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In recognition for his ten years as music director of the Royal Opera,  Georg Solti was knighted by Queen Elizabeth II on March 25, 1972. The news was carried in this article from the Chicago Tribune (courtesy of ProQuest via the Chicago Public Library).

“The last two new productions I conducted during my directorship of the Royal Opera were Eugene Onegin, in February 1971, and Tristan und Isolde, in June, both directed by Peter Hall. At my last performance as music director, Birgit Nilsson took the part of Isolde. After ten years at Covent Garden, I know that it would be an emotional occasion for me and I was worried that I might become overwhelmed. But the night itself was incredibly hot and I needed all my concentration just to get to the end of the opera.

“After the performance, there was a reception in the Crush Bar, attended both by Queen Elizabeth the Queen Mother, and by the prime minister, Edward Heath, who made me an honorary Knight of the British Empire. (It had to be honorary, because at that time I was still a German citizen.) . . .

“Despite my marriage to an Englishwoman and my decade-long directorship of the Royal Opera House, every time I landed at London’s Heathrow Airport after a trip abroad I had to go through the foreigners’ immigration queue, while my family joined the queue for British subjects, which was usually shorter. After I had been made an honorary KBE, I applied for British citizenship. . . . Within a short time, in 1972, British nationality was granted to me, and I was able officially to add the title Sir to my name. . . . I have a British wife and two British daughters, and British I shall remain.”

Text excerpted from Memoirs by Sir Georg Solti.

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The CSO and Maestro Muti perform a program featuring Prokofiev’s Suite from Romeo and Juliet and Dvořák’s Symphony No. 9 (From the New World) at the historic Teatro di San Carlo for a capacity audience. Taking the podium to announce the evening’s encore—Giordano’s Intermezzo from Fedora—Muti noted “although, I’m 100% Italian, I’m 200% Southern Italian.” After the concert, Maestro Muti and his wife hosted the musicians of the Orchestra and distinguished guests for a post-concert dinner featuring traditional Neapolitan cuisine. On Sunday morning before the concert, Maestro Muti and three CSO musicians—Jennifer Gunn, piccolo; Charles Vernon, trombone; and Gene Pokorny, tuba—share an informal performance with young men and women at a juvenile justice center in nearby Nisida. The program was presented by the Negaunee Music Institute with assistance from the administrative staff of the Teatro di San Carlo. #CSOonTour 📸@toddrphoto
Musicians and staff travel from Paris to Naples. Called Napoli in Italian, its name is derived from the Greek word Neapolis meaning "new city.” The city is the birthplace of Riccardo Muti, as well as the birthplace of pizza! This tour stop includes the CSO’s first return to the world renowned Teatro di San Carlo with Maestro Muti since 2012. That appearance marked its first European tour appearance in Naples. 📸@toddrphoto
Riccardo Muti and the CSO spend less than 24 hours in Paris for a concert at the Philharmonie de Paris with a program featuring works by Wagner, Hindemith and Dvořák. The last time they performed in this hall was during their most recent tour to Europe in January 2017. #CSOonTour 📸@toddrphoto

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