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Wishing a very happy eighty-fifth birthday to the remarkable Japanese conductor Seiji Ozawa!

As a last-minute replacement for Georges Prêtre in July 1963, Ozawa was called upon to lead the Chicago Symphony Orchestra in two concerts at the Ravinia Festival. The twenty-seven-year-old conductor made his debut on July 16 in Beethoven’s Leonore Overture no. 3, Grieg’s Piano Concerto with Byron Janis, and Dvořák’s Ninth Symphony. Thomas Willis in the Chicago Tribune reported that Ozawa was “instantly in command when in possession of a baton and a musical idea. His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the Orchestra with transparency of gesture and human communication, then commands acceptance.”

Only a month later it was announced that Ozawa would become the Ravinia Festival’s first music director and resident conductor beginning with the 1964 season, replacing Walter Hendl, who had served as artistic director since 1959. For his first concert as music director on June 16, 1964, Ozawa led the Orchestra in Beethoven’s Egmont Overture, Barber’s Piano Concerto with John Browning, and Berlioz’s Symphonie fantastique.

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

Reverse jacket of Angel Records recording of Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta, made at Medinah Temple on June 30 and July 1, 1969

He served as music director of the Ravinia Festival through the 1968 season and as principal conductor for the 1969 season, returning regularly as a guest conductor. Ozawa most recently appeared there on July 14, 1985, leading Mozart’s Rondo for Piano and Orchestra in D major and Takemitsu’s riverrun with Peter Serkin, along with Tchaikovsky’s Pathétique Symphony.

Between 1965 and 1970—at both Orchestra Hall and in Medinah Temple— Ozawa and the Orchestra recorded a number of works for Angel and RCA, including Bartók’s First and Third piano concertos and Schoenberg’s Piano Concerto with Peter Serkin, Beethoven’s Fifth Symphony, Lutosławski’s Concerto for Orchestra, Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition, Rimsky-Korsakov’s Sheherazade with concertmaster Victor Aitay, Stravinsky’s The Rite of Spring, and Tchaikovsky’s Fifth Symphony.

A complete list of his performances and recordings with the Chicago Symphony Orchestra is below:

July 16, 1963, Ravinia Festival
BEETHOVEN Leonore Overture No. 3, Op. 72a
GRIEG Concerto for Piano in A Minor, Op. 16
Byron Janis, piano
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

June 16, 1964

July 18, 1963, Ravinia Festival
ROSSINI Overture to The Barber of Seville
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Christian Ferras, violin
DEBUSSY Prelude to The Afternoon of a Faun
TAKEMITSU Requiem for String Orchestra (U.S. premiere)
PROKOFIEV Selections from Romeo and Juliet

June 16, 1964, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BARBER Piano Concerto, Op. 38
John Browning, piano
BERLIOZ Symphonie fantastique, Op. 14

June 18, 1964, Ravinia Festival
POULENC Gloria
Barbara Garrison, soprano
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director
FAURÉ Requiem in D Minor, Op. 48
Barbara Garrison, soprano
Howard Nelson, baritone
Harvard Glee Club
Radcliffe Choral Society
Elliot Forbes, director

June 30, 1964, Ravinia Festival
HINDEMITH Symphony, Mathis der Maler
SIBELIUS Piano Concerto in D Minor, Op. 47
Ruggiero Ricci, violin
MUSSORGSKY/Ravel Pictures at an Exhibition

Ozawa and Igor Stravinsky in Orchestra Hall on July 20, 1964, while the composer was in town to lead recording sessions of his Orpheus with the CSO (Arthur Siegel photo)

July 7, 1964, Ravinia Festival
MOZART Overture to The Abduction from the Seraglio, K. 384
BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73 (Emperor)
Neal O’Doan, piano
GLUCK Divinités du Styx from Alceste
Dolores Ann White, mezzo-soprano
THOMAS Elle est la pres de lui from Mignon
Dolores Ann White, mezzo-soprano
ROSSINI Non più mesta from La cenerentola
Dolores Ann White, mezzo-soprano
LISZT Piano Concerto No. 1 in E-flat Major
Michael Rogers, piano

July 21, 1964, Ravinia Festival
BIZET Symphony No. 1 in C Major
RAVEL Alborada del gracioso
MOZART Concerto for Oboe in C Major, K. 314
Ray Still, oboe
TCHAIKOVSKY Francesca da Rimini, Op. 32

July 25, 1964, Ravinia Festival
SCHUMAN American Festival Overture
IVES Central Park in the Dark
STRAVINSKY Violin Concerto in D
Paul Makanowitzky, violin
FRANCK Symphony in D Minor

July 28, 1964, Ravinia Festival
WEBER Overture to Euryanthe, Op. 81
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Paul Makanowitzky, violin
BRAHMS Symphony No. 1 in C Minor, Op. 68

Leon Fleisher and Ozawa backstage on August 1, 1964 (Arthur Siegel photo)

August 1, 1964, Ravinia Festival,
BERNSTEIN Overture to Candide
MOZART Piano Concerto No. 23 in A Major, K. 488
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

June 15, 1965, Ravinia Festival
BERLIOZ Roman Carnival Overture, Op. 9
MOZART Serenade No. 10 for Winds in B-flat Major, K. 361
BRAHMS Symphony No. 2 in D Major, Op. 73

June 17, 1965, Ravinia Festival
WEBER Jubel Overture, Op. 59
RESPIGHI Ancient Airs and Dances Suite No. 1
DONIZETTI Una furtiva lagrima from L’elisir d’amore
Richard Tucker, tenor
VERDI Forse la soglia attinse from Un ballo in maschera
Richard Tucker, tenor
BIZET L’arlesienne Suite No. 2
BIZET La fleur que tu m’avais jetèe from Carmen
Richard Tucker, tenor
MASCAGNI Mamma, quel vino from Cavalleria rusticana
Richard Tucker, tenor

June 19, 1965, Ravinia Festival
HARRIS When Johnny Comes Marching Home
MACDOWELL Piano Concerto No. 2 in D Minor, Op. 23
André Watts, piano
NIELSEN Symphony No. 5, Op. 50

June 20, 1965, Ravinia Festival
COPLAND Fanfare for the Common Man
BLACHER Concertante Musik, Op. 10
DEBUSSY First Rhapsody
Clark Brody, clarinet
KABELEVSKY The Comedians, Op. 26
HINDEMITH Concerto for Winds, Harp, and Orchestra
RAMSIER Divertimento on a Theme of Couperin
Gary Karr, bass

June 22, 1965, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Berl Senofsky, violin
BERLIOZ Funereal and Triumphal Symphony, Op. 15
BERLIOZ Selections from The Damnation of Faust, Op. 24

June 27, 1965, Ravinia Festival
ROUSSEL Symphony No. 3 in G Minor, Op. 42
BARTÓK Piano Concerto No. 3
Peter Serkin, piano
STRAVINSKY Four Etudes
ELLIOT Bassoon Concerto (world premiere)
Willard Elliot, bassoon
Bartók’s Third Piano Concerto was recorded on June 28, 1965, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 29, 1965, Ravinia Festival
HANDEL Concerto grosso in B Minor, Op. 6, No. 12
BEETHOVEN Concerto for Piano No. 3 in C Minor, Op. 37
Eugene Istomin, piano
SIBELIUS Violin Concerto in D Minor, Op. 47
Isaac Stern, violin

July 1, 1965, Ravinia Festival
MOZART Divertimento in D Major, K. 136
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
Isaac Stern, violin
DVOŘÁK Cello Concerto in B Minor, Op. 104
Leonard Rose, cello

July 3, 1965, Ravinia Festival
MOZART Piano Concerto No. 24 in C Minor, K. 491
Eugene Istomin, piano
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Isaac Stern, violin
Leonard Rose, cello
BEETHOVEN Concerto for Violin, Cello, and Piano in C Major, Op. 56 (Triple)
Isaac Stern, violin
Leonard Rose, cello
Eugene Istomin, piano

July 4, 1965, Ravinia Festival
HOVHANESS Fantasy on Japanese Wood Prints, Op. 211 (world premiere)
Yoichi Hiraoka, xylophone
IVES The Fourth of July
GERSHWIN An American in Paris
GOTTLIEB Pieces of Seven Overture
BERNSTEIN Suite from Fancy Free

July 11, 1965, Ravinia Festival
GINASTERA Estancia Suite, Op. 8a
DEBUSSY/Caplet Children’s Corner
RIVIER Concerto brève
Kyoko Ozawa, piano
RIEGGER Dance Rhythms, Op. 58
RIEGGER Study in Sonority, Op. 7

July 15, 1965, Ravinia Festival
MOZART Sinfonia concertante for Violin and Viola in E-flat Major, K. 364
Victor Aitay, violin
Milton Preves, viola
STRAUSS Four Songs (Morgen, Waldseligkeit, Muttertändelei, and Zueignung)
Elisabeth Schwarzkopf, soprano
HINDEMITH Konzertmusik for String Orchestra and Brass, Op. 50
TCHAIKOVSKY Letter Scene from Eugene Onegin
Elisabeth Schwarzkopf, soprano

July 18, 1965, Ravinia Festival
IBERT Divertissement
ORFF Carmina burana
Julia Diane Ragains, soprano
Pierre Duval, tenor
Sherrill Milnes, baritone
Alfred H. Reichel, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Children’s Choir
Christopher Moore, director

July 20, 1965, Ravinia Festival
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Gabriel Chodos, piano
DVOŘÁK First movement (Allegro) from Cello Concerto in B Minor, Op. 104
Daniel Domb, cello
RAVEL Piano Concerto in G Major
John C. Owings, piano
LISZT Piano Concerto No. 1 in E-flat Major
Adrian Ruiz, piano

For the U.S. premiere of Jean Martinon’s Cello Concerto on July 31, 1965, former principal cello János Starker returned as soloist at the Ravinia Festival. Shown here during a rehearsal are the composer, soloist, and conductor.

July 31, 1965, Ravinia Festival
COPLAND An Outdoor Overture
MARTINON Cello Concerto, Op. 52 (U.S. premiere)
János Starker, cello
TCHAIKOVSKY Symphony No. 4, F Minor, Op. 36

March 26, 1966, Orchestra Hall
March 28, 1966, Pabst Theater, Milwaukee
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
WEBER Konzertstück for Piano in F Minor, Op. 79
Yuri Boukoff, piano
LISZT Piano Concerto No. 1 in E-flat Major
Yuri Boukoff, piano
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

March 31, April 1, and 2, 1966, Orchestra Hall
MOZART Symphony No. 36 in C Major, K. 425 (Linz) 
IVES Symphony No. 4
DVOŘÁK Violin Concerto in A Minor, Op. 53
Isaac Stern, violin

June 28, 1966, Ravinia Festival
BUSONI Lustspiel Overture, Op. 38
TAKEMITSU Requiem for String Orchestra
MAHLER Symphony No. 1 in D Major

June 30, 1966, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
MUSSORGSKY Selections from Boris Godunov
George London, bass-baritone
BORODIN Symphony No. 2 in B Minor

July 7, 1966, Ravinia Festival
HAYDN Symphony No. 86 in D Major
MOZART Piano Concerto No. 21 in C Major, K. 467
Peter Serkin, piano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

July 10, 1966, Ravinia Festival
TOCH Pinocchio, A Merry Overture
IBERT Symphonic Suite, Impressions of Paris
IVES/Schuman Variations on America
BARTÓK Piano Concerto No. 1
Peter Serkin, piano
Bartók’s First Piano Concerto was recorded on July 11, 1966, in Orchestra Hall. For RCA, Max Wilcox was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 24, 1966, Ravinia Festival
FREEDMAN Images
BERG Violin Concerto
Paul Makanowitzky, violin
MOREL L’etoile noire
THOMSON Louisiana Story, Suite for Orchestra

July 26, 1966, Ravinia Festival
TCHAIKOVSKY Capriccio italien, Op. 45
RACHMANINOV Concerto for Piano No. 1 in F-sharp Minor, Op. 1
Byron Janis, piano
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 18
Byron Janis, piano

July 28, 1966, Ravinia Festival
HANDEL/Harty Suite from Music for the Royal Fireworks
RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Byron Janis, piano
RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Byron Janis, piano

July 31, 1966, Ravinia Festival
LUTOSŁAWSKI Funeral Music
SHULMAN Theme and Variations for Viola and Orchestra
Milton Preves, viola
BERIO Serenata I for Flute and Fourteen Instruments
Donald Peck, flute
XENAKIS Eonta
Yuji Takahashi, piano
VARÈSE Hyperprism

August 11, 1966, Ravinia Festival
HOMMANN Overture for Orchestra
BERNSTEIN Symphony No. 1 (Jeremiah)
Mary Simmons, mezzo-soprano
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, Op. 23
Van Cliburn, piano

August 13, 1966, Ravinia Festival
BACH/Schoenberg Prelude and Fugue in E-flat Major, BWV 552 (Saint Anne)
BEETHOVEN Piano Concerto No. 5 in E-fat Major, Op. 73 (Emperor)
Van Cliburn, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

June 27, 1967, Ravinia Festival
GLUCK Overture to Iphigénie en Aulide
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Byron Janis, piano
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
GINASTERA Estancia Suite, Op. 8a

June 29, 1967, Ravinia Festival
GERSHWIN An American in Paris
GERSHWIN/Bennett Porgy and Bess, A Symphonic Picture
GERSHWIN Cuban Overture
GERSHWIN Concerto in F for Piano and Orchestra
Byron Janis, piano

July 1, 1967, Ravinia Festival
VERDI Overture to I vespri siciliani
MENOTTI The Death of the Bishop of Brindisi
Julie Idione, soprano
Simon Estes, bass
All-City Chicago High School Chorus
Emile Serposs, director
MOZART Piano Concerto No. 23 in A Major, K. 488
Lili Kraus, piano
RESPIGHI Pines of Rome

July 9, 1967, Ravinia Festival
BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051
BLOCH Concerto grosso No. 1
Mary Sauer, piano
SYMONDS Concerto grosso for Jazz Quintet and Orchestra
Kenny Soderblom Jazz Quintet
Kenny Soderblom, alto saxophone
John Avant, trombone
Bobby Roberts, guitar
Harold Jones, drums
Ernest Outlaw, bass
YASHIRO Cello Concerto
Tsuyoshi Tsutsumi, cello

July 13, 1967, Ravinia Festival
BRITTEN The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell)
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19
Peter Serkin, piano
MUSSORGSKY/Ravel Pictures at an Exhibition
Britten’s Young Person’s Guide and Mussorgsky’s Pictures at an Exhibition were recorded in Medinah Temple on July 18, 1967. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

July 16, 1967, Ravinia Festival
MERCURE Triptyque for Orchestra
JOACHIM Contrasts for Orchestra (world premiere)
SCHULLER Recitative and Rondo (world premiere)
Victor Aitay, violin
MOZART Horn Concerto in E-flat Major, K. 495
Dale Clevenger, horn
SCHOENBERG Piano Concerto, Op. 42
Peter Serkin, piano
Schoenberg’s Piano Concerto was recorded in Medinah Temple on July 17, 1967. For RCA Max Wilcox was the producer and Richard Gardner was the recording engineer.

July 30, 1967, Ravinia Festival
RUSSO Symphony No. 2 in C, Op. 32 (Titans)
VIEUXTEMPS Violin Concerto No. 4 in D Minor, Op. 31
Young Uck Kim, violin
FOSS Baroque Variations in Three Movements (world premiere)
SCHUMAN Symphony No. 3

August 8, 1967, Ravinia Festival
VERDI Overture to La forza del destino
CHOPIN Piano Concerto No. 2 in F Minor
Gabriel Chodos, piano
SAINT-SAЁNS Piano Concerto No. 2 in G Minor
Patricia Hanson, piano

August 10, 1967, Ravinia Festival
BERNSTEIN Overture to Candide
BERNSTEIN Serenade after Plato’s Symposium
James Oliver Buswell IV, violin
BERNSTEIN Symphony No. 2 (The Age of Anxiety)
Leonard Pennario, piano

Ozawa and the CSO recording Stravinsky’s The Rite of Spring in Orchestra Hal on July 1, 1968 (Terry’s photo)

August 12, 1967, Ravinia Festival
BERNSTEIN Symphonic Dances from West Side Story
BERNSTEIN Symphony No. 3 (Kaddish)
Betty Allen, mezzo-soprano
Vera Zorina, speaker
Chicago Symphony Chorus
Margaret Hillis, director
Ronald B. Schweitzer, assistant director
Chicago Children’s Choir
Christopher Moore, director

August 15, 1967, Civic Center Plaza (now Richard J. Daley Center)
Dedication of The Chicago Picasso
GERSHWIN An American in Paris
BERNSTEIN Overture to Candide
BERNSTEIN Selections from Symphonic Dances from West Side Story

April 29, 1968, Orchestra Hall
BERNSTEIN Overture to Candide
BRAHMS Excerpt from Fourth movement (Adagio) from Symphony No. 1 in C Minor, Op. 68
MASCAGNI Voi lo sapete from Cavalleria rusticana
Grace Bumbry, soprano
PONCHIELLI Suicidio! from La gioconda
Grace Bumbry, soprano

June 27, 1968, Ravinia Festival
WAGNER Prelude to Die Meistersinger von Nürnberg
BEETHOVEN Symphony No. 7 in A Major, Op. 92
BERLIOZ Roman Carnival Overture
COPLAND Preamble for a Solemn Occasion
Marian Anderson, speaker
STRAVINSKY Suite from The Firebird

June 29, 1968, Ravinia Festival
BEETHOVEN Overture to The Creatures of Prometheus, Op. 43
BEETHOVEN Piano Concerto No. 3 C Minor, Op. 37
Byron Janis, piano
STRAVINSKY The Rite of Spring
Stravinsky’s The Rite of Spring was recorded in Orchestra Hall on July 1, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

June 30, 1968, Ravinia Festival
WEBER Overture to Oberon
RACHMANINOV Piano Concerto No. 2 in C Minor, Op. 26
Susan Starr, piano
TCHAIKOVSKY Suite from Swan Lake
BOCK Selections from Fiddler on the Roof
GARLAND In the Mood

July 2, 1968, Ravinia Festival
CHABRIER España
TURINA Rapsodia sinfonica
Joaquín Achúcarro, piano
FALLA Nights In The Gardens of Spain
Joaquín Achúcarro, piano
FALLA Three Dances from The Three-Cornered Hat
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34

July 6, 1968, Ravinia Festival
KRENEK Perspectives (world premiere)
RAVEL Piano Concerto for the Left Hand
Leon Fleisher, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Tchaikovsky’s Fifth Symphony was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

July 7, 1968, Ravinia Festival
J. C. BACH Symphony No. 4 in D Major
SAINT-SAËNS Cello Concerto in A Minor, Op. 33
Lawrence Foster, cello
STRAVINSKY Fireworks
RUSSO Three Pieces for Blues Band and Orchestra (world premiere)
Stravinsky’s Fireworks was recorded in Orchestra Hall on July 8, 1968. For RCA, Peter Dellheim was the producer, and Bernard Keville and Ernest Oelrich were the recording engineers.

August 3, 1968, Ravinia Festival
SCHUBERT Symphony No. 8 in B Minor (Unfinished)
PUCCINI Sì, mi chiamano Mimì from La bohème
Anna Moffo, soprano
VERDI Scene from La traviata
Anna Moffo, soprano
DONIZETTI Mad Scene from Lucia di Lammermoor
Anna Moffo, soprano
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
Beethoven’s Fifth Symphony and Schubert’s Eighth Symphony were recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 4, 1968, Ravinia Festival
STOUT Symphony No. 2 (world premiere)
SHOSTAKOVICH Cello Concerto in E-flat Major, Op. 107
Frank Miller, cello
GINASTERA Piano Concerto No. 1, Op. 28
Jerome Lowenthal, piano

August 6, 1968, Ravinia Festival
TOYAMA Rhapsody for Orchestra
TAKEMITSU November Steps
Kinshi Tsuruta, kinshi, biwa and voice
Katsuya Yokoyama, shakuhachi
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
Young Uck Kim, violin

Seiji and Vera Ozawa at a Ravinia Festival picnic on August 4, 1968 (Nickerson Photo Company photo)

August 8, 1968, Ravinia Festival
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
BRITTEN Scottish Ballad, Op. 26
Arthur Austin Whittemore, piano
Jack Lowe, piano
POULENC Concerto for Two Pianos in D Minor
Arthur Austin Whittemore, piano
Jack Lowe, piano
MENDELSSOHN Incidental Music from A Midsummer Night’s Dream, Op. 61
Mary Michel, speaker
Teresa Orantes, soprano
Diana Haskell, mezzo-soprano
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Mussorgsky’s A Night on Bare Mountain was recorded in Orchestra Hall on August 9, 1968. For RCA, Peter Dellheim was the producer and Bernard Keville was the recording engineer.

August 10, 1968 (11:00 a.m.), Ravinia Festival
BERNSTEIN Prologue from West Side Story
DEBUSSY Clair de lune from Suite bergamasque
TOYAMA Rhapsody for Orchestra
MUSSORGSKY/Rimsky-Korsakov A Night on Bare Mountain
VERDI Overture to I vespri siciliani

August 10, 1968 (8:30 p.m.), Ravinia Festival
RESPIGHI The Birds
MOZART Piano Concerto No. 23 in A Major, K. 488
John Browning, piano
STRAVINSKY Capriccio for Piano and Orchestra
John Browning, piano
HINDEMITH Symphonic Metamorphosis on Themes of Carl Maria von Weber

June 26, 1969, Ravinia Festival
BEETHOVEN Piano Concerto in D Major (arranged from the Violin Concerto, Op. 61)
Peter Serkin, piano
BARTÓK Concerto for Orchestra
Bartók’s Concerto for Orchestra and Kodály’s Dances of Galánta (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

June 28, 1969, Ravinia Festival
BERLIOZ The Damnation of Faust, Op. 24
Lois Marshall, soprano
Nicholas di Virgilio, tenor
Ezio Flagello, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 29, 1969, Ravinia Festival
STRAUSS Horn Concerto No. 1 in E-flat Major, Op. 11
Dale Clevenger, horn
TAKEMITSU Asterism for Piano and Orchestra
Yuji Takahashi, piano
RIMSKY-KORSAKOFF Sheherazade, Op. 35
Victor Aitay, violin
Rimsky-Korsakov’s Sheherazade and the Polovtsian Dances from Borodin’s Prince Igor (not performed in concert) were recorded in Medinah Temple on June 30 and July 1, 1969. For Angel, Peter Andry was the executive producer, Richard C. Jones was the producer, and Carson Taylor was the recording engineer.

July 3, 1969, Ravinia Festival
MOZART Overture to Così fan tutte, K. 588
MOZART Piano Concerto No. 18 in B-flat Major, K. 456
Peter Serkin, piano
BRUCKNER Symphony No. 4 in E-flat Major (Romantic)

July 5, 1969, Ravinia Festival
HAYDN Symphony No. 75 in D Major
CHOPIN Piano Concerto No. 2 in F Minor, Op. 21
Maurizio Pollini, piano
TCHAIKOVSKY Symphony No. 1 in G Minor, Op. 13 (Winter Dreams)

July 6, 1969, Ravinia Festival
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Victor Aitay, violin
Donald Peck, flute
De Vere Moore, oboe
Adolph Herseth, trumpet
Mary Sauer, harpsichord
TIRCUIT Concerto for Solo Percussionist and Orchestra
Stomu Yamash’ta, percussion
SHOSTAKOVICH Concerto for Piano, Trumpet, and String Orchestra in C Minor, Op. 35
Sheldon Shkolnik, piano
Adolph Herseth, trumpet
BERNSTEIN Chichester Psalms
Howard Pfeifer, boy soprano
Chicago Symphony Chorus
Margaret Hillis, director

June 25, 1970, Ravinia Festival
WAGNER Prelude and Liebestod from Tristan and Isolde
Eileen Farrell, soprano
JANÁČEK Sinfonietta
WAGNER A Faust Overture
WAGNER Brünnhilde’s Immolation from Götterdämmerung
Eileen Farrell, soprano
Janáček’s Sinfonietta was recorded in Medinah Temple on June 26, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

June 27, 1970, Ravinia Festival
MOZART Symphony No. 32 in G Major, K. 318
PROKOFIEV Piano Concerto No. 3 in C Major, Op. 26
Maurizio Pollini, piano
BERLIOZ Symphonie fantastique, Op. 14

June 28, 1970, Ravinia Festival
GABRIELI Sonata pian’ e forte
LUTOSŁAWSKI Concerto for Orchestra
SCHICKELE The Fantastic Garden
WALDEN Circus
DENNIS Pennsylvania Station
Lutosławski’s Concerto for Orchestra was recorded in Medinah Temple on June 29, 1970. For Angel, Peter Andry was the executive producer and Carson Taylor was the recording engineer.

Donald Peck and Edward Druzinsky rehearse with Ozawa and the Orchestra on July 8, 1971 (Donald Peck collection)

July 8, 1971, Ravinia Festival
MOZART Concerto for Flute and Harp in C Major, K. 299
Donald Peck, flute
Edward Druzinsky, harp
HUMMEL Concerto for Trumpet in E-flat Major
Adolph Herseth, trumpet
GABRIELI Canzon duodecimi toni
TAKEMITSU Cassiopeia for Solo Percussionist and Orchestra (world premiere)
Stomu Yamash’ta, percussion

July 10, 1971, Ravinia Festival
PROKOFIEV Excerpts from Romeo and Juliet
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
Pinchas Zukerman, violin
BARTÓK The Miraculous Mandarin, Op. 19

February 1, 2, and 3, 1973, Orchestra Hall
February 5, 1973, Pabst Theater, Milwaukee
HAYDN Symphony No. 60 in C Major (Il distratto)
LIGETI Melodien
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

February 8, 9, and 10, 1973, Orchestra Hall
BOONE First Landscape
BEETHOVEN Piano Concerto No. 4 in G Major, Op. 58
Gina Bachauer, piano
STRAVINSKY The Firebird

July 14, 1985, Ravinia Festival
MOZART Rondo in D Major, K. 382
Peter Serkin, piano
TAKEMITSU Riverrun
Peter Serkin, piano
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

On tour with visiting orchestras, Ozawa also appeared in Orchestra Hall under the auspices of Allied Arts and Symphony Center Presents, as follows:

April 8 1975, Orchestra Hall
MOZART Piano Concerto No. 21 in C Major, K. 467
James Levine, piano
RAVEL Daphnis and Chloe
Ann Arbor Festival Chorus
Donald Bryant, director
Boston Symphony Orchestra

March 6, 1981, Orchestra Hall
BEETHOVEN Symphony No. 7 in A Major, Op. 92
STRAVINSKY The Rite of Spring
Boston Symphony Orchestra

April 24, 1991, Orchestra Hall
BEETHOVEN Symphony No 8 in F Major, Op. 93
BERLIOZ Symphonie fantastique, Op. 14
Boston Symphony Orchestra

February 9, 1996, Orchestra Hall
MAHLER Symphony No. 2 in C Minor (Resurrection)
Heidi Grant Murphy, soprano
Michelle DeYoung, mezzo-soprano
Chicago Symphony Chorus
Duain Wolfe, director
Boston Symphony Orchestra

January 10, 2001, Orchestra Hall
MAHLER Symphony No. 9 in D Major
Saito Kinen Orchestra

Sherrill Milnes (Dario Acosta photo)

Wishing a very happy eighty-fifth birthday to the legendary American baritone Sherrill Milnes! A native of Downers Grove, Illinois, he also was a member of the Chicago Symphony Chorus in the beginning of his professional singing career.

Milnes auditioned for Margaret Hillis in 1958 and became a member of the Chicago Symphony Chorus in time for the beginning its second season. “I was knocked out by Margaret’s personality and musicality,” he said in a March 1976 interview with Winthrop Sargeant for The New Yorker. “Singing under Fritz Reiner could only be a great thrill for an amateur singer, and I was an amateur. It was pre-career. She had all the techniques of a modern choral conductor. For example, ‘staccato du.” It was the first time I had encountered it. To make sure you know the notes, you sing them ‘du-du-du’—each note very short. Also speaking the words to rhythm—in a monotone, with the rhythm of the music but without the melody. She was the first choral conductor I’d ever know who molded the sound of the chorus, making it change color, and so on. She had everybody sing the soprano part where there was a melody, and the same with the bass and other parts. She opened up a whole new world of musical ideas and rehearsal ideas. . . . I’m on the recording of Reiner’s Beethoven Ninth in the chorus [and] Alexander Nevsky with Reiner too. . . . I was hearing phrases thrown at me for the first time, and it was opening up a whole new world.”

Milnes has been a soloist with the Chicago Symphony Orchestra on a number of occasions, both in Orchestra Hall and at the Ravinia Festival, all listed below.

December 16, 1961, Orchestra Hall
BACH Magnificat in D Major, BWV 243
HAYDN Mass in D Minor, Hob. XXII:11 (Lord Nelson)
Margaret Hillis, conductor
Maria Ferriero, soprano
Teresa Orantes, soprano
Lili Chookasian, contralto
David Paige, tenor
Sherrill Milnes, baritone
Chicago Symphony Chorus
Margaret Hillis, director

February 15, 1964, Orchestra Hall
MENDELSSOHN Elijah, Op. 70
Margaret Hillis, conductor
Lillian Garabedian, soprano
Marion Vincent, soprano
Julia Diane Ragains, soprano
Robert Johnson, tenor
Sherrill Milnes, baritone
Chicago Symphony Chorus
Margaret Hillis, director

December 19, 1964, Orchestra Hall
BERLIOZ L’enfance du Christ, Op. 25
Margaret Hillis, director
Jennie Tourel, mezzo-soprano
Seth McCoy, tenor
Sherrill Milnes, baritone
John West, bass
Chicago Symphony Chorus
Margaret Hillis, director

HAYDN July 18, 1965, Ravinia Festival
ORFF Carmina burana
Seiji Ozawa, conductor
Julia Diane Ragains, soprano
Pierre Duval, tenor
Sherrill Milnes, baritone
Alfred Reichel, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Chicago Children’s Choir
Christopher Moore, director

August 7 and 9, 1969, Ravinia Festival
VERDI Aida
Giuseppe Patanè, conductor
Sheldon Patinkin, stage director
Robert Hale, bass-baritone
Lili Chookasian, contralto
Martina Arroyo, soprano
Richard Tucker, tenor
Sherrill Milnes, baritone
Ara Berberian, bass
Herbert Kraus, tenor
Carolyn Smith-Meyer, soprano
Chicago Symphony Chorus
Margaret Hillis, director

July 15 and 17, 1971, Ravinia Festival
VERDI Rigoletto
István Kertész, conductor
Sherrill Milnes, baritone
Patricia Wise, soprano
John Alexander, tenor
Robert Hale, bass-baritone
John Walker, tenor
Bernard Izzo, baritone
Edna Garabedian, mezzo-soprano
Susan Lutz, mezzo-soprano
Eugene Johnson, bass
Phyllis Kirian, soprano
Julia Diane Ragains, soprano
Chicago Symphony Chorus
Margaret Hillis, director

July 1, 1972, Ravinia Festival
PUCCINI Tosca
James Levine, conductor
Teresa Kubiak, soprano
John Alexander, tenor
Sherrill Milnes, baritone
Bernard Izzo, baritone
Charles Anthony, tenor
Andrew Földi, bass
Eugene Johnson, bass
Joseph Caccamo, boy soprano
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

July 24, 1976, Ravinia Festival
WALTON Belshazzar’s Feast
André Previn, conductor
Sherrill Milnes, baritone
Royal Scottish National Orchestra Chorus
John Currie, director

July 9, 1978, Ravinia Festival
MENDELSSOHN Elijah, Op. 70
James Levine, conductor
Jessye Norman, soprano
Kathleen Battle, soprano
Beverly Wolff, mezzo-soprano
Isola Jones, mezzo-soprano
Philip Creech, tenor
Kirk Stuart, tenor
Sherrill Milnes, baritone
John Cheek, bass-baritone
Philip Kraus, bass
Chicago Symphony Chorus
Margaret Hillis, director

June 26, 1981, Ravinia Festival
VERDI Macbeth
James Levine, conductor
Renata Scotto, soprano
Giuliano Ciannella, tenor
Sherrill Milnes, baritone
John Cheek, bass-baritone
Timothy Jenkins, tenor
Gene Marie Callahan, soprano
Michelle Harman-Gulick, soprano
Sharon Graham, mezzo-soprano
Duane Clenton Carter, baritone
Rush Tully, bass-baritone
Terry Cook, bass
Chicago Symphony Chorus
Margaret Hillis and James Winfied, directors

June 27, 1992, Ravinia Festival
SAINT-SAËNS Samson and Delilah
James Levine, conductor
Denyce Graves, mezzo-soprano
Plácido Domingo, tenor
Sherrill Milnes, baritone
Bryn Terfel, bass-baritone
Sergei Koptchak, bass
David Anderson, tenor
John Concepcion, tenor
Paul Grizzell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Milnes also gave one recital under the auspices of Allied Arts (now Symphony Center Presents):

February 14, 1987, Orchestra Hall
Jon Spong, piano
MONDONVILLE Eole’s Aria from Titon et l’Aurore
LULLY Bois épais from Amadis
GRÉTRY O Richard, O mon roi from Richard Coeur-de-lion
SCHUBERT An die Leier, D. 737
SCHUBERT Die Liebe hat gelogen, D. 751
SCHUBERT Kriegers Ahnung from Schwanengesang, D. 957
SCHUBERT Die Allmacht, D. 852
SANTOLIQUIDO Le domandai
SANTOLIQUIDO Quando le domandai
SANTOLIQUIDO Io mi levai dal centro della terra
SANTOLIQUIDO Riflessi
MOZART Rivolgete a lui lo sguardo, K. 584
McGILL Duna
COPLAND The World Feels Dusty from Twelve Poems of Emily Dickinson
TRADITIONAL/Copland At the River
arr. Dalway Love Trapped Me
arr. Dalway Killiney Strand
DUKE Luke Havergal
SAINT-SAËNS Qui donc commande from Henry VIII
Encores:
MOZART Fin ch’han dal vino calda la testa from Don Giovanni, K. 527
TRADITIONAL Shenandoah
TRADITIONAL/Britten Oliver Cromwell (sung by Spong with Milnes at the piano)
GIORDANO Nemico della patria from Andrea Chénier

Happy, happy birthday!

the vault

Theodore Thomas

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The opinions expressed here are mine and do not necessarily reflect those of my employer.

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