Ridenour, James Ross, Norman Schweikert, John Sharp, Gregory Smith, Charles Vernon, Gail Williams, and members of the Chicago Symphony Chorus (prepared by Duain Wolfe), among many others.

June 4 and 11, 2006

During the final residency of his tenure as music director, Barenboim presented Bach’s The Well-Tempered Clavier in two piano recitals: the first book on June 4, 2006; and the second book a week later, on June 11.

Reviewing the June 4 concert, John von Rhein in the Chicago Tribune wrote that Barenboim, “brought the full color resources of a modern concert grand to bear on Bach’s pristinely ordered sound-world . . . Bach never intended for musicians to perform all the preludes and fugues in one gulp, but when they are executed at so exalted a level of thought, feeling, and spirituality, who’s to say they shouldn’t?”

Following the second installment, Wynne Delacoma in the Chicago Sun-Times added, “One of Barenboim’s gifts as a pianist is his ability to etch clear, long-lined, richly colored phrases with seemingly no effort [and in Bach’s music] we heard the foundation on which the rest of his music-making has been built. . . . The applause that brought Barenboim back for extra bows was fervent and heartfelt. Barenboim’s annual piano recitals have been high points of Chicago’s musical life for the past fifteen years. They are appreciated and will be deeply missed.”

Between 1972 and 1981, Daniel Barenboim made a number of recordings with the Chicago Symphony Orchestra for Deutsche Grammophon, returning to the label in 2003 for a release of piano concertos with Lang Lang.

A complete list of Barenboim’s catalog with the CSO on Deutsche Grammophon is below (all recordings were made in Orchestra Hall unless otherwise noted).

BEETHOVEN Concerto for Violin in D Major, Op. 61
Pinchas Zukerman, violin
Daniel Barenboim, conductor
Recorded March 26, 1977

BORODIN Polovtsian Dances from Prince Igor
Daniel Barenboim, conductor
Recorded March 27, 1977

BRAHMS Hungarian Dances Nos. 1, 3, and 10
Daniel Barenboim, conductor
Recorded December 17, 1977

BRUCKNER Helgoland
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979

Barenboim leads the Orchestra and Chorus in a recording session for Bruckner’s Psalm 150 in Orchestra Hall on March 3, 1979 (Robert M. Lightfoot III photo)

BRUCKNER Psalm 150
Ruth Welting, soprano
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979

BRUCKNER Symphony No. 0 in D Minor
Daniel Barenboim, conductor
Recorded March 3, 1979

BRUCKNER Symphony No. 1 in C Minor
Daniel Barenboim, conductor
Recorded December 9, 10, and 13, 1980

BRUCKNER Symphony No. 2 in C Minor
Daniel Barenboim, conductor
Recorded March 21 and 22, 1981

BRUCKNER Symphony No. 3 in D Minor
Daniel Barenboim, conductor
Recorded December 13 and 15, 1980

BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, conductor
Recorded in Medinah Temple, November 1, 1972

BRUCKNER Symphony No. 5 in B-flat Major
Daniel Barenboim, conductor
Recorded December 5, 1977

BRUCKNER Symphony No. 6 in A Major
Daniel Barenboim, conductor
Recorded December 13, 1977

BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, conductor
Recorded March 6 and 7, 1979

BRUCKNER Symphony No. 8 in C Minor
Daniel Barenboim, conductor
Recorded December 6 and 9, 1980

BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975

BRUCKNER Te Deum
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 28, 1981

DVOŘÁK Slavonic Dance No. 1 in C Major, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977

DVOŘÁK Slavonic Dance No. 8 in G Minor, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977

ELGAR Concerto for Violin in B Minor, Op. 61
Itzhak Perlman, violin
Daniel Barenboim, conductor
Recorded March 23 and 24, 1981
1982 Grammy Award: Best Classical Performance—Instrumental Soloist

LISZT Les préludes
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977

MENDELSSOHN Concerto for Piano in G Minor, Op. 25
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 24 and 25, 2003

MENDELSSOHN Overture to A Midsummer Night’s Dream, Op. 21
Daniel Barenboim, conductor
Recorded March 7 and 10, 1979

MOZART Overture to The Marriage of Figaro, K. 492
Daniel Barenboim, conductor
Recorded March 10, 1979

MUSSORGSKY/Rimsky-Korsakov A Night on Bald Mountain
Daniel Barenboim, conductor
Recorded March 22, 1977

NICOLAI Overture to The Merry Wives of Windsor
Daniel Barenboim, conductor
Recorded March 10, 1979

RIMSKY-KORSAKOV Capriccio espagnol, Op. 34
Daniel Barenboim, conductor
Recorded March 28, 1977

RIMSKY-KORSAKOV Russian Easter Overture, Op. 36
Daniel Barenboim, conductor
Recorded March 22, 1977

SAINT-SAËNS Symphony No. 3 in C Minor, Op. 78 (Organ)
Gaston Litaize, organ (recorded at the Cathédral Notre-Dame de Chartres, France)
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975

SCHUMANN Konzertstück for Four Horns in F Major, Op. 86
Dale Clevenger, Richard Oldberg, Thomas Howell, and Norman Schweikert, horns
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977

Barenboim leads CSO horns Norman Schweikert, Thomas Howell, Richard Oldberg, and Dale Clevenger in a recording session for Schumann’s Konzertstück in Orchestra Hall in March 1977 (Christian Steiner photo)

SCHUMANN Manfred Overture, Op. 115
Daniel Barenboim, conductor
Recorded March 22, 1977

SCHUMANN Symphony No. 1 in B-flat Major, Op. 38
Daniel Barenboim, conductor
Recorded March 28, 1977

SCHUMANN Symphony No. 2 in C Major, Op 61
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977

SCHUMANN Symphony No. 3 in E-flat Major, Op. 97
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977

SCHUMANN Symphony No. 4 in D Minor, Op. 120
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 28, 1975

SMETANA The Moldau from Má vlast
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977

TCHAIKOVSKY 1812 Festival Overture, Op. 49
Daniel Barenboim, conductor
Recorded March 25, 1981

TCHAIKOVSKY Capriccio italien, Op. 45
Daniel Barenboim, conductor
Recorded March 27 and 28, 1981

TCHAIKOVSKY Concerto for Piano No. 1 in B-flat Minor, Op. 23
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 21 and 24, 2003

TCHAIKOVSKY Francesca da Rimini, Op. 32
Daniel Barenboim, conductor
Recorded March 27, 1981

TCHAIKOVSKY Marche slav, Op. 31
Daniel Barenboim, conductor
Recorded March 25 and 27, 1981

TCHAIKOVSKY Romeo and Juliet
Daniel Barenboim, conductor
Recorded March 25, 1981

Arnold Jacobs, CSO principal tuba from 1944 until 1988

VAUGHAN WILLIAMS Concerto for Bass Tuba in F Minor
Arnold Jacobs, tuba
Daniel Barenboim, conductor
Recorded March 22, 1977

WEBER/Berlioz Invitation to the Dance, Op, 65
Daniel Barenboim, conductor
Recorded March 10, 1979

WEBER Overture to Oberon
Daniel Barenboim, conductor
Recorded March 3 and 7, 1979

the vault

Theodore Thomas

csoarchives twitter feed

chicagosymphony twitter feed

disclaimer

The opinions expressed here are mine and do not necessarily reflect those of my employer.

visitors

  • 417,136 hits
%d bloggers like this: