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Wishing a very happy eighty-fifth birthday to the remarkable Japanese conductor Seiji Ozawa!

As a last-minute replacement for Georges Prêtre in July 1963, Ozawa was called upon to lead the Chicago Symphony Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut on July 16 in Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the Orchestra with transparency of gesture and human communication, then commands acceptance.”

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Between 1965 and 1970—at both Orchestra Hall and in Medinah Temple— Ozawa and the Orchestra recorded a number of works for Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony.

A complete list of his performances and recordings with the Chicago Symphony Orchestra is below:

July 16, 1963, Ravinia Festival
BEETHOVEN Leonore Overture No. 3, Op. 72a
GRIEG Concerto for Piano in A Minor, Op. 16
Byron Janis, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

June 16, 1964

July 18, 1963, Ravinia Festival
ROSSINI Overture to The Barber of Seville
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christian Ferras, violin
DEBUSSY Prelude to The Afternoon of a Faun
TAKEMITSU Requiem for String Orchestra (U.S. premiere)
PROKOFIEV Selections from Romeo and Juliet

June 16, 1964, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BARBER Piano Concerto, Op. 38
John Browning, piano
BERLIOZ Symphonie fantastique, Op. 14

June 18, 1964, Ravinia Festival
POULENC Gloria
Barbara Garrison, soprano
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director
FAURÉ Requiem in D Minor, Op. 48
Barbara Garrison, soprano
Howard Nelson, baritone
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director

June 30, 1964, Ravinia Festival
HINDEMITH Symphony, Mathis der Maler
SIBELIUS Piano Concerto in D Minor, Op. 47
Ruggiero Ricci, violin
MUSSORGSKY/Ravel Pictures at an Exhibition

Ozawa and Igor Stravinsky in Orchestra Hall on July 20, 1964, while the composer was in town to lead recording sessions of his Orpheus with the CSO (Arthur Siegel photo)

July 7, 1964, Ravinia Festival
MOZART Overture to The Abduction from the Seraglio, K. 384
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Neal O’Doan, piano
GLUCK Divinités du Styx from Alceste
Dolores Ann White, mezzo-soprano
THOMAS Elle est la pres de lui from Mignon
Dolores Ann White, mezzo-soprano
ROSSINI Non più mesta from La cenerentola
Dolores Ann White, mezzo-soprano
LISZT Piano Concerto No. 1 in E-flat Major
Michael Rogers, piano

July 21, 1964, Ravinia Festival
BIZET Symphony No. 1 in C Major
RAVEL Alborada del gracioso
MOZART Concerto for Oboe in C Major, K. 314
Ray Still, oboe
TCHAIKOVSKY Francesca da Rimini, Op. 32

July 25, 1964, Ravinia Festival
SCHUMAN American Festival Overture
IVES Central Park in the Dark
STRAVINSKY Violin Concerto in D
Paul Makanowitzky, violin
FRANCK Symphony in D Minor

July 28, 1964, Ravinia Festival
WEBER Overture to Euryanthe, Op. 81
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Paul Makanowitzky, violin
BRAHMS Symphony No. 1 in C Minor, Op. 68

Leon Fleisher and Ozawa backstage on August 1, 1964 (Arthur Siegel photo)

August 1, 1964, Ravinia Festival,
BERNSTEIN Overture to Candide
MOZART Piano Concerto No. 23 in A Major, K. 488
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

June 15, 1965, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
MOZART Serenade No. 10 for Winds in B-flat Major, K. 361
BRAHMS Symphony No. 2 in D Major, Op. 73

June 17, 1965, Ravinia Festival
WEBER Jubel Overture, Op. 59
RESPIGHI Ancient Airs and Dances Suite No. 1
DONIZETTI Una furtiva lagrima from L’elisir d’amore
Richard Tucker, tenor
VERDI Forse la soglia attinse from Un ballo in maschera
Richard Tucker, tenor
BIZET L’arlesienne Suite No. 2
BIZET La fleur que tu m’avais jetèe from Carmen
Richard Tucker, tenor
MASCAGNI Mamma, quel vino from Cavalleria rusticana
Richard Tucker, tenor

June 19, 1965, Ravinia Festival
HARRIS When Johnny Comes Marching Home
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
André Watts, piano
NIELSEN Symphony No. 5, Op. 50

June 20, 1965, Ravinia Festival
COPLAND Fanfare for the Common Man
BLACHER Concertante Musik, Op. 10
DEBUSSY First Rhapsody
Clark Brody, clarinet
KABELEVSKY The Comedians, Op. 26
HINDEMITH Concerto for Winds, Harp, and Orchestra
RAMSIER Divertimento on a Theme of Couperin
Gary Karr, bass

June 22, 1965, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Berl Senofsky, violin
BERLIOZ Funereal and Triumphal Symphony, Op. 15
BERLIOZ Selections from The Damnation of Faust, Op. 24

June 27, 1965, Ravinia Festival
ROUSSEL Symphony No. 3 in G Minor, Op. 42
BARTÓK Piano Concerto No. 3
Peter Serkin, piano
STRAVINSKY Four Etudes
ELLIOT Bassoon Concerto (world premiere)
Willard Elliot, bassoon
Bartók’s Third Piano Concerto was recorded on June 28, 1965, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 29, 1965, Ravinia Festival
HANDEL Concerto grosso in B Minor, Op. 6, No. 12
BEETHOVEN Concerto for Piano No. 3 in C Minor, Op. 37
Eugene Istomin, piano
SIBELIUS Violin Concerto in D Minor, Op. 47
Isaac Stern, violin

July 1, 1965, Ravinia Festival
MOZART Divertimento in D Major, K. 136
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Isaac Stern, violin
DVOŘÁK Cello Concerto in B Minor, Op. 104
Leonard Rose, cello

July 3, 1965, Ravinia Festival
MOZART Piano Concerto No. 24 in C Minor, K. 491
Eugene Istomin, piano
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Isaac Stern, violin
Leonard Rose, cello
BEETHOVEN Concerto for Violin, Cello, and Piano in C Major, Op. 56 (Triple)
Isaac Stern, violin
Leonard Rose, cello
Eugene Istomin, piano

July 4, 1965, Ravinia Festival
HOVHANESS Fantasy on Japanese Wood Prints, Op. 211 (world premiere)
Yoichi Hiraoka, xylophone
IVES The Fourth of July
GERSHWIN An American in Paris
GOTTLIEB Pieces of Seven Overture
BERNSTEIN Suite from Fancy Free

July 11, 1965, Ravinia Festival
GINASTERA Estancia Suite, Op. 8a
DEBUSSY/Caplet Children’s Corner
RIVIER Concerto brève
Kyoko Ozawa, piano
RIEGGER Dance Rhythms, Op. 58
RIEGGER Study in Sonority, Op. 7

July 15, 1965, Ravinia Festival
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Victor Aitay, violin
Milton Preves, viola
STRAUSS Four Songs (Morgen, Waldseligkeit, Muttertändelei, and Zueignung)
Elisabeth Schwarzkopf, soprano
HINDEMITH Konzertmusik for String Orchestra and Brass, Op. 50
TCHAIKOVSKY Letter Scene from Eugene Onegin
Elisabeth Schwarzkopf, soprano

July 18, 1965, Ravinia Festival
IBERT Divertissement
ORFF Carmina burana
Julia Diane Ragains, soprano
Pierre Duval, tenor
Sherrill Milnes, baritone
Alfred H. Reichel, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Children’s Choir
Christopher Moore, director

July 20, 1965, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Gabriel Chodos, piano
DVOŘÁK First movement (Allegro) from Cello Concerto in B Minor, Op. 104
Daniel Domb, cello
RAVEL Piano Concerto in G Major
John C. Owings, piano
LISZT Piano Concerto No. 1 in E-flat Major
Adrian Ruiz, piano

For the U.S. premiere of Jean Martinon’s Cello Concerto on July 31, 1965, former principal cello János Starker returned as soloist at the Ravinia Festival. Shown here during a rehearsal are the composer, soloist, and conductor.

July 31, 1965, Ravinia Festival
COPLAND An Outdoor Overture
MARTINON Cello Concerto, Op. 52 (U.S. premiere)
János Starker, cello
TCHAIKOVSKY Symphony No. 4, F Minor, Op. 36

March 26, 1966, Orchestra Hall
March 28, 1966, Pabst Theater, Milwaukee
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
WEBER Konzertstück for Piano in F Minor, Op. 79
Yuri Boukoff, piano
LISZT Piano Concerto No. 1 in E-flat Major
Yuri Boukoff, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

March 31, April 1, and 2, 1966, Orchestra Hall
MOZART Symphony No. 36 in C Major, K. 425 (Linz) 
IVES Symphony No. 4
DVOŘÁK Violin Concerto in A Minor, Op. 53
Isaac Stern, violin

June 28, 1966, Ravinia Festival
BUSONI Lustspiel Overture, Op. 38
TAKEMITSU Requiem for String Orchestra
MAHLER Symphony No. 1 in D Major

June 30, 1966, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
MUSSORGSKY Selections from Boris Godunov
George London, bass-baritone
BORODIN Symphony No. 2 in B Minor

July 7, 1966, Ravinia Festival
HAYDN Symphony No. 86 in D Major
MOZART Piano Concerto No. 21 in C Major, K. 467
Peter Serkin, piano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

July 10, 1966, Ravinia Festival
TOCH Pinocchio, A Merry Overture
IBERT Symphonic Suite, Impressions of Paris
IVES/Schuman Variations on America
BARTÓK Piano Concerto No. 1
Peter Serkin, piano
Bartók’s First Piano Concerto was recorded on July 11, 1966, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 24, 1966, Ravinia Festival
FREEDMAN Images
BERG Violin Concerto
Paul Makanowitzky, violin
MOREL L’etoile noire
THOMSON Louisiana Story, Suite for Orchestra

July 26, 1966, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
RACHMANINOV Concerto for Piano No. 1 in F-sharp Minor, Op. 1
Byron Janis, piano
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Byron Janis, piano

July 28, 1966, Ravinia Festival
HANDEL/Harty Suite from Music for the Royal Fireworks
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Byron Janis, piano
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Byron Janis, piano

July 31, 1966, Ravinia Festival
LUTOSŁAWSKI Funeral Music
SHULMAN Theme and Variations for Viola and Orchestra
Milton Preves, viola
BERIO Serenata I for Flute and Fourteen Instruments
Donald Peck, flute
XENAKIS Eonta
Yuji Takahashi, piano
VARÈSE Hyperprism

August 11, 1966, Ravinia Festival
HOMMANN Overture for Orchestra
BERNSTEIN Symphony No. 1 (Jeremiah)
Mary Simmons, mezzo-soprano
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Van Cliburn, piano

August 13, 1966, Ravinia Festival
BACH/Schoenberg Prelude and Fugue in E-flat Major, BWV 552 (Saint Anne)
BEETHOVEN Piano Concerto No. 5 in E-fat Major, Op. 73 (Emperor)
Van Cliburn, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

June 27, 1967, Ravinia Festival
GLUCK Overture to Iphigénie en Aulide
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Byron Janis, piano
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
GINASTERA Estancia Suite, Op. 8a

June 29, 1967, Ravinia Festival
GERSHWIN An American in Paris
GERSHWIN/Bennett Porgy and Bess, A Symphonic Picture
GERSHWIN Cuban Overture
GERSHWIN Concerto in F for Piano and Orchestra
Byron Janis, piano

July 1, 1967, Ravinia Festival
VERDI Overture to I vespri siciliani
MENOTTI The Death of the Bishop of Brindisi
Julie Idione, soprano
Simon Estes, bass
All-City Chicago High School Chorus
Emile Serposs, director
MOZART Piano Concerto No. 23 in A Major, K. 488
Lili Kraus, piano
RESPIGHI Pines of Rome

July 9, 1967, Ravinia Festival
BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051
BLOCH Concerto grosso No. 1
Mary Sauer, piano
SYMONDS Concerto grosso for Jazz Quintet and Orchestra
Kenny Soderblom Jazz Quintet
Kenny Soderblom, alto saxophone
John Avant, trombone
Bobby Roberts, guitar
Harold Jones, drums
Ernest Outlaw, bass
YASHIRO Cello Concerto
Tsuyoshi Tsutsumi, cello

July 13, 1967, Ravinia Festival
BRITTEN The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell)
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Peter Serkin, piano
MUSSORGSKY/Ravel Pictures at an Exhibition
Britten’s Young Person’s Guide and Mussorgsky’s Pictures at an Exhibition were recorded in Medinah Temple on July 18, 1967. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 16, 1967, Ravinia Festival
MERCURE Triptyque for Orchestra
JOACHIM Contrasts for Orchestra (world premiere)
SCHULLER Recitative and Rondo (world premiere)
Victor Aitay, violin
MOZART Horn Concerto in E-flat Major, K. 495
Dale Clevenger, horn
SCHOENBERG Piano Concerto, Op. 42
Peter Serkin, piano
Schoenberg’s Piano Concerto was recorded in Medinah Temple on July 17, 1967. For RCA Max Wilcox was the producer and Richard Gardner was the recording engineer.

July 30, 1967, Ravinia Festival
RUSSO Symphony No. 2 in C, Op. 32 (Titans)
VIEUXTEMPS Violin Concerto No. 4 in D Minor, Op. 31
Young Uck Kim, violin
FOSS Baroque Variations in Three Movements (world premiere)
SCHUMAN Symphony No. 3

August 8, 1967, Ravinia Festival
VERDI Overture to La forza del destino
CHOPIN Piano Concerto No. 2 in F Minor
Gabriel Chodos, piano
SAINT-SAЁNS Piano Concerto No. 2 in G Minor
Patricia Hanson, piano

August 10, 1967, Ravinia Festival
BERNSTEIN Overture to Candide
BERNSTEIN Serenade after Plato’s Symposium
James Oliver Buswell IV, violin
BERNSTEIN Symphony No. 2 (The Age of Anxiety)
Leonard Pennario, piano

Ozawa and the CSO recording Stravinsky’s The Rite of Spring in Orchestra Hal on July 1, 1968 (Terry’s photo)

August 12, 1967, Ravinia Festival
BERNSTEIN Symphonic Dances from West Side Story
BERNSTEIN Symphony No. 3 (Kaddish)
Betty Allen, mezzo-soprano
Vera Zorina, speaker
Chicago Symphony Chorus
Margaret Hillis, director
Ronald B. Schweitzer, assistant director
Chicago Children’s Choir
Christopher Moore, director

August 15, 1967, Civic Center Plaza (now Richard J. Daley Center)
Dedication of The Chicago Picasso
GERSHWIN An American in Paris
BERNSTEIN Overture to Candide
BERNSTEIN Selections from Symphonic Dances from West Side Story

April 29, 1968, Orchestra Hall
BERNSTEIN Overture to Candide
BRAHMS Excerpt from Fourth movement (Adagio) from Symphony No. 1 in C Minor, Op. 68
MASCAGNI Voi lo sapete from Cavalleria rusticana
Grace Bumbry, soprano
PONCHIELLI Suicidio! from La gioconda
Grace Bumbry, soprano

June 27, 1968, Ravinia Festival
WAGNER Prelude to Die Meistersinger von Nürnberg
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BERLIOZ Roman Carnival Overture
COPLAND Preamble for a Solemn Occasion
Marian Anderson, speaker
STRAVINSKY Suite from The Firebird

June 29, 1968, Ravinia Festival
BEETHOVEN Overture to The Creatures of Prometheus, Op. 43
BEETHOVEN Piano Concerto No. 3 C Minor, Op. 37
Byron Janis, piano
STRAVINSKY The Rite of Spring
Stravinsky’s The Rite of Spring was recorded in Orchestra Hall on July 1, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 30, 1968, Ravinia Festival
WEBER Overture to Oberon
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 26
Susan Starr, piano
TCHAIKOVSKY Suite from Swan Lake
BOCK Selections from Fiddler on the Roof
GARLAND In the Mood

July 2, 1968, Ravinia Festival
CHABRIER España
TURINA Rapsodia sinfonica
Joaquín Achúcarro, piano
FALLA Nights In The Gardens of Spain
Joaquín Achúcarro, piano
FALLA Three Dances from The Three-Cornered Hat
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34

July 6, 1968, Ravinia Festival
KRENEK Perspectives (world premiere)
RAVEL Piano Concerto for the Left Hand
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Tchaikovsky’s Fifth Symphony was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

July 7, 1968, Ravinia Festival
J. C. BACH Symphony No. 4 in D Major
SAINT-SAËNS Cello Concerto in A Minor, Op. 33
Lawrence Foster, cello
STRAVINSKY Fireworks
RUSSO Three Pieces for Blues Band and Orchestra (world premiere)
Stravinsky’s Fireworks was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

August 3, 1968, Ravinia Festival
SCHUBERT Symphony No. 8 in B Minor (Unfinished)
PUCCINI Sì, mi chiamano Mimì from La bohème
Anna Moffo, soprano
VERDI Scene from La traviata
Anna Moffo, soprano
DONIZETTI Mad Scene from Lucia di Lammermoor
Anna Moffo, soprano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
Beethoven’s Fifth Symphony and Schubert’s Eighth Symphony were recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 4, 1968, Ravinia Festival
STOUT Symphony No. 2 (world premiere)
SHOSTAKOVICH Cello Concerto in E-flat Major, Op. 107
Frank Miller, cello
GINASTERA Piano Concerto No. 1, Op. 28
Jerome Lowenthal, piano

August 6, 1968, Ravinia Festival
TOYAMA Rhapsody for Orchestra
TAKEMITSU November Steps
Kinshi Tsuruta, kinshi, biwa and voice
Katsuya Yokoyama, shakuhachi
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Young Uck Kim, violin

Seiji and Vera Ozawa at a Ravinia Festival picnic on August 4, 1968 (Nickerson Photo Company photo)

August 8, 1968, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
BRITTEN Scottish Ballad, Op. 26
Arthur Austin Whittemore, piano
Jack Lowe, piano
POULENC Concerto for Two Pianos in D Minor
Arthur Austin Whittemore, piano
Jack Lowe, piano
MENDELSSOHN Incidental Music from A Midsummer Night’s Dream, Op. 61
Mary Michel, speaker
Teresa Orantes, soprano
Diana Haskell, mezzo-soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Mussorgsky’s A Night on Bare Mountain was recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 10, 1968 (11:00 a.m.), Ravinia Festival
BERNSTEIN Prologue from West Side Story
DEBUSSY Clair de lune from Suite bergamasque
TOYAMA Rhapsody for Orchestra
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
VERDI Overture to I vespri siciliani

August 10, 1968 (8:30 p.m.), Ravinia Festival
RESPIGHI The Birds
MOZART Piano Concerto No. 23 in A Major, K. 488
John Browning, piano
STRAVINSKY Capriccio for Piano and Orchestra
John Browning, piano
HINDEMITH Symphonic Metamorphosis on Themes of Carl Maria von Weber

June 26, 1969, Ravinia Festival
BEETHOVEN Piano Concerto in D Major (arranged from the Violin Concerto, Op. 61)
Peter Serkin, piano
BARTÓK Concerto for Orchestra
Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

June 28, 1969, Ravinia Festival
BERLIOZ The Damnation of Faust, Op. 24
Lois Marshall, soprano
Nicholas di Virgilio, tenor
Ezio Flagello, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 29, 1969, Ravinia Festival
STRAUSS Horn Concerto No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
TAKEMITSU Asterism for Piano and Orchestra
Yuji Takahashi, piano
RIMSKY-KORSAKOFF Sheherazade, Op. 35
Victor Aitay, violin
Rimsky-Korsakov’s Sheherazade and the Polovtsian Dances from Borodin’s Prince Igor (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

July 3, 1969, Ravinia Festival
MOZART Overture to Così fan tutte, K. 588
MOZART Piano Concerto No. 18 in B-flat Major, K. 456
Peter Serkin, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

July 5, 1969, Ravinia Festival
HAYDN Symphony No. 75 in D Major
CHOPIN Piano Concerto No. 2 in F Minor, Op. 21
Maurizio Pollini, piano
TCHAIKOVSKY Symphony No. 1 in G Minor, Op. 13 (Winter Dreams)

July 6, 1969, Ravinia Festival
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Victor Aitay, violin
Donald Peck, flute
De Vere Moore, oboe
Adolph Herseth, trumpet
Mary Sauer, harpsichord
TIRCUIT Concerto for Solo Percussionist and Orchestra
Stomu Yamash’ta, percussion
SHOSTAKOVICH Concerto for Piano, Trumpet, and String Orchestra in C Minor, Op. 35
Sheldon Shkolnik, piano
Adolph Herseth, trumpet
BERNSTEIN Chichester Psalms
Howard Pfeifer, boy soprano
Chicago Symphony Chorus
Margaret Hillis, director

June 25, 1970, Ravinia Festival
WAGNER Prelude and Liebestod from Tristan and Isolde
Eileen Farrell, soprano
JANÁČEK Sinfonietta
WAGNER A Faust Overture
WAGNER Brünnhilde’s Immolation from Götterdämmerung
Eileen Farrell, soprano
Janáček’s Sinfonietta was recorded in Medinah Temple on June 26, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

June 27, 1970, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Maurizio Pollini, piano
BERLIOZ Symphonie fantastique, Op. 14

June 28, 1970, Ravinia Festival
GABRIELI Sonata pian’ e forte
LUTOSŁAWSKI Concerto for Orchestra
SCHICKELE The Fantastic Garden
WALDEN Circus
DENNIS Pennsylvania Station
Lutosławski’s Concerto for Orchestra was recorded in Medinah Temple on June 29, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

Donald Peck and Edward Druzinsky rehearse with Ozawa and the Orchestra on July 8, 1971 (Donald Peck collection)

July 8, 1971, Ravinia Festival
MOZART Concerto for Flute and Harp in C Major, K. 299
Donald Peck, flute
Edward Druzinsky, harp
HUMMEL Concerto for Trumpet in E-flat Major
Adolph Herseth, trumpet
GABRIELI Canzon duodecimi toni
TAKEMITSU Cassiopeia for Solo Percussionist and Orchestra (world premiere)
Stomu Yamash’ta, percussion

July 10, 1971, Ravinia Festival
PROKOFIEV Excerpts from Romeo and Juliet
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Pinchas Zukerman, violin
BARTÓK The Miraculous Mandarin, Op. 19

February 1, 2, and 3, 1973, Orchestra Hall
February 5, 1973, Pabst Theater, Milwaukee
HAYDN Symphony No. 60 in C Major (Il distratto)
LIGETI Melodien
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

February 8, 9, and 10, 1973, Orchestra Hall
BOONE First Landscape
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Gina Bachauer, piano
STRAVINSKY The Firebird

July 14, 1985, Ravinia Festival
MOZART Rondo in D Major, K. 382
Peter Serkin, piano
TAKEMITSU Riverrun
Peter Serkin, piano
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

On tour with visiting orchestras, Ozawa also appeared in Orchestra Hall under the auspices of Allied Arts and Symphony Center Presents, as follows:

April 8 1975, Orchestra Hall
MOZART Piano Concerto No. 21 in C Major, K. 467
James Levine, piano
RAVEL Daphnis and Chloe
Ann Arbor Festival Chorus
Donald Bryant, director
Boston Symphony Orchestra

March 6, 1981, Orchestra Hall
BEETHOVEN Symphony No. 7 in A Major, Op. 92
STRAVINSKY The Rite of Spring
Boston Symphony Orchestra

April 24, 1991, Orchestra Hall
BEETHOVEN Symphony No 8 in F Major, Op. 93
BERLIOZ Symphonie fantastique, Op. 14
Boston Symphony Orchestra

February 9, 1996, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Heidi Grant Murphy, soprano
Michelle DeYoung, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Boston Symphony Orchestra

January 10, 2001, Orchestra Hall
MAHLER Symphony No. 9 in D Major
Saito Kinen Orchestra

Peter Serkin (Kathy Chapman photo)

The Chicago Symphony Orchestra family joins the music world in mourning the passing of the remarkable American pianist Peter Serkin, who died earlier today at his home in Red Hook, New York following a long illness. He was seventy-two.

For more than fifty years, Serkin was a frequent soloist with the Orchestra, both at the Ravinia Festival and in Orchestra Hall.

At the age of seventeen, Serkin made his debut with the Orchestra at the Ravinia Festival on June 27, 1965, as soloist in Bartok’s Third Piano Concerto with Seiji Ozawa conducting. He first performed with the Orchestra on subscription concerts in in Orchestra Hall on February 3, 4, and 5, 1994, in Berg’s Chamber Concerto for Piano, Violin, and Thirteen Wind Instruments with Daniel Barenboim conducting.

Most recently, he appeared with the Orchestra in Orchestra Hall on May 16, 18, and 21, 2013, in Takemitsu’s riverrun with Juanjo Mena conducting and at the Ravinia Festival on August 5, 2015, in Mozart’s Piano Concerto no. 19 with Pablo Heras-Casado conducting.

Serkin also recorded with the Orchestra for the RCA Red Seal label. With Seiji Ozawa conducting, he recorded Bartok’s Third and First piano concertos in June 1965 and July 1966, respectively, in Orchestra Hall. Also under Ozawa, he recorded Schoenberg’s Piano Concerto with the Orchestra in July 1967 in Medinah Temple.

Numerous tributes have been posted online, including The New York Times and The Philadelphia Inquirer, among others.

Daniel Barenboim led the Chicago Symphony Orchestra’s first South American tour—the fortieth international tour—in October 2000, with stops in Rio de Janeiro, São Paulo, and Barenboim’s hometown of Buenos Aires.

Barenboim and the Orchestra onstage at the Sala São Paulo on October 5, 2000 (Greg Morton photo)

October 4, 2000 – Teatro Municipal, Rio de Janeiro, Brazil
October 5, 2000 – Sala São Paulo, São Paulo, Brazil
MOZART Piano Concerto No. 25 in C Major, K. 503
MAHLER Symphony No. 1 in D Major
Daniel Barenboim, piano and conductor

October 6, 2000 – Sala São Paulo, São Paulo, Brazil
October 12, 2000 – Teatro Colon, Buenos Aires, Argentina
MAHLER Symphony No. 7
Daniel Barenboim, conductor

Program book for the three concerts at the Teatro Colon in Buenos Aires in October 2000

October 7, 2000 – Sala São Paulo, São Paulo, Brazil
October 11, 2000 – Teatro Colon, Buenos Aires, Argentina
DEBUSSY Prelude to The Afternoon of a Faun
DEBUSSY La mer
FALLA The Three-Cornered Hat
Alejandra Malvino, mezzo-soprano
Daniel Barenboim, conductor

October 10, 2000 – Teatro Colon, Buenos Aires, Argentina
MOZART Piano Concerto No. 25 in C Major, K. 503
BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, piano and conductor

The Orchestra’s nineteenth European tour included concerts in London, Berlin, and Vienna, and one of the concerts in Lucerne featured the world premiere of Noesis, a new work by Swiss composer Hanspeter Kyburz.

September 7, 2001 – Royal Albert Hall, London, England
WAGNER Overture to Tannhäuser
CARTER Partita
MAHLER Symphony No. 1 in D Major
Daniel Barenboim, conductor

Barenboim and the Orchestra onstage at the Philharmonie in Berlin on September 9, 2001

September 8, 2001 – Royal Albert Hall, London, England
Daniel Barenboim, conductor
THOMAS Aurora
Micaela Haslam, soprano
MAHLER Symphony No. 7
Daniel Barenboim, piano and conductor

September 9, 2001 – Philharmonie, Berlin, Germany
September 15, 2001 – Musikverein, Vienna, Austria
September 16, 2001 – Musikverein, Vienna, Austria
MAHLER Symphony No. 7
Daniel Barenboim, conductor

September 11, 2001Kultur- & Kongresszentrum, Lucerne, Switzerland
SMITH/Stock The Star-Spangled Banner
MAHLER Symphony No. 7
Daniel Barenboim, conductor

September 12, 2001 – Kultur- & Kongresszentrum, Lucerne, Switzerland
CARTER Partita
MAHLER Symphony No. 5
Daniel Barenboim, conductor

September 13, 2001 – Kultur- & Kongresszentrum, Lucerne, Switzerland
KYBURZ Noesis for Large Orchestra
MAHLER Symphony No. 1 in D Major
Daniel Barenboim, conductor

During the Chicago Symphony Orchestra’s twentieth European tour, Barenboim conducted Bruckner’s Fourth, Seventh, and Ninth symphonies on three concerts at the Lucerne Festival.

Luggage sticker for the 2002 tour to Lucerne

September 13, 2002 – Kultur- & Kongresszentrum, Lucerne, Switzerland
BOULEZ Notations for Orchestra I-IV and VII
BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, conductor

September 14, 2002 – Kultur- & Kongresszentrum, Lucerne, Switzerland
MOZART Piano Concerto No. 24 in C Minor, K. 491
BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, piano and conductor

September 15, 2002 – Kultur- & Kongresszentrum, Lucerne, Switzerland
BACH Brandenburg Concerto No. 3 in G Major, BWV 1048
BOULEZ Originel from . . . explosante-fixe . . .
Mathieu Dufour, flute
BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor

The Orchestra’s twenty-first European tour, to the annual Festtage in Berlin, featured Barenboim leading Mahler song cycles and Bruckner symphonies.

Program page for the April 17, 2003, concert in Berlin

April 17, 2003 – Philharmonie, Berlin, Germany
MAHLER Kindertotenlieder
Thomas Quasthoff, bass-baritone
BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, conductor

April 18, 2003 – Philharmonie, Berlin, Germany
MAHLER Songs of a Wayfarer
Thomas Hampson, baritone
BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, conductor

April 19, 2003 – Philharmonie, Berlin, Germany
MAHLER Rückert Lieder
Violeta Urmana, mezzo-soprano
BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor

Returning again to the Lucerne Festival for the twenty-second European tour, the Orchestra performed several Strauss tone poems under Barenboim’s baton.

Program book for the three concerts in Lucerne in September 2003

September 13, 2003 – Kultur- & Kongresszentrum, Lucerne, Switzerland
STRAUSS Don Juan, Op. 20
MOZART Piano Concerto No. 23 in A Major, K. 488
MUNDRY Panorama ciego
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Daniel Barenboim, piano and conductor

September 14, 2003 – Kultur- & Kongresszentrum, Lucerne, Switzerland
SCHOENBERG Transfigured Night, Op. 4
STRAUSS Death and Transfiguration, Op. 24
WAGNER Prelude and Liebestod from Tristan and Isolde
Daniel Barenboim, conductor

September 15, 2003 – Kultur- & Kongresszentrum, Lucerne, Switzerland
WAGNER Overture to Tannhäuser
SCHOENBERG Variations for Orchestra, Op. 31
STRAUSS Ein Heldenleben, Op. 40
Robert Chen, violin
Daniel Barenboim, conductor

The following month, Barenboim and the Orchestra traveled to Japan for the fifth Asian tour. The final concerts of the tour in Tokyo included works by Stravinsky and Ravel in a collaboration with the Tokyo Ballet, featuring Sylvie Guillem in Ravel’s Boléro.

Program book for the October 29, 2003, concert in Fukuoka

October 24, 2003 – Bunka Kaikan, Tokyo, Japan
October 27, 2003 – Festival Hall, Osaka, Japan
MAHLER Symphony No. 9 in D Major
Daniel Barenboim, conductor

October 26, 2003 – Bunka Kaikan, Tokyo, Japan
WAGNER Overture to Tannhäuser
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Daniel Barenboim, conductor

October 26, 2003 – Bunka Kaikan, Tokyo, Japan
October 29, 2003 – Fukuoka Symphony Hall, Fukuoka, Japan
WAGNER Prelude and Liebestod from Tristan and Isolde
BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, conductor

November 1, 2003 – Bunka Kaikan, Tokyo, Japan
RAVEL Pavane pour une infante défunte
STRAUSS Death and Transfiguration, Op. 24
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)
Daniel Barenboim, conductor

Tokyo

November 2, 2003 – Bunka Kaikan, Tokyo, Japan
November 3, 2003 – Bunka Kaikan, Tokyo, Japan
STRAVINSKY The Rite of Spring
STRAVINSKY The Firebird Suite
RAVEL Boléro
Tokyo Ballet
Sylvie Guillem, dancer
Daniel Barenboim, conductor

At the 2004 Festtage in Berlin, Barenboim led the Orchestra in works by Schoenberg—the Piano Concerto, Violin Concerto, and Variations for Orchestra—paired with Tchaikovsky’s final three symphonies.

April 7, 2004 – Philharmonie, Berlin, Germany
BACH Brandenburg Concerto No. 3 in G Major, BWV 1048
SCHOENBERG Piano Concerto, Op. 42
Peter Serkin, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Daniel Barenboim, conductor

April 8, 2004 – Philharmonie, Berlin, Germany
BACH Orchestral Suite No. 2 in B Minor, BWV 1067
SCHOENBERG Violin Concerto, Op. 36
Nikolaj Znaider, violin
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Daniel Barenboim, conductor

April 9, 2004 – Philharmonie, Berlin, Germany
BACH Concerto for Two Pianos in C Major, BWV 1061
Peter Serkin, piano
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)
Daniel Barenboim, piano and conductor

Pierre Boulez joined Barenboim for the Chicago Symphony Orchestra’s twenty-fourth European tour that included performances in Germany, Austria, Hungary, and England. Concerts at the Berlin Festtage—entitled Hommage à Pierre Boulez—celebrated Boulez’s eightieth birthday.

Catalog for the Budapest Spring Festival in 2005

March 24, 2005 – Philharmonie, Berlin, Germany
RAVEL Rapsodie espagnole
BARTÓK Piano Concerto No. 2
Lang Lang, piano
BOULEZ Originel from . . . explosante-fixe . . .
Mathieu Dufour, flute
RAVEL Mother Goose Suite
RAVEL Daphnis and Chloe Suite No. 2
Daniel Barenboim, conductor

March 25, 2005 – Philharmonie, Berlin, Germany
March 31, 2005 – National Philharmonic Hall, Budapest, Hungary
April 4, 2005 – Royal Festival Hall, London, England
BARTÓK Four Pieces for Orchestra
BARTÓK Piano Concerto No. 1
Daniel Barenboim, piano
BARTÓK Concerto for Orchestra
Pierre Boulez, conductor

Catalog for the 2005 Festtage in Berlin—Hommage à Pierre Boulez

March 26, 2005 – Philharmonie, Berlin, Germany
BARTÓK Piano Concerto No. 3
Mitsuko Uchida, piano
MAHLER Symphony No. 9
Daniel Barenboim, conductor

March 30, 2005 – Musikverein, Vienna, Austria
April 1, 2005 – National Philharmonic Hall, Budapest, Hungary
April 3, 2005 – Royal Festival Hall, London, England
April 5, 2005 – Bridgewater Hall, Manchester, England
April 6, 2005 – Symphony Hall, Birmingham, England
MAHLER Symphony No. 9
Daniel Barenboim, conductor

Daniel Barenboim’s final tour—the Chicago Symphony Orchestra’s twenty-fifth European and forty-eighth international tour—as ninth music director was a return to the Lucerne Festival.

Program book cover for the September 2005 concerts in Lucerne

September 16, 2005 – Kultur- & Kongresszentrum, Lucerne, Switzerland
MAHLER Symphony No. 9 in D Major
Daniel Barenboim, conductor

September 17, 2005 – Kultur- & Kongresszentrum, Lucerne, Switzerland
WAGNER Prelude to Parsifal
SCHOENBERG Five Pieces for Orchestra, Op. 16
BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor

September 18, 2005 – Kultur- & Kongresszentrum, Lucerne, Switzerland
FALLA Nights in the Gardens of Spain
ALBÉNIZ Evocación from Iberia
RAVEL Rapsodie espagnole
RAVEL Pavane pour une infante défunte
RAVEL Alborada del gracioso
RAVEL Boléro
Daniel Barenboim, piano and conductor

RCA Red Seal Records (a division of Sony Classical) is releasing a set of complete Chicago Symphony Orchestra recordings—some available for the first time on CD—led by Seiji Ozawa, recorded during his tenure as the first music director of the Ravinia Festival from 1964 until 1968.

“With the success of [Fritz] Reiner’s CSO recordings, RCA was eager to continue expanding its catalog with the Orchestra, and the label wasted no time engaging both [Jean] Martinon (who began his tenure as the orchestra’s seventh music director in 1963) and Ozawa,” writes Frank Villella in the liner notes for the set. “Martinon first recorded with the Orchestra for RCA in November 1964, and Ozawa’s first recording—Bartók’s Third Piano Concerto with [seventeen-year-old Peter] Serkin—was made at Orchestra Hall in June 1965.”

Additional highlights from the set include Serkin performing Bartók’s First Piano Concerto and Schoenberg’s Piano Concerto, one of the seven recordings of the Orchestra performing Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Britten’s Young Person’s Guide to the Orchestra, Stravinsky’s The Rite of Spring, Beethoven and Tchaikovsky’s Fifth symphonies, and Schubert’s Unfinished Symphony, among others.

When Ozawa announced that he would step down as the Festival’s music director, he said that “Ravinia was the first organization to invite me to be its music director. Without the belief you had in me, I do not think I would have any career at this moment. The Chicago Symphony is one of the greatest orchestras I have ever conducted, and I have had no greater glory in music than I have experienced here.”

The set is available for pre-order via the Symphony Store here. It will be available domestically on April 21, 2017.

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Ozawa headshotAs a last-minute replacement for Georges Prêtre in July 1963, Seiji Ozawa was called upon to lead the Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut with the Chicago Symphony Orchestra on July 16 in Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the Orchestra with transparency of gesture and human communication, then commands acceptance.” On July 18, he conducted Rossini’s Overture to The Barber of Seville, Tchaikovsky’s Violin Concerto with Christian Ferras, Debussy’s Prelude to The Afternoon of a Faun, Takemitsu’s Requiem for Strings, and selections from Prokofiev’s Romeo and Juliet.

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Between 1965 and 1970—at both Orchestra Hall and in Medinah Temple— Ozawa and the Orchestra recorded a number of works for both Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony.

Some of this content was previously posted here; this article also appears here.

Ozawa headshot

Congratulations to Seiji Ozawa—the Ravinia Festival‘s first music director from 1964 until 1968—who will be a recipient of this year’s Kennedy Center Honors! Additional honorees, announced today, include American rock band the Eagles, singer-songwriter Carole King, filmmaker George Lucas, actress and singer Rita Moreno, and actress Cicely Tyson.

The gala event will be broadcast on CBS on December 29, 2015.

As a last-minute replacement for Georges Prêtre in July 1963, Seiji Ozawa was called upon to lead the Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut with the Chicago Symphony Orchestra on July 16, leading Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the orchestra with transparency of gesture and human communication, then commands acceptance.” On July 18, he conducted Rossini’s Overture to The Barber of Seville, Tchaikovsky’s Violin Concerto with Christian Ferras, Debussy’s Prelude to The Afternoon of a Faun, Takemitsu’s Requiem for Strings, and selections from Prokofiev’s Romeo and Juliet.

June 16, 1964

June 16, 1964

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Ozawa LP

Between 1965 and 1970—both at Orchestra Hall and in Medinah Temple—Ozawa and the Orchestra recorded a number of works for both Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony, among numerous others.

Ozawa most recently appeared in Chicago at Orchestra Hall on February 9, 1996, leading the Boston Symphony Orchestra, the Chicago Symphony Chorus (prepared by Duain Wolfe), Heidi Grant Murphy, and Michelle DeYoung in Mahler’s Second Symphony; and on January 10, 2001, conducting Mahler’s Ninth Symphony with the Saito Kinen Orchestra.

Congratulations, Maestro Ozawa!

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