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The Chicago Symphony Orchestra notes with sorrow the passing of violinist Jacques Israelievitch, who served the Orchestra as assistant concertmaster from 1972 until 1978. He died on September 5, 2015, at the age of 67.

Jacques Israelievitch 1972

A graduate of Indiana University where he was a student of Josef Gingold, twenty-three-year-old Israelievitch was hired by Sir Georg Solti in June 1972, to succeed Samuel Magad, who recently had assumed the position of co-concertmaster.

Born in Cannes, France, Israelievitch received first prize at the Conservatory of Le Mans at the age of eleven. Admitted to the Paris Conservatory when he was thirteen, he graduated three years later with first prizes in violin, chamber music, and solfège, and the following year he received a license of concert from the École Normale de Musique in Paris.

After winning one of the top awards in the Paganini Competition in Genoa, Italy (where he was the youngest contestant) he was advised by his sponsor Henryk Szeryng to attend Indiana University as a student of Gingold. During his time in Indiana, Israelievitch also studied chamber music with William Primrose and János Starker.

Following his years in Chicago, Israelievitch served as concertmaster of the Saint Louis Symphony Orchestra for ten years and then as concertmaster of the Toronto Symphony Orchestra for twenty years. He taught at the Chautauqua Institution and was on the faculties of the University of Toronto and York University. Music director of the Koffler Chamber Orchestra from 2005, Israelievitch also appeared as guest conductor with several orchestras in the United States and Canada. He was violinist for the New Arts Trio; and he performed chamber music with Emanuel Ax, Yefim Bronfman, and Yo-Yo Ma. His discography comprises more than 100 albums, including the first complete recording of Rodolphe Kreutzer’s Forty-two Studies or Caprices for the Violin.

Edgar and Nancy Muenzer, Israelievitch, and Samuel and Miriam Magad at the June 3, 2011, CSO Alumni Association reunion (Dan Rest photo)

Edgar and Nancy Muenzer, Israelievitch, and Samuel and Miriam Magad at the June 3, 2011, CSO Alumni Association reunion (Dan Rest photo)

In 2004 the French government named Israelievitch an Officer of the Order of Arts and Letters. He also was the recipient of a lifetime achievement award for his distinguished contribution to the performing arts in Canada, and recently in August he was presented the Insignia of the Order of Canada in a private ceremony at his home.

Services have been held. Israelievitch is survived by his wife, Gabrielle; three sons, David (of Seattle), Michael (of San Francisco) and Joshua (of Northern California); and two grandchildren. His son Michael had just been named acting principal timpanist of the San Francisco Symphony.

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Gina DiBello

Gina DiBello

The Chicago Symphony Orchestra recently announced Riccardo Muti‘s appointment of Gina DiBello to the Orchestra’s first violin section. She previously had served as principal second violin of the Minnesota Orchestra and as section first violin with the Detroit Symphony Orchestra, following studies at the Cleveland Institute of Music and The Juilliard School in New York.

Joseph DiBello (© Todd Rosenberg Photography 2010)

Joseph DiBello (©Todd Rosenberg Photography)

Gina is a Chicago native and has a deep connection to the Orchestra, as she also is the daughter of CSO bass Joseph DiBello (and Lyric Opera of Chicago violin Bonita DiBello), marking only the second father-daughter combination in our history.

Joseph originally studied the bass but initially pursued a career as a pharmacist. He later resumed his musical studies and from 1969 until 1973, he served as principal bass of Philadelphia Lyric Opera and the Delaware Symphony Orchestra. In 1973, he was appointed to the bass section of the Milwaukee Symphony Orchestra, and in 1976 Sir Georg Solti invited him to join the bass section of the Chicago Symphony Orchestra.

Lynne Turner (©Todd Rosenberg Photography 2010)

Lynne Turner (©Todd Rosenberg Photography)

Lynne Turner—currently in her fifty-first season as second harp—also is a CSO legacy, as she is the daughter of former CSO violin Sol Turner (1905–1979). At the age of twenty-one, Lynne was appointed in 1962 by then-music director Fritz Reiner, following her studies with Alberto Salvi in Chicago and with Pierre Jamet at the Paris Conservatory.

Sol Turner

Sol Turner

Sol Turner, a native of Russia, began his career as a violinist with the Civic Orchestra of Chicago from 1927 until 1931 (serving as concertmaster in 1928 and 1929), followed by twelve years in the Saint Louis Symphony Orchestra. Désiré Defauw appointed him to the CSO’s first violin section in 1943 and he served until 1949, when he left to perform with Chicago’s NBC studio orchestra. Sol returned to the CSO in 1963 and was rostered until his death in 1979.

Joseph Vito

Joseph Vito

But we also have to mention the father-daughter combination of Joseph Vito (1887–1970) and Geraldine Vito Weicher (1915–2006). Joseph served as principal harp from 1927 until 1957, and Geraldine was second harp from 1940 until 1957. However, during that time the position of second harp was hired only on an as-needed basis and was not a fully rostered position until the beginning of the 1957-58 season.

Joseph began his career as a harpist at the age of nine, and at twenty, debuted with the Pittsburgh Symphony Orchestra under Emil Paur. He regularly performed with both the San Francisco and Cincinnati symphony orchestras before Frederick Stock hired him as principal harp for the Chicago Symphony Orchestra in 1927.

Geraldine Vito Weicher

Geraldine Vito Weicher

Geraldine studied with her father, and she was a member of the Civic Orchestra from 1935 until 1938. She was also married to John Weicher (1904–1969), who spent forty-six years with the Orchestra from 1923 until 1969, serving as concertmaster, assistant concertmaster, principal second violin, personnel manager, and conductor of the Civic Orchestra.

Fathers and sons? Sisters? Brothers? Stay tuned . . .

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