You are currently browsing the tag archive for the ‘Aspen Music Festival’ tag.

Francis Akos

The Chicago Symphony Orchestra family notes with sorrow the passing of Francis Akos, a member of the violin section from 1955 until 2003. He died earlier today in Minneapolis following a brief illness at the age of 93.

Akos was hired by Fritz Reiner in 1955 as assistant principal second violin and moved to principal second in 1956. In 1959, he became assistant concertmaster and remained in that chair until 1997, when he was named assistant concertmaster emeritus, a title he retained until his retirement in 2003.

A native of Budapest, Hungary, Akos, studied at the Franz Liszt Academy of Music with Béla Bartók, Zoltán Kodály, Leó Weiner, Imre Waldbauer, and Ede Zathureczky. He received his artist’s diploma in performance as well as a teacher’s diploma. As best of his class, Akos won both the Jenő Hubay prize and the Reményi Prize (a violin made especially for the winner of the competition) in the same year. Just before World War II, he formed a trio with cellist János Starker and pianist György Sebök (forty years later in December 1980, the three performed a reunion concert in Chicago).

After surviving the Holocaust (a brief interview from 1990 in which he describes his immediate postwar months is available here), Akos served as concertmaster of the Budapest Symphony Orchestra and later of the Hungarian Royal Opera and Philharmonic orchestras, the youngest person ever to hold these posts. After leaving Hungary, he was concertmaster of the Gothenburg Symphony Orchestra in Sweden and then of the Städtishce Oper (now the Deutsche Oper Berlin).

In 1954, Akos immigrated to the United States, where he performed at the Aspen Music Festival and with the Minneapolis Symphony (now the Minnesota Orchestra) under Antal Doráti before joining the Chicago Symphony Orchestra in 1955. He appeared as soloist with the Orchestra on numerous occasions, under music directors Reiner, Sir Georg Solti, and Daniel Barenboim, as well as with Carlo Maria Giulini, Gennady Rozhdestvensky, and János Ferencsik, among others.

Francis Akos in 2003 (Gregory Morton photo)

Francis Akos in 2003 (Gregory Morton photo)

Akos founded and led the Chicago Strings, a chamber ensemble comprised of CSO musicians; was leader of the Old Town Chamber Music Series; served as music director of the Fox River Valley Symphony in Aurora; and was conductor of the Chicago Heights Symphony Orchestra. As founding music director of the Highland Park Strings, he led that ensemble for twenty-eight years.

Akos is survived by two daughters, Kate Akos (Harry Jacobs) of San Francisco, California, and Judy Akos Berkowitz (Dennis Berkowitz) of Edina, Minnesota, and beloved grandchildren Justin and Melissa. Services will be private and plans for a public memorial will be announced at a later date. The family asks that any gifts of remembrance be made to the Chicago Symphony Orchestra, the Highland Park Strings, or the United States Holocaust Memorial Museum.

At the time of his retirement in 2003, Akos reflected on his years with the Chicago Symphony Orchestra: “For more than half my life, I have lived in Chicago as a member of the world’s greatest orchestra. The music, the composers, the conductors, and the soloists have inspired me. I am especially grateful to have been blessed with the inspiration I have received from my CSO colleagues during my professional life.”

An obituary was posted by the Chicago Tribune on January 29, 2016.

Advertisements

Ray Still - 1950s

Orchestral and chamber musician, soloist with countless ensembles, and lifelong teacher and coach Ray Still—a member of the Chicago Symphony Orchestra’s oboe section for forty years, serving as principal for thirty-nine years—died peacefully on March 12, 2014, surrounded by family in Woodstock, Vermont. He was 94.

Born on March 12, 1920, in Elwood, Indiana, Still began playing clarinet as a teenager. During the Great Depression, his family moved to California, where he was able to regularly hear performances of the Los Angeles Philharmonic as a volunteer usher. After hearing the masterful technique and elegant phrasing of Henri de Busscher—principal oboe in Los Angeles from 1920 until 1948—Still switched to the oboe.

Still graduated from Los Angeles High School and at the age of nineteen joined the Kansas City Philharmonic as second oboe in 1939, where he was a member until 1941 (and also where he met and married Mary Powell Brock in 1940). For the next two years, he studied electrical engineering, served in the reserve US Army Signal Corps, and worked nights at the Douglas Aircraft factory. During the height of World War II, Still joined the US Army in September 1943 and served until June of 1946.

Immediately following his honorable discharge from the Army, Still enrolled at the Juilliard School where he studied with Robert Bloom. The following year in 1947, he began a two-year tenure as principal oboe with the Buffalo Philharmonic Orchestra under the baton of William Steinberg. Beginning in 1949, Still was principal oboe of the Baltimore Symphony Orchestra for four years.

Fritz Reiner and the newest members of the Orchestra in the fall of 1953. From left to right: Nathan Snader, violin; Juan Cuneo, violin; Joseph Golan, violin; Alan Fuchs, horn; Sheppard Lehnhoff, viola; Ray Still, oboe; Sheppard Lehnhoff, viola; and János Starker, cello.

Fritz Reiner and the newest members of the Orchestra in the fall of 1953. From left to right: Nathan Snader, violin; Juan Cuneo, violin; Joseph Golan, violin; Alan Fuchs, horn; Ray Still, oboe; Sheppard Lehnhoff, viola; and János Starker, cello.

In the fall of 1953, Still auditioned for Fritz Reiner, the Chicago Symphony Orchestra’s recently named music director. Reiner invited him to be the Orchestra’s second-chair oboe and the following year promoted him to the principal position. Still would serve the Orchestra in that capacity—under music directors Reiner, Jean Martinon, Sir Georg Solti, and Daniel Barenboim—until his retirement in 1993.

Still appeared with the Chicago Symphony Orchestra as soloist on countless occasions, including the Orchestra’s first performances of works for solo oboe by Albinoni, Bach, Barber, Mozart, Richard Strauss, and Telemann. His extensive discography includes Bach’s Wedding Cantata on RCA with Kathleen Battle as soloist and James Levine conducting, and Mozart’s Oboe Concerto in C minor on Deutsche Grammophon with Claudio Abbado conducting.

Still performed with numerous other ensembles including the Juilliard, Vermeer, and Fine Arts string quartets; he recorded with Itzhak Perlman, Pinchas Zukerman, and Lynn Harrell; and regularly appeared at many music festivals, including those at Aspen, Stratford, and Marlboro, among others.

A tireless educator, Still taught at the Peabody Institute from 1949 until 1953, Roosevelt University from 1954 until 1957, and at Northwestern University for forty-three years until 2003. Throughout his tenure with the Chicago Symphony Orchestra, he coached members of the Civic Orchestra of Chicago. At the invitation of Seiji Ozawa, he spent the summers of 1968 and 1970 as a visiting member of the Japan Philharmonic Orchestra in Tokyo, where he held coaching sessions for the wind section, conducted chamber music classes, and lectured at Toho University.

Ray Still - 1970s

Following his retirement from Northwestern, he moved to Annapolis, Maryland—where he continued to give master classes and lessons—with his beloved wife Mary and son James to live near his daughter Susan. In 2013, he moved to Saxtons River and later Woodstock, Vermont, where he lived near Susan, his granddaughter Madeline, and her two daughters.

Still is survived by his daughter and son-in-law, Mimi and Kent Dixon of Springfield, Ohio; his son and daughter-in-law, Tom and Sally Still of Big Timber, Montana; his daughter and son-in-law, Susan Still and Peter Bergstrom of Saxtons River, Vermont; six grandchildren, and three great-grandchildren. He was preceded in death in 2012 by his wife of almost 72 years, Mary Brock Still, and his son James Still.

Services will be private and details for a memorial in Chicago are pending. In lieu of flowers, the family asks for donations to the Institute for Learning, Access, and Training at the Chicago Symphony Orchestra.

When interviewed for an article in the Chicago Tribune in 1988, Still was asked why he thought the Chicago Symphony Orchestra was the world’s greatest. His reply: “It’s like a great baseball team. We have a blend of youth and experience, and they work very well together. A lot of orchestras have this. The thing that makes the Chicago Symphony Orchestra very unusual is the tremendous—I hate to use the word—discipline. There is a certain pride, and I think it goes back to the days of Theodore Thomas, the founder. There is something about the tradition of this Orchestra and the level the main body of musicians has come to expect of itself. There’s just a longer line of tradition.”

More information can be found at www.raystill.com.

the vault

Theodore Thomas

csoarchives twitter feed

chicagosymphony twitter feed

ChicagoSymphony Instagram

There was an error retrieving images from Instagram. An attempt will be remade in a few minutes.

disclaimer

The opinions expressed here are mine and do not necessarily reflect those of my employer.

visitors

  • 271,324 hits
Advertisements
%d bloggers like this: