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As we count down the days to Giuseppe Verdi‘s 200th birthday and our performance and simulcast of his Requiem led by Riccardo Muti, here are all of the recordings of the work by the Chicago Symphony Orchestra and Chorus.

Our eighth music director, Sir Georg Solti, was the first to commercially record Verdi’s Requiem. The work was recorded in Medinah Temple on June 1 and 2, 1977.


1977 – Sir Georg Solti

The soloists were Leontyne Price, soprano; Janet Baker, mezzo-soprano; Veriano Luchetti, tenor; and José van Dam, bass-baritone. The Chicago Symphony Chorus was prepared by Margaret Hillis.

Thomas Z. Shepard produced the recording, and Paul Goodman was the engineer for RCA (this was one of the few records Solti made independent of London/Decca). The recording won the 1977 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.


1993 – Daniel Barenboim

Ninth music director Daniel Barenboim led recording sessions for Verdi’s Requiem on September 20 and 21, 1993, in Orchestra Hall.

Soloists included Alessandra Marc, soprano; Waltraud Meier, mezzo-soprano; Plácido Domingo, tenor; and Ferruccio Furlanetto, bass. The Chicago Symphony Chorus was prepared by Margaret Hillis.

Martin Sauer produced the recording; Jean Chatauret was the sound engineer, assisted by Christopher Willis; and Martine Guers was the editor for Erato.

In his first concerts at the CSO’s music director designate, Riccardo Muti led performances of Verdi’s Requiem at Orchestra Hall on January 15, 16, and 17, 2009. The performances were recorded live for CSO Resound.


2009 – Riccardo Muti

The soloists were Barbara Frittoli, soprano; Olga Borodina, mezzo-soprano; Mario Zeffiri, tenor; and Ildar Abdrazakov, bass. The Chicago Symphony Chorus was prepared by Duain Wolfe.

Christopher Adler produced the recording, and Christopher Willis was the recording engineer. David Frost and Tom Lazarus did the mixing, and Frost and Silas Brown performed the stereo mastering. The recording won 2010 Grammy Awards for Best Classical Album and Best Choral Performance from the National Academy of Recording Arts and Sciences.

But wait, there’s more . . .

Fritz Reiner, the CSO’s sixth music director, led performances of the Requiem at Orchestra Hall on April 3 and 4, 1958. Soloists included Leonie Rysanek, soprano; Regina Resnik, mezzo-soprano; David Lloyd, tenor; and Giorgio Tozzi, bass. The Chicago Symphony Chorus—in their second subscription concert appearances—was prepared by Margaret Hillis.

The March 4 performance was recorded for radio broadcast and since then, it has surfaced on a variety of unauthorized releases. An Italian release on Melodram in 1986 even mistakenly labeled the LP jacket as “Orchestra e Coro: Chicago Lyric Opera.” Most recently, we have seen it on a CD release from Archipel. Unfortunately, the sound quality on both is not great, even though it does provide an interesting snapshot of Reiner’s interpretation of the work, not to mention the sound of a very young Chicago Symphony Chorus.


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Marin Alsop conducts the CSO in the world premiere of Threnos by Bruno Mantovani, Prokofiev’s haunting Third Piano Concerto - performed by pianist Daniil Trifonov - and Copland’s Third Symphony. Photos by @toddrphoto. As part of a series of events honoring the 100th anniversary of the World War I Armistice, this concert features works that encourage reflection and inspire hope. Chamber music performances of works from the World War I era by musicians of the Civic Orchestra of Chicago as well as a free lecture featuring Mark Clague, foremost scholar on the Star Spangled Banner preceded the concert.
In a program that reflects on the patriotism and adversity of World War I, tenor Mario Rojas and baritone Christopher Kenney—both from the Ryan Opera Center—and pianist Shannon McGinnis showcase works by Ives, Butterworth, Gurney and more at the Pritzker Military Museum & Library. Dr. William Brooks is the guest speaker. Photos by @toddrphoto. This performance is part of a series of public programs to commemorate the 100th anniversary of the Armistice that ended World War I, and is presented with leadership support from @tawanienterprises and @pritzkermilitary. And if you missed it, you can see this program on 10/23 at the @maynestage. #Armistice100
Tonight, the CSO performed Mahler’s monumental Third Symphony conducted by Andrés Orozco-Estrada. Over 600 students attended our College Night event, and Maestro Orozco-Estrada participated in a Q&A with the CSO Latino Alliance at their pre-concert networking event. Photos by @toddrphoto.


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