You are currently browsing the tag archive for the ‘Thomas Howell’ tag.
Tag Archive
Remembering Richard Oldberg
January 18, 2022 in Uncategorized | Tags: Arne Oldberg, Boulder Ballet, Boulder Philharmonic, Charles Zweigler, Chicago Symphony Chorus, Christopher Leuba, CSO Alumni Association, Dale Clevenger, Daniel Barenboim, Deutsche Grammophon, Eric Oldberg, Fritz Reiner, Irwin Hoffman, James Levine, Jean Martinon, Margaret Hillis, Max Pottag, Michael Morgan, Norman Schweikert, Philip Farkas, Richard Oldberg, Sir Georg Solti, Thomas Howell, Wayne Barrington | Leave a comment
We have just learned of the passing of Richard Oldberg, a longtime member of the Chicago Symphony Orchestra’s horn section, who died in Estes Park, Colorado on December 27, 2021. He was eighty-three.
Born on June 21, 1938, in Evanston, Illinois, Oldberg began his horn studies in the public school system and received instruction from Charles Zweigler and later Max Pottag (CSO horn, 1907–1946). He attended the summer music programs at Interlochen Arts Camp, and he later attended Harvard and Northwestern universities, where he studied with two CSO principal horns, Philip Farkas and Christopher Leuba. A lip injury temporarily forced him to give up the horn, and he briefly turned to premedical studies. However, in January 1962, with encouragement from Leuba, Oldberg was invited to perform as an extra horn with the CSO. He continued to work as a regular substitute and was invited by new music director Jean Martinon to join the Orchestra as assistant principal horn beginning with the 1963–64 season. Following the departure of Wayne Barrington the following season, Oldberg moved to third horn, remaining in that position for the next twenty-nine years until his retirement in 1993.
Oldberg was a frequent soloist with the Orchestra and appeared in Strauss’s Second Horn Concerto with Irwin Hoffman conducting, as well as Schumann’s Konzertstück for Four Horns on numerous occasions under Daniel Barenboim, James Levine, Michael Morgan, and Sir Georg Solti. In March 1977, Oldberg—along with his colleagues Dale Clevenger, Norman Schweikert, and Thomas Howell—was soloist in a recording of Schumann’s Konzertstück under Barenboim’s baton for Deutsche Grammophon.
His grandfather, Arne Oldberg, was a prominent composer, pianist, and educator, serving on the faculty at Northwestern University from 1897 until 1941. Between 1909 and 1954, the CSO gave the world premieres of sixteen of his works, including his Third, Fourth, and Fifth symphonies and a violin concerto. One of Arne’s sons (and Richard’s uncle), Eric Oldberg, was a prominent neurosurgeon in Chicago, and he served as president of the Orchestral Association from 1952 until 1963 and later as a life trustee. Eric presided over the appointment of both Fritz Reiner as sixth music director in 1953 and Margaret Hillis as founder and first director of the Chicago Symphony Chorus in 1957.
A dedicated educator, Richard Oldberg served on the faculty at Northwestern University for many years. After leaving Chicago, he was principal horn and guest conductor with the Boulder Philharmonic in Colorado, regularly leading their annual performances of Tchaikovsky’s Nutcracker with the Boulder Ballet. In his retirement, he enjoyed his longtime hobbies of book collecting (mostly Sherlock Holmes and mountaineering), model railroads, and hand-copying the scores of Richard Wagner’s operas. He and his wife Mary were longtime members of the Chicago Symphony Orchestra Alumni Association.
In a July 1989 interview for the CSO’s Oral History Project, Oldberg reflected on his time in the Chicago Symphony Orchestra. “I’ve had a grand time. I’m the luckiest person on the face of the earth. Like Lou Gehrig said, I’m doing what I want to do. This isn’t work, this is fun, and I’m having a wonderful time doing it, playing the music that we play, and so, I’m a very happy fellow as a result.”
Richard Oldberg’s wife Mary preceded him in death in 2019. He is survived by his son David from a previous marriage.
This article also appears here.
Remembering Norman Schweikert
January 2, 2019 in Uncategorized | Tags: Aspen Music Festival, Chicago Symphony Chorus, Dale Clevenger, Daniel Barenboim, Deutsche Grammophon, Eastman School of Music, Eastman Wind Ensemble, Eric Schweikert, Erich Leinsdorf, Fort Wayne Philharmonic, Frederick Fennell, Interlochen Arts Academy, Interlochen Arts Quintet, International Horn Society, Josef Reiter, Joseph Eger, Los Angeles Philharmonic, Morris Secon, Norman Schweikert, Northwestern University, Odolindo Perissi, Richard Oldberg, Rochester Philharmonic Orchestra, Sally Schweikert, Sinclair Lott, Sir Georg Solti, The Horn Call, Thomas Howell, United States Military Band, USMA Band, Verne Reynolds, Washington Island Music Festival, West Point, West Point Band, WindSong Press, Xaver Reiter | 2 comments
It is with great sadness that we share news of the passing of Norman Schweikert, a member of the Chicago Symphony Orchestra’s horn section from 1971 until 1997, who passed away at his home on Washington Island, Wisconsin on December 31, 2018, after a brief illness. He was 81.
A native of Los Angeles, Schweikert began piano lessons at the age of six, added violin soon after, and turned to the horn at age thirteen. His first horn teachers were Odolindo Perissi and Sinclair Lott, both members of the Los Angeles Philharmonic. During high school, Schweikert won a scholarship to the Aspen Music Festival, where he studied with Joseph Eger. In 1955, he auditioned for Erich Leinsdorf, then music director of the Rochester Philharmonic Orchestra, and won his first professional post as fourth horn there. He was its youngest member and in succeeding years played second and third horn.
While in Rochester, Schweikert attended the Eastman School of Music and performed and recorded with the Eastman Wind Ensemble under Frederick Fennell. Studying with Morris Secon and Verne Reynolds, he graduated in 1961 with a bachelor’s degree and a performer’s certificate in horn. During his eleven-year tenure in Rochester, Schweikert served three years with the United States Military Academy Band at West Point as well as five years on the faculty of the Interlochen Arts Academy as instructor of horn and a member of the Interlochen Arts Quintet.
In June 1971—at the invitation of music director Georg Solti—Schweikert joined the Chicago Symphony as assistant principal horn, just in time for the Orchestra’s first tour to Europe. In 1975, he was named second horn, the position he held until his retirement in 1997 (he continued to play as a substitute or extra until June 2006). Schweikert appeared as a soloist with the Orchestra on a number of occasions, and in March 1977 he—along with colleagues Dale Clevenger, Richard Oldberg, and Thomas Howell—was soloist in the recording of Schumann’s Konzertstück for Four Horns under the baton of Daniel Barenboim for Deutsche Grammophon.
In 1970, Schweikert chaired the International Horn Society’s organizing committee and served as its first secretary and treasurer. He continued on the advisory council, contributed many articles to The Horn Call, and was elected an honorary member in 1996. From 1973 until 1998, Schweikert served as associate professor of horn on the faculty of Northwestern University.
In his retirement, Schweikert and his wife Sally—a thirty-year veteran of the Chicago Symphony Chorus—made their home on Washington Island in Wisconsin, where he performed with the Washington Island Music Festival. They were longtime members of the Chicago Symphony Orchestra Alumni Association, regularly attending annual reunions. Schweikert also continued his research into the lives of U.S. orchestra members, a project that he started while studying at Eastman, and his collection of material on the subject is likely the largest private collection of its kind in the world. In 2012, Schweikert’s book The Horns of Valhalla—the story of horn players Josef and Xaver Reiter—was published by WindSong Press Limited.
Schweikert is survived by Sally, his beloved wife of fifty-seven years; and their son Eric, principal timpani of the Fort Wayne Philharmonic. Details for a memorial service are pending.
Daniel Barenboim @ 75: Recordings, part 1
October 18, 2017 in Uncategorized | Tags: Arnold Jacobs, Barenboim75, Chicago Symphony Chorus, Dale Clevenger, Daniel Barenboim, David Rendall, Deutsche Grammophon, Gaston Litaize, Grammy Award, Itzhak Perlman, Jessye Norman, Lang Lang, Margaret Hillis, Medinah Temple, Norman Schweikert, Pinchas Zukerman, Richard Oldberg, Ruth Welting, Samuel Ramey, Thomas Howell, Yvonne Minton | 4 comments
Between 1972 and 1981, Daniel Barenboim made a number of recordings with the Chicago Symphony Orchestra for Deutsche Grammophon, returning to the label in 2003 for a release of piano concertos with Lang Lang.
A complete list of Barenboim’s catalog with the CSO on Deutsche Grammophon is below (all recordings were made in Orchestra Hall unless otherwise noted).
BEETHOVEN Concerto for Violin in D Major, Op. 61
Pinchas Zukerman, violin
Daniel Barenboim, conductor
Recorded March 26, 1977
BORODIN Polovtsian Dances from Prince Igor
Daniel Barenboim, conductor
Recorded March 27, 1977
BRAHMS Hungarian Dances Nos. 1, 3, and 10
Daniel Barenboim, conductor
Recorded December 17, 1977
BRUCKNER Helgoland
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979

Barenboim leads the Orchestra and Chorus in a recording session for Bruckner’s Psalm 150 in Orchestra Hall on March 3, 1979 (Robert M. Lightfoot III photo)
BRUCKNER Psalm 150
Ruth Welting, soprano
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979
BRUCKNER Symphony No. 0 in D Minor
Daniel Barenboim, conductor
Recorded March 3, 1979
BRUCKNER Symphony No. 1 in C Minor
Daniel Barenboim, conductor
Recorded December 9, 10, and 13, 1980
BRUCKNER Symphony No. 2 in C Minor
Daniel Barenboim, conductor
Recorded March 21 and 22, 1981
BRUCKNER Symphony No. 3 in D Minor
Daniel Barenboim, conductor
Recorded December 13 and 15, 1980
BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, conductor
Recorded in Medinah Temple, November 1, 1972
BRUCKNER Symphony No. 5 in B-flat Major
Daniel Barenboim, conductor
Recorded December 5, 1977
BRUCKNER Symphony No. 6 in A Major
Daniel Barenboim, conductor
Recorded December 13, 1977
BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, conductor
Recorded March 6 and 7, 1979
BRUCKNER Symphony No. 8 in C Minor
Daniel Barenboim, conductor
Recorded December 6 and 9, 1980
BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975
BRUCKNER Te Deum
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 28, 1981
DVOŘÁK Slavonic Dance No. 1 in C Major, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977
DVOŘÁK Slavonic Dance No. 8 in G Minor, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977
ELGAR Concerto for Violin in B Minor, Op. 61
Itzhak Perlman, violin
Daniel Barenboim, conductor
Recorded March 23 and 24, 1981
1982 Grammy Award: Best Classical Performance—Instrumental Soloist
LISZT Les préludes
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977
MENDELSSOHN Concerto for Piano in G Minor, Op. 25
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 24 and 25, 2003
MENDELSSOHN Overture to A Midsummer Night’s Dream, Op. 21
Daniel Barenboim, conductor
Recorded March 7 and 10, 1979
MOZART Overture to The Marriage of Figaro, K. 492
Daniel Barenboim, conductor
Recorded March 10, 1979
MUSSORGSKY/Rimsky-Korsakov A Night on Bald Mountain
Daniel Barenboim, conductor
Recorded March 22, 1977
NICOLAI Overture to The Merry Wives of Windsor
Daniel Barenboim, conductor
Recorded March 10, 1979
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34
Daniel Barenboim, conductor
Recorded March 28, 1977
RIMSKY-KORSAKOV Russian Easter Overture, Op. 36
Daniel Barenboim, conductor
Recorded March 22, 1977
SAINT-SAËNS Symphony No. 3 in C Minor, Op. 78 (Organ)
Gaston Litaize, organ (recorded at the Cathédral Notre-Dame de Chartres, France)
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975
SCHUMANN Konzertstück for Four Horns in F Major, Op. 86
Dale Clevenger, Richard Oldberg, Thomas Howell, and Norman Schweikert, horns
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977

Barenboim leads CSO horns Norman Schweikert, Thomas Howell, Richard Oldberg, and Dale Clevenger in a recording session for Schumann’s Konzertstück in Orchestra Hall in March 1977 (Christian Steiner photo)
SCHUMANN Manfred Overture, Op. 115
Daniel Barenboim, conductor
Recorded March 22, 1977
SCHUMANN Symphony No. 1 in B-flat Major, Op. 38
Daniel Barenboim, conductor
Recorded March 28, 1977
SCHUMANN Symphony No. 2 in C Major, Op 61
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977
SCHUMANN Symphony No. 4 in D Minor, Op. 120
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 28, 1975
SMETANA The Moldau from Má vlast
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Daniel Barenboim, conductor
Recorded March 25, 1981
TCHAIKOVSKY Capriccio italien, Op. 45
Daniel Barenboim, conductor
Recorded March 27 and 28, 1981
TCHAIKOVSKY Concerto for Piano No. 1 in B-flat Minor, Op. 23
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 21 and 24, 2003
TCHAIKOVSKY Francesca da Rimini, Op. 32
Daniel Barenboim, conductor
Recorded March 27, 1981
TCHAIKOVSKY Marche slav, Op. 31
Daniel Barenboim, conductor
Recorded March 25 and 27, 1981
TCHAIKOVSKY Romeo and Juliet
Daniel Barenboim, conductor
Recorded March 25, 1981
VAUGHAN WILLIAMS Concerto for Bass Tuba in F Minor
Arnold Jacobs, tuba
Daniel Barenboim, conductor
Recorded March 22, 1977
WEBER/Berlioz Invitation to the Dance, Op, 65
Daniel Barenboim, conductor
Recorded March 10, 1979
WEBER Overture to Oberon
Daniel Barenboim, conductor
Recorded March 3 and 7, 1979
Solti 90: Come join the band
February 2, 2012 in Uncategorized | Tags: Albert Igolnikov, Alison Dalton, Barbara Fraser, Blair Milton, Bradley Opland, Bruce Grainger, Catherine Brubaker, Charles Pikler, Charles Vernon, Daniel Gingrich, Daniel Orbach, David Babcock, David Chickering, David Sanders, David Taylor, Diane Mues, Edwin Barker, Elizabeth Matesky, Ella Braker, Erik Harris, Florence Schwartz, Fox Fehling, Franklyn D’Antonio, Gail Williams, Gary Stucka, Gene Pokorny, George Vosburgh, Gregory Smith, J. Lawrie Bloom, Jacques Israelievitch, James Ross, Jennie Wagner, Jerry Grossman, John Bartholomew, John Bruce Yeh, John Sharp, Jonathan Pegis, Jorja Fleezanis, Joseph DiBello, Joyce Noh, Kathryn Lukas, Larry Combs, Laura Hamilton, Lee Lane, Li-Kuo Chang, Loren Brown, Louise Dixon, Marilyn Herring, Mark Kraemer, Max Raimi, Melanie Kupchynsky, Michael Henoch, Michael Hovnanian, Michael Mulcahy, Mihaela Ionescu, Nancy Park, Nisanne Howell, Norman Schweikert, Patricia Dash, Paul Phillips, Philip Smith, Rachel Goldstein, Richard Hirschl, Robert Swan, Roger Cline, Ronald Satkiewicz, Rubén González, Russell Hershow, Sando Shia, Sir Georg Solti, Solti 100, Stephen Lester, Susan Synnestvedt, Thomas Howell, Thomas Wright, Timothy Cobb, Timothy Kent, Tom Hall | 1 comment
____________________________________________________
During Sir Georg Solti’s tenure as music director, more than seventy musicians—many of whom are still members—joined the roster of the Chicago Symphony Orchestra:
David Babcock, horn 1969–1971
Edwin Barker, bass 1976–1977
John Bartholomew, viola 1980–
J. Lawrie Bloom, clarinet and bass clarinet 1980–
Ella Braker, violin 1976–2003
Loren Brown, cello 1985–
Catherine Brubaker, viola 1989–
Li-Kuo Chang, viola 1988–
David Chickering, cello 1978–1986
Roger Cline, bass 1973–
Timothy Cobb, bass 1985–1986
Larry Combs, clarinet and E-flat clarinet 1974–2008
Alison Dalton, violin 1987–
Franklyn D’Antonio, violin 1981–1986
Patricia Dash, percussion 1986–
Joseph DiBello, bass 1976–
Louise Dixon, flute 1973–
Fox Fehling, violin 1979–
Jorja Fleezanis, violin 1975–1976
Barbara Fraser, violin 1975–1996
Daniel Gingrich, horn 1976–
Rachel Goldstein, violin 1989–
Rubén González, violin 1986–1996
Bruce Grainger, bassoon 1986–1996
Jerry Grossman, cello 1984–1986
Tom Hall, violin 1970–2006
Laura Hamilton, violin 1985–1986
Erik Harris, bass 1989–1993
Michael Henoch, oboe 1972–
Marilyn Herring, librarian 1982–1997
Russell Hershow, violin 1989–
Richard Hirschl, cello 1989–
Michael Hovnanian, bass 1989–
Thomas Howell, horn 1971–1991
Nisanne Howell, violin 1976–
Albert Igolnikov, violin 1979–
Mihaela Ionescu, violin 1987–
Jacques Israelievitch, violin 1972–1978
Timothy Kent, trumpet 1979–1996
Mark Kraemer, bass 1974–
Melanie Kupchynsky, violin 1989–
Lee Lane, viola 1971–2009–
Stephen Lester, bass 1978–
Kathryn Lukas, flute 1985–1986
Elizabeth Matesky, violin 1972–1973
Blair Milton, violin 1975–
Diane Mues, viola 1987–
Michael Mulcahy, trombone 1990–
Joyce Noh, violin 1979–
Bradley Opland, bass 1984–
Daniel Orbach, viola 1988–
Nancy Park, violin 1984–
Jonathan Pegis, cello 1986–
Paul Phillips, violin 1980–
Charles Pikler, violin and viola 1978–
Gene Pokorny, tuba 1989–
Max Raimi, viola 1984–
James Ross, percussion 1979–
David Sanders, cello 1974–
Ronald Satkiewicz, violin 1979–
Florence Schwartz, violin 1989–
Norman Schweikert, horn 1971–1997
John Sharp, cello 1986–
Sando Shia, violin 1989–
Philip Smith, trumpet 1975–1978
Gregory Smith, clarinet 1983–
Gary Stucka, cello 1986–
Robert Swan, viola 1972–2008
Susan Synnestvedt, violin 1986–
David Taylor, violin 1979–
Charles Vernon, trombone and bass trombone 1986–
George Vosburgh, trumpet 1979–1993
Jennie Wagner, volin 1974–
Gail Williams, horn 1978–1998
Thomas Wright, viola 1981–
John Bruce Yeh, clarinet and E-flat clarinet 1977–