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With the Chicago Symphony Orchestra and Chorus, Sir Georg Solti conducted Haydn’s The Creation on three different occasions at Orchestra Hall:

December 11 and 12, 1969 (performed in English)
Gabriel and Eve Heather Harper, soprano
Uriel Stuart Burrows, tenor
Raphael and Adam Giorgio Tozzi, bass
Chicago Symphony Chorus; Margaret Hillis, director
This was Solti’s first collaboration as music director with Margaret Hillis and the Chicago Symphony Chorus. These were also the first subscription concert performances of Haydn’s The Creation.

November 5, 6, and 8, 1981 (performed in German)
Gabriel Norma Burrowes, soprano
Eve Sylvia Greenberg, soprano
Uriel Rüdiger Wohlers, tenor
Raphael James Morris, bass
Adam Siegmund Nimsgern, bass-baritone
Chicago Symphony Chorus; Margaret Hillis, director

Following the performances, the work was recorded for London Records. Paul Myers was the producer, and James Lock and John Dunkerley were the engineers. The recording won the 1983 Grammy Award for Best Choral Performance (other than opera) from the National Academy of Recording Arts and Sciences.

October 29, 30, and November 2, 1993 (performed in German)
Gabriel and Eve Ruth Ziesak, soprano
Uriel Herbert Lippert, tenor
Raphael René Pape, bass
Adam Anton Scharinger, bass-baritone
Chicago Symphony Chorus; Margaret Hillis, director

The work was recorded live by London Records. Michael Woolcock was the producer, John Pellowe and Jonathan Stokes were the engineers, and Deborah Gilbert was the tape editor.

Solti rehearsing the Orchestra, Chorus, and soloists for Haydn’s oratorio in November 1981.

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After the Europe Tour 2020, Riccardo Muti joined the Orchestra again for a three-week CSO residency in February that included the Florida Tour 2020 and two programs at Symphony Center. In celebration of the Music Director’s time with the Orchestra during the past two months, please enjoy this video featuring Maestro Muti leading the Chicago Symphony Orchestra and Chorus in an excerpt from Mascagni’s Cavalleria rusticana, featuring mezzo-soprano Anita Rachvelishvili as Santuzza. 🎥@toddrphoto
Opening with the most famous four notes in all of classical music, Beethoven’s Fifth Symphony is featured on this CSO program led by Riccardo Muti, along with the composer’s Second Symphony and the world premiere of Ophelia’s Tears, Concertante Elegy, a new work by Nicolas Bacri featuring the CSO’s own bass clarinet J. Lawrie Bloom as soloist. #Beethoven250 📸@toddrphoto
“In four years, I had been in five orchestras,” said CSO Bass Clarinet J. Lawrie Bloom about the beginning of his orchestral career. As a clarinetist, he never set out to play the bass clarinet, but there just happened to be orchestral positions for the instrument when he began seeking a job. “That is how fast the auditions were happening. But by then, I had really started to realize that the bass gave me a voice I’d never had.” J. Lawrie Bloom takes center stage this week in Orchestra Hall for the world premiere of Nicolas Bacri’s Ophelia’s Tears, Concertante Elegy for Bass Clarinet and Orchestra, led by Riccardo Muti. #MusicianMonday 📸@toddrphoto

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