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On May 9, 2014, we celebrate the 100th anniversary of the birth of Carlo Maria Giulini, a beloved presence on the Chicago Symphony’s podium from 1955 until 1978, including his tenure as the Orchestra’s first principal guest conductor from 1969 until 1972, during which he shared conducting duties with Georg Solti for the first overseas tour to Europe in 1971.

Giulini headshot

In October 1955 “Fritz Reiner delivered an unusually flattering message to the musicians assembled around him on Orchestra Hall’s stage. The orchestra would have a guest conductor the following week, Reiner said, but it would not be any run-of-the-mill substitute. ‘A very special person,’ is how Reiner described Giulini. That Reiner would heap praise upon a potential competitor caught his players off guard. ‘That’s the only time he ever made any comment like that, and boy was he right,’ said Adolph Herseth, the orchestra’s principal trumpet” (excerpt from Thomas D. Saler’s excellent biography of Giulini, Serving Genius).

Giulini made his United States debut in November 1955, leading two weeks of concerts with the Chicago Symphony Orchestra. The first subscription week originally was to include Debussy’s La mer, but it was replaced at the last minute with Mussorgsky’s Pictures at an Exhibition. The programs for that first week were as follows:

November 3 & 4, 1955

Original program for the November 3 & 4, 1955, subscription concerts

November 2, 1955 (television concert filmed in WGN’s Studio Theatre)
VIVALDI/Moliniari The Four Seasons
John Weicher, violin
Dorothy Lane, harpsichord

November 3 & 4, 1955 (Orchestra Hall)
VIVALDI/Moliniari The Four Seasons
John Weicher, violin
Dorothy Lane, harpsichord
PIZZETTI Prelude to Fedra
MUSSORGSKY/Ravel Pictures at an Exhibition

November 8, 1955 (Orchestra Hall)
VIVALDI/Moliniari The Four Seasons
John Weicher, violin
Dorothy Lane, harpsichord
PIZZETTI Prelude to Fedra
DEBUSSY La mer

In the Chicago Tribune, Claudia Cassidy wrote: “For a time last night it looked as if we might remember Carlo Maria Giulini as the man who introduced Antonio Vivaldi’s enchanting music of ‘The Four Seasons’ to the Chicago Symphony’s repertory in Orchestra Hall. Then it became plain that we will remember Giulini as himself. This tall, slender young Italian from Milan’s La scala has sensitivity, imagination, and skill, and he has that extra, enkindling thing, the Promethean gift of fire” (the complete review is here).

On November 9, the Tribune printed an announcement that “Mr. Giulini’s ‘La mer’ [from Tuesday evening] was a performance of such distinction, being large, comprehensive, sweeping, and inspired, that the Thursday-Friday program have been altered to include it.” As a result, the Orchestra’s first performances of Giovanni Salviucci’s Introduction, Passacaglia, and Finale was delayed [Giulini would introduce the work to Chicago audiences in September 1969]. The programs for the second week were:

November 3 & 4, 1955, program bio

November 3 & 4, 1955, program bio

November 9, 1955 (television concert filmed in WGN’s Studio Theatre)
ROSSINI Overture to L’italiana in Algeri
HAYDN Symphony No. 94 in G Major (Surprise)
RAVEL Five Children’s Pieces from Mother Goose

November 10 & 11 (Orchestra Hall), & 14 (Pabst Theatre, Milwaukee), 1955
ROSSINI Overture to L’italiana in Algeri
HAYDN Symphony No. 94 in G Major (Surprise)
DEBUSSY La mer
RAVEL Five Children’s Pieces from Mother Goose
FALLA Three Dances from The Three-Cornered Hat

For Giulni’s second week, Cassidy wrote: “The orchestra played for him with the mobility in equilibrium that let him say what he had to say, whether that communication came in the Debussy, in the sunny charms of Haydn’s ‘Surprise’ Symphony, in the pale shimmer of Ravel’s fairy tale palette, or the black, boiling furies of the dances from ‘Tricorne,’ whose farruca had the fierce pride only the young Escudero could have hoped to rival” (complete review is here).

Giulini in Stockholm

Giulini leading the Orchestra at the Folkets Hus in Stockholm, Sweden on September 15, 1971

Giulini’s final residency with the Orchestra was in March 1978, when he led three weeks of concerts. According to his program biography: “Next season Maestro Giulini begins a three-year term as music director of the Los Angeles Philharmonic.” (He went on to serve as the Philharmonic’s eighth music director until 1984.) The programs for his last appearances were as follows:

March 2, 3 & 4, 1978 (Orchestra Hall)
SCHUBERT/Webern Six German Dances, D. 820
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
BRAHMS Violin Concerto in D Major, Op. 77
Isaac Stern, violin

March 16, 17 & 18, 1978

March 16, 17 & 18, 1978

March 6, 1978 (Uihlein Hall, Milwaukee)
SCHUBERT Symphony No. 4 in C Minor, D. 417
BRAHMS Violin Concerto in D Major, Op. 77
Isaac Stern, violin

March 9, 10 & 11, 1978
GABRIELI Canzon à 4
GABRIELI/Thomas Sonata, pian’ e forte
MOZART Piano Concerto No. 24 in C Minor, K. 491
Sir Clifford Curzon, piano
DVOŘÁK Symphony No. 8 in G Major, Op. 88

March 16, 17 & 18, 1978
BEETHOVEN Overture to Egmont, Op. 84
BEETHOVEN Violin Concerto in D Major, Op. 61
Pina Carmirelli, vioin
SCHUBERT Symphony No. 4 in C Minor, D. 417

Oh yeah, he made some recordings with the Orchestra too. Stay tuned for part 2 . . .

Claudio Abbado, the Chicago Symphony Orchestra’s principal guest conductor from 1982 until 1985, recorded extensively with the Orchestra and Chicago Symphony Chorus beginning in 1976 through 1991 on CBS, Deutsche Grammophon, and Sony, as well as several releases on the CSO’s From the Archives series. A complete list of those recordings is below.

Bartok Piano Concertos

BARTÓK Concerto for Piano No. 1
Maurizio Pollini, piano
Recorded in Orchestra Hall, February 1977
Deutsche Grammophon
1979 Grammy Award for Best Classical Performance–Instrumental Soloist
1979 Gramophone Award for Concerto

BARTÓK Concerto for Piano No. 2
Maurizio Pollini, piano
Recorded in Orchestra Hall, February 1977
Deutsche Grammophon
1979 Grammy Award for Best Classical Performance–Instrumental Soloist
1979 Gramophone Award for Concerto

Berlioz Symphonie fantastique x

BERLIOZ Symphonie fantastique, Op. 14
Recorded in Orchestra Hall, February 1983
Deutsche Grammophon

BRAHMS Concerto for Violin and Cello in A Minor, Op. 102 (Double)
Isaac Stern, violin
Yo-Yo Ma, cello
Recorded in Orchestra Hall, November 1986
CBS

BRUCH Concerto for Violin No. 1 in G Minor, Op. 26
Shlomo Mintz, violin
Recorded in Orchestra Hall, February 1980
Deutsche Grammophon

CHOPIN Concerto for Piano No. 2 in F Minor, Op. 21
Ivo Pogorelich, piano
Recorded in Orchestra Hall, February 1983
Deutsche Grammophon

GABRIELI Jubilate Deo and Miserere mei Deus from Sacrae symphoniae
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, March 1986
CSO (From the Archives, vol. 13: Chicago Symphony Chorus: A Fortieth Anniversary Celebration)

Mozart and Haydn concertos

HAYDN Concerto for Trumpet in E-flat Major
Adolph Herseth, trumpet
Recorded in Orchestra Hall, February 1984
Deutsche Grammophon

HAYDN Sinfonia Concertante in B-flat Major for Violin, Cello, Oboe, and Bassoon, Op. 84
Samuel Magad, violin
Frank Miller, cello
Ray Still, oboe
Willard Elliot, bassoon
Recorded in Orchestra Hall, February 1980
CSO (From the Archives, vol. 2: Soloists of the Orchestra)

MAHLER Rückert Lieder
Hanna Schwarz, mezzo-soprano
Recorded in Orchestra Hall, February 1981
Deutsche Grammophon

MAHLER Symphony No. 1 in D Major
Recorded in Orchestra Hall, February 1981
Deutsche Grammophon

Mahler Symphony No. 2

MAHLER Symphony No. 2 in C Minor (Resurrection)
Carol Neblett, soprano
Marilyn Horne, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Medinah Temple, February 1976
Deutsche Grammophon

MAHLER Symphony No. 5
Recorded in Orchestra Hall, February 1980
Deutsche Grammophon

MAHLER Symphony No. 6 in A Minor
Recorded in Orchestra Hall, February 1979 and February 1980
Deutsche Grammophon

MAHLER Symphony No. 7 in E Minor
Recorded in Orchestra Hall, January and February 1984
Deutsche Grammophon

MENDELSSOHN Concerto for Violin in E Minor, Op. 64
Shlomo Mintz, violin
Recorded in Orchestra Hall, February 1980
Deutsche Grammophon

MOZART Concerto for Bassoon in B-flat Major, K. 191
Willard Elliot, bassoon
Recorded in Orchestra Hall, February 1984
Deutsche Grammophon

MOZART Concerto for Horn No. 3 in E-flat Major, K. 447
Dale Clevenger, horn
Recorded in Orchestra Hall, February 1981
Deutsche Grammophon

MOZART Concerto for Oboe in C Major, K. 314
Ray Still, oboe
Recorded in Orchestra Hall, March 1983
Deutsche Grammophon

MOZART Kyrie in D Minor, K. 341
Chicago Symphony Chorus
James Winfield, associate director
Recorded in Orchestra Hall, March 1983
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

MUSSORGSKY Coronation Scene from Boris Godunov
Philip Langridge, tenor
Ruggero Raimondi, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, November 1984
CSO (Chicago Symphony Orchestra–The First 100 Years)

MUSSORGSKY Joshua
Lucia Valentini-Terrani, mezzo-soprano
Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, March 1981
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

MUSSORGSKY Chorus of Priestesses from Salammbô
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Recorded in Orchestra Hall, March 1981
CSO (From the Archives, vol. 22: Chicago Symphony Chorus: A Fiftieth Anniversary Celebration)

PROKOFIEV Concerto for Violin No. 1 in D Major, Op. 19
Shlomo Mintz, violin
Recorded in Orchestra Hall, February and March 1983
Deutsche Grammophon

PROKOFIEV Concerto for Violin No. 2 in G Minor, Op. 63
Shlomo Mintz, violin
Recorded in Orchestra Hall, February and March 1983
Deutsche Grammophon

Prokofiev Scythian and Kije

PROKOFIEV Lieutenant Kijé, Op. 60
Recorded in Orchestra Hall, February 1977
Deutsche Grammophon

PROKOFIEV Scythian Suite
Recorded in Orchestra Hall, February 1977
Deutsche Grammophon

RACHMANINOV Concerto for Piano No. 2 in C Minor, Op. 18
Cecile Licad, piano
Recorded in Orchestra Hall, February 1983
CBS

RACHMANINOV Rhapsody on a Theme of Paganini, Op. 43
Cecile Licad, piano
Recorded in Orchestra Hall, February 1983
CBS

Tchaikovsky 1812

TCHAIKOVSKY 1812 Overture, Op. 49
Recorded in Orchestra Hall, February 1990
Sony

TCHAIKOVSKY Marche slav, Op. 31
Recorded in Orchestra Hall, November 1986
CBS

TCHAIKOVSKY Suite No. 1 from The Nutcracker, Op. 71a
Recorded in Orchestra Hall, March 1991
Sony

TCHAIKOVSKY Romeo and Juliet
Recorded in Orchestra Hall, April 1988
CBS

TCHAIKOVSKY Symphony No. 1 in G Minor, Op. 13 (Winter Dreams)
Recorded in Orchestra Hall, March 1991
Sony

TCHAIKOVSKY Symphony No. 2 in C Minor, Op. 17 (Little Russian)
Recorded in Orchestra Hall, May 1984
CBS

TCHAIKOVSKY Symphony No. 3 in D Major, Op. 29 (Polish)
Recorded in Orchestra Hall, Feburary 1990
Sony

TCHAIKOVSKY Symphony No. 4 in F Minor, Op. 36
Recorded in Orchestra Hall, April 1988
CBS

Tchaikovsky Symphony No. 5

TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64
Recorded in Orchestra Hall, February 1985
CBS

TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)
Recorded in Orchestra Hall, November 1986
CBS

TCHAIKOVSKY The Tempest, Op. 18
Recorded in Orchestra Hall, May 1984
CBS

TCHAIKOVSKY Le Voyevode, Op. 78
Recorded in Orchestra Hall, February 1985
CBS

WAGNER A Faust Overture
Recorded in Orchestra Hall, February 1983
CSO (Chicago Symphony Orchestra–The First 100 Years)

WEBERN Six Pieces for Orchestra, Op. 6
Recorded in Orchestra Hall, February 1984
CSO (From the Archives, vol. 5: Guests in the House)

Statements on Claudio Abbado’s passing from Maestro Riccardo Muti and the Chicago Symphony Orchestra can be found on CSO Sounds and Stories.

Claudio Abbado

The Chicago Symphony Orchestra family joins the music world in mourning the loss of Claudio Abbado, who served as our principal guest conductor from 1982 until 1985. Abbado died peacefully on Monday, January 20 in Bologna, Italy, following a long illness. He was 80.

A frequent and beloved guest conductor, Abbado made his debut with the Orchestra in January 1971, leading three weeks of subscription concerts at Orchestra Hall as well as a run-out concert to Milwaukee:

January 7, 8 & 9, 1971
January 11, 1971 (Pabst Theater in Milwaukee, Wisconsin)
BERG Three Pieces for Orchestra, Op. 6
MOZART Violin Concerto No. 3 in G Major, K. 216
Josef Suk, violin
BRAHMS Symphony No. 2 in D Major, Op. 73

debut program

. . . and Abbado’s program book biography

debut program page

January 7, 8 & 9, 1971, program page . . .

January 14 & 15, 1971
MAHLER Symphony No. 3 in D Minor
Helen Watts, contralto
Women of the Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Barbara Born, director

January 21, 22 & 23, 1971
BARTÓK Piano Concerto No. 2
Maurizio Pollini, piano
BRUCKNER Symphony No. 1 in C Minor

He returned to Chicago frequently, both before and after his tenure as principal guest conductor—also leading domestic tour concerts including stops at the Kennedy Center in Washington, D.C. and New York’s Carnegie Hall—and his final appearances with the Orchestra were in March 1991. Abbado’s residencies included numerous collaborations with the Chicago Symphony Chorus and he also led the Civic Orchestra of Chicago on multiple occasions.

His repertoire with the Orchestra covered a broad spectrum including symphonies by Beethoven, Berlioz, Brahms, Bruckner, Mahler, Mendelssohn, Mozart, Schubert, and Tchaikovsky; concertos by Bach, Bartók, Beethoven, Berg, Brahms, Bruch, Chopin, Hindemith, Mozart, Prokofiev, Rachmaninov, Schoenberg, Schumann, Shostakovich, Stravinsky, and Tchaikovsky; as well as twentieth-century works by Boulez, Ligeti, Rihm, and Webern. Some of Abbado’s most memorable concerts included complete performances of Berg’s Wozzeck, Mussorgsky’s Boris Godunov, Prokofiev’s Alexander Nevsky, Schoenberg’s Ewartung, Stockhausen’s Gruppen for Three Orchestras, Stravinsky’s Oedipus Rex and Pulcinella, and Verdi’s Requiem.

Abbado acknowledges applause following a performance of Berg's Wozzeck on May 24, 1984 (J. Wassman photo)

Abbado acknowledges applause following a performance of Berg’s Wozzeck on May 24, 1984 (J. Wassman photo)

Abbado collaborated with a vast array of soloists including instrumentalists Salvatore Accardo, Carter Brey, Natalia Gutman, Yuzuko Horigome, Zoltán Kocsis, Cecile Licad, Yo-Yo Ma, Midori, Shlomo Mintz, Viktoria Mullova, Ken Noda, Ivo Pogorelich, Maurizio Pollini, David Schrader, Rudolf Serkin, Isaac Stern, Josef Suk, and Pinchas Zukerman; vocalists Francisco Araiza, Hildegard Behrens, Gabriela Beňačková, Rockwell Blake, Claudio Desderi, Maria Ewing, Donald Gramm, Aage Haugland, Marilyn Horne, Gwynne Howell, Philip Langridge, Benjamin Luxon, Carol Neblett, Margaret Price, Ruggero Raimondi, Samuel Ramey, Hanna Schwarz, Ellen Shade, John Shirley-Quirk, Lucia Valentini-Terrani, and Helen Watts; narrator Maximilian Schell; and CSO members Victor Aitay, Dale Clevenger, Willard Elliot, Adolph Herseth, Samuel Magad, Frank Miller, Mary Sauer, and Ray Still.

Following his last CSO guest conducting engagement in 1991, Abbado returned to Chicago on three occasions with the Berlin Philharmonic:

Berlin program

Abbado’s final appearance in Chicago, with the Berlin Philharmonic on October 10, 2001

October 22, 1993
MAHLER Symphony No. 9 in D Major

October 18, 1999
MAHLER Symphony No. 3 in D Minor
Anna Larsson, contralto
Women of the Chicago Symphony Chorus
Duain Wolfe, director
Glen Ellyn Children’s Chorus
Emily Ellsworth, director

October 10, 2001
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastoral)
BEETHOVEN Symphony No. 7 in A Major, Op. 92

Statements on Claudio Abbado’s passing from Maestro Riccardo Muti and the Chicago Symphony Orchestra can be found on CSO Sounds and Stories.

____________________________________________________

During his tenure as music director, Solti and the Chicago Symphony Orchestra traveled to Carnegie Hall nearly every season. A complete list of those concerts are below:

January 8, 1970
HAYDN Symphony No. 102 in B-flat Major
BARTÓK Dance Suite
BRAHMS Symphony No. 1 in C Minor, Op. 68

January 9, 1970
MAHLER Kindertotenlieder
Helen Watts, contralto
MAHLER Symphony No. 5

December 7, 1970
LEVY Concerto for Piano No. 1
Earl Wild, piano
BRUCKNER Symphony No. 8 in C Minor

December 8, 1970
MAHLER Symphony No. 7 in E Minor

April 27, 1971
WAGNER Das Rheingold
Woglinde Karen Altman, soprano
Wellgunde Huguette Tourangeau, mezzo-soprano
Flosshilde Helen Watts, contralto
Alberich Rolf Kuhne, bass
Wotan David Ward, bass
Fricka Mignon Dunn, mezzo-soprano
Freia Karen Altman, soprano
Fasolt Martti Talvela, bass
Fafner Hans Sotin, bass
Donner Thomas Paul, bass
Froh Kenneth Riegel, tenor
Loge Gerhard Stolze, tenor
Mime John Lanigan, tenor
Erda Helen Watts, contralto

November 17, 1971
SCHUMANN Symphony No. 3 in E-flat Major, Op. 97 (Rhenish)
BARTÓK Concerto for Orchestra
WAGNER Prelude to Act 1 of Die Meistersinger von Nürnberg

November 20, 1971
SCHOENBERG Moses and Aron
Moses Hans Hotter, speaker
Aron Richard Lewis, tenor
A Young Girl Karen Altman, soprano
A Young Man Kenneth Riegel, tenor
Another Man Benjamin Matthews, baritone
Priest Donald Gramm, bass-baritone
An Invalid Woman Emilie Miller, mezzo-contralto
Ephraimite Stephen Swanson, baritone
A Naked Youth Kenneth Riegel, tenor
Four Naked Virgins Barbara Pearson and Nancy Clevenger, sopranos; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto
Three Elders Alfred Reichel and Jack Abraham, baritones; Eugene Johnson, bass
Six Solo Voices in the Orchestra Barbara Pearson, soprano; Sharon Powell, mezzo-soprano; Elizabeth Muir-Lewis, alto; William Wahman, tenor; Stephen Swanson and Arthur Berg, baritones
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Barbara Born, director

April 19, 1972
SCHUBERT Symphony No. 8 in B Minor, D. 759 (Unfinished)
MAHLER Das Lied von der Erde
Shirley Verrett, mezzo-soprano
Stuart Burrows, tenor

April 22, 1972
CARTER Variations for Orchestra
STRAUSS Don Juan, Op. 20
BERLIOZ Symphonie fantastique, Op. 14A

December 6, 1972
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Josephine Veasey, contralto
Faust Stuart Burrows, tenor
Mephistopheles Robert Savoie, baritone
Brander Roger Soyer, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Theatre Chorus
Doreen Rao, director

December 9, 1972
MENDELSSOHN Overture to Fingal’s Cave, Op. 26
BARTÓK Concert for Violin, No. 2
Isaac Stern, violin
STRAUSS Ein Heldenleben, Op. 40

May 2, 1973
WAGNER Act 3 of Götterdämmerung
Gutrune Karen Altman, soprano
Brunnhilde Helga Dernesch, soprano
Woglinde Barbara Pearson, soprano
Wellgunde Gwendolyn Jones, mezzo-soprano
Flosshilde Sandra Walker, mezzo-soprano
Siegfried Jess Thomas, tenor
Gunther Donald Gramm, bass
Hagen Martti Talvela, bass
Men of the Chicago Symphony Chorus
Richard Boldrey, assistant director

May 4, 1973
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
BRUCKNER Symphony No. 7 in E Major

November 14, 1973
WEBER Overture to Oberon
HENZE Heliogabalus Imperator
BEETHOVEN Symphony No.3 in E-flat Major, Op. 55 (Eroica)

November 17, 1973
BACH Suite No. 3 in D Major, BWV 1068
MAHLER Symphony No. 6 in A Minor

May 1, 1974
SCHUMANN Symphony No. 4 in D Minor, Op. 120
BARTÓK Bluebeard’s Castle
Judith Tatiana Troyanos, mezzo-soprano
Bluebeard Zoltán Kelemen, baritone

May 4, 1974
MOZART Symphony No. 35 in D Major, K. 385 (Haffner)
ELGAR Variations on an Original Theme, Op. 36 (Enigma)
STRAVINSKY The Rite of Spring

December 17, 1974
BACH Brandenburg Concerto No. 2 in F Major, BWV 1047
Samuel Magad, violin
Ralph Zeitlin, recorder
Ray Still, oboe
Adolph Herseth, trumpet
SCHOENBERG Variations for Orchestra, Op. 31
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

December 18, 1974
STRAUSS Salome
Salome Birgit Nilsson, soprano
Herodias Ruth Hesse, mezzo-soprano
Herod Antipas Ragnar Ulfung, tenor
Jokanaan Norman Bailey, baritone
Slave Sarah Beatty, soprano
The Page of Herodias Sandra Walker, mezzo-soprano
Narraboth George Shirley, tenor
Cappadocian Gershon Silins, bass
Two Nazarenes Cory Winter, tenor; Franz Mazura, bass-baritone
Four Jews Philip Creech, Jerry Jennings, John Lanigan, and William Wahman, tenors; Eugene Johnson, bass
Two Soldiers Curtis Dickson and Thomas Paul, basses

December 20, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
ELGAR Symphony No. 2 in E-flat Major, Op. 63

December 21, 1974
MOZART Symphony No. 39 in E-flat Major, K. 543
MAHLER Lieder eines fahrenden Gesellen
Julia Hamari, mezzo-soprano
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

April 29, 1975
STRAVINSKY Symphony in C
BRUCKNER Symphony No. 5 in B-flat Major

April 30, 1975
VERDI Requiem
Leontyne Price, soprano
Yvonne Minton, mezzo-soprano
Luciano Pavarotti, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

May 2, 1975
HAYDN Symphony No. 101 in D Major (The Clock)
LISZT Piano Concerto No. 2 in A Major
Tamás Vásáry, piano
STRAUSS Also sprach Zarathustra, Op. 30

May 10, 1976
BARTÓK Music for Strings, Percussion, and Celesta
BEETHOVEN Symphony No. 2 in D Major, Op. 36
STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28

May 12, 1976
MENDELSSOHN Selections from A Midsummer Night’s Dream
MOZART Piano Concerto No. 27 in B-flat Major, K. 595
Alicia de Larrocha, piano
DEBUSSY La mer

May 14, 1976
WAGNER Der fliegende Höllander
The Dutchman Norman Bailey, bass-baritone
Senta Janis Martin, soprano
Daland Martti Talvelabass
Erik René Kollo, tenor
The Steersman Werner Krenntenor
Mary Isola Jonesmezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

November 8, 1976
MOZART Adagio and Fugue in C Minor, K. 546
VERDI Four Sacred Pieces
Jo Ann Pickens, soprano
Chicago Symphony Chorus
Margaret Hillis, director
WALTON Belshazzar’s Feast
David Ward, bass
Chicago Symphony Chorus
Margaret Hillis, director

November 10, 1976
SHOSTAKOVICH Symphony No. 9 in E-flat Major, Op. 70
TCHAIKOVSKY Symphony No. 6 in B Minor, Op. 74 (Pathétique)

November 12, 1976
RAVEL Le tombeau de Couperin
DEBUSSY Prelude to The Afternoon of a Faun
RAVEL La valse
BEETHOVEN Symphony No. 7 in A Major, Op. 92

May 9, 1977
HAYDN Symphony No. 103 in E-flat Major
WAGNER Prelude and Liebestod from Tristan and Isolde
BRAHMS Symphony No. 2 in D Major, Op. 73

May 11, 1977
MOZART Symphony No. 41 in C Major, K. 551 (Jupiter)
MAHLER Symphony No. 5

May 13, 1977
BEETHOVEN Missa solemnis, Op. 123
Lucia Popp, soprano
Yvonne Minton, mezzo-soprano
Mallory Walker, tenor
Gwynne Howell, bass
Chicago Symphony Chorus
Margaret Hillis, director

Solti was scheduled to conduct four concerts at Carnegie Hall in October and November 1977; however after suffering a fall in Chicago, he was forced to cancel the first two appearances. The October 31 performance of Mahler’s Eighth Symphony was conducted by Chorus Director Margaret Hillis, and the November 1 program (identical to the November 2 concert) was led by Associate Conductor Henry Mazer.

November 2, 1977
ROSSINI Overture to The Barber of Seville
STRAVINSKY Jeu de cartes
STRAUSS Four Last Songs
Lucia Popp, soprano
STRAUSS Don Juan, Op. 20

November 4, 1977
TIPPETT Symphony No. 4
BRUCKNER Symphony No. 7 in E Major

May 8, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 4 in E Minor, Op. 98

May 9, 1978
BRAHMS Symphony No. 3 in F Major, Op. 90
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 10, 1978
BRAHMS Piano Concerto No. 1 in D Minor, Op. 15
Alfred Brendel, piano
BRAHMS Symphony No. 1 in C Minor, Op. 68

May 12, 1978
BRAHMS Tragic Overture, Op. 81
BRAHMS A German Requiem, Op. 45
Kiri Te Kanawa, soprano
Bernd Weikl, baritone
Chicago Symphony Chorus
Margaret Hillis, director

May 14 & 15, 1979
BEETHOVEN Symphony No. 4 in B-flat Major, Op. 60
BRUCKNER Symphony No. 6 in A Major

May 16 & 18, 1979
MOUSSORGSKY/Rimsky-Korsakov Prelude to Khovanshchina
SHOSTAKOVICH Symphony No. 1, Op. 10
SCHUBERT Symphony No. 9 in C Major, D. 944 (Great)

May 19, 1979
BEETHOVEN Fidelio, Op. 72
Leonore Hildegard Behrens, soprano
Marzelline Sona Ghazarian, soprano
Florestan Peter Hofmann, tenor
Jaquino David Kübler, tenor
Don Pizarro Theo Adam, baritone
Rocco Hans Sotin, bass
Don Fernando Gwynne Howell, bass
Two Prisoners Robert Johnson, tenor and Philip Kraus, baritone
Chicago Symphony Chorus
Margaret Hillis, chorus director

April 28 & 30, 1980
BEETHOVEN Symphony No. 6 in F Major, Op. 68 (Pastorale)
STRAVINSKY The Rite of Spring

April 29, 1980
MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (Scottish)
WAGER “Dich, teure Halle” from Tannhäuser
Leontyne Price, soprano
WAGNER Prelude and Liebestod from Tristan and Isolde
Leontyne Price, soprano
MOUSSORGSKY/Ravel Pictures at an Exhibition

May 2 & 3, 1980
MAHLER Symphony No. 2 in C Minor (Resurrection)
Isobel Buchanan, soprano
Christa Ludwig, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 27 & 29, 1981
MAHLER Symphony No. 9 in D Major

April 28, 1981
BRUCKNER Symphony No.4 in E-flat Major (Romantic)
BARTÓK Concerto for Orchestra

May 1 & 2, 1981
BERLIOZ The Damnation of Faust, Op. 24
Marguerite Frederica von Stade, mezzo-soprano
Faust Kenneth Riegel, tenor (May 1); Peyo Garazzi, tenor (May 2)
Mephistopheles José van Dam, baritone
Brander Malcolm King, bass
Chicago Symphony Chorus
Margaret Hillis, director
Glen Ellyn Children’s Chorus
Doreen Rao, director

April 18, 1983
WAGNER Das Rheingold
Wotan Siegumund Nimsgern, bass-baritone
Alberich Hermann Becht, baritone
Fricka Gabriele Schnaut, mezzo-soprano
Loge Siegfried Jerusalem, tenor
Mime Robert Tear, tenor
Erda Jan DeGaetani, mezzo-soprano
Fafner Malcolm Smith, bass
Fasolt Gwynne Howell, bass
Freia Mary Jane Johnson, soprano
Donner John Cheek, bass-baritone
Froh Dennis Bailey, tenor
Woglinde Michelle Harman-Gulick, soprano
Wellgunde Elizabeth Hynes, soprano
Flosshilde Emily Golden, mezzo-soprano

April 19, 1983
MOZART Overture to The Magic Flute, K. 620
BARTÓK Music for Strings, Percussion, and Celesta
DVOŘÁK Symphony No. 9 in E Minor, Op. 95 (From the New World)

April 29, 1985
VERDI Falstaff
Sir John Falstaff Guillermo Sarabia, baritone
Ford Wolfgang Brendel, baritone
Fenton Yordi Ramiro, tenor
Dr. Caius Heinz Zednik, tenor
Bardolph Francis Egerton, tenor
Pistol Aage Haugland, bass
Mistress Alice Ford Katia Ricciarelli, soprano
Nannetta Kathleen Battle, soprano
Mistress Quickly Christa Ludwig, mezzo-soprano
Mistress Meg Page Ann Murray, mezzo-soprano
Chicago Symphony Chorus
Margaret Hillis, director

April 30, 1985
SHOSTAKOVICH Symphony No. 9, Op. 70
BRUCKNER Symphony No. 9 in D Minor (Unfinished)

May 1, 1985
BRAHMS Variations on a Theme by Haydn, Op 56a
LUTOSŁAWSKI Symphony No. 3
BEETHOVEN Symphony No. 5 in C Minor, Op. 67

May 3, 1985
MAHLER Symphony No. 7 in E Minor

May 4, 1985
BERG Three Pieces for Orchestra, Op. 6
BERG Concerto for Violin
Salvatore Accardo, violin
TCHAIKOVSKY Symphony No. 5 in E Minor, Op. 64

May 18, 1987
MAHLER Symphony No. 9

May 19, 1987
STRAUSS Ein Heldenleben, Op. 40
STRAVINSKY The Rite of Spring

May 20, 1987
HAYDN Symphony No. 103 in E-flat Major (Drumroll)
BRUCKNER Symphony No. 7 in E Major

February 10, 1989
SCHUBERT Symphony No. 5 in B-flat Major, D. 485
SCHOSTAKOVICH Symphony No. 8 in C Minor, Op. 65

February 11, 1989
BARTÓK Music for Strings, Percussion, and Celesta
BARTÓK Suite from The Miraculous Mandarin
BRAHMS Symphony No. 4 in E Minor, Op. 98

April 15 & 18, 1991
TIPPETT Byzantium
Faye Robinson, soprano
MAHLER Symphony No. 5


April 16 & 19, 1991

VERDI Otello
Otello Luciano Pavarotti, tenor
Desdemona Kiri Te Kanawa, soprano
Iago Leo Nucci, baritone
Emilia Elzbieta Ardam, mezzo-soprano
Cassio Anthony Rolfe Johnson, tenor
Roderigo John Keyes, tenor
Montano Alan Opie, baritone
Lodovico Dimitri Kavrakos, bass
A Herald Richard Cohn, baritone
Chicago Symphony Chorus
Margaret Hillis, director
Terry Edwards, guest chorus master
Metropolitan Opera Children’s Chorus
Elena Doria, director

____________________________________________________

To honor Sir Georg Solti’s seventy-fifth birthday, the Chicago Symphony Orchestra and Chorus gave a gala concert of the highest order on October 9, 1987.

Governor James R. Thompson opened the concert with welcoming remarks, and after the intermission, Mayor Harold Washington presented Sir Georg with the City of Chicago’s Medal of Merit. The concert program was as follows:

CORIGLIANO Campane di Ravello (world premiere)
Kenneth Jean, conductor

J. STRAUSS Overture to Die Fledermaus
Plácido Domingo, conductor

MOZART Concerto for Two Pianos in E-flat Major, K. 365
Sir Georg Solti, conductor and piano
Murray Perahia, piano

STRAUSS Don Juan, Op. 20
Sir Georg Solti, conductor

Plácido Domingo and Kiri Te Kanawa perform a scene from Verdi’s Otello

VERDI Excerpts from Act 1 of Otello
Sir Georg Solti, conductor
Kiri Te Kanawa, soprano
Plácido Domingo, tenor
Kurt R. Hansen, tenor
Joseph Wolverton, tenor
Richard Cohn, baritone
David Huneryager, bass
Chicago Symphony Chorus
Margaret Hillis, director

The commemorative program contained letters and testimonials from numerous public officials, conductors, musicians, and industry professionals, including: Ronald Reagan, James R. Thompson, Harold Washington, Claudio Abbado, Daniel Barenboim, Carlo Maria Giulini, Rafael Kubelík, John Corigliano, Christoph von Dohnányi, Rudolf Serkin, Henry Fogel, Michael Tilson Thomas, Christa Ludwig, Birgit Nilsson, Witold Lutosławski, Sir Charles Mackerras, Mstislav Rostropovich, Klaus Tennstedt, David Del Tredici, Leonard Bernstein, Leonard Slatkin, Werner Klemperer, José van Dam, Elliott Carter, Karel Husa, Isaac Stern, Morton Gould, Hans Werner Henze, Itzhak Perlman, Anja Silja, Erich Leinsdorf, Josef Suk, Plácido Domingo, Michael Tippett, Kiri Te Kanawa, Murray Perahia, Leontyne Price, András Schiff, Kenneth Jean, Andrzej Panufnik, Dame Janet Baker, Pierre Boulez, Yvonne Minton, Herbert Blomstedt, Mira Zakai, Margaret Hillis, Gunther Herbig, Ray Minshull, Ann Murray, Philip Langridge, Raymond Leppard, Vladimir Ashkenazy, George Rochberg, Gwynne Howell, Ardis Krainik, Michael Morgan, Anne-Sophie Mutter, Wolfgang Sawallisch, Henry Mancini, and Barbara Hendricks.

Solti and Perahia as soloists in Mozart’s Concerto for Two Pianos

The concert was covered widely in the press, in the Chicago Tribune (here, here, and here) and Sun-Times (here and here), as well as Time, Newsweek, the Post-Tribune, and the San Francisco Chronicle, among many others.

____________________________________________________

To launch the Chicago Symphony Orchestra’s 100th season, an all-star cast of conductors and soloists was assembled for a gala opening concert on October 6, 1990. From left to right, back row: Associate Conductor Kenneth Jean, András Schiff, Lorin Maazel, Gary Lakes, Sylvia McNair, Samuel Ramey; middle row: Music Director Designate Daniel Barenboim, Lady Valerie Solti, Music Director Sir Georg Solti, Leonard Slatkin, Yo-Yo Ma; front row: Isaac Stern, Mstislav Rostropovich, Susanne Mentzer, and Murray Perahia.

Lady Solti served as host and the concert program was as follows:

WAGNER Prelude to Die Meistersinger von Nürnberg
Sir Georg Solti, conductor

BIZET Adagietto from L’arlésienne Suite No. 1
Lorin Maazel, conductor

HAYDN Allegro molto from Cello Concerto in C Major, Hob. VIIb:1
Yo-Yo Ma, cello
Leonard Slatkin, conductor

DVOŘÁK Allegro from Cello Concerto in B Minor, Op. 104
Mstislav Rostropovich, cello
Lorin Maazel, conductor

CORIGLIANO Bells of Ravello
Kenneth Jean, conductor

MOZART Adagio in E Major, K. 261 and Rondo in C Major, K. 373
Isaac Stern, violin
Leonard Slatkin, conductor

BARBER Essay No. 2, Op. 17
Leonard Slatkin, conductor

MOZART Andante and Allegro vivace assai from Piano Concerto No. 21 in C Major, K. 467
Murray Perahia, piano and conductor

BRAHMS Rondo: Allegro non troppo from Piano Concerto No. 1 in D Minor, Op. 15
András Schiff, piano
Mstislav Rostropovich, conductor

STRAUSS Till Eulenspiegel’s Merry Pranks, Op. 28
Daniel Barenboim, conductor

BEETHOVEN Finale: Ode, “To Joy” from Symphony No. 9 in D Minor, Op. 125
Sylvia McNair, soprano
Susanne Mentzer, mezzo-soprano
Gary Lakes, tenor
Samuel Ramey, bass
Chicago Symphony Chorus
Margaret Hillis, chorus director
Sir Georg Solti, conductor

the vault

Theodore Thomas

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