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Over the course of three short weeks in late 1938, Chicago hosted an embarrassment of riches for violin fans.
November 24 and 25, 1938
On November 20 and 26, respectively, Fritz Kreisler and Joseph Szigeti appeared in recital at Orchestra Hall. The following week on December 4, Jascha Heifetz gave a recital at the Civic Opera House. Kreisler returned to Chicago a few days later on December 8 and 9, as soloist with the Orchestra in Brahms’s Violin Concerto under the baton of second music director Frederick Stock.
And right in the middle of all of that, twenty-two-year-old Yehudi Menuhin made his debut with the Chicago Symphony Orchestra on November 24 (Thanksgiving Day) and 25, 1938, performing Beethoven’s Violin Concerto with Stock conducting.
“His way with the Beethoven was magnificent in every aspect—in singing tone, in brilliance of passage work, in dazzling sparkle of cadenzas, in the deep song of the haunting larghetto, and in the suddenly glittering shift of mood that announces the rondo,” wrote Claudia Cassidy in the Chicago Tribune. “Mr. Stock and the Orchestra gave him a rare opportunity and he responded with an unforgettable performance.”
On April 22, 2016, we celebrate the 100th anniversary of the birth of Menuhin, who—for well over forty years and under seven music directors—was a regular visitor with the Chicago Symphony Orchestra, both at Orchestra Hall and the Ravinia Festival. A complete list of his appearances with the Orchestra is below (subscription concerts at Orchestra Hall, unless otherwise noted):
November 24 and 25, 1938
BEETHOVEN Violin Concerto in D Major, Op. 61
Frederick Stock, conductor
November 9 and 10, 1939
BRAHMS Violin Concerto in D Major, Op. 77
Hans Lange, conductor
February 13 and 14, 1941
BEETHOVEN Violin Concerto in D Major, Op. 61
Frederick Stock, conductor
July 24, 1941 (Ravinia Festival)
BEETHOVEN Violin Concerto in D Major, Op. 61
Carlos Chávez, conductor
July 26, 1941 (Ravinia Festival)
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Carlos Chávez, conductor
April 14, 1942
BRAHMS Violin Concerto in D Major, Op. 77
Hans Lange, conductor
April 16 and 17, 1942
PAGANINI Violin Concerto No. 1 in D Major, Op. 6
Frederick Stock, conductor
November 2 and 3, 1944
BEETHOVEN Violin Concerto in D Major, Op. 61
Désiré Defauw, conductor
February 21 and 22, 1946
ELGAR Violin Concerto in B Minor, Op. 61
Désiré Defauw, conductor
January 22 and 23, 1948
BEETHOVEN Violin Concerto in D Major, Op. 61
Artur Rodzinski, conductor
November 2 and 3, 1950
BEETHOVEN Violin Concerto in D Major, Op. 61
Rafael Kubelík, conductor
October 24 and 25, 1957
BARTÓK Violin Concerto No. 2
Fritz Reiner, conductor
October 31, November 1 and 2, 1963
SHOSTAKOVICH Violin Concerto No. 1 in A Minor, Op. 99
Jean Martinon, conductor
November 18 and 19, 1965
PÁRTOS Violin Concerto
Jean Martinon, conductor
December 15, 16, and 17, 1966
BEETHOVEN Violin Concerto in D Major, Op. 61
Rafael Kubelík, conductor
Thursday, December 14 and 15, 1967
BERG Violin Concerto
Sixten Ehrling, conductor
December 18, 19, and 20, 1969
BARTÓK Violin Concerto No. 2
Georg Solti, conductor
March 10, 1981 (Musicians’ Pension Fund concert)
ELGAR Violin Concerto in B Minor, Op. 61
Henry Mazer, conductor
Wishing a very happy seventieth birthday to Itzhak Perlman!
A frequent and favorite guest artist in Chicago, Perlman has appeared with the Chicago Symphony Orchestra as both violin soloist and conductor on numerous occasions. He first appeared with the Orchestra at the Ravinia Festival on August 4, 1966 (a few weeks shy of his twenty-first birthday), in Tchaikovsky’s Violin Concerto with Thomas Schippers conducting, and he first appeared at Orchestra Hall on May 11 and 12, 1967, in Prokofiev’s Second Violin Concerto with Jean Martinon conducting.
Most recently, Perlman was soloist with the Orchestra downtown on March 7, 2011, in Mendelssohn’s Violin Concerto and Clark McAlister’s arrangement of Kreisler‘s Liebesfreud with James DePreist conducting, and at Ravinia on August 7, 2013, in Mendelssohn’s Violin Concerto with Carlos Miguel Prieto conducting.
Itzhak Perlman (Lisa Marie Mazzucco photo)
As a conductor, Perlman first led the Chicago Symphony Orchestra at the Ravinia Festival on July 25, 1999, in Bach’s Second Violin Concerto and Beethoven’s First Romance for Violin (also performing as soloist), along with Schubert’s Overture to Rosamunde and Brahms’s Fourth Symphony. He has led the Orchestra at Orchestra Hall on one occasion, on November 17, 2008, in Bach’s First Violin Concerto (also performing as soloist), Mozart’s Symphony no. 35, and Tchaikovsky’s Fifth Symphony. Most recently, he conducted the Orchestra at the Ravinia Festival on August 8, 2013, leading Brahms’s Academic Festival Overture, Haydn’s Second Cello Concerto with Alisa Weilerstein, and Tchaikovsky’s Fifth Symphony.
Perlman also has recorded several times with the Orchestra, as follows:
BRAHMS Concerto for Violin in D Major, Op. 77
Recorded in Medinah Temple, November and December 1976
Carlo Maria Giulini, conductor
Angel
1978 Grammy Award for Best Classical Album
BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Recorded in Orchestra Hall, September 1996
Yo-Yo Ma, cello
Daniel Barenboim, conductor
Teldec
ELGAR Violin Concerto in B Minor, Op. 61
Recorded in Orchestra Hall, March 1981
Daniel Barenboim, conductor
Deutsche Grammophon
1982 Grammy Award for Best Classical Performance–Instrumental Soloist or Soloists (with orchestra)
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Recorded in Orchestra Hall, May 1993
Daniel Barenboim, conductor
Erato
Barenboim and Perlman recording in Orchestra Hall in May 1993 (Jim Steere photo)
PROKOFIEV Violin Concerto No. 2 in G Minor, Op. 63
Recorded in Orchestra Hall, May 1993
Daniel Barenboim, conductor
Erato
STRAVINSKY Violin Concerto in D Major
Recorded in Orchestra Hall, September 1994
Daniel Barenboim, conductor
Teldec
Happy, happy birthday!
We frequently receive donations of a variety of materials, and just recently several vintage advertisements arrived in our mailbox. A sampling is below.
Advertisement for Jacques Thibaud’s recital at Orchestra Hall on March 4, 1918
French violinist Jacques Thibaud appeared in recital at Orchestra Hall on March 4, 1918, under the auspices of the Musicians Club of Women. According to a review in the Chicago Tribune, he was accompanied primarily by pianist Nicolai Schneer in works by Wieniawski and Saint-Saëns and on the organ by Tina Mae Haines for a “brief concerto by Vivaldi-Nachez.” The reviewer noted that Thibaud also “inserted Bach’s chaconne by request. He would have been in the season’s fashion had he done so without request. And he would have been more entertaining in this recital had he ignored the request; for he did not play it with charm or spark. This is, perhaps, the expected memorandum on anybody’s playing the chaconne with [Jascha] Heifetz‘s performance still in the ear; but it is a piece that had been played badly and played well before Heifetz came. It doesn’t ‘lie’ for Thibaud’s especial talent, maybe.”
Front of a photo postcard of violinist Amy Neill . . .
. . . and the reverse of the postcard, announcing her Orchestra Hall recital on April 9, 1924
American violinist Amy Neill appeared in recital on April 9, 1924, having appeared at Orchestra Hall at least once previously, with the Chicago Symphony Orchestra in April 1921 as soloist in Bruch’s Scottish Fantasy with Frederick Stock conducting. Her recital program included Mozart’s Violin Concerto in D major (it is not clear if it was no. 2 or no. 4), D’Ambrosio’s Violin Concerto in B minor, and Sarasate’s Introduction and Tarantelle, along with a number of Fritz Kreisler arrangements. Her accompanist was Isaac van Grove. Neill appeared again with the Orchestra and Stock in January 1926, in Glazunov’s Violin Concerto. Her program biography from those appearances indicate that she was born in Chicago and had studied with Hugo Kortschak (a member of the CSO’s first violin section beginning in 1907 and assistant concertmaster from 1910 until 1914). Neill had spent some of her early career in Europe, appearing as soloist with the New Queen’s Hall Orchestra, the Amsterdam Concertgebouw Orchestra, and the Vienna Symphony.
Advertisement for Gregor Piatigorsky’s appearance with the Chicago Symphony Orchestra at Orchestra Hall on February 23, 1932
A frequent and favorite guest artist, cellist Gregor Piatigorsky was in town to perform with the Chicago Symphony Orchestra on January 21 and 22, 1932, in Boccherini’s Cello Concero in B-flat major and Bloch’s Schelomo under the baton of Frederick Stock. He returned for a Tuesday subscription concert on February 23 for Saint-Saëns’s Cello Concerto in A minor and a repeat of the Bloch, again with Stock conducting. Edward Moore’s newspaper account in the Chicago Tribune—devoted primarily to the world premiere of John Alden Carpenter’s Song of Faith (celebrating the bicentennial of Georg Washington‘s birth and performed twice, near the beginning and at the end of the concert)—noted: “Then, too, Gregor Piatigorsky, who plays the cello as easily as other persons play the violin, came as soloist, with a brilliant performance of Saint-Saëns’s Concerto in A minor and Bloch’s earnest if somewhat laborious Schelomo. All in all, it was a program of unusual construction, but a highly enjoyable one.”
from the archives 