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Francis Akos

The Chicago Symphony Orchestra family notes with sorrow the passing of Francis Akos, a member of the violin section from 1955 until 2003. He died earlier today in Minneapolis following a brief illness at the age of 93.

Akos was hired by Fritz Reiner in 1955 as assistant principal second violin and moved to principal second in 1956. In 1959, he became assistant concertmaster and remained in that chair until 1997, when he was named assistant concertmaster emeritus, a title he retained until his retirement in 2003.

A native of Budapest, Hungary, Akos, studied at the Franz Liszt Academy of Music with Béla Bartók, Zoltán Kodály, Leó Weiner, Imre Waldbauer, and Ede Zathureczky. He received his artist’s diploma in performance as well as a teacher’s diploma. As best of his class, Akos won both the Jenő Hubay prize and the Reményi Prize (a violin made especially for the winner of the competition) in the same year. Just before World War II, he formed a trio with cellist János Starker and pianist György Sebök (forty years later in December 1980, the three performed a reunion concert in Chicago).

After surviving the Holocaust (a brief interview from 1990 in which he describes his immediate postwar months is available here), Akos served as concertmaster of the Budapest Symphony Orchestra and later of the Hungarian Royal Opera and Philharmonic orchestras, the youngest person ever to hold these posts. After leaving Hungary, he was concertmaster of the Gothenburg Symphony Orchestra in Sweden and then of the Städtishce Oper (now the Deutsche Oper Berlin).

In 1954, Akos immigrated to the United States, where he performed at the Aspen Music Festival and with the Minneapolis Symphony (now the Minnesota Orchestra) under Antal Doráti before joining the Chicago Symphony Orchestra in 1955. He appeared as soloist with the Orchestra on numerous occasions, under music directors Reiner, Sir Georg Solti, and Daniel Barenboim, as well as with Carlo Maria Giulini, Gennady Rozhdestvensky, and János Ferencsik, among others.

Francis Akos in 2003 (Gregory Morton photo)

Francis Akos in 2003 (Gregory Morton photo)

Akos founded and led the Chicago Strings, a chamber ensemble comprised of CSO musicians; was leader of the Old Town Chamber Music Series; served as music director of the Fox River Valley Symphony in Aurora; and was conductor of the Chicago Heights Symphony Orchestra. As founding music director of the Highland Park Strings, he led that ensemble for twenty-eight years.

Akos is survived by two daughters, Kate Akos (Harry Jacobs) of San Francisco, California, and Judy Akos Berkowitz (Dennis Berkowitz) of Edina, Minnesota, and beloved grandchildren Justin and Melissa. Services will be private and plans for a public memorial will be announced at a later date. The family asks that any gifts of remembrance be made to the Chicago Symphony Orchestra, the Highland Park Strings, or the United States Holocaust Memorial Museum.

At the time of his retirement in 2003, Akos reflected on his years with the Chicago Symphony Orchestra: “For more than half my life, I have lived in Chicago as a member of the world’s greatest orchestra. The music, the composers, the conductors, and the soloists have inspired me. I am especially grateful to have been blessed with the inspiration I have received from my CSO colleagues during my professional life.”

An obituary was posted by the Chicago Tribune on January 29, 2016.

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CSO musicians explore the city and Principal Trombone Jay Friedman conducts a master class during the day off in Florence. Musicians visit the Duomo, the cathedral of Florence, which features Giorgio Vasari's frescoes of The Last Judgment; the Uffizi Gallery, which houses works by Leonardo da Vinci and Michelangelo among other artists; and Florence’s Galleria dell’Accademia, home to Michelangelo’s David. The Ponte Vecchio Bridge, built over the Arno River, is known for the shops that are built on top of it. #CSOonTour 📸@toddrphoto
CSO musicians travel from Naples to Florence, the capital of Italy’s Tuscany region. Considered the birthplace of the Renaissance, the city has been the home of historical figures including Leonardo da Vinci, Michelangelo, Donatello, Raphael, Dante, political theorist Machiavelli, astronomer Galileo, the Medici family, navigator Amerigo Vespucci and humanitarian Florence Nightingale. Riccardo Muti leads the CSO’s debut performance at the Teatro del Maggio Musicale Fiorentino with a program featuring works by Wagner, Hindemith and Prokofiev. #CSOonTour 📸@toddrphoto
The CSO and Maestro Muti perform a program featuring Prokofiev’s Suite from Romeo and Juliet and Dvořák’s Symphony No. 9 (From the New World) at the historic Teatro di San Carlo for a capacity audience. Taking the podium to announce the evening’s encore—Giordano’s Intermezzo from Fedora—Muti noted “although, I’m 100% Italian, I’m 200% Southern Italian.” After the concert, Maestro Muti and his wife hosted the musicians of the Orchestra and distinguished guests for a post-concert dinner featuring traditional Neapolitan cuisine. On Sunday morning before the concert, Maestro Muti and three CSO musicians—Jennifer Gunn, piccolo; Charles Vernon, trombone; and Gene Pokorny, tuba—share an informal performance with young men and women at a juvenile justice center in nearby Nisida. The program was presented by the Negaunee Music Institute with assistance from the administrative staff of the Teatro di San Carlo. #CSOonTour 📸@toddrphoto

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