On December 17, 1960, Georg Solti made his debut at the Metropolitan Opera in New York, conducting the Paris version of Wagner’s Tannhäuser. The cast included Leonie Rysanek, Irene Dalis, Hans Hopf, Jerome Hines, and the house debut of Hermann Prey. (Twenty-two-year-old Teresa Stratas was scheduled to perform as the Shepherd, but she was replaced by Mildred Allen.)
According to Robert Sabin, reporting for Musical America: “In some ways, Tannhäuser is a severer challenge to the conductor than the Ring operas or Wagner’s other mature masterpieces, but Mr. Solti had solved every one of its ticklish problems of tempo, balance, phrasing and dramatic emphasis. Most notable were the fluidity of his tempos, the transparence of texture he achieved and the emotional vitality of his conception. True, the Bacchanale was pale and certain of the ensembles could have been weightier and more majestic. But this was a price willingly paid for the flow and clarity of Mr. Solti’s conception. He kept the audience absorbed every minute up to the last note and he richly deserved the prolonged ovations he received (in which the orchestra, be it noted, joined).”
The incredible MetOpera Database indicates that Solti conducted a total of thirty-seven performances with the company, including Tristan und Isolde, Otello, Boris Godunov, Aida, and Don Carlo. His final performances were two special concerts on March 27 and 28, 1964, given in memory of John F. Kennedy, that included a scene from Parsifal (with Jess Thomas, Jerome Hines, and Marcia Baldwin) and Verdi’s Requiem (with Leontyne Price, Rosalind Elias, Carlo Bergonzi, Cesare Siepi, and the Metropolitan Opera Orchestra and Chorus).