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Silvia Kargl, archivist for the Vienna Philharmonic, gives a tour of the artifacts to Jamie Bernstein

Silvia Kargl, archivist for the Vienna Philharmonic, gives a tour of the artifacts to Jamie Bernstein (Ardon Bar-Hama photo)

On Wednesday, February, 22, the Austrian Cultural Forum in New York City hosted a concert and exhibit opening for Vienna and New York: 175 Years of Two PhilharmonicsFeaturing artifacts highlighting the founding and history of both the New York Philharmonic and the Vienna Philharmonic Orchestra, the exhibit also included the manuscript score of Richard Strauss’s Symphony no. 2 in F minor from the Theodore Thomas collection in the Chicago Symphony Orchestra’s Rosenthal Archives.

Frank Villella, archivist for the Chicago Symphony Orchestra, describes the Strauss manuscript to Matthew VanBesien, president of the New York Philharmonic, and William Josephson

Frank Villella, archivist for the Chicago Symphony Orchestra, describes the Strauss manuscript to Matthew VanBesien, president of the New York Philharmonic, and William Josephson (Ardon Bar-Hama photo)

Musicians from both orchestras—clarinet Daniel Ottensamer and violins Daniel Froschauer and Harald Krumpöck from the Vienna Philharmonic, and viola Cynthia Phelps and cello Carter Brey from the New York Philharmonic—were on hand to perform Mozart’s Clarinet Quintet at the beginning of the program. Remarks were delivered by the presidents of both orchestras, Andreas Großbauer and Matthew VanBesien, along with Sebastian Kurz, Austria’s minister for foreign affairs and integration. And in the entryway to the Forum, COSMIC ROCKET, a temporary art installation by Nives Widauer, utilized tour trunks from both orchestras.

Barbara Haws, archivist for the New York Philharmonic, talks about the case dedicated to Leonard Bernstein

Barbara Haws, archivist for the New York Philharmonic, talks about the case dedicated to Leonard Bernstein (Ardon Bar-Hama photo)

The press release describing the event and exhibit is here, and an article from The New York Times, which includes images of several of the artifacts, is here.

The exhibit will be open to the public until March 10 and then travel on to Vienna (the Strauss score will only be included in the New York leg of the exhibit), opening on March 28 at the Haus der Musik and on display through January 2018.

Archivists and historians representing five institutions were on hand for the opening reception: Gino Fran

Archivists and historians representing five institutions were on hand for the opening reception: Gino Francesconi (Carnegie Hall), Barbara Haws (New York Philharmonic), Silvia Kargl (Vienna Philharmonic), Frank Villella (Chicago Symphony Orchestra), Gabryel Smith (New York Philharmonic), Friedemann Pestel (Vienna Philharmonic), and Bridget Carr (Boston Symphony Orchestra) (Ardon Bar-Hama photo)

Strauss's manuscript score for his Symphony in F minor, paired with the New York Philharmonic program from the world premiere, December 13, 1884

Strauss’s manuscript score for his Symphony in F minor paired with December 13, 1884, program from the New York Philharmonic world premiere, conducted by Theodore Thomas

The manuscript score of Richard Strauss’s Symphony no. 2 in F minor—one of the most historically significant artifacts in the Theodore Thomas collection—is back in New York.

During the 2016-17 season, the New York Philharmonic and the Vienna Philharmonic Orchestra—both founded in 1842—celebrate their 175th anniversaries. To commemorate this remarkable occasion, a joint exhibit of archival materials opens this week at the Austrian Cultural Forum in New York. For this event, the Rosenthal Archives of the Chicago Symphony Orchestra was invited to collaborate, loaning the Strauss score.

The exhibit will then travel to Vienna (the Strauss score will only be included in the New York leg of the exhibit) and open on March 28 at the Haus der Musik (the one-time home of Otto Nicolai, the founder of the Vienna Philharmonic), launching a new permanent archive.

Coinciding with the exhibit, the Vienna Philharmonic presents three concerts at Carnegie Hall on February 24, 25, and 26, and the New York Philharmonic will perform at Vienna’s Konzerthaus on March 29 as part of its spring European tour.

Several images of the artifacts featured and the exhibit setup are below. More images of tonight’s press opening event to come . . . stay tuned!

Ardon Bar-Hama photographs the title page of Strauss's F minor symphony

In the New York Philharmonic’s archives, Ardon Bar-Hama photographs the title page of Strauss’s F minor symphony

A first edition of Beethoven's Fifth Symphony, used for the New York Philharmonic's first concert

A first edition of Beethoven’s Fifth Symphony, used for the New York Philharmonic’s first concert

Program for the New York Philharmonic's first concert, given on December 7, 1842

Program for the New York Philharmonic’s first concert, given on December 7, 1842

New York Philharmonic assistant archivist Gabryel Smith setting up the exhibit

New York Philharmonic assistant archivist Gabryel Smith setting up the exhibit

New York Philharmonic program for Leonard Bernstein's debut (replacing Bruno Walter) on November 14, 1943

New York Philharmonic program for Leonard Bernstein’s debut (replacing Bruno Walter) on November 14, 1943

Program for the Vienna Philharmonic Orchestra's first concert, given on March 28, 1842

Program for the Vienna Philharmonic Orchestra’s first concert, given on March 28, 1842

Founding documents for the Vienna and New York orchestras

Founding documents for the Vienna and New York orchestras

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Riccardo Muti leads the CSO in a collection of Italian opera’s greatest masterpieces for a festive season finale. With works by Giuseppe Verdi including “Va, Pensiero” from Nabucco and the famous Anvil Chorus from Il trovatore, along with the Prologue from Boito’s Mefistofele, this performance is not be missed. There will be a post-concert CD signing with Maestro Muti on Sunday, June 25 and tickets for performances on June 23, 24 and 25 are still available - the link is in our bio. Photo by @toddrphoto.

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