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“You sing first with your ears, then your heart, mind, and voice.”
“Enjoy the phrase. Don’t just be obedient.”
“The bar line is like children. It should be seen and not heard.”
“Voices are not made for music. Music is made for voices. Serve the music!”
“If you want to give the baby a name, it’s called a fugue.” (Regarding the Sanctus in Verdi’s Requiem)
On February 2, 1979, Margaret Hillis was interviewed for the John Callaway Interviews program on WTTW:
“Tenors, you wander around in the wilderness, and we don’t have 40 days.”
“Don’t sing in chest voice. Angels don’t have chests.” (Addressing the alto section during a rehearsal for Berlioz’s The Damnation of Faust)
“Sopranos, you sound like you’re wearing neckties and they’re too tight.”
“Basses, don’t swim. This is not a pool.”
“Tenors, you’re lying very close to the ladies’ parts, if you’ll pardon the expression.”
Following Hillis’s death in February 1998, WTTW’s Artbeat Chicago dedicated an entire episode to her memory:
“Don’t just sing notes. Notes are not music.”
“‘Piano’ doesn’t mean passive.”
“You’ll see eighth notes in that measure. When you have a chance, look up.”
“Sorry to say, but, sopranos, those triplets are really constipated.”
“The music is not on the page. Only the notes.”
Recorded in December 1978 for WTTW, The Do-It-Yourself Messiah program was first telecast in March 1979:
A very special thanks to our friends at WTTW Chicago—Allison Schein Holmes, director of media archives and Michael McKee, media archives librarian—for the use of these videos from their collections.
This article also appears here.
The Chicago Symphony Orchestra family joins the Solti family in mourning the loss of Lady Valerie Solti. She died yesterday, March 31, 2021, at home in London. She was eighty-three.
Born in Leeds, England on August 19, 1937, Valerie Pitts studied at the Royal Academy of Dramatic Art. She was an actress before going to work for television in the 1960s, first at Granada, and later at the BBC, presenting and producing many programs. As a freelance broadcaster and writer, she later contributed to BBC Radio 3, BBC Music Magazine, Classic FM, Classic FM Magazine, LBC in the United Kingdom, and WFMT and WTTW in the United States.
In 1964, she was an arts journalist for the BBC magazine program Town and Around when she met Georg Solti, then music director at London’s Royal Opera, Covent Garden. They married on November 11, 1967.
In 1969, Georg Solti became the Chicago Symphony Orchestra’s eighth music director. His twenty-two-year tenure was marked by the Orchestra’s first tour to Europe in 1971, dozens of award-winning recordings, and numerous trips to Carnegie Hall. He was knighted by Queen Elizabeth II in March 1972. Following the centennial season, Solti became music director laureate in 1991, continuing his association with the Orchestra during several weeks each year in concerts and recordings until his death on September 5, 1997.
Lady Solti also was a frequent presence onstage, performing as narrator for children’s concerts, as well as hosting the centennial gala concert on October 6, 1990, along with the Orchestra Hall centennial concert on December 14, 2004.
Together with her daughters, Valerie Solti created The Solti Foundation to assist young professional musicians at the start of their careers, and she was founder and chairperson of the Georg Solti Accademia and patron of the World Orchestra for Peace. She was an honorary trustee of the Chicago Symphony Orchestra Association and honorary chair of the Solti Foundation US.
Lady Solti is survived by her daughters Gabrielle (Frederic Dupas) and Claudia (Gary Ross) and grandchildren George, Amelie, Luna, and Mo. Details for services are pending.
Performers for the CSO’s centennial gala on October 6, 1990, included (back row: Kenneth Jean, András Schiff, Lorin Maazel, Gary Lakes Sylvia McNair, Samuel Ramey, (middle row) Daniel Barenboim, Lady Solti, Leonard Slatkin, Yo-Yo Ma, (front row) Isaac Stern, Mstislav Rostropovich, Sir Georg Solti, Suzanne Mentzer, and Murray Perahia. (Jim Steere photo) 
John Edwards, general manager, greets the Soltis at O’Hare airport in November 1969 (Terry’s photo) 
The Soltis celebrated their twenty-fifth wedding anniversary onstage at Orchestra Hall on November 12, 1992 (Jim Steere photo) 
Lady Solti is greeted by Tom Hall, retired CSO violinist and president of the CSO Alumni Association, on October 16, 2009 (Dan Rest photo) 
Lady Solti hosts the CSO’s centennial gala concert on October 6, 1990 (Jim Steere photo) 
Lady Solti, CSOA President Deborah Rutter, Maggie Daley, and Bob O’Neill rededicate Dame Elizabeth Frink’s bust of Solti in Grant Park on October 5, 2006 
Louis Sudler, president of The Orchestral Association, greets the Soltis upon their arrival in Chicago in November 1969 (Terry’s photo) 
Sir Georg Solti and Lady Solti on tour with the Chicago Symphony Orchestra in Hamburg in September 1978 (Robert M. Lightfoot III photo) 
The Soltis in Orchestra Hall’s ballroom on March 18, 1969 (Terry’s photo)
The Chicago Symphony Orchestra has performed Aaron Copland‘s Lincoln Portrait on several occasions and with a number of notable narrators. A complete list is below.
Carl Sandburg
Poet, writer, and editor Carl Sandburg was narrator for the Orchestra’s first performances of Lincoln Portrait on March 15 and 16, 1945, in Orchestra Hall; third music director Désiré Defauw conducted. At the time, Sandburg was the country’s leading authority on Abraham Lincoln, the sixteenth U.S. president. He had written the two-volume Abraham Lincoln: The Prairie Years in 1926, and in 1940, he completed the four-volume Abraham Lincoln: The War Years, for which he won his second Pulitzer Prize.
Claude Rains
The composer himself conducted the first performance at the Ravinia Festival on July 21, 1956. Popular stage and screen character actor Claude Rains was narrator for the occasion. Winner of a Tony Award and nominated four times for an Academy Award (in the best supporting actor category), he appeared in such classic films as The Adventures of Robin Hood, Mr. Smith Goes to Washington, Casablanca, Notorious, and Lawrence of Arabia.
Illinois Governor Otto J. Kerner rubs the nose of Gutzon Borglum‘s Lincoln bust in 1964 (World Telegraph & Sun photo by Roger Higgins)
Copland was again on the podium at the Ravinia Festival on July 6, 1963, when Illinois Governor Otto Kerner, Jr. was narrator. Kerner was appointed U.S. Attorney for the Northern District of Illinois and served as a judge in the Illinois Circuit Court of Cook County before his election as the thirty-third governor of Illinois in 1960, winning re-election in 1964. He resigned as governor in 1968 when President Lyndon B. Johnson nominated him as a judge on the U.S. Court of Appeals for the Seventh Circuit. Kerner was later convicted of mail fraud, conspiracy, and perjury and sentenced to three years in federal prison; he was released early following his being diagnosed with terminal cancer.
The next three performances, all in Orchestra Hall, were narrated by voices quite familiar to Chicagoans. On March 28, 1970, Mel Zellman, an announcer for WFMT for forty years, shared the stage with conductor Irwin Hoffman. Jim Tilmon, a longtime television reporter for WTTW and NBC, narrated the work on February 25, 1976, with associate conductor Henry Mazer on the podium. On January 29, 1979, Bill Kurtis, then a news anchor with WBBM-TV, was narrator, again under Mazer’s direction.
For a special July 4 celebration in 1982 at the Ravinia Festival, Aaron Copland himself was narrator. Erich Kunzel conducted.
Jane Byrne (Associated Press photo by Fred Jewell)
Jane Byrne was the first woman to serve as Chicago’s mayor—the city’s fortieth—from 1979 until 1983. On October 1, 1982, in Orchestra Hall, she was narrator in Copland’s Lincoln Portrait with Reynald Giovaninetti on the podium. According to her obituary in the Chicago Tribune, “Over her single term in office, Byrne launched Taste of Chicago and crowd-pleasing celebrations like Blues Fest, inspired the redevelopment of Navy Pier and the Museum Campus and encouraged movie making here in a big way by luring production of box office hits like The Blues Brothers.”
Aaron Copland and William Warfield in 1963 (Library of Congress photo)
On October 4, 1997, Symphony Center officially opened its doors with a gala concert. The program included a performance of Lincoln Portrait with bass-baritone William Warfield as narrator and ninth music director Daniel Barenboim conducting. Warfield had become well known following a star turn as Joe—singing “Ol Man River“—in MGM‘s 1951 remake of Show Boat. He also recorded a highly acclaimed album of selections from Gershwin’s Porgy and Bess with soprano Leontyne Price in 1963. Long associated with Copland, Warfield had sung the premiere performances of the first set of Old American Songs (for soloist and orchestra) as well as the second set (for soloist and piano).
Steppenwolf Theatre Company actors Martha Lavey, Amy Morton, K. Todd Freeman, and Tracy Letts shared narrating duties at the Ravinia Festival on July 4, 2004. David Alan Miller conducted.
Senator Barack Obama narrates Copland’s Lincoln Portrait in Millennium Park on September 11, 2005. William Eddins conducts (Todd Rosenberg photo)
On September 11, 2005, the Chicago Symphony Orchestra gave a free concert at the Pritzker Pavilion in Millennium Park. Guest conductor William Eddins led the Orchestra in The Star-Spangled Banner, William Schuman’s arrangement of Ives’s Variations on America, Rimsky- Korsakov’s Sheherazade, and Copland’s Lincoln Portrait with freshman U.S. Senator Barack Obama as narrator. In the Chicago Sun-Times, Wynne Delacoma wrote: “When September 11 comes around each year, the craving for a moment of proverbial silence—a chance to slow down, remember, and mourn—is strong. Sunday’s concert, led by former CSO resident conductor William Eddins and featuring Senator Barack Obama as narrator in Aaron Copland’s Lincoln Portrait, provided just that kind of beneficent moment. Despite the steamy weather, a large crowd filled the pavilion’s seats and lawn, giving the CSO in general, and Obama in particular, vociferous applause. . . . Obama brought an orator’s skill without an actor’s slick veneer to Copland’s Lincoln Portrait. The comforting quality of his voice gave added emotional resonance to Lincoln’s words. The CSO was a powerful surging force behind him, alternately sinking into meditation and swelling to majestic heights.”
Most recently, James Earl Jones was narrator at Orchestra Hall on February 21 and 24, 2009, under the baton of James Gaffigan, and on July 18, 2009, soprano Jessye Norman was narrator with James Conlon conducting at the Ravinia Festival.
Riccardo Muti leads the Chicago Symphony Orchestra in Copland’s Lincoln Portrait on April 12, 13, 14, and 17, 2018. John Malkovich will be the narrator.
from the archives 