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Sir Georg Solti (Yousuf Karsh photo)

As the summer of 1997 drew to a close, the Chicago Symphony Orchestra Association was putting the finishing touches on Symphony Center, culminating a three-year, $120 million project. To celebrate the renovation of Orchestra Hall and facilities expansion, a three-week festival was planned that included gala concerts and the first Day of Music, twenty-four hours of free, live performances across all genres in multiple Symphony Center venues.

One of the gala concerts was scheduled for Saturday, October 25, with music director laureate Sir Georg Solti leading the Orchestra in an all-Beethoven program: the Seventh Symphony and the Emperor Piano Concerto with music director Daniel Barenboim as soloist. The concert would celebrate not only Solti’s 85th birthday (October 21, 1997) but also his 1,000th concert with the Orchestra. In November, he was scheduled to return for two weeks of subscription concerts, leading Ives’s Decoration Day, Schumann’s Symphony no. 3, and Mendelssohn’s Symphony no. 3, along with a full program of choruses from Wagner’s operas with the Chicago Symphony Chorus, to be recorded live by London.

Over the Labor Day holiday, the world had been rocked with the news of the tragic death of Princess Diana on Sunday, August 31. The day before her funeral on September 5, news outlets began to report the death of Mother Teresa in Calcutta, India. And late that same evening, we heard the unthinkable. While on holiday with his family in Antibes, France, Sir Georg Solti had taken ill and died peacefully in his sleep.

Michigan Avenue entrance of Orchestra Hall on September 6, 1997 (Marilyn Arado photo)

“I had just returned hours earlier from Europe, where I was working with Daniel Barenboim on Solti’s 85th birthday celebration concert,” remembered Martha Gilmer, former vice president for artistic planning. After confirming with Charles Kaye, Solti’s longtime assistant, she called Barenboim in Bayreuth, waking him to relay the news.

“I was stunned,” recalled Henry Fogel, then president of the CSO Association. The following morning, senior staff held a meeting to determine how to proceed with the plans for the festival, among several other issues. As some of them approached the entrance, “We were very touched because when we came to Orchestra Hall, one person had left a bouquet of flowers at the Michigan Avenue entrance.”

Daniel Barenboim leads Mozart’s Requiem on October 22, 1997 (Jim Steere photo)

The festival would continue mostly as planned. The Symphony Center inaugural gala opened with Barenboim leading a performance of Nimrod from Elgar’s Enigma Variations, performed in Solti’s memory. A special, free memorial concert was added on October 22 with Barenboim leading Wagner’s Prelude to Die Meistersinger von Nürnberg and the Prelude and Liebestod from Tristan and Isolde, followed by Mozart’s Requiem with Emily Magee, Anna Larsson, John Aler, René Pape, and the Chicago Symphony Chorus, prepared by Duain Wolfe.

Richard L. Thomas receives one of Solti’s batons from Lady Valerie Solti on October 25, 1997 (Jim Steere photo)

The program for the celebration concert on October 25 changed slightly, and Barenboim led Beethoven’s Third Piano Concerto from the keyboard along with the Seventh Symphony. At the beginning of the concert, Lady Valerie Solti presented Richard L. Thomas (chairman of the CSO Association from 1986 until 1991) with one of Solti’s batons.

A special commemorative program book for the memorial and celebration concerts was prepared, and it included tributes from President Bill Clinton, Illinois governor Jim Edgar, and Chicago mayor Richard M. Daley, along with Solti’s colleagues from all over the world, members of the Orchestra, and administrative staff. The program book is available here.

The block of Adams Street between Michigan and Wabash avenues was named honorary Sir Georg Solti Place on October 24, 1997. The following spring (just before the beginning of the fifteenth European tour with concerts in Paris and Berlin), a small contingent of Orchestra family traveled to Budapest for a ceremony on March 28, 1998, in which Solti’s ashes were interred next to the grave of his teacher, Béla Bartók. During the ceremony, principal viola Charles Pikler performed Ravel’s Kaddish.

Fogel continued, “One thought that I did keep having was how sad it was that Maestro Solti would never see the renovated hall, with which I believe he would have been thrilled.”

“Solti, so vibrant, such energy, such magnetism, such a life force,” added Gilmer. “It was impossible to believe that it ended so quietly and in a place so far away. . . . He was a young 84-year-old and what occurred to all of us is that we had all been robbed of wonderful musical memories that were yet to be made.”

Decca Classics is releasing a 108-CD set of Sir Georg Solti’s entire catalog with the Chicago Symphony Orchestra and Chorus in the United States on September 15, 2017. It can be pre-ordered here.

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The CSO and Maestro Muti perform a program featuring Prokofiev’s Suite from Romeo and Juliet and Dvořák’s Symphony No. 9 (From the New World) at the historic Teatro di San Carlo for a capacity audience. Taking the podium to announce the evening’s encore—Giordano’s Intermezzo from Fedora—Muti noted “although, I’m 100% Italian, I’m 200% Southern Italian.” After the concert, Maestro Muti and his wife hosted the musicians of the Orchestra and distinguished guests for a post-concert dinner featuring traditional Neapolitan cuisine. On Sunday morning before the concert, Maestro Muti and three CSO musicians—Jennifer Gunn, piccolo; Charles Vernon, trombone; and Gene Pokorny, tuba—share an informal performance with young men and women at a juvenile justice center in nearby Nisida. The program was presented by the Negaunee Music Institute with assistance from the administrative staff of the Teatro di San Carlo. #CSOonTour 📸@toddrphoto
Musicians and staff travel from Paris to Naples. Called Napoli in Italian, its name is derived from the Greek word Neapolis meaning "new city.” The city is the birthplace of Riccardo Muti, as well as the birthplace of pizza! This tour stop includes the CSO’s first return to the world renowned Teatro di San Carlo with Maestro Muti since 2012. That appearance marked its first European tour appearance in Naples. 📸@toddrphoto
Riccardo Muti and the CSO spend less than 24 hours in Paris for a concert at the Philharmonie de Paris with a program featuring works by Wagner, Hindemith and Dvořák. The last time they performed in this hall was during their most recent tour to Europe in January 2017. #CSOonTour 📸@toddrphoto

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