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The Chicago Symphony Orchestra family joins our friends at Steppenwolf Theatre Company in mourning the passing of beloved Chicago actor John Mahoney. He died in Chicago on February 4, at the age of 77.

John Mahoney in rehearsal at the Steppenwolf Theatre in 2008 (Chris Walker photo for the Chicago Tribune)

John Mahoney appeared with the Chicago Symphony Orchestra on three occasions, once at the Ravinia Festival and twice in Orchestra Hall, as follows:

July 14, 2001 (Ravinia Festival)
MENDELSSOHN A Midsummer Night’s Dream
Sir Andrew Davis, conductor
John de Lancie, Narrator/Puck and director
John Mahoney, Bottom
Janet Zarish, Titania
Timothy Gregory, Oberon
Stacey Tappan, soprano
Lauren McNeese, mezzo-soprano
Chicago Children’s Choir
Josephine Lee, director

In the Chicago Sun-Times, Wynne Delacoma set the stage. “It was a dream of a midsummer’s night at the Ravinia Festival Saturday, the kind of warm, clear evening just made for picnicking and listening to music outdoors. The music offered by the Chicago Symphony Orchestra and conductor Andrew Davis provided a perfect match. After intermission, the pavilion light dimmed and sprites with glowing wands flitted through the night as the orchestra, singers and actors including John Mahoney . . . as the bumptious Bottom [he was] an endearing monster.”

April 17, 18, 19, 20, and 21, 2002 (Orchestra Hall)
STRAVINSKY The Soldier’s Tale
William Eddins, conductor
Pinchas Zukerman, violin
John Mahoney, Narrator
Paul Adelstein, Soldier
Hollis Resnik, Devil
Tina Cannon, dancer
John Bruce Yeh, clarinet
David McGill, bassoon
Craig Morris, trumpet
Jay Friedman, trombone
Joseph Guastafeste, bass
Edward Atkatz, percussion
Peter Amster, director and choreographer
Rafael Viñoly, stage designer

“Seizing the opportunity to do something different, the CSO teamed with Steppenwolf Theatre to stage The Soldier’s Tale, which Stravinsky wrote in 1918 as a theater piece,” wrote Delacoma in the Chicago Sun-Times. “Mahoney was the dispassionate Narrator and Hollis Resnik a fashionable Devil in a generally lively staging by Peter Amster. Zukerman and six CSO musicians, conducted by William Eddins, perched on a tall, black platform centerstage, while Mahoney, Resnik, Paul Adelstein as the Soldier and dancer Tina Cannon spilled around the set of raised platforms and a few props devised by Rafael Viñoly. . . . Amster and his colleagues created a compelling drama. . . . Relaxed, making no judgments as he chronicled the Soldier’s victories and defeats, [Mahoney] was a sympathetic guide to Stravinsky’s morality tale.”

November 17, 18, 20, and 23, 2004 (Orchestra Hall)
Mikko Franck, conductor
John Mahoney, narrator
Erin Wall, soprano

Again, Delacoma in the Chicago Sun-Times described the event. “Mahoney returned to Symphony Center Thursday night to narrate a rare performance of Beethoven’s complete incidental music to Goethe’s Egmont. Goethe’s play about a former loyalist fighting Spanish colonialism in the 16th century Netherlands was quickly forgotten, but Beethoven’s Egmont Overture has long been a concert hall staple. It was fascinating to hear it in its complete context, especially with the young Finnish conductor Mikko Franck honing in on the music’s noble bearing and expansive reach. . . . In the minimal staging devised by director Sheldon Patinkin, [Mahoney] managed to turn the obscure Egmont into a flesh-and-blood presence. With his straightforward delivery and Beethoven’s evocative music reinforcing each scene, he brought us glimpses of a brave soldier and king’s loyal administrator destroyed by political intrigue and despotism. The thirst for liberty is a recurring motif in Beethoven’s life and much of his music. Hearing the entire Egmont, the movie music of its day, was a reminder of how strongly Beethoven believed in that ideal.”

Numerous tribute have been posted online, including the Chicago Tribune, Chicago Sun-Times, The New York Timesand CNN, among others.





CSO050911: Members of the Chicago Symphony Orchestra performing at Millennium Park September 11, 2005 in Chicago, Illinois, including the performance of Aaron Copeland's "Lincoln Portrait" with narration by U.S. Senator Barack Obama (D, Illinois) © Todd Rosenberg Photography 2005

Senator Barack Obama onstage with William Eddins and the Orchestra at Pritzker Pavilion in Millennium Park, September 11, 2005 (Todd Rosenberg photo)

On September 11, 2005—the fourth anniversary of the 2001 terrorist attacks and barely two weeks after the devastation of Hurricane Katrina—the Chicago Symphony Orchestra gave a free concert as part of Millennium Park’s Blockbuster Weekend, which also featured season-opening outdoor performances by Lyric Opera of Chicago and Steppenwolf Theatre Company.

William Eddins led The Star-Spangled Banner, William Schuman’s arrangement of Ives’s Variations on America, Copland’s Lincoln Portrait, and Rimsky- Korsakov’s Sheherazade. The narrator for Lincoln Portrait was freshman U.S. Senator Barack Obama.

Obama's autograph on a copy of Copland's Lincoln Portrait

Obama’s autograph on a copy of Copland’s Lincoln Portrait

In the Chicago Sun-Times, Wynne Delacoma wrote: “When September 11 comes around each year, the craving for a moment of proverbial silence—a chance to slow down, remember, and mourn—is strong. Sunday’s concert, led by former CSO resident conductor William Eddins and featuring Senator Barack Obama as narrator in Aaron Copland’s Lincoln Portrait, provided just that kind of beneficent moment. Despite the steamy weather, a large crowd filled the pavilion’s seats and lawn, giving the CSO in general, and Obama in particular, vociferous applause. . . . Obama brought an orator’s skill without an actor’s slick veneer to Copland’s Lincoln Portrait. The comforting quality of his voice gave added emotional resonance to Lincoln’s words. The CSO was a powerful surging force behind him, alternately sinking into meditation and swelling to majestic heights.”

This article also appears here.

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CSO Music Director Riccardo Muti leads the Civic Orchestra of Chicago—the prestigious training ensemble of emerging professional musicians affiliated with the CSO—in an open rehearsal of Mozart’s Symphony No. 36 (Linz) at Symphony Center. 📷 @toddrphoto Our friends in the Chicago western suburbs always welcome us so warmly for our performances at Edman Memorial Chapel @wheatoncollegeil, and tonight was no exception. Riccardo Muti and the CSO performed a delightful program of Haydn and Mozart symphonies, as well as Mozart’s Sinfonia Concertante featuring Concertmaster Robert Chen on violin and Paul Neubauer on viola. We look forward to being back here next season. 📷 @toddrphoto An emotionally riveting evening of Haydn and Mozart conducted by @riccardomutimusic featuring Robert Chen on Violin and Paul Neubauer on Viola. 📷: @toddrphoto #chicagosymphony


The opinions expressed here are mine and do not necessarily reflect those of my employer.


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