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The Chicago Symphony Orchestra family notes with sorrow the passing of Fred Spector, a member of the violin section from 1956 until 2003. He died earlier today, June 3, 2017, at his home in Chicago’s Lincoln Park. He was 92.

Fred Spector (J.B. Spector photo)

Solomon E. (Fred) Spector was born on March 11, 1925, on Chicago’s West Side and began violin lessons at the age of five with his uncle J.B. Mazur, concertmaster of the Czar’s Imperial Orchestra in Saint Petersburg. He attended Hyde Park High School and Chicago Musical College, and his teachers included CSO concertmaster John Weicher, Leon Sametini, and Paul Stassevitch for violin, and Henry Sopkin (who founded the Atlanta Symphony Orchestra in 1945) for conducting.

Spector flew as a U.S. Army bombardier and navigator in Japan during World War II and became the first American violinist to concertize there after the war ended. He returned to Chicago and became concertmaster of the Civic Orchestra, studied conducting with Rudolph Ganz, and later was a member of the Lyric Opera of Chicago Orchestra.

Speaking to the Chicago Tribune in 1994, Spector said that he “was actually hired into the CSO twice. The first time was in 1948 when a music director by the name of Artur Rodzinski heard me play some solos and gave me a job. The audition process was different back then, too. But Rodzinski was fired right after that, and the CSO didn’t honor any of his contracts—including mine. So I was hired and fired within a few weeks. Eight years later, the CSO asked me to audition again. I was conducting Broadway shows then—at that time it was Top Banana with Phil Silvers.”

Fred Spector in the early 1970s (Terry’s photo)

Music director Fritz Reiner hired Spector in 1956 and he served the Chicago Symphony Orchestra until his retirement in 2003. A chamber music enthusiast, he also performed with numerous ensembles in the Chicago area and was a member of the Chicago Strings, the Chicago Symphony Quartet, and the Chicago Arts Quartet for many years. Spector also was assistant conductor of the Highland Park Music Theatre.

Among numerous collectibles reflecting his varied interests, Spector was the proud owner of an extensive library of books on violin and bow history. His collection of mutes for string instruments (one of the world’s largest) included some that he found during the Orchestra’s national and international tours. Spector was the proud owner of a Carlo Bergonzi violin that dated from 1733.

Also in 1994 for the Tribune, Spector added: “playing with the CSO—which is one of the best orchestras in the world—is really something. It’s extraordinary. Even after all these years, we play concerts that still excite me. Concerts that leave me saying, ‘That was special. Everything was marvelous.’ ”

Spector is survived by Estelle, his beloved wife of sixty-six years; their children Lea, Mia (Terry), J.B. (Martha), Julie, and Ari (Jeanne); grandchildren Matt (Eve) Temkin, Dan (Kari) Temkin, Erinn Cohen, Ross Cohen, Caitlynn Spector, Adam Spector; and great-grandson Charlie Temkin. He also is survived by his brother David (Carol).

Services will be Tuesday, June 6, 2017, at 11:30 a.m. at Goldman Funeral Group, Skokie Chapel (8851 Skokie Boulevard, Skokie). Interment to follow at Memorial Park Cemetery (9900 Gross Point Road, Skokie).

In lieu of flowers, the family asks to please consider a donation to The Village Chicago or 98.7WFMT.

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Theodore Thomas

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After the Europe Tour 2020, Riccardo Muti joined the Orchestra again for a three-week CSO residency in February that included the Florida Tour 2020 and two programs at Symphony Center. In celebration of the Music Director’s time with the Orchestra during the past two months, please enjoy this video featuring Maestro Muti leading the Chicago Symphony Orchestra and Chorus in an excerpt from Mascagni’s Cavalleria rusticana, featuring mezzo-soprano Anita Rachvelishvili as Santuzza. 🎥@toddrphoto
Opening with the most famous four notes in all of classical music, Beethoven’s Fifth Symphony is featured on this CSO program led by Riccardo Muti, along with the composer’s Second Symphony and the world premiere of Ophelia’s Tears, Concertante Elegy, a new work by Nicolas Bacri featuring the CSO’s own bass clarinet J. Lawrie Bloom as soloist. #Beethoven250 📸@toddrphoto
“In four years, I had been in five orchestras,” said CSO Bass Clarinet J. Lawrie Bloom about the beginning of his orchestral career. As a clarinetist, he never set out to play the bass clarinet, but there just happened to be orchestral positions for the instrument when he began seeking a job. “That is how fast the auditions were happening. But by then, I had really started to realize that the bass gave me a voice I’d never had.” J. Lawrie Bloom takes center stage this week in Orchestra Hall for the world premiere of Nicolas Bacri’s Ophelia’s Tears, Concertante Elegy for Bass Clarinet and Orchestra, led by Riccardo Muti. #MusicianMonday 📸@toddrphoto

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