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Eloquence Classics has recently released the complete Chicago Symphony Orchestra catalog recorded under the baton of fifth music director Rafael Kubelík for the Mercury label. Newly remastered by Thomas Fine—the son of C. Robert (Bob) Fine and Wilma Cozart Fine, the original recording engineer and producer of much of the Mercury Living Presence catalogue—the ten-disc set features works by Bartók, Bloch, Brahms, Dvořák, Hindemith, Mozart, Mussorgsky, Schoenberg, Smetana, and Tchaikovsky. The set is now available in the CSO’s Symphony Store.
“For these seventieth anniversary reissues of the complete Mercury recordings of Rafael Kubelík and the Chicago Symphony Orchestra, new high-resolution transfers were made from the best tape sources available,” writes Fine in the accompanying booklet. Mussorgsky’s Pictures at an Exhibition was the first release, and it “received especially positive press, including the description by the New York Times music critic Howard Taubman as ‘the living presence’ of the orchestra. Mercury subsequently adopted Taubman’s description as their classical label name.”
Kubelík “was a powerful, often daring interpreter, and Mercury’s experiments with recording technology meant that he was captured from 1951 to ’53 in some of the finest mono around,” writes David Allen in the New York Times. “Eloquence’s bundle is the first to collect those recordings in their own box, even including excerpts from early stereo tests, and they are all worthwhile: vibrant, atmospheric accounts of Mozart symphonies; a Brahms First that rivals any of Wilhelm Furtwängler’s for visionary intensity; Schoenberg’s Five Pieces for Orchestra, lovingly colored; performances of Dvořák’s Symphony no. 9 and Smetana’s Má vlast as ardent as you’d expect from a Czech émigré. Treasurable.”
During Adolph “Bud” Herseth’s tenure as principal trumpet, the Chicago Symphony Orchestra commercially recorded Maurice Ravel’s orchestration of Modest Mussorgsky’s Pictures at an Exhibition on seven occasions between 1951 and 1990.
Following are the first tracks from each of those seven recordings, each featuring Herseth performing the work’s opening promenade fanfare.
Recorded in Orchestra Hall in Chicago in April 1951 for Mercury
Rafael Kubelík conductor
Wilma Cozart recording producer
David Hall recording supervisor
C. Robert Fine and George Piros recording engineers
Recorded in Orchestra Hall in Chicago in December 1957 for RCA
Fritz Reiner conductor
Richard Mohr producer
Lewis Layton recording engineer
Mark Donahue mastering engineer
Recorded in Medinah Temple in Chicago in July 1967 for RCA
Seiji Ozawa conductor
Peter Dellheim producer
Bernard Keville and Ernest Oelrich recording engineers
Recorded in Medinah Temple in Chicago in April 1976 for Deutsche Grammophon
Carlo Maria Giulini conductor
Günther Breest producer and recording supervisor
Klaus Scheibe engineer
Recorded in Medinah Temple in Chicago in May 1980 by London
Sir Georg Solti conductor
James Mallinson recording producer
James Lock and John Dunkerley balance engineers
Recorded in Orchestra Hall in Chicago in November 1989 for Chandos
Neeme Järvi conductor
Brian Couzens recording producer
Mitchell Heller location engineer
Paul Smith assistant engineer
Richard Lee editor
Recorded in Suntory Hall in Tokyo, Japan in April 1990 for Sony
Sir Georg Solti conductor
Humphrey Burton writer and director
Tomoyuki Tashiro and Renato Rezzonico executive producers
Shuji Fujii director
Juro Yokoyama recording director
Tetsuo Baba, Akira Fukada, and Andreas Neubronner recording engineers
Phil Piotrowsky lighting cameraman
Frank Baliello HDVS engineer
Armando Madaffari HDVS technician
Jean Rezzonico producer
John Dunkerley balance engineer
Martin Atkinson technical engineer
Terry Bennell editor
This article also appears here.