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Wishing a very happy seventy-fifth birthday to the wonderful American mezzo-soprano Florence Quivar!

A frequent guest in Orchestra Hall and at the Ravinia Festival, Quivar has appeared with the Chicago Symphony Orchestra and Chorus on numerous occasions, as follows:

Florence Quivar (Kenn Duncan photo)

June 21, 1980, Ravinia Festival
MAHLER Kindertotenlieder
James Levine, conductor

July 3, 1980, Ravinia Festival
SCHUBERT Mass No. 6 in E-flat Major, D. 950
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 13, 1980, Ravinia Festival
BACH Saint Matthew Passion, BWV 244
Kathleen Battle, soprano
Vinson Cole, tenor
Philip Creech, tenor
Arthur Thompson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

April 8, 9, and 10, 1982, Orchestra Hall
BACH Mass in B Minor, BWV 232
Yvonne Kenny, soprano
Anthony Rolfe Johnson, tenor
Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Sir Georg Solti, conductor

June 24, 1983, Ravinia Festival
VERDI Requiem
Leona Mitchell, soprano
Ermanno Mauro, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 29, 1984, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Johanna Meier, soprano
Judith Blegen, soprano
Marvis Martin, soprano
Isola Jones, mezzo-soprano
Giuliano Ciannella, tenor
Ryan Edwards, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Wisconsin Conservatory Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
James Levine, conductor

July 1, 1984, Ravinia Festival
MENDELSSOHN Incidental Music to A Midsummer Night’s Dream, Op. 61
Judith Blegen, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Orchestra Hall on July 2 and 3, 1984. For Deutsche Grammophon, Cord Garben was the recording supervisor, and Klaus Scheibe was the recording engineer.

July 13, 1986, Ravinia Festival
MOZART Requiem in D Minor, K. 626
Benita Valente, soprano
Philip Creech, tenor
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

Benita Valenta, Quivar, Philip Creech, and John Cheek onstage with James Levine and the Chicago Symphony Orchestra and Chorus perform Mozart’s Requiem at the Ravinia Festival on July 13, 1986 (Jim Steere photo)

July 10, 1987, Ravinia Festival
MAHLER Symphony No. 8 in E-flat Major
Kaaren Erickson, soprano
Marvis Martin, soprano
Karen Williams, soprano
Hillary Johnsson, mezzo-soprano
Timothy Jenkins, tenor
Thomas Hampson, baritone
John Cheek, bass
Chicago Symphony Chorus
Margaret Hillis, director
Milwaukee Symphony Chorus
Margaret Hawkins, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Lucy Ding, director
James Levine, conductor

June 22, 1990, Ravinia Festival
MAHLER Symphony No. 2 in C Minor (Resurrection)
Dawn Upshaw, soprano
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

June 23, 1991, Ravinia Festival
MOZART Mass in C Minor, K. 427
MOZART Requiem in D Minor, K. 626
Dawn Upshaw, soprano
Peter Kazaras, tenor
Terry Cook, bass
Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor

July 7, 1991, Ravinia Festival
STRAVINSKY Oedipus Rex
Philip Langridge, tenor
Donald Kaasch, tenor
James Morris, bass-baritone
Jan-Hendrik Rootering, bass
F. Murray Abraham, narrator
Men of the Chicago Symphony Chorus
Margaret Hillis, director
James Levine, conductor
Recorded in Medinah Temple on July 9 and 10, 1991. For Deutsche Grammophon, Christopher Adler was the producer, Gregor Zielinsky was the balance engineer, Klaus Behrens and Wolf-Dieter Karwatky were the recording engineers, and Reinhard Lagemann was the editor. 

February 26, 27, 28, and 29, 1992, Orchestra Hall
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Richard Garrin, director
Chicago Children’s Choir
Lucy Ding, director
Zubin Mehta, conductor

November 17, 18, 19, and 22, 1994, Orchestra Hall
CHAUSSON Poem of Love and the Sea, Op. 19
Antonio Pappano, conductor

May 30, 31, and June 1, 1996, Medinah Temple
MAHLER Symphony No. 8 in E-flat Major
Sharon Sweet, soprano
Marvis Martin, soprano
Ying Huang, soprano
Janis Taylor, mezzo-soprano
Vinson Cole, tenor
Richard Zeller, baritone
Eric Halfvarson, bass
Chicago Symphony Chorus
Duain Wolfe, director
Waukegan Concert Chorus
Don Horisberger, director
Glen Ellyn Children’s Chorus
Sandra Prodan Murphy, director
Christoph Eschenbach, conductor

July 23, 1996, Ravinia Festival
VERDI Requiem
Shinobu Satoh, soprano
Richard Leech, tenor
Roberto Scandiuzzi, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

August 7, 1999, Ravinia Festival
MAHLER Symphony No. 3 in D Minor
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Glen Ellyn Children’s Chorus
Emily Ellsworth, director
Christoph Eschenbach, conductor

June 30, 2001, Ravinia Festival
VERDI Requiem
Adina Nitescu, soprano
Vinson Cole, tenor
John Relyea, bass
Chicago Symphony Chorus
Duain Wolfe, director
Christoph Eschenbach, conductor

Happy, happy birthday!

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This week Riccardo Muti leads the Chicago Symphony Orchestra in Mahler’s First Symphony, almost exactly one hundred years since Frederick Stock first conducted it in Chicago.

Program page for the Chicago Symphony Orchestra's first performances of Mahler's First Symphony

Program page for the Chicago Symphony Orchestra’s first performances of Mahler’s First Symphony

That first performance of the symphony (sandwiched between Handel’s Concerto grosso, op. 6, no. 2 and Schumann’s Piano Concerto with Josef Hofmann) on November 6, 1914, left Ronald Webster of the Chicago Daily Tribune a bit puzzled: “The Mahler symphony is less important but more interesting to talk about because it is strictly earthy. There is a suggestion in the program notes that Mahler was not wholly serious in this symphony. It was obvious yesterday that he was not serious at all. Even the finale is not serious, though it is tiresome, being too long. But it is the quality of the humor which is likely to cause people to turn up their noses. The humor is a little coarse, definitely ironical, of a barnyard kind and healthy. Mahler is himself partly to blame for such ideas about him. Definite conceptions such as his (though he may not have been serious about them either) are death to all mystic attitude toward this work. . . . He suggests that the first movement is nature’s awakening at early morning. One suspects that Mahler included in nature the cows and chickens as well as the cuckoo and the dewy grass.” The complete review is here.

Despite that critic’s early apprehensions, the symphony soon became a staple in the Orchestra’s repertoire and has been led—at Orchestra Hall, the Ravinia Festival, and on tour—by a vast array of conductors, including: Roberto Abbado, Claudio Abbado, Daniel Barenboim, Pierre Boulez, James Conlon, Christoph von Dohnányi, Gustavo Dudamel, Christoph Eschenbach, Adam Fischer, Carlo Maria Giulini, Bernard Haitink, Irwin Hoffman, Paul Kletzki, Kirill Kondrashin, Rafael Kubelík, James Levine, Lorin Maazel, Igor Markevitch, Henry Mazer, Eugene Ormandy, Seiji Ozawa, George Schick, Leonard Slatkin, Sir Georg Solti, William Steinberg, Klaus Tennstedt, Michael Tilson Thomas, Edo de Waart, Bruno Walter, and Jaap van Zweden.

And the Orchestra has recorded the work six times, as follows:

Giulini 1971Carlo Maria Giulini, conductor
Recorded by Angel at Medinah Temple in March 1971
Christopher Bishop, producer
Carson Taylor, engineer
Giulini’s recording won the 1971 Grammy Award for Best Classical Performance—Orchestra from the National Academy of Recording Arts and Sciences.

Abbado 1981Claudio Abbado, conductor
Recorded by Deutsche Grammophon at Orchestra Hall in February 1981
Rainer Brock, producer
Karl-August Naegler, engineer

Solti 1983Sir Georg Solti, conductor
Recorded by London at Orchestra Hall in October 1983
James Mallinson, producer
James Lock, engineer

Tennstedt 1990Klaus Tennstedt, conductor
Recorded by EMI at Orchestra Hall in May and June 1990
John Fraser, producer
Michael Sheady, engineer

Boulez 1998Pierre Boulez, conductor
Recorded by Deutsche Grammophon at Orchestra Hall in May 1998
Karl-August Naegler, producer
Rainer Maillard and Reinhard Lagemann, engineers

Haitink 2008Bernard Haitink, conductor
Recorded by CSO Resound at Orchestra Hall in May 2008
James Mallinson, producer
Christopher Willis, engineer

For more information on Muti’s performances of Mahler’s First this week, please visit the CSO’s website.

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