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Leonard Slatkin (Nico Rodamel photo)

The Chicago Symphony Orchestra family wishes American conductor Leonard Slatkin a very happy seventh-fifth birthday on September 1, 2019! A frequent and favorite guest conductor, he has appeared with the Orchestra on countless occasions—in Orchestra Hall and at the Ravinia Festival—over the last forty-eight years.

At the invitation of CSO general manager John Edwards, Slatkin—in his second season as assistant conductor of the Saint Louis Symphony—made his debut in Orchestra Hall with the Civic Orchestra of Chicago on March 6, 1970, leading the following program:

SCHUBERT Overture to Rosamunde, D. 644
WAGNER Siegfried Idyll
SCHUMAN New England Triptych
FAURÉ Pelleas and Melisande, Op. 80
RESPIGHI Pines of Rome

March 6, 1970

Slatkin’s program book biography for March 6, 1970

The following year, Slatkin first led the Chicago Symphony Orchestra, conducting two free, outdoor Symphony in the Streets concerts, one in the parking lot at Park Forest Shopping Plaza and the other at the Jubilee Celebration site in Westmont, as follows:

July 12, 1971, Park Forest, Illinois
July 21, 1971, Westmont, Illinois
BARBER Adagio for Strings
GRIEG Peer Gynt Suite No. 1, Op. 46
GRIEG Ingrid’s Lament from Peer Gynt Suite No. 2, Op. 55
ROSSINI Overture to William Tell
J. STRAUSS, Jr. On the Beautiful Blue Danube, Op. 314
J. STRAUSS, Jr. Overture to Die Fledermaus
J. STRAUSS, Jr. Perpetual Motion, Op. 257
SOUSA The Stars and Stripes Forever

Also during that residency, he led the Orchestra on a children’s concert at the Ravinia Festival on July 13, conducting the following program:

IVES/Schuman Variations on “America”
SATIE/Debussy Gymnopédie No. 3
SATIE/Debussy Gymnopédie No. 1
BERLIOZ Roman Carnival Overture, Op. 9
BACH/Cailliet Fugue in G Minor, BWV 578 (Little)
MUSSORGSKY/Ravel The Hut on Fowl’s Legs (Baba-Yagá), The Great Gate of Kiev, Bydło (Oxcart), and Ballet of the Unhatched Chicks from Pictures at an Exhibition
TCHAIKOVSKY Scherzo. Pizzicato ostinato: Allegro (third movement) from Symphony No. 4 in F Minor, Op. 36

And on April 4, 5, and 7, 1974, Slatkin made his debut with the Orchestra on subscription concerts, with this program:

April 4, 5, and 7, 1974

PURCELL Chacony in G Minor
VAUGHAN WILLIAMS Symphony no. 6 in E Minor
PISTON Symphony No. 2
RAVEL La valse

“Leonard Slatkin, an enormously talented young American musician who will be the principal conductor of the Grant Park Symphony Orchestra this summer, made his subscription concert debut with the Chicago Symphony Orchestra Thursday night at Orchestra Hall,” wrote Robert C. Marsh in the Chicago Sun-Times. “He has at 29 all the skills and all the qualities of leadership necessary to win the respect of a great orchestra and have them play for him with enthusiasm and the fullest measure of their talent. . . . What was impressive in the manner in which Slatkin could prepare three new works [Purcell, Vaughan Williams, and Piston] and have the orchestra playing them with security and bravura as if they were repertory standards. This, plus the clarity and precision of his beat, promises good things to come . . .”

“As a result of Daniel Barenboim’s cancellation—to be with his ailing wife [Jacqueline du Pré]—Slatkin, who is associate conductor of the Saint Louis Symphony, has this week’s subscription concerts,” added Thomas Willis in the Chicago Tribune. “He has a direct, music-oriented competence which shows the thoroughness of his training and his concentration on things that matter. Conductors with more experience than he have foundered on the tempo changes in Ravel’s La valse, but he piloted the ensemble through each tempo change with an easy skill, catching the upbeats, shifting into overdrive, and pacing the rising line of apotheosis precisely.”

Slatkin leads the Orchestra, Chorus, and soloists in the world premiere of Ned Rorem’s Goodbye My Fancy on November 8, 1990 (Jim Steere photo)

A staunch advocate for new music, Slatkin led the Orchestra in the world premieres of Donald Erb’s Concerto for Brass and Orchestra on April 16, 1987; Jacob Druckman’s Brangle on March 28, 1989; and Ned Rorem’s Goodbye My Fancy with mezzo-soprano Wendy White, bass-baritone John Cheek, and the Chicago Symphony Chorus (prepared by Margaret Hillis) on November 8, 1990. He also led the Orchestra in the U.S. premiere of Benjamin Britten’s Quatre chansons françaises with mezzo-soprano Claudine Carlson on May 19, 1983.

And most recently, he returned to the Ravinia Festival on August 7, 2019, leading the Orchestra in this program:

RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30
Denis Matsuev, piano
RIMSKY-KORSAKOV Sheherazade
Robert Chen, violin

Happy, happy birthday, Maestro Slatkin!

Slatkin, Margaret Hillis, Ned Rorem, John Cheek, and Wendy White acknowledge applause on November 8, 1990 (Jim Steere photo)

The Chicago Symphony Orchestra notes with sorrow the passing of violinist Jacques Israelievitch, who served the Orchestra as assistant concertmaster from 1972 until 1978. He died on September 5, 2015, at the age of 67.

Jacques Israelievitch 1972

A graduate of Indiana University where he was a student of Josef Gingold, twenty-three-year-old Israelievitch was hired by Sir Georg Solti in June 1972, to succeed Samuel Magad, who recently had assumed the position of co-concertmaster.

Born in Cannes, France, Israelievitch received first prize at the Conservatory of Le Mans at the age of eleven. Admitted to the Paris Conservatory when he was thirteen, he graduated three years later with first prizes in violin, chamber music, and solfège, and the following year he received a license of concert from the École Normale de Musique in Paris.

After winning one of the top awards in the Paganini Competition in Genoa, Italy (where he was the youngest contestant) he was advised by his sponsor Henryk Szeryng to attend Indiana University as a student of Gingold. During his time in Indiana, Israelievitch also studied chamber music with William Primrose and János Starker.

Following his years in Chicago, Israelievitch served as concertmaster of the Saint Louis Symphony Orchestra for ten years and then as concertmaster of the Toronto Symphony Orchestra for twenty years. He taught at the Chautauqua Institution and was on the faculties of the University of Toronto and York University. Music director of the Koffler Chamber Orchestra from 2005, Israelievitch also appeared as guest conductor with several orchestras in the United States and Canada. He was violinist for the New Arts Trio; and he performed chamber music with Emanuel Ax, Yefim Bronfman, and Yo-Yo Ma. His discography comprises more than 100 albums, including the first complete recording of Rodolphe Kreutzer’s Forty-two Studies or Caprices for the Violin.

Edgar and Nancy Muenzer, Israelievitch, and Samuel and Miriam Magad at the June 3, 2011, CSO Alumni Association reunion (Dan Rest photo)

Edgar and Nancy Muenzer, Israelievitch, and Samuel and Miriam Magad at the June 3, 2011, CSO Alumni Association reunion (Dan Rest photo)

In 2004 the French government named Israelievitch an Officer of the Order of Arts and Letters. He also was the recipient of a lifetime achievement award for his distinguished contribution to the performing arts in Canada, and recently in August he was presented the Insignia of the Order of Canada in a private ceremony at his home.

Services have been held. Israelievitch is survived by his wife, Gabrielle; three sons, David (of Seattle), Michael (of San Francisco) and Joshua (of Northern California); and two grandchildren. His son Michael had just been named acting principal timpanist of the San Francisco Symphony.

Gina DiBello

Gina DiBello

The Chicago Symphony Orchestra recently announced Riccardo Muti‘s appointment of Gina DiBello to the Orchestra’s first violin section. She previously had served as principal second violin of the Minnesota Orchestra and as section first violin with the Detroit Symphony Orchestra, following studies at the Cleveland Institute of Music and The Juilliard School in New York.

Joseph DiBello (© Todd Rosenberg Photography 2010)

Joseph DiBello (©Todd Rosenberg Photography)

Gina is a Chicago native and has a deep connection to the Orchestra, as she also is the daughter of CSO bass Joseph DiBello (and Lyric Opera of Chicago violin Bonita DiBello), marking only the second father-daughter combination in our history.

Joseph originally studied the bass but initially pursued a career as a pharmacist. He later resumed his musical studies and from 1969 until 1973, he served as principal bass of Philadelphia Lyric Opera and the Delaware Symphony Orchestra. In 1973, he was appointed to the bass section of the Milwaukee Symphony Orchestra, and in 1976 Sir Georg Solti invited him to join the bass section of the Chicago Symphony Orchestra.

Lynne Turner (©Todd Rosenberg Photography 2010)

Lynne Turner (©Todd Rosenberg Photography)

Lynne Turner—currently in her fifty-first season as second harp—also is a CSO legacy, as she is the daughter of former CSO violin Sol Turner (1905–1979). At the age of twenty-one, Lynne was appointed in 1962 by then-music director Fritz Reiner, following her studies with Alberto Salvi in Chicago and with Pierre Jamet at the Paris Conservatory.

Sol Turner

Sol Turner

Sol Turner, a native of Russia, began his career as a violinist with the Civic Orchestra of Chicago from 1927 until 1931 (serving as concertmaster in 1928 and 1929), followed by twelve years in the Saint Louis Symphony Orchestra. Désiré Defauw appointed him to the CSO’s first violin section in 1943 and he served until 1949, when he left to perform with Chicago’s NBC studio orchestra. Sol returned to the CSO in 1963 and was rostered until his death in 1979.

Joseph Vito

Joseph Vito

But we also have to mention the father-daughter combination of Joseph Vito (1887–1970) and Geraldine Vito Weicher (1915–2006). Joseph served as principal harp from 1927 until 1957, and Geraldine was second harp from 1940 until 1957. However, during that time the position of second harp was hired only on an as-needed basis and was not a fully rostered position until the beginning of the 1957-58 season.

Joseph began his career as a harpist at the age of nine, and at twenty, debuted with the Pittsburgh Symphony Orchestra under Emil Paur. He regularly performed with both the San Francisco and Cincinnati symphony orchestras before Frederick Stock hired him as principal harp for the Chicago Symphony Orchestra in 1927.

Geraldine Vito Weicher

Geraldine Vito Weicher

Geraldine studied with her father, and she was a member of the Civic Orchestra from 1935 until 1938. She was also married to John Weicher (1904–1969), who spent forty-six years with the Orchestra from 1923 until 1969, serving as concertmaster, assistant concertmaster, principal second violin, personnel manager, and conductor of the Civic Orchestra.

Fathers and sons? Sisters? Brothers? Stay tuned . . .

the vault

Theodore Thomas

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The opinions expressed here are mine and do not necessarily reflect those of my employer.

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