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The Chicago Symphony Orchestra family remembers the extraordinary soprano Roberta Peters, who died yesterday at her home in Rye, New York. She was 86.
Barely nineteen years old in 1949, Peters was introduced to impresario Sol Hurok, who arranged for her to audition for Metropolitan Opera general manager Rudolf Bing. At the audition, she sang “Der Hölle Rache kocht in meinem Herzen”—the Queen of the Night’s second aria from Mozart’s The Magic Flute. Bing apparently asked her to perform the aria (with four Fs above high C) seven times, as he listened from different areas of the opera house. Satisfied, he booked Peters to debut in the role in February 1951.
However, on November 17, 1950, Bing called Peters to see if she would be able to step in that evening for an ailing Nadine Conner as Zerlina in Mozart’s Don Giovanni. Peters had learned the role and accepted, even though she had not yet performed onstage, let alone with a full orchestra. She made her debut under the guidance of the evening’s conductor—Fritz Reiner—and her career was launched.
During Reiner’s first season as the Chicago Symphony Orchestra’s sixth music director, he wasted no time in engaging Peters. She made her debut with the Orchestra during the fourth subscription week on November 5 and 6, 1953, singing Mozart’s concert aria Ma che vi fece, O stelle (K. 368); “Grossmächtige Prinzessin” from Strauss’s Ariadne auf Naxos; and “No word from Tom” from Stravinsky’s The Rake’s Progress.
Peters later appeared again with Reiner and the Orchestra, on February 27 and 28, 1958, in Mozart’s concert aria Mia speranza adorata (K. 416) and four songs—Wiegenlied; Säusle, liebe Myrte; Ständchen, and Amor!—by Richard Strauss.
At the Ravinia Festival, Peters appeared numerous times with the Orchestra between 1966 and 1984, performing songs and arias under conductors Josef Krips, Franz Allers, Erich Kunzel, and James Levine. Also under Levine, she appeared as Despina in concert performances of Mozart’s Così fan tutte on July 16 and 18, 1975.