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Gould set

RCA Red Seal Records (now a division of Sony Masterworks) has just released the complete Chicago Symphony Orchestra recordings—some available for the first time on CD—led by Morton Gould, a frequent and favorite guest conductor in the 1960s.

“This set of recordings documents an unusual relationship Gould had with the Chicago Symphony Orchestra,” writes Alan G. Artner in the set’s liner notes. “[This] collection represents something close to the height of Gould’s work in the recording studio, made with the finest orchestra he conducted, taking chances with a good deal of music just being discovered in that adventurous, bygone time.”

Highlights of the six-CD set include several works by Ives, including The Unanswered Question, Variations on America, Robert Browning Overture, Putnam’s Camp, the first recording of Orchestral Set no. 2, and the Symphony no. 1 (which won the 1966 Grammy Award for Album of the Year—Classical). Also featured are Rimsky-Korsakov’s Antar Symphony, Miaskovsky’s Symphony no. 21, several waltzes by Tchaikovsky, Copland’s Dance Symphony, Gould’s Spirituals for Orchestra, and two works by Nielsen: the Symphony no. 2 and Clarinet Concerto featuring Benny Goodman. A special bonus track is Goodman performing Gould’s arrangement of Fred Fisher’s song Chicago (previously only available on LP, released in conjunction with the CSO’s second Marathon fundraiser in 1977).

In 1985, the Chicago Symphony gave the world premiere of Gould’s Flute Concerto, commissioned for the Orchestra, principal flute Donald Peck, and music director Sir Georg Solti. In the program note, the composer recalled, “Among my most pleasant memories are those years when I was guest conductor with the Chicago Symphony Orchestra.”

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The CSO and Maestro Muti perform a program featuring Prokofiev’s Suite from Romeo and Juliet and Dvořák’s Symphony No. 9 (From the New World) at the historic Teatro di San Carlo for a capacity audience. Taking the podium to announce the evening’s encore—Giordano’s Intermezzo from Fedora—Muti noted “although, I’m 100% Italian, I’m 200% Southern Italian.” After the concert, Maestro Muti and his wife hosted the musicians of the Orchestra and distinguished guests for a post-concert dinner featuring traditional Neapolitan cuisine. On Sunday morning before the concert, Maestro Muti and three CSO musicians—Jennifer Gunn, piccolo; Charles Vernon, trombone; and Gene Pokorny, tuba—share an informal performance with young men and women at a juvenile justice center in nearby Nisida. The program was presented by the Negaunee Music Institute with assistance from the administrative staff of the Teatro di San Carlo. #CSOonTour 📸@toddrphoto
Musicians and staff travel from Paris to Naples. Called Napoli in Italian, its name is derived from the Greek word Neapolis meaning "new city.” The city is the birthplace of Riccardo Muti, as well as the birthplace of pizza! This tour stop includes the CSO’s first return to the world renowned Teatro di San Carlo with Maestro Muti since 2012. That appearance marked its first European tour appearance in Naples. 📸@toddrphoto
Riccardo Muti and the CSO spend less than 24 hours in Paris for a concert at the Philharmonie de Paris with a program featuring works by Wagner, Hindemith and Dvořák. The last time they performed in this hall was during their most recent tour to Europe in January 2017. #CSOonTour 📸@toddrphoto

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