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Remembering Norman Schweikert
January 2, 2019 in Uncategorized | Tags: Aspen Music Festival, Chicago Symphony Chorus, Dale Clevenger, Daniel Barenboim, Deutsche Grammophon, Eastman School of Music, Eastman Wind Ensemble, Eric Schweikert, Erich Leinsdorf, Fort Wayne Philharmonic, Frederick Fennell, Interlochen Arts Academy, Interlochen Arts Quintet, International Horn Society, Josef Reiter, Joseph Eger, Los Angeles Philharmonic, Morris Secon, Norman Schweikert, Northwestern University, Odolindo Perissi, Richard Oldberg, Rochester Philharmonic Orchestra, Sally Schweikert, Sinclair Lott, Sir Georg Solti, The Horn Call, Thomas Howell, United States Military Band, USMA Band, Verne Reynolds, Washington Island Music Festival, West Point, West Point Band, WindSong Press, Xaver Reiter | 1 comment
It is with great sadness that we share news of the passing of Norman Schweikert, a member of the Chicago Symphony Orchestra’s horn section from 1971 until 1997, who passed away at his home on Washington Island, Wisconsin on December 31, 2018, after a brief illness. He was 81.
A native of Los Angeles, Schweikert began piano lessons at the age of six, added violin soon after, and turned to the horn at age thirteen. His first horn teachers were Odolindo Perissi and Sinclair Lott, both members of the Los Angeles Philharmonic. During high school, Schweikert won a scholarship to the Aspen Music Festival, where he studied with Joseph Eger. In 1955, he auditioned for Erich Leinsdorf, then music director of the Rochester Philharmonic Orchestra, and won his first professional post as fourth horn there. He was its youngest member and in succeeding years played second and third horn.
While in Rochester, Schweikert attended the Eastman School of Music and performed and recorded with the Eastman Wind Ensemble under Frederick Fennell. Studying with Morris Secon and Verne Reynolds, he graduated in 1961 with a bachelor’s degree and a performer’s certificate in horn. During his eleven-year tenure in Rochester, Schweikert served three years with the United States Military Academy Band at West Point as well as five years on the faculty of the Interlochen Arts Academy as instructor of horn and a member of the Interlochen Arts Quintet.
In June 1971—at the invitation of music director Georg Solti—Schweikert joined the Chicago Symphony as assistant principal horn, just in time for the Orchestra’s first tour to Europe. In 1975, he was named second horn, the position he held until his retirement in 1997 (he continued to play as a substitute or extra until June 2006). Schweikert appeared as a soloist with the Orchestra on a number of occasions, and in March 1977 he—along with colleagues Dale Clevenger, Richard Oldberg, and Thomas Howell—was soloist in the recording of Schumann’s Konzertstück for Four Horns under the baton of Daniel Barenboim for Deutsche Grammophon.
In 1970, Schweikert chaired the International Horn Society’s organizing committee and served as its first secretary and treasurer. He continued on the advisory council, contributed many articles to The Horn Call, and was elected an honorary member in 1996. From 1973 until 1998, Schweikert served as associate professor of horn on the faculty of Northwestern University.
In his retirement, Schweikert and his wife Sally—a thirty-year veteran of the Chicago Symphony Chorus—made their home on Washington Island in Wisconsin, where he performed with the Washington Island Music Festival. They were longtime members of the Chicago Symphony Orchestra Alumni Association, regularly attending annual reunions. Schweikert also continued his research into the lives of U.S. orchestra members, a project that he started while studying at Eastman, and his collection of material on the subject is likely the largest private collection of its kind in the world. In 2012, Schweikert’s book The Horns of Valhalla—the story of horn players Josef and Xaver Reiter—was published by WindSong Press Limited.
Schweikert is survived by Sally, his beloved wife of fifty-seven years; and their son Eric, principal timpani of the Fort Wayne Philharmonic. Details for a memorial service are pending.
Daniel Barenboim @ 75: Recordings, part 1
October 18, 2017 in Uncategorized | Tags: Arnold Jacobs, Barenboim75, Chicago Symphony Chorus, Dale Clevenger, Daniel Barenboim, David Rendall, Deutsche Grammophon, Gaston Litaize, Grammy Award, Itzhak Perlman, Jessye Norman, Lang Lang, Margaret Hillis, Medinah Temple, Norman Schweikert, Pinchas Zukerman, Richard Oldberg, Ruth Welting, Samuel Ramey, Thomas Howell, Yvonne Minton | 3 comments
Between 1972 and 1981, Daniel Barenboim made a number of recordings with the Chicago Symphony Orchestra for Deutsche Grammophon, returning to the label in 2003 for a release of piano concertos with Lang Lang.
A complete list of Barenboim’s catalog with the CSO on Deutsche Grammophon is below (all recordings were made in Orchestra Hall unless otherwise noted).
BEETHOVEN Concerto for Violin in D Major, Op. 61
Pinchas Zukerman, violin
Daniel Barenboim, conductor
Recorded March 26, 1977
BORODIN Polovtsian Dances from Prince Igor
Daniel Barenboim, conductor
Recorded March 27, 1977
BRAHMS Hungarian Dances Nos. 1, 3, and 10
Daniel Barenboim, conductor
Recorded December 17, 1977
BRUCKNER Helgoland
Men of the Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979

Barenboim leads the Orchestra and Chorus in a recording session for Bruckner’s Psalm 150 in Orchestra Hall on March 3, 1979 (Robert M. Lightfoot III photo)
BRUCKNER Psalm 150
Ruth Welting, soprano
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 3, 1979
BRUCKNER Symphony No. 0 in D Minor
Daniel Barenboim, conductor
Recorded March 3, 1979
BRUCKNER Symphony No. 1 in C Minor
Daniel Barenboim, conductor
Recorded December 9, 10, and 13, 1980
BRUCKNER Symphony No. 2 in C Minor
Daniel Barenboim, conductor
Recorded March 21 and 22, 1981
BRUCKNER Symphony No. 3 in D Minor
Daniel Barenboim, conductor
Recorded December 13 and 15, 1980
BRUCKNER Symphony No. 4 in E-flat Major
Daniel Barenboim, conductor
Recorded in Medinah Temple, November 1, 1972
BRUCKNER Symphony No. 5 in B-flat Major
Daniel Barenboim, conductor
Recorded December 5, 1977
BRUCKNER Symphony No. 6 in A Major
Daniel Barenboim, conductor
Recorded December 13, 1977
BRUCKNER Symphony No. 7 in E Major
Daniel Barenboim, conductor
Recorded March 6 and 7, 1979
BRUCKNER Symphony No. 8 in C Minor
Daniel Barenboim, conductor
Recorded December 6 and 9, 1980
BRUCKNER Symphony No. 9 in D Minor
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975
BRUCKNER Te Deum
Jessye Norman, soprano
Yvonne Minton, mezzo-soprano
David Rendall, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, director
Daniel Barenboim, conductor
Recorded March 28, 1981
DVOŘÁK Slavonic Dance No. 1 in C Major, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977
DVOŘÁK Slavonic Dance No. 8 in G Minor, Op. 46
Daniel Barenboim, conductor
Recorded December 17, 1977
ELGAR Concerto for Violin in B Minor, Op. 61
Itzhak Perlman, violin
Daniel Barenboim, conductor
Recorded March 23 and 24, 1981
1982 Grammy Award: Best Classical Performance—Instrumental Soloist
LISZT Les préludes
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977
MENDELSSOHN Concerto for Piano in G Minor, Op. 25
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 24 and 25, 2003
MENDELSSOHN Overture to A Midsummer Night’s Dream, Op. 21
Daniel Barenboim, conductor
Recorded March 7 and 10, 1979
MOZART Overture to The Marriage of Figaro, K. 492
Daniel Barenboim, conductor
Recorded March 10, 1979
MUSSORGSKY/Rimsky-Korsakov A Night on Bald Mountain
Daniel Barenboim, conductor
Recorded March 22, 1977
NICOLAI Overture to The Merry Wives of Windsor
Daniel Barenboim, conductor
Recorded March 10, 1979
RIMSKY-KORSAKOV Capriccio espagnol, Op. 34
Daniel Barenboim, conductor
Recorded March 28, 1977
RIMSKY-KORSAKOV Russian Easter Overture, Op. 36
Daniel Barenboim, conductor
Recorded March 22, 1977
SAINT-SAËNS Symphony No. 3 in C Minor, Op. 78 (Organ)
Gaston Litaize, organ (recorded at the Cathédral Notre-Dame de Chartres, France)
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 27, 1975
SCHUMANN Konzertstück for Four Horns in F Major, Op. 86
Dale Clevenger, Richard Oldberg, Thomas Howell, and Norman Schweikert, horns
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977

Barenboim leads CSO horns Norman Schweikert, Thomas Howell, Richard Oldberg, and Dale Clevenger in a recording session for Schumann’s Konzertstück in Orchestra Hall in March 1977 (Christian Steiner photo)
SCHUMANN Manfred Overture, Op. 115
Daniel Barenboim, conductor
Recorded March 22, 1977
SCHUMANN Symphony No. 1 in B-flat Major, Op. 38
Daniel Barenboim, conductor
Recorded March 28, 1977
SCHUMANN Symphony No. 2 in C Major, Op 61
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97
Daniel Barenboim, conductor
Recorded March 21 and 22, 1977
SCHUMANN Symphony No. 4 in D Minor, Op. 120
Daniel Barenboim, conductor
Recorded in Medinah Temple, May 28, 1975
SMETANA The Moldau from Má vlast
Daniel Barenboim, conductor
Recorded December 5 and 17, 1977
TCHAIKOVSKY 1812 Festival Overture, Op. 49
Daniel Barenboim, conductor
Recorded March 25, 1981
TCHAIKOVSKY Capriccio italien, Op. 45
Daniel Barenboim, conductor
Recorded March 27 and 28, 1981
TCHAIKOVSKY Concerto for Piano No. 1 in B-flat Minor, Op. 23
Lang Lang, piano
Daniel Barenboim, conductor
Recorded February 21 and 24, 2003
TCHAIKOVSKY Francesca da Rimini, Op. 32
Daniel Barenboim, conductor
Recorded March 27, 1981
TCHAIKOVSKY Marche slav, Op. 31
Daniel Barenboim, conductor
Recorded March 25 and 27, 1981
TCHAIKOVSKY Romeo and Juliet
Daniel Barenboim, conductor
Recorded March 25, 1981
VAUGHAN WILLIAMS Concerto for Bass Tuba in F Minor
Arnold Jacobs, tuba
Daniel Barenboim, conductor
Recorded March 22, 1977
WEBER/Berlioz Invitation to the Dance, Op, 65
Daniel Barenboim, conductor
Recorded March 10, 1979
WEBER Overture to Oberon
Daniel Barenboim, conductor
Recorded March 3 and 7, 1979