You are currently browsing the tag archive for the ‘Jennie Tourel’ tag.

On August 25, 2018, the Chicago Symphony Orchestra joins the music world in celebrating the centennial of composer, conductor, pianist, author, and lecturer Leonard Bernstein, who was, according to John von Rhein, “one of the most phenomenally gifted and successful Renaissance men of music in American history.”

Shortly after his remarkable debut—replacing an ailing Bruno Walter—with the New York Philharmonic on November 14, 1943, Bernstein first appeared with the Chicago Symphony Orchestra on July 4, 1944. The “much discussed young conductor . . . drew 4,100 people to Ravinia last night,” wrote Claudia Cassidy in the Chicago Tribune. “It was Mr. Bernstein’s concert. . . . The eye and the ear inevitably gravitated to the slight young figure on the podium, a dark young man with a sensitive, sensuous face a little like David Lichine’s, hands that gyrate so convulsively they scarcely could hold a baton if they tried, and eyes that somehow manage to be agonized, supplicant, and truculent without losing their place in the score. A fascinating fellow, this Bernstein, dynamic, emotional, yet under complete control.”

Bernstein appeared with the Orchestra on several occasions in Orchestra Hall, at the Ravinia Festival, and in Milwaukee and New York City, as follows:

July 4, 1944, Ravinia Festival
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Violin Concerto in D Major, Op. 61
Joseph Szigeti, violin
SIBELIUS Symphony No. 1 in E Minor, Op. 39

July 6, 1944, Ravinia Festival
TCHAIKOVSKY Romeo and Juliet
RAVEL Piano Concerto in G Major
Leonard Bernstein, piano
Herman Felber, Jr., conductor
TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36

July 8, 1944, Ravinia Festival
BARTÓK Rhapsody No. 1 for Violin and Orchestra
Joseph Szigeti, violin
MOZART Serenade in G Major, K. 525 (Eine kleine Nachtmusik)
MOZART Violin Concerto No. 4 in D Major, K. 218
Joseph Szigeti, violin
STRAUSS Don Juan, Op. 20
STRAVINSKY Suite from The Firebird

July 9, 1944, Ravinia Festival
BERNSTEIN Symphony No. 1 (Jeremiah)
Jennie Tourel, mezzo-soprano
COPLAND Suite from Our Town
ROSSINI “Non più mesta” from La Cenerentola
Jennie Tourel, mezzo-soprano
ROSSINI Overture to La gazza ladra
SIBELIUS Symphony No. 1 in E Minor, Op. 39

July 31, 1945, Ravinia Festival
BRAHMS Academic Festival Overture in C Minor, Op. 80
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Leon Fleisher, piano
SHOSTAKOVICH Symphony No. 5 in D Minor, Op. 47

August 2, 1945, Ravinia Festival
CASADESUS/Steinberg Concerto in D Major
BEETHOVEN Symphony No. 3 in E-flat Major, Op. 55 (Eroica)

August 4, 1945, Ravinia Festival
COPLAND El salón México
FRANCK Symphonic Variations for Piano and Orchestra
Leon Fleisher, piano
LISZT Piano Concerto No. 2 in A Major
Leon Fleisher, piano
MOZART Symphony No. 38 in D Major, K. 504 (Prague)

August 5, 1945, Ravinia Festival
BERNSTEIN Suite from Fancy Free
HAYDN Symphony No. 85 in B-flat Major (La reine)
SHOSTAKOVICH Symphony No. 5 in D Minor, Op. 47

January 1951

January 18, 19, and 23, 1951, Orchestra Hall
January 22, 1951, Pabst Theater, Milwaukee
HAYDN Symphony No. 102 in B-flat Major
RAVEL Piano Concerto in G Major
Leonard Bernstein, piano and conductor
STRAVINSKY The Rite of Spring

January 25 and 26, 1951, Orchestra Hall
BACH Brandenburg Concerto No. 5 in D Major, BWV 1050
René Rateau, flute
John Weicher, violin
Leonard Bernstein, piano and conductor
MAHLER Symphony No 2 in C Minor (Resurrection)
Alyne Dumas Lee, soprano
Ruth Slater, mezzo-soprano
Chicago Musical College Chorus
Christian Choral Club
James Baar, director

July 26, 1956, Ravinia Festival
CASADESUS/Steinberg Andante lento molto from Concerto in D Major
BERNSTEIN Serenade
Vladimir Spivakovsky, violin
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

July 27, 1956, Ravinia Festival
BERNSTEIN Symphony No. 2 (The Age of Anxiety)
Byron Janis, piano
MOZART Symphony No. 29 in A Major, K. 201
SCHUMANN Symphony No. 2 in C Major, Op. 61

July 28, 1956, Ravinia Festival
BACH Brandenburg Concerto No. 5 in D Major, BWV 1050
Ernst Liegl, flute
John Weicher, violin
Leonard Bernstein, piano and conductor
BERNSTEIN Symphony No. 1 (Jeremiah)
Jennie Tourel, mezzo-soprano
MOZART “Zeffiretti lusinghiere” from Idomeneo, K. 366
Jennie Tourel, mezzo-soprano
MOZART “Ch’io mi scordi di te?”, K. 505
Jennie Tourel, mezzo-soprano
Leonard Bernstein, piano and conductor
STRAVINSKY Suite from The Firebird

Leonard Bernstein in rehearsal with the Chicago Symphony Orchestra in June 1988 (Jim Steere photo)

June 16 and 17, 1988, Orchestra Hall
STRAUSS Death and Transfiguration, Op. 24
John Fiore, conductor
STRAUSS Don Juan, Op. 20
Kate Tamarkin, conductor
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Leif Bjaland, conductor
SHOSTAKOVICH Symphony No. 1, Op. 10
Bjaland, Fiore, and Tamarkin appeared in conjunction with the 1988 American Conductors Program for which Bernstein was the artistic advisor. A joint project of the American Symphony Orchestra League and the Chicago Symphony Orchestra, the program was made possible through the generous support of the Ford Motor Company Fund.

June 21 and 22, 1988, Orchestra Hall
June 24, 1988, Avery Fisher Hall, New York
SHOSTAKOVICH Symphony No. 7, Op. 60 (Leningrad)

“I cannot recall a season finale of recent years, in fact, that sent the audience home on such a tidal wave of euphoria, and for so many of the right reasons,” wrote John von Rhein in the Chicago Tribune, following the first performance of the Leningrad Symphony on June 21. “Indeed, the conductor was constantly pushing the music beyond the rhetorical brink, then drawing back when things threatened to go over the top. Of course, he had the world’s greatest Shostakovich brass section at his ready command. The augmented brasses blared with magnificent menace, the violins sounded their unison recitatives with vehement intensity. And the woodwinds, with their always crisp and characterful playing, reminded us of the many poetic, soft sections that separate the bombastic outbursts.”

Both of Shostakovich’s symphonies were recorded live by Deutsche Grammophon and the subsequent release received the 1990 Grammy Award for Best Orchestral Performance.

Portions of this article previously appeared here.

Advertisements

the vault

Theodore Thomas

csoarchives twitter feed

chicagosymphony twitter feed

disclaimer

The opinions expressed here are mine and do not necessarily reflect those of my employer.

visitors

  • 333,741 hits
Advertisements
%d bloggers like this: