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Samuel Ramey (Christian Steiner photo)

Wishing the happiest of (slightly belated) birthdays to the remarkable American bass Samuel Ramey, who celebrated his seventh-fifth on March 28!

The legendary singer has appeared with the Chicago Symphony Orchestra on a number of notable occasions, both in Orchestra Hall and at the Ravinia Festival. A complete list of his performances with the Orchestra is below (all concerts at Orchestra Hall unless otherwise noted):

March 26, 27, and 28, 1981
BRUCKNER Te Deum
Daniel Barenboim, conductor
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Recorded by Deutsche Grammophon in Orchestra Hall on March 28, 1981

November 1, 2, and 4, 1984
MUSSORGSKY Boris Godunov
Claudio Abbado, conductor
Ruggero Raimondi, bass
Zehava Gal, mezzo-soprano
Cyndia Sieden, soprano
Jennifer Jones, mezzo-soprano
Philip Langridge, tenor
Hartmut Welker, baritone
Samuel Ramey, bass
Kaludi Kaludov, tenor
Lucia Valentini-Terrani, mezzo-soprano
John Shirley-Quirk, bass-baritone
Sergei Kopchak, bass
Kurt R. Hansen, tenor
Richard Cohn, baritone
Bradley Nystrom, bass-baritone
Donald Kaasch, tenor
Paul Grizzell, bass
Dale Prest, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

November 16, 1986
VERDI Messa da Requiem
Claudio Abbado, conductor
Margaret Price, soprano
Linda Finnie, mezzo-soprano
Vinson Cole, tenor
Ramey, Samuel; bass
Chicago Symphony Chorus
Margaret Hillis, director
Gwynne Howell originally was scheduled to perform the bass part but canceled due to illness. He was replaced by Bonaldo Giaiotti on November 13 and 14 and Ramey on November 16.

Samuel Ramey (Steven Leonard photo)

June 23, 1989 (Ravinia Festival)
VERDI Messa da Requiem
James Levine, conductor
Andrea Gruber, soprano
Tatiana Troyanos, mezzo-soprano
Gary Lakes, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director

October 6, 1990 (Centennial Gala)
BEETHOVEN Finale: Ode, “To Joy” from Symphony No. 9 in D Minor, Op. 125
Sir Georg Solti, conductor
Sylvia McNair, soprano
Susanne Mentzer, mezzo-soprano
Gary Lakes, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, chorus director

July 8, 2000 (Ravinia Fesitval)
Selections by Copland, Leigh, Loewe, Mozart, Rodgers, and Verdi
Miguel-Harth Bedoya, conductor
Frederica von Stade, mezzo-soprano
Samuel Ramey, bass

July 2, 2005 (Ravinia Festival)
IBERT Chansons de Don Quichotte
RAVEL Don Quichotte à Dulcinée
James Conlon, conductor

August 15, and 17, 2008 (Martin Theatre, Ravinia Festival)
MOZART Don Giovanni, K. 527
James Conlon, conductor
Ellie Dehn, soprano
Soile Isokoski, soprano
Heidi Grant Murphy, soprano
Toby Spence, tenor
Ildebrando D’Arcangelo, bass-baritone
Samuel Ramey, bass
James Creswell, bass
Morris Robinson, bass
Apollo Chorus of Chicago
Stephen Alltop, director

Happy, happy birthday!

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Ozawa headshot

Congratulations to Seiji Ozawa—the Ravinia Festival‘s first music director from 1964 until 1968—who will be a recipient of this year’s Kennedy Center Honors! Additional honorees, announced today, include American rock band the Eagles, singer-songwriter Carole King, filmmaker George Lucas, actress and singer Rita Moreno, and actress Cicely Tyson.

The gala event will be broadcast on CBS on December 29, 2015.

As a last-minute replacement for Georges Prêtre in July 1963, Seiji Ozawa was called upon to lead the Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut with the Chicago Symphony Orchestra on July 16, leading Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the orchestra with transparency of gesture and human communication, then commands acceptance.” On July 18, he conducted Rossini’s Overture to The Barber of Seville, Tchaikovsky’s Violin Concerto with Christian Ferras, Debussy’s Prelude to The Afternoon of a Faun, Takemitsu’s Requiem for Strings, and selections from Prokofiev’s Romeo and Juliet.

June 16, 1964

June 16, 1964

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Ozawa LP

Between 1965 and 1970—both at Orchestra Hall and in Medinah Temple—Ozawa and the Orchestra recorded a number of works for both Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony, among numerous others.

Ozawa most recently appeared in Chicago at Orchestra Hall on February 9, 1996, leading the Boston Symphony Orchestra, the Chicago Symphony Chorus (prepared by Duain Wolfe), Heidi Grant Murphy, and Michelle DeYoung in Mahler’s Second Symphony; and on January 10, 2001, conducting Mahler’s Ninth Symphony with the Saito Kinen Orchestra.

Congratulations, Maestro Ozawa!

Lorin Maazel (Ben Spiegel photo)

Lorin Maazel (Ben Spiegel photo)

The Chicago Symphony Orchestra family joins the music world in mourning the loss of Lorin Maazel, a frequent and beloved guest conductor for forty years, from 1973 until 2013. Maazel died on July 13, 2014, at his Castleton Farms estate in Virginia. He was 84.

Maazel made his debut with the Chicago Symphony Orchestra in February and March 1973, leading two weeks of subscription concerts at Orchestra Hall as well as a run-out to Milwaukee:

February 22, 23 & 24, 1973
February 26, 1973 (Pabst Theater in Milwaukee, Wisconsin)
SIBELIUS Symphony No. 2 in D Major, Op. 43
BARTÓK Two Images, Op. 10
SCRIABIN The Poem of Ecstasy, Op. 54

March 1, 2 & 3, 1973
MARTIRANO Contrasts for Orchestra
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Vladimir Ashkenazy, piano
SCHUMANN Symphony No. 2 in C Major, Op. 61

Mstislav Rostropovich and Lorin Maazel, following their performance of the first movement of Dvořák's Cello Concerto at the Centennial Gala on October 6, 1990

Mstislav Rostropovich and Lorin Maazel, following their performance of the first movement of Dvořák’s Cello Concerto at the Centennial Gala on October 6, 1990

During his forty-year collaboration with the Orchestra, Maazel’s repertoire covered a wide range of composers, including Beethoven, Brahms, Hindemith, Holst, Kernis, Mahler, Mendelssohn, Mozart, Penderecki, Prokofiev, Respighi, Strauss, Stravinsky, Tchaikovsky, Verdi, and Wagner. He was one of several conductors invited to share the podium for the CSO’s Centennial Gala on October 6, 1990, and a few weeks later he led the Orchestra in the world premiere of Shchedrin’s Old Russian Circus Music (commissioned to celebrate the CSO’s centennial season) on October 25, 1990. A noted composer, Maazel also led the Orchestra in the U.S. premiere of his own Farewells on December 14, 2000.

Maazel last led the Chicago Symphony Orchestra at Orchestra Hall for two weeks of subscription concerts—including a run-out to the Krannert Center at the University of Illinois—in February 2005:

February 10 & 12, 2005
February 11, 2005 (Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign, Urbana, Illinois)
BRAHMS Serenade No. 2 in A Major, Op. 16
BARTÓK Two Images, Op. 10
PROKOFIEV Symphony No. 5 in B-flat Major, Op. 100

February 17, 18, 19 & 20, 2005
THOMAS Gathering Paradise
Heidi Grant Murphy, soprano
SHOSTAKOVICH Cello Concerto No. 1
John Sharp, cello
SIBELIUS Symphony No. 1 in E Minor, Op. 39

His most recent appearance in Orchestra Hall was in March 2009 with the New York Philharmonic, during his final season as that ensemble’s music director:

March 9, 2009
BERLIOZ Roman Carnival Overture, Op. 9
TCHAIKOVSKY Suite No. 3 in G Major, Op. 55
STRAVINSKY The Rite of Spring

Maazel’s last appearances with the Chicago Symphony Orchestra were tour concerts in January and February 2013, including stops in Hong Kong, Shanghai, Beijing, Tianjin, and Seoul.

A statement from the Chicago Symphony Orchestra on Lorin Maazel’s passing can be found here.

A February 2005 performance of Maazel leading the Chicago Symphony Orchestra in Brahms’s Serenade no. 2 in A major, op. 16—including the maestro speaking on Brahms—may be listened to here.

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Theodore Thomas

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This afternoon CSO musicians performed at the Tierrasanta Library in San Diego as part the CSO's 2017 Fall US Tour. Comment below if you recognize the piece they're playing! The link to the CSO's tour schedule is in our bio. Photos by @toddrphoto. #CSOonTour

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