You are currently browsing the tag archive for the ‘Henry Hadley’ tag.

125_blog_banner

____________________________________________________

June 14, 1933

June 14, 1933

In conjunction with A Century of Progress International Exposition—the World’s Fair held in Chicago to celebrate the city’s centennial—several concerts were given at the Auditorium Theatre under the auspices of the Chicago Friends of Music. The first concert of the series, on June 14, 1933, was a celebration of American music; during the first half of the program, Frederick Stock led the Chicago Symphony Orchestra in Henry Hadley’s In Bohemia Overture and Deems Taylor’s Through the Looking-Glass Suite. After intermission, conductor William Daly and pianist George Gershwin took the stage for the thirty-four-year-old composer’s Concerto in F, An American in Paris, and Rhapsody in Blue.

Chicago Tribune, June 15, 1933

Chicago Tribune, June 15, 1933

“We may put by forever explanation, apologia, and réserve in writing about American music after hearing George Gershwin and his compositions last night at the Auditorium. Gershwin is American music translated in terms of audacity, humor, wit, cleverness, spontaneity, vitality, and overwhelming naturalness. Nothing like his Concerto in F has ever been heard in the symphonic world, and if it is not the very essence of Amercanism, I do not know my profession nor the art it serves,” wrote Herman Devries in the Chicago American. “Gershwin vibrates to the tune of a people and is animated by its own pulse beat. . . . He is the music of America.”

Gershwin and Daly appeared once more with the Orchestra at the Ravinia Festival on July 25, 1936, for a gala concert during the festival’s first season. A capacity crowd—by some estimates over 8,000 people, many climbing trees for a glimpse of the performers—packed the park to hear an all-Gershwin concert that again featured the Concerto in F and Rhapsody in Blue with the composer as soloist, along with Daly leading An American in Paris and a suite from Porgy and Bess.

This article also appears here.

Advertisements

125_blog_banner

____________________________________________________

Swift Bridge of Service  bandshell, date  (Chicago Tribune archive photo)

Eric DeLamarter and the Orchestra onstage at the Swift Bridge of Service bandshell, July 1, 1934 (Chicago Tribune archive photo)

A Century of Progress International Exposition—the World’s Fair celebrating the centennial of the city of Chicago—opened on May 27, 1933, and due to its immense popularity, was extended through October 31, 1934, attracting nearly fifty million visitors.

Beginning on July 1, 1934, the Chicago Symphony Orchestra presented 125 concerts at the Swift Bridge of Service, which linked the mainland with Northerly Island at 23rd Street. For ten weeks, the Orchestra regularly presented as many as fourteen concerts each week—a matinee at 3:30 p.m. and an evening concert at 8:00 p.m. every day of the week—only occasionally canceling due to extreme heat or rain and rarely repeating repertoire.

Weimer Pursell, silkscreen print by Neely Printing Co., Chicago

Image by Weimer Pursell (1906–1974), featuring the fair’s Government Building

Associate conductor Eric DeLamarter, who conducted more than two-thirds of those concerts, led the first program on Sunday afternoon, July 1. He conducted the Orchestra in Wagner’s Huldigungsmarsch, Schubert’s Unfinished Symphony, Parlow’s arrangement of two of Brahms’s Hungarian Dances, Thomas’s Overture to Mignon, Tchaikovsky’s Capriccio italien, Glazunov’s Ruses d’amour, and dances from Borodin’s Prince Igor.

Guest conductors included Jerzy Bojanowski, Carl Bricken, Henry Hadley, Sir Hamilton Harty, Victor Kolar, Karl Krueger, Anthony A. Olis, Frank St. Leger, Willem van Hoogstraten, and Henry Weber. Several Orchestra members were featured as soloists, including concertmaster John Weicher, viola Clarence Evans, principal cello Daniel Saidenberg, cello Richard Wagner, principal bass Vaclav Jiskra, and principal harp Joseph Vito.

Frederick Stock led the final concert on Saturday evening, September 8, conducting his transcription of Bach’s Passacaglia and Fugue in C minor, Tchaikovsky’s Fifth Symphony, Ravel’s La valse, his arrangement of the love scene from act 2 of Wagner’s Tristan and Isolde, and Respighi’s Pines of Rome.

This article also appears here.

the vault

Theodore Thomas

csoarchives twitter feed

chicagosymphony twitter feed

ChicagoSymphony Instagram

Last night - Maestro Riccardo Muti and the CSO with pianist Kirill Gerstein (@kgerstein) perform Puccini’s Preludio sinfonico, R. Strauss’ Suite from Le bourgeois gentilhomme and Brahms’ Piano Concerto No. 1. Photos by @toddrphoto.

disclaimer

The opinions expressed here are mine and do not necessarily reflect those of my employer.

visitors

  • 252,726 hits
%d bloggers like this: