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Remembering Heather Harper
April 22, 2019 in Uncategorized | Tags: Anima, Arleen Augér, Barry McDaniel, Boris Carmeli, Carlo Maria Giulini, Chicago Symphony Chorus, Chorus of the Vienna State Opera, David Harvey, Doreen Rao, Giorgio Tozzi, Glen Ellyn Children's Chorus, Gordon Parry, Grammy Award, Gwynne Howell, Heather Harper, Helen Watts, Helmut Froschauer, Jerry Jennings, John Shirley-Quirk, Julia Hamari, Kenneth Wilkinson, London Records, Lucia Popp, Mallory Walker, Margaret Hillis, Martti Talvela, National Academy of Recording Arts and Sciences, Norbert Balatsch, Philip Booth, Raffaele Arié, René Kollo, Richard Lewis, Robert Johnson, Singverein Chorus, Sir Georg Solti, Sir Michael Tippett, Stuart Burrows, Veriano Luchetti, Vienna Boys’ Choir, Yvonne Minton | 2 comments
We have just heard news of the death of the wonderful Irish soprano Heather Harper, as reported in The Guardian. She was 88.
Harper appeared with the Chicago Symphony Orchestra on a number of notable occasions, as listed below (all appearances are subscription concerts at Orchestra Hall, unless otherwise noted):
April 3, 4, and 5, 1969
MAHLER Symphony No. 2 in C Minor (Resurrection)
Georg Solti, conductor
Helen Watts, contralto
Chicago Symphony Chorus
Margaret Hillis, director
December 11 and 12, 1969
HAYDN The Creation
Georg Solti, conductor
Stuart Burrows, tenor
Giorgio Tozzi, bass
Chicago Symphony Chorus
Margaret Hillis, director
August 30, 31 & September 1, 1971 (recording sessions at the Sofiensaal in Vienna)
MAHLER Symphony No. 8 in E-flat Major
Georg Solti, conductor
Lucia Popp, soprano
Arleen Augér, soprano
Yvonne Minton, mezzo-soprano
Helen Watts, contralto
René Kollo, tenor
John Shirley-Quirk, bass-baritone
Martti Talvela, bass
Chorus of the Vienna State Opera
Norbert Balatsch, chorus master
Singverein Chorus
Helmut Froschauer, chorus master
Vienna Boys’ Choir
David Harvey produced the recording, and Gordon Parry and Kenneth Wilkinson were the engineers for London Records. The recording won the 1972 Grammy Award for Album of the Year—Classical, Best Choral Performance—Classical (other than opera), and Best Engineered Recording—Classical from the National Academy of Recording Arts and Sciences.
March 30, 31, and April 1, 1972
HANDEL Jephtha
Margaret Hillis, conductor
Helen Watts, contralto
Richard Lewis, tenor
Robert Johnson, tenor
Barry McDaniel, baritone
Boris Carmeli, bass
Chicago Symphony Chorus
Margaret Hillis, director
October 12, 13, and 14, 1972
VIVALDI Gloria
ROSSINI Stabat mater
Carlo Maria Giulini, conductor
Julia Hamari, mezzo-soprano
Veriano Luchetti, tenor
Raffaele Arié, bass
Chicago Symphony Chorus
Margaret Hillis, director
March 7, 8, and 9, 1974
TIPPETT Symphony No. 3
Sir Michael Tippett, conductor
April 12 and 13, 1974
BACH Saint Matthew Passion, BWV 244
Sir Georg Solti, conductor
Helen Watts, contralto
Jerry Jennings, tenor
Mallory Walker, tenor
Gwynne Howell, bass
Philip Booth, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director
Solti 69: Bach’s Saint Matthew Passion
April 6, 2012 in Uncategorized | Tags: Alexis Darden, Alfred Reichel, Anne Sofie von Otter, Anthony Rolfe Johnson, Barbara Born, Brigitte Fassbaender, Bruce Cain, Catharina Meints, Chicago Symphony Chorus, Curtis Dickson, David Schrader, Debra Austin, DeVere Moore, Donald Gramm, Donald Peck, Donna Gullstrand, Doreen Rao, Doris Kirschner, Ellen Rico, Eloise Niwa, Eugene Johnson, Eva Heinitz, Frank Miller, Frederic Chrislip, Gershon Silins, Glen Ellyn Children's Chorus, Grover Schiltz, Gwynne Howell, Hans Peter Blochwitz, Heather Harper, Helen Watts, Isola Jones, Jack Abraham, Jane Green, Jerry Jennings, Joan Welles, John Hsu, John Sharp, Joseph Guastafeste, Judith Kulb, Karen Zajac, Kiri Te Kanawa, Leonard Chausow, Linda Mabbs, Louise Dixon, Lucy Ding, Mallory Walker, Margaret Hillis, Mary Sauer, Michael Henoch, Nancy Clevenger, Olaf Bär, Pamela Coburn, Patrice Michaels, Philip Booth, Philip Creech, Ray Still, recording, Richard Cohn, Richard Graef, Richard Kanter, Richard Lewis, Richard Livingston, Richard Webster, Rubén González, Samuel Magad, Sarah Beatty, Sidney Weiss, Siegmund Nimsgern, Sir Georg Solti, Solti 100, Stephen Swanson, Thomas Moser, Tim O’Connor, Tom Krause, Victor Aitay, Walfrid Kujala, William Watson, Wolfgang Schoene | 9 comments
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With the Chicago Symphony Orchestra and Chorus, Sir Georg Solti conducted Bach’s monumental Saint Matthew Passion on four different occasions at Orchestra Hall:
April 9 and 10, 1971
Jesus: Tom Krause
Evangelist: Richard Lewis
Aria soloists: Heather Harper, Helen Watts, Richard Lewis, Donald Gramm
Other vocal soloists: Alfred Reichel, Stephen Swanson, Nancy Clevenger, Ellen Rico, Linda Mabbs, Jack Abraham, Eugene Johnson, Frederic Chrislip, Karen Zajac
Obbligati: Donald Peck, Richard Graef, Ray Still, Richard Kanter, Grover Schiltz, DeVere Moore, Victor Aitay, Sidney Weiss, Eva Heinitz
Continuo: Eloise Niwa, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus; Barbara Born, director
These performances were dedicated to the memory of Igor Stravinsky, who had died on April 6, 1971.
April 12 and 13, 1974
Jesus: Gwynne Howell
Evangelist: Mallory Walker
Aria soloists: Heather Harper, Helen Watts, Jerry Jennings, Philip Booth
Other vocal soloists: Alfred Reichel, Curtis Dickson, Gershon Silins, Stephen Swanson, Donna Gullstrand, Alexis Darden, Sarah Beatty, Richard Livingston, Philip Creech, Isola Jones
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, John Hsu
Continuo: Eloise Niwa, Mary Sauer, Frank Miller, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director
April 4 and 6, 1985
Jesus: Wolfgang Schoene
Evangelist: Anthony Rolfe Johnson
Aria soloists: Pamela Coburn, Brigitte Fassbaender, Thomas Moser, Siegmund Nimsgern
Other vocal soloists: Bruce Cain, Richard Cohn, Jane Green, Joan Welles, Doris Kirschner, Karen Zajac, Tim O’Connor
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Richard Kanter, Grover Schiltz, Michael Henoch, Victor Aitay, Samuel Magad, Catharina Meints
Continuo: Mary Sauer, David Schrader, Richard Webster, Leonard Chausow, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Doreen Rao, director
March 19 and 21, 1987
Jesus: Olaf Bär
Evangelist: Hans Peter Blochwitz
Aria soloists: Kiri Te Kanawa, Anne Sofie von Otter, Thomas Moser, Tom Krause
Other vocal soloists: Richard Cohn, Patrice Michaels, Debra Austin, William Watson
Obbligati: Donald Peck, Richard Graef, Louise Dixon, Walfrid Kujala, Ray Still, Judith Kulb, Grover Schiltz, Michael Henoch, Samuel Magad, Rubén González, Catharina Meints, Mary Sauer
Continuo: David Schrader, John Sharp, Joseph Guastafeste
Chicago Symphony Chorus; Margaret Hillis, director
Glen Ellyn Children’s Chorus; Lucy Ding, acting director
Following the performances in March 1987, the work was recorded for London Records. Andrew Cornall was the producer, and Simon Eadon and John Pellowe were the engineers.
I inadvertently neglected to include the 1971 performances in the first version of this post. —FV