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The Chicago Symphony Orchestra joins the classical music world in mourning the tragic loss of the remarkable Siberian baritone Dmitri Hvorostovsky at the age of fifty-five. His passing was announced on his website on Wednesday, November 22.

Hvorostovsky appeared with the Chicago Symphony Orchestra on three occasions—all at the Ravinia Festival—as follows:

July 11, 1998
ROSSINI Overture to La scala di seta
VERDI Sul fil d’un soffio estesio from Falstaff
VERDI Tutto e deserto . . . Il balen del suo sorriso from Il trovatore
ROSSINI Overture to The Barber of Seville
ROSSINI Una voce poco fa from The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
ROSSINI Dunque io son from The Barber of Seville
MOZART Overture to The Marriage of Figaro, K. 492
MOZART Crudel! perchè finora from The Marriage of Figaro, K. 492
TCHAIKOVSKY Polonaise from Eugene Onegin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
GOUNOD Je veux vivre from Romeo and Juliet
GOUNOD Avant de quitter ces lieux from Faust
LEHÁR Gold and Silver Waltz, Op. 79
KORNGOLD Glück, das mir verblieb from Die tote Stadt
J. STRAUSS, Jr. On the Beautiful Blue Danube, Op. 314
Kathleen Battle, soprano
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor

July 11, 1998, Ravinia Festival

August 3, 2002
TCHAIKOVSKY Waltz and Polonaise from Eugene Onegin
TCHAIKOVSKY Kogda bi zhizn domashnim krugom from Eugene Onegin
TCHAIKOVSKY/Glazunov Melodie from Souvenir d’un lieu cher, Op. 42, No. 3
Samuel Magad, violin
TCHAIKOVSKY Ya vas lyublyu bezmerno from Pique Dame, Op. 68
ROSSINI Overture to The Barber of Seville
ROSSINI Largo al factotum from The Barber of Seville
VERDI Overture to La forza del destino
VERDI Pietà, rispetto, amore from Macbeth
VERDI Ballet Music from Macbeth
VERDI Son io, mio Carlo . . . Per me giunto . . . O Carlo, ascolta from Don Carlo
VERDI Cortigiani, vil razza dannata from Rigoletto
Dmitri Hvorostovsky, baritone
Christoph Eschenbach, conductor
Soprano Karita Mattila also was scheduled to appear but canceled due to illness.

August 15, 2009
VERDI Rigoletto
Gilda Eglise Gutiérrez, soprano
Countess Ceprano Valerie Vinzant, soprano
Giovanna/Page Katherine Lerner, mezzo-soprano
Maddalena Natascha Petrinsky, mezzo-soprano
Matteo Borsa Hak Soo Kim, tenor
Duke of Mantua Stefano Secco, tenor
Count Ceprano/Court Usher Jonathan Beyer, baritone
Marullo Paul Corona, bass-baritone
Rigoletto Dmitri Hvorostovsky, baritone
Monterone Jason Stearns, baritone
Sparafucile Morris Robinson, bass
Apollo Chorus of Chicago
Stephen Alltop, director
James Conlon, conductor

At Orchestra Hall, Hvorostovsky appeared in recital on four occasions, as follows:

November 17, 1996
with the Saint Petersburg Chamber Choir
Nikolai Korniev, conductor

May 2, 1999
Mikhail Arkadiev, piano

October 22, 2000
Mikhail Arkadiev, piano

February 16, 2011
Ilja Ivari, piano

Countless tributes have been posted online, including websites of the Chicago Tribune, Chicago Sun-Times, The New York Times, and Opera News, among many others. A collection of his best performances on video can be found here.

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After the Europe Tour 2020, Riccardo Muti joined the Orchestra again for a three-week CSO residency in February that included the Florida Tour 2020 and two programs at Symphony Center. In celebration of the Music Director’s time with the Orchestra during the past two months, please enjoy this video featuring Maestro Muti leading the Chicago Symphony Orchestra and Chorus in an excerpt from Mascagni’s Cavalleria rusticana, featuring mezzo-soprano Anita Rachvelishvili as Santuzza. 🎥@toddrphoto
Opening with the most famous four notes in all of classical music, Beethoven’s Fifth Symphony is featured on this CSO program led by Riccardo Muti, along with the composer’s Second Symphony and the world premiere of Ophelia’s Tears, Concertante Elegy, a new work by Nicolas Bacri featuring the CSO’s own bass clarinet J. Lawrie Bloom as soloist. #Beethoven250 📸@toddrphoto
“In four years, I had been in five orchestras,” said CSO Bass Clarinet J. Lawrie Bloom about the beginning of his orchestral career. As a clarinetist, he never set out to play the bass clarinet, but there just happened to be orchestral positions for the instrument when he began seeking a job. “That is how fast the auditions were happening. But by then, I had really started to realize that the bass gave me a voice I’d never had.” J. Lawrie Bloom takes center stage this week in Orchestra Hall for the world premiere of Nicolas Bacri’s Ophelia’s Tears, Concertante Elegy for Bass Clarinet and Orchestra, led by Riccardo Muti. #MusicianMonday 📸@toddrphoto

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