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roberta-peters

The Chicago Symphony Orchestra family remembers the extraordinary soprano Roberta Peters, who died yesterday at her home in Rye, New York. She was 86.

Barely nineteen years old in 1949, Peters was introduced to impresario Sol Hurok, who arranged for her to audition for Metropolitan Opera general manager Rudolf Bing. At the audition, she sang “Der Hölle Rache kocht in meinem Herzen”—the Queen of the Night’s second aria from Mozart’s The Magic Flute. Bing apparently asked her to perform the aria (with four Fs above high C) seven times, as he listened from different areas of the opera house. Satisfied, he booked Peters to debut in the role in February 1951.

However, on November 17, 1950, Bing called Peters to see if she would be able to step in that evening for an ailing Nadine Conner as Zerlina in Mozart’s Don Giovanni. Peters had learned the role and accepted, even though she had not yet performed onstage, let alone with a full orchestra. She made her debut under the guidance of the evening’s conductor—Fritz Reiner—and her career was launched.

November 1953

November 5 and 6, 1953

During Reiner’s first season as the Chicago Symphony Orchestra’s sixth music director, he wasted no time in engaging Peters. She made her debut with the Orchestra during the fourth subscription week on November 5 and 6, 1953, singing Mozart’s concert aria Ma che vi fece, O stelle (K. 368); “Grossmächtige Prinzessin” from Strauss’s Ariadne auf Naxos; and “No word from Tom” from Stravinsky’s The Rake’s Progress.

Peters later appeared again with Reiner and the Orchestra, on February 27 and 28, 1958, in Mozart’s concert aria Mia speranza adorata (K. 416) and four songs—Wiegenlied; Säusle, liebe Myrte; Ständchen, and Amor!—by Richard Strauss.

Peters's November 1953 program biography

Peters’s November 1953 program biography

At the Ravinia Festival, Peters appeared numerous times with the Orchestra between 1966 and 1984, performing songs and arias under conductors Josef Krips, Franz Allers, Erich Kunzel, and James Levine. Also under Levine, she appeared as Despina in concert performances of Mozart’s Così fan tutte on July 16 and 18, 1975.

Numerous tributes have been posted online, in The New York Times and Opera News, among others.

Reiner memorial insert front cover

Reiner memorial insert front cover

Just before the opening of the Chicago Symphony Orchestra’s seventieth season, our sixth music director Fritz Reiner suffered a heart attack on October 7, 1960. He canceled his remaining appearances for the calendar year to recuperate and was able to return to the CSO podium in March 1961 to lead the season’s final five weeks of concerts. However, his health continued to decline and he was forced to curtail many of his conducting duties, and it was announced on April 20, 1962, that he would become “musical adviser” for the 1962-63 season. Two weeks later on May 3, The Orchestral Association announced that Jean Martinon would become the Orchestra’s seventh music director beginning with the 1963-64 season.

As musical adviser, Reiner was scheduled to conduct seven weeks of subscription concerts in December 1962 and February, March, and April 1963. On April 18, 19, and 20, he led Rossini’s Overture to Semiramide, Brahms’s Second Symphony, and Beethoven’s Fourth Piano Concerto with Van Cliburn as soloist (the Beethoven was recorded by RCA on April 22 and 23; see here and here for more information). Reiner was scheduled to close the season on May 2 and 3 with an extensive all-Wagner program (featuring several excerpts from Tristan and Isolde, Die Meistersinger von Nürnberg, Die Walküre, and Götterdämmerung); however, the CSO press office announced on Monday, April 29 that “on the advice of his physician, Fritz Reiner must withdraw from this week’s concerts.”

Reiner retreated over the summer and arrived in New York in October to begin rehearsals for a new production of Wagner’s Götterdämmerung at the Metropolitan Opera, scheduled to open on November 14. However, he fell ill with bronchitis on November 11 and withdrew from the production, being replaced by Joseph Rosenstock. Reiner’s condition gradually worsened and he succumbed to pneumonia on November 15, 1963, at the age of 74 (his Chicago Tribune obituary, written by Claudia Cassidy, is here).

On Saturday evening, November 16, Martinon led the Orchestra in Mendelssohn’s Fingal’s Cave Overture, his own Second Violin Concerto with Henryk Szerying, and Beethoven’s Seventh Symphony. According to the Sunday, November 17 Chicago Tribune: “Orchestra Hall, filled for a golden decade with the music conducted by Dr. Fritz Reiner, was silent for a minute Saturday night as the audience and musicians bowed heads in tribute to his memory.” Merrill Shepard, the new president of the Association, had signaled the moment of silence.

Program page for November 21 and 22, 1963, announcing scheduled memorial for Fritz Reiner the following week

Program page for November 21 and 22, 1963, announcing scheduled memorial for Fritz Reiner the following week

Funeral services were given on November 18 in New York. Attendees included Reiner’s former student at the Curtis Institute and music director of the New York Philharmonic Leonard Bernstein, tenor Lauritz Melchior, general manager of the Metropolitan Opera Rudolf Bing, impresario Sol Hurok, and Van Cliburn. William Schuman, composer and then-president of Lincoln Center for the Performing Arts, delivered the eulogy, calling Reiner, an “artist who set an example for all his colleagues.”

Martinon had programmed the Thanksgiving week concerts (on Thursday evening and Friday afternoon, November 28 and 29) to include Stravinsky’s Symphony of Psalms and Mozart’s Requiem (Margaret Hillis and the Chicago Symphony Chorus had been rehearsing the two works since early September). Reiner’s seventy-fifth birthday—December 19, 1963—was to have been celebrated with him leading the Orchestra in four weeks of subscription concerts in late December and early January. It was only appropriate to designate the Stravinsky and Mozart concerts as memorials to Reiner, and the program page for the November 21 and 22 concerts included an announcement. A four-page program insert was prepared to be used for the following week’s concerts and included tributes from Martinon and Shepard, a chronology of Reiner’s career, and a list of his previous orchestral affiliations.

On Thursday evening November 21, Martinon led Bach’s First Brandenburg Concerto, Henze’s Third Symphony, and Rachmaninov’s Second Piano Concerto with Byron Janis. The program was scheduled to be repeated the following afternoon, Friday, November 22, 1963.

Stay tuned for part 2 . . .

Reiner memorial insert, pages two and three

Reiner memorial insert, pages two and three

Reiner memorial insert back cover

Reiner memorial insert back cover

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