In 1967, Viking Press published John Culshaw‘s book, Ring Resounding, a detailed account of the first complete studio recording of Richard Wagner’s Der Ring des Nibelungen. Solti was the conductor for those recordings, made in Vienna between 1958 and 1965 with an all-star cast of singers and the Vienna Philharmonic.
Rand McNally & Company published a coffee table book in 1974 with text by Chicago Tribune music critic Thomas Willis and photographs by Robert M. Lightfoot III. The book was titled simply The Chicago Symphony Orchestra and included images of rehearsals, performances, and recording sessions in Orchestra Hall, at the Ravinia Festival, and in tour venues.
Also in 1974, MacMillan published William Barry Furlong‘s Season with Solti. Intended to give a backstage view of how the Chicago Symphony Orchestra operated during a single season, the book included first-hand accounts from numerous members of the Orchestra.
Paul Robinson’s Solti was published in 1979 by Lester and Orpen Limited. It was the third in their Art of the Conductor series, following books on Herbert von Karajan and Leopold Stokowski, also by Robinson.
And, of course, there’s Sir Georg Solti’s Memoirs with assistance from Harvey Sachs. (My well-worn copy is pictured to the right.) It was published by Alfred A. Knopf in 1997. The afterword—by Valerie, Gabrielle, and Claudia Solti, to whom Solti had dedicated the book—says it all: “Our beloved Gyrui and Papa died, unexpectedly, in the South of France on Friday, September 5, 1997. Only hours before, he had completed the final corrections to this book. We hope it will give an insight into the most rare and wonderful of human beings, who enriched and blessed our lives beyond any words. No family could have had a more loving, generous, and wise husband and father.”