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The Chicago Symphony Orchestra family joins the music world in mourning the loss of Latvian conductor Mariss Jansons, who died at his home in Saint Petersburg on November 30. He was 76.

Jansons appeared with the Orchestra on several occasions, both in Orchestra Hall and at the Ravinia Festival, and a complete list of his appearances is below.

Mariss Jansons (Peter Meisel photo)

July 26, 1991, Ravinia Festival
WEBER Overture to Oberon
MOZART Violin Concerto No. 5, A Major, K. 219 (Turkish)
Pinchas Zukerman, violin
SIBELIUS Symphony No. 2 in D Major, Op. 43

July 27, 1991, Ravinia Festival
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Misha Dichter, piano
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36

June 25, 1993, Ravinia Festival
ROSSINI Overture to La gazza ladra
STRAUSS Four Last Songs
Alessandra Marc, soprano
BERLIOZ Symphonie fantastique, Op. 14

June 26, 1993, Ravinia Festival
WAGNER Overture to Rienzi
BRUCH Violin Concerto No. 1 in G Minor, Op. 26
BRAHMS Violin Concerto in D Major, Op. 77
Itzhak Perlman, violin

February 24, 25, and 26, 1994
WEBER Overture to Euryanthe
KORNGOLD Violin Concerto in D Major, Op. 35
Samuel Magad, violin
SHOSTAKOVICH Symphony No. 5 in D Minor, Op. 47

February 22, 23, and 24, 1996
SIBELIUS Symphony No. 1 in E Minor, Op. 39
SCHOENBERG Piano Concerto, Op. 42
Emanuel Ax, piano
RAVEL Suite No. 2 from Daphnis and Chloe

May 27, 28, and 29, 2004
HAYDN Symphony No. 97 in C Major
STRAUSS Suite from Der Rosenkavalier, Op. 59
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Daniel Barenboim, piano

When Sir Georg Solti and the Chicago Symphony Orchestra first toured to Russia in 1990, the Leningrad Philharmonic came to Chicago for two weeks of subscription concerts at Orchestra Hall, as part of a cultural exchange. Podium duties were shared by music director Yuri Temirkanov and associate conductor Mariss Jansons. Leading the second week of concerts, Jansons made his Chicago debut with the following program:

November 16 and 17, 1990, Orchestra Hall
Leningrad Philharmonic
PROKOFIEV Excerpts from Romeo and Juliet, Op. 64
PROKOFIEV Piano Concerto No. 1 in D-flat Major, Op. 10
Dmitri Alexeev, piano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

On the Allied Arts and Symphony Center Presents series, Jansons also appeared with visiting orchestras as follows:

November 15, 1991, Orchestra Hall
Oslo Philharmonic
MENDELSSOHN Violin Concerto in E Minor, Op. 64
Frank Peter Zimmermann, violin
SHOSTAKOVICH Symphony No. 7 in C Major, Op. 60 (Leningrad)

December 11, 1994, Orchestra Hall
Oslo Philharmonic
NORDHEIM Nachruf for Strings
STRAUSS Don Quixote, Op. 35
Otto Berg, viola
Truls Mørk, cello
SHOSTAKOVICH Symphony No. 9 in E-flat Major, Op. 70
RAVEL La valse

November 7, 1999, Orchestra Hall
Oslo Philharmonic
VERDI Overture to I vespri siciliani
GLASS Violin Concerto
Gidon Kremer, violin
MAHLER Symphony No. 1 in D Major

February 12, 2006, Orchestra Hall
Royal Concertgebouw Orchestra
SHOSTAKOVICH Symphony No. 7 in C Major, Op. 60 (Leningrad)

November 6, 2006
Bavarian Radio Symphony Orchestra
SHOSTAKOVICH Symphony No. 6 in B Minor, Op. 54
SIBELIUS Symphony No. 2 in D Major, Op. 43

April 17, 2016
Bavarian Radio Symphony Orchestra
SHOSTAKOVICH Symphony No. 7 in C Major, Op. 60 (Leningrad)

Numerous tributes have been posted online, including the Chicago Tribune, Chicago Sun-Times, The New York Times, Gramophone, and The Guardian, among many others.

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After the Europe Tour 2020, Riccardo Muti joined the Orchestra again for a three-week CSO residency in February that included the Florida Tour 2020 and two programs at Symphony Center. In celebration of the Music Director’s time with the Orchestra during the past two months, please enjoy this video featuring Maestro Muti leading the Chicago Symphony Orchestra and Chorus in an excerpt from Mascagni’s Cavalleria rusticana, featuring mezzo-soprano Anita Rachvelishvili as Santuzza. 🎥@toddrphoto
Opening with the most famous four notes in all of classical music, Beethoven’s Fifth Symphony is featured on this CSO program led by Riccardo Muti, along with the composer’s Second Symphony and the world premiere of Ophelia’s Tears, Concertante Elegy, a new work by Nicolas Bacri featuring the CSO’s own bass clarinet J. Lawrie Bloom as soloist. #Beethoven250 📸@toddrphoto
“In four years, I had been in five orchestras,” said CSO Bass Clarinet J. Lawrie Bloom about the beginning of his orchestral career. As a clarinetist, he never set out to play the bass clarinet, but there just happened to be orchestral positions for the instrument when he began seeking a job. “That is how fast the auditions were happening. But by then, I had really started to realize that the bass gave me a voice I’d never had.” J. Lawrie Bloom takes center stage this week in Orchestra Hall for the world premiere of Nicolas Bacri’s Ophelia’s Tears, Concertante Elegy for Bass Clarinet and Orchestra, led by Riccardo Muti. #MusicianMonday 📸@toddrphoto

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